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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MOv
Non classifié
874
Piano & claviers
Piano seul
769
Orgue
53
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
22
2 Pianos, 4 mains
21
Piano, Voix
19
Piano, Voix et Guitare
11
Piano Facile
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
Orgue, Piano (duo)
2
Accompagnement Piano
2
Clavier
1
Instruments en Do
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
21
Ukulele
5
2 Guitares (duo)
4
Basse electrique
4
Ensemble de guitares
3
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale TTBB
10
Chorale SSAA
8
Voix haute
6
Voix Soprano, Piano
3
Chorale 3 parties
3
Voix basse, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Chorale SSATB
1
Voix Baryton
1
Voix Alto, Piano
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière et Piano
69
Clarinette et Piano
46
Clarinette
35
Flûte traversière
34
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Alto et Piano
31
Hautbois, Piano (duo)
30
Flûte, Hautbois, Clarinette, Basson
28
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
24
Saxophone Alto
20
Quintette de Clarinettes: 5 clarinettes
19
Saxophone Soprano et Piano
18
Hautbois (partie séparée)
13
Quintette de Saxophone: 5 saxophones
13
Clarinette Basse, Piano
13
Saxophone Tenor et Piano
13
Saxophone Tenor
13
2 Clarinettes (duo)
11
Ensemble de saxophones
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
3 Clarinettes (trio)
8
Ensemble de Flûtes
8
Saxophone Baryton, Piano
7
2 Saxophones (duo)
6
Saxophone
6
Cor anglais, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Soprano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
3
Clarinette, Basson, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Violon, Piano
3
Saxophone (partie séparée)
3
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Orgue
2
Flûte et Guitare
2
2 Hautbois (duo)
2
Saxophone et Guitare
2
Flûte, Alto et Piano
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Flûte à Bec
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
Piccolo, Piano
1
Hautbois
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Flûte, alto et harpe
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Flûte, Tuba (duo)
1
Hautbois, Guitare (duo)
1
Clarinette, Orgue
1
3 Hautbois
1
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
Clarinette, Violon (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Guitare (duo)
1
Hautbois et Orchestre
1
+ 67 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trombone et Piano
80
Trompette
53
Ensemble de Trombones
43
Euphonium, Piano (duo)
39
Cor
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Tuba et Piano
37
Trombone
27
Trompette, Piano
25
Cor et Piano
24
Quatuor de cuivres: 4 trombones
16
2 Euphoniums et 2 Tubas
8
Quatuor de cuivres: 4 cors
8
Trompette (partie séparée)
8
3 Trombones (trio)
7
2 Cors (duo)
7
Tuba
6
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor anglais, Piano
5
4 Tubas
5
Trombone basse
4
Ensemble de Trompettes
3
Trombone basse et Piano
3
Trombone, Orgue
2
Trompette, Trombone (duo)
2
Euphonium
2
3 Euphoniums
2
3 Tubas (trio)
2
Trompette, Tuba (duo)
2
Ensemble de Cors
2
2 Trombones (duo)
2
Trombone et orchestre
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
2 Trompettes (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
257
Violon et Piano
90
Violon
56
Violoncelle, Piano
52
Alto, Piano
23
Violon, Alto (duo)
22
Violon, Violoncelle (duo)
20
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle
19
Harpe
18
2 Violons (duo)
17
Alto seul
11
2 Violoncelles (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Contre Basse
4
2 Altos (duo)
3
Alto (partie séparée)
3
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
3
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
4 Harpes
1
Violon (partie séparée)
1
Trio à cordes
1
Violoncelle, Contrebasse (duo)
1
Harpe, Orchestre
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Alto et Harpe
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre
322
Orchestre à Cordes
109
Orchestre d'harmonie
102
Orchestre de chambre
92
Ensemble de cuivres
65
Ensemble Jazz
28
Batterie
18
Cloches
8
Ensemble de Percussions
8
Jazz combo
6
Marimba
2
Fanfare
2
Orchestre, Violon
1
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Vibraphone
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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MOv
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Guitare
Partitions à imprimer
63 partitions trouvées
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51
Concerto no.1 3 mov.
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Guitare
#
AVANCÉ
#
Classique
#
Thomas Augustine Arne
#
John Trie
#
Concerto no.1 3 mov.
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john Trie
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.965879 Composed by Thomas Augustine Arne. Arranged by John Trie. Baroque,Classical,Romantic Period. Individual part. 5 p...
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Solo Guitar - Level 5 - SKU: A0.965879 Composed by Thomas Augustine Arne. Arranged by John Trie. Baroque,Classical,Romantic Period. Individual part. 5 pages. John Trie #2014867. Published by john Trie (A0.965879). Concerto no.1 3 mov. by Thomas Augustine Arne. Guitar arrangement by John Trie.
