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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Strings
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334
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17
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11
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7
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4
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3
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3
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2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitare
17
Guitare notes et tablatures
5
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Voix
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13
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3
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2
Voix Soprano, Piano
2
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1
Chorale 3 parties
1
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8
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6
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5
Flute (partie séparée)
4
Ensemble de Clarinettes
4
Hautbois (partie séparée)
4
Clarinette
4
Quintette de Saxophone: 5 saxophones
3
Saxophone Alto
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
Hautbois, Piano (duo)
1
Cor Anglais
1
Ensemble de Flûtes
1
Saxophone Tenor et Piano
1
Flûte à bec Alto, Piano
1
Saxophone Alto et Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
+ 16 instrumentations
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Cuivres
Cor
6
Trombone et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba et Piano
2
Trompette
2
Trompette (partie séparée)
1
Ensemble de Trombones
1
Cor et Piano
1
Tuba
1
Trompette, Piano
1
Trombone (partie séparée)
1
Cor Anglais
1
Quatuor de cuivres: 4 trombones
1
Trombone et orchestre
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon
26
Harpe, Violon (duo)
15
Trio à Cordes: violon, alto, violoncelle
15
Violon et Piano
13
Violoncelle, Piano
9
Harpe
9
Violoncelle
7
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
6
Violon, Alto (duo)
5
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Alto seul
3
Violon, Violoncelle (duo)
3
Alto (partie séparée)
3
Alto, Piano
3
Contre Basse
2
4 Violoncelles
2
2 Violons (duo)
2
Violoncelle (partie séparée)
2
Harpe, Orchestre
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
+ 23 instrumentations
Retracter
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186
Orchestre de chambre
120
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120
Ensemble Jazz
15
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5
Ensemble de cuivres
4
Jazz combo
3
Orchestre d'harmonie
1
Piano et Orchestre
1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
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1
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Pulso de la vida
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Sco…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
5.49 €
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Guitare
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.75 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Dance of Impressions
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1253427 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1253427 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary. Individual part. 7 pages. Doug Smith Guitar Studio #847088. Published by Doug Smith Guitar Studio (A0.1253427). Dance of Impressions brings out the special character of the 4th or D string. The piece begins with a melody in the bass strings that then moves to the treble strings. There is a long improvisational middle section and a recap. The music was later arranged for chamber ensemble for a ballet score and renamed Dance of the Mimes.
$3.99
3.68 €
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Guitare
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Doug Smith
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Dance of Impressions
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Doug Smith Guitar Studio
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SheetMusicPlus
Song For My Father
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.921841 By Horace Silver. By Horace…
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Solo Guitar - Level 5 - Digital Download SKU: A0.921841 By Horace Silver. By Horace Silver. Arranged by Scott Sanchez. Jazz. Individual part. 4 pages. Scott R. Sanchez #4757779. Published by Scott R. Sanchez (A0.921841). Song for My Father by Horace Silver (1928-2014) is a jazz tune from the 1965 album Song for My Father by the Horace Silver Quintet. This arrangement was conceived on classical guitar and can be played on steel or nylon strings. Arrangement by Scott Sanchez
$4.99
4.6 €
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Guitare
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Horace Silver
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Scott Sanchez
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Song For My Father
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Scott R. Sanchez
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SheetMusicPlus
Thick As A Brick
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1099535 By Jethro Tull. By Ian And…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1099535 By Jethro Tull. By Ian Anderson. Arranged by Manuel Guinand. Country,Folk,Rock,Singer/Songwriter. Individual part. 21 pages. Aumaitre Guinand #703435. Published by Aumaitre Guinand (A0.1099535). Arrangement for Guitar of Jethro Tull's song Thick As A Brick as performed by Billy Strings. Key Ab major. Ideal for advanced players.
$20.00
18.44 €
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Guitare
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Jethro Tull
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Manuel Guinand
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Thick As A Brick
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Aumaitre Guinand
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SheetMusicPlus
Technic Etudes
Guitare
Guitar (flatpicking) - Advanced - Digital Download SKU: M0.WBM09EB Composed by Will…
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Guitar (flatpicking) - Advanced - Digital Download SKU: M0.WBM09EB Composed by William Bay. Classical. All styles. E-book. Mel Bay Publications - Digital Sheet Music #WBM09EB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM09EB). ISBN 9781619113626. 8.75x11.75 inches.The goal of these twenty etudes is to address various issues of guitar technique while presenting pieces that have melodic content, are interesting and fun to play and which can be used in concert or recital. Fragmented scale runs, scales ascending and descending several octaves, switching positions amidst musical phrases, arpeggio picking, string skipping and combining open and fingered strings are some of the issues addressed in these compositions.
$12.99
11.98 €
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Guitare
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William Bay
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Technic Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Sonata in F minor (Guitar Sonata No. 1)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
4.61 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Partita II (BWV1004) in d minor transcribed for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
7.38 €
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Guitare
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Twilight Tea
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304732 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304732 Composed by Doug Smith. 20th Century,21st Century,Classical,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894158. Published by Doug Smith Guitar Studio (A0.1304732). Twilight Tea is music composed for perfomance on the ninth fret of the guitar. The mood is reflective. The music is in the key of F# minor and uses scale runs and melodic phrases over chords. Both the melody and the chords artfully make use of open strings for ease of playability and interesting harmony.
$2.99
2.76 €
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Guitare
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Doug Smith
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Twilight Tea
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Doug Smith Guitar Studio
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SheetMusicPlus
Feather Space
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304748 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304748 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #894174. Published by Doug Smith Guitar Studio (A0.1304748). Feather Space is music compossed for performance on the eleventh fret of the guitar. The music is etherial in anture. With the high range the performer controls the intonation with attentive listening while fingeing. The music uses chords and melodic phrases five sharps, open strings, arpeggios and delicate harmonics.
$2.99
2.76 €
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Guitare
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Doug Smith
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Feather Space
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Doug Smith Guitar Studio
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SheetMusicPlus
Impromptu For Anna
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304754 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304754 Composed by Doug Smith. 20th Century,Classical,Folk,Instructional,Multicultural,World. Individual part. 6 pages. Doug Smith Guitar Studio #894181. Published by Doug Smith