$3.99
Mahalia Jackson : Lord Don't Move The Mountain (niveau avancé)
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Guitare
#
AVANCÉ
#
Jazz
#
Mahalia Jackson
#
Lord Don't Move The Mountain
#
Tomplay
Telechargez la tablature et la partition Guitare Lord Don't Move The Mountain (niveau avance) de Mahalia Jackson. Tab pour Lead Guitar -- Jazz...
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Telechargez la tablature et la partition Guitare Lord Don't Move The Mountain (niveau avance) de Mahalia Jackson. Tab pour Lead Guitar -- Jazz
5.99€
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
#
AVANCÉ
#
Jose Lezcano
#
Best wishes, Jose
#
Key West Suite for Two Guitars
#
Jose Manuel Lezcano
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00
The Traveler - Solo Guitar piece in three movements
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Guitare
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AVANCÉ
#
Ayala Asherov
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The Traveler - Solo Guitar pie
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Mix Meter Music Publishing Company
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Musi...
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Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Music Publishing Company #5718479. Published by Mix Meter Music Publishing Company (A0.960824). The Traveler is a solo guitar piece in three movements, challenging melodic and fun. 7 min.
$10.99
Ludwig van Beethoven: Adagio from Sonata Op. 27 No.2 "Moonlight" instantly for guitar solo
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Guitare
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Virtualsheetmusic
Instantly downloadable sheet music by Ludwig van Beethoven for guitar solo of HIGH skill level. Contents: monlight, moon light, op. 27 no. 2, op.27 no.2, opus 27 number 2, no.14, no. 14, number 14, moonlight sonata / classical...
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Instantly downloadable sheet music by Ludwig van Beethoven for guitar solo of HIGH skill level. Contents: monlight, moon light, op. 27 no. 2, op.27 no.2, opus 27 number 2, no.14, no. 14, number 14, moonlight sonata / classical
$3.99
Moonlight Sonata - 1st movement
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Guitare
#
AVANCÉ
#
Classique
#
Ludwig v Beethoven
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Chin Tan
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Moonlight Sonata - 1st movemen
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Chin Tan
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1018062 Composed by Ludwig v Beethoven. Arranged by Chin Tan. Romantic Period. Individual part. 3 pages. Chin Tan #64139...
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Solo Guitar - Level 5 - SKU: A0.1018062 Composed by Ludwig v Beethoven. Arranged by Chin Tan. Romantic Period. Individual part. 3 pages. Chin Tan #6413931. Published by Chin Tan (A0.1018062). This arrangement for classical guitar is suitable for advanced players.
$4.99
"KABBALAH" one-movement sonata for solo guitar
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Guitare
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AVANCÉ
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Contemporain
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Oleg Boyko
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"KABBALAH" one-movement sonata
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Oleg Boyko
#
SheetMusicPlus
Composed by Oleg Boyko. Contemporary. Individual part. 10 pages. Oleg Boyko #684644. Published by Oleg Boyko ...
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Composed by Oleg Boyko. Contemporary. Individual part. 10 pages. Oleg Boyko #684644. Published by Oleg Boyko
$17.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
#
AVANCÉ
#
Classique
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Konstantin Bliokh
#
Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$30.00
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Peated Waltzes
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Guitare
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AVANCÉ
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ...
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Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jere...
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Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Guitar Sonata in F minor (Guitar Sonata No. 1)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
Rebetiko Suita in La Minore
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Guitare
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AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Rebetiko Suita in La Minore
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #10031...
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Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #1003143. Published by Socrates Arvanitakis (A0.1421796). Rebetiko Suita in La MinoreThis six-movement suite is in rebetiko style and it  starts with an introductory prelude rather than an improvisatory taximi. It also introduces the Syrtos rhythm in 2/4 but the main concentration is in the three main rhythms of Rebetiko in Zeibekiko 9/4, Hassapiko 2/4 or 4/4, and Antikristos 9/8.Two main scales are used throughout, the harmonic and the melodic minor and the order of the six movements is:1 Preludio2 Zeibekikos3 Syrtos4 Hassapikos 15 Hassapikos 2 - (Hassapikos 1 D.C.)6 AntikristosThe above titles are also given as internal active links and clicking on them brings the user to the relevant music page where clicking at the title of the piece brings again to the index.Socrates ArvanitakisLondon 2024.
$12.00
Sonatina for Solo Guitar
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Guitare
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AVANCÉ
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Contemporain
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Brian Bunker
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Sonatina for Solo Guitar
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Brian C. Bunker
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.976106 Composed by Brian Bunker. Contemporary. Individual part. 7 pages. Brian C. Bunker #4995415. Published by Brian C....
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Solo Guitar - Level 5 - SKU: A0.976106 Composed by Brian Bunker. Contemporary. Individual part. 7 pages. Brian C. Bunker #4995415. Published by Brian C. Bunker (A0.976106). A simple, clear work in three movements for Solo Guitar, with a Sonata-Allegro opening, a slow middle movement, and a Rondo in 6/8. A mixture of modal and tonal materials gives a unique and colorful sound to the piece, full of interest and melodic sweep.
$3.99
Invocation of Darkness
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Guitare
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AVANCÉ
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Contemporain
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Brad Rau
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Invocation of Darkness
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1243643 By Brad Rau. By Brad Rau. 20th Century. Individual part. 6 pages. Brad Rau #838597. Published by Brad Rau (A0.12...
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Solo Guitar - Level 5 - SKU: A0.1243643 By Brad Rau. By Brad Rau. 20th Century. Individual part. 6 pages. Brad Rau #838597. Published by Brad Rau (A0.1243643). This piece was composed by Brad Rau for solo guitar. Rau has always been fascinated with dark, evil, sounding music, and this is his attempt to write some that are truly dark. This is also inspired when Rau has a kidney rupture that eventually causes him to have it removed. This was recorded on Brad's third album, In a Very Unusual Manner. The main theme is based on two minor chords a tritone apart. It then accelerates in tempo into an octatonic excitement with constant time signature changes that jar the listener. Then the main theme comes back, this time in Tremolo. It ends with the same solo theme it begins with. The piece is inspired by works of Erik Satie, Invocation and Dance by Joaquin Rodrigo, and the Usher Waltz by Nikita Koshkin.
$6.99
Cousin Mary
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Guitare
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AVANCÉ
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John Coltrane
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Andrew Pattinson
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Cousin Mary
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Andrew Pattinson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1151064 By John Coltrane. By John Coltrane. Arranged by Andrew Pattinson. 20th Century,Instructional,Jazz. Individual pa...
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Solo Guitar - Level 5 - SKU: A0.1151064 By John Coltrane. By John Coltrane. Arranged by Andrew Pattinson. 20th Century,Instructional,Jazz. Individual part. 6 pages. Andrew Pattinson #751250. Published by Andrew Pattinson (A0.1151064). Cousin Mary from the album Giant Steps by John Coltrane. This arrangement is in the key of A flat and contains the Theme, all 12 of John Coltrane's choruses and the outro improvisation over 6 pages. Slight simplification has been done for ease of reading in that all ornaments have been removed including grace notes. Chords are included throughout to aid study.
$4.99
Donut Music
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Guitare
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AVANCÉ
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355....
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Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00
All-Time Favorite Parking Lot Picker's Guitar Solos
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Guitare
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AVANCÉ
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Country
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Dix Bruce
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All-Time Favorite Parking Lot
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Advanced - SKU: M0.21370BCDEB Composed by Dix Bruce. Parking Lot Pickers. Country. E-book and online audio. Mel Bay Publications ...
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Guitar (flatpicking) - Advanced - SKU: M0.21370BCDEB Composed by Dix Bruce. Parking Lot Pickers. Country. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21370BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21370BCDEB). ISBN 9781619114135. 8.75x11.75 inches.Aimed at beginning and intermediate guitarists, this book is packed with songs,solos, and techniques that every guitar player should know. The material includes melodies, tablature, chords, and all the solos are recorded at both slow and regular speeds on the accompanying audio. Solos include easy open string solos, closed position moveable and transposable solos, double stops, solos with a bluesy sound, crosspicking solos, and backup guitar parts. Includes access to online audio and free additional tunes.
$19.99
Sonata No. 2
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Guitare
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AVANCÉ
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Celil Refik Kaya
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Sonata No. 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4300 Composed by Celil Refik Kaya. Score. 30 pages. Les Productions d'OZ - Digital #DZ 4300. Published by Les Productions...
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Guitar - Advanced - SKU: ZZ.DZ-4300 Composed by Celil Refik Kaya. Score. 30 pages. Les Productions d'OZ - Digital #DZ 4300. Published by Les Productions d'OZ - Digital (ZZ.DZ-4300). Sonata No. 2, commissioned by Bokyung Byun and composed in 2024, represents the most extensive solo guitar sonata I have created to date, comprising four movements. This sonata is characterized by its flashy, mysterious, dark, and highly virtuosic nature, making it an ideal piece for both competitions and concert performances. While the Scherzo and Finale can be performed independently, or the first, third, and fourth movements can be paired for time-constrained concerts, it is advisable to perform all movements together due to their interconnectedness.«La Sonate n°2, commandée par Bokyung Byun et composée en 2024, représente la plus vaste sonate pour guitare solo que j'ai créée à ce jour, comprenant quatre mouvements. Cette sonate se caractérise par sa nature flashy, mystérieuse, sombre et hautement virtuose, ce qui la rend c'est une pièce idéale pour les concours et les concerts. Bien que le Scherzo et le Finale puissent être interprétés indépendamment, ou que les premier, troisième et quatrième mouvements puissent être associés pour des concerts limités dans le temps, il est conseillé d'exécuter tous les mouvements ensemble en raison de leur caractère. interconnectivité. ».
$11.95
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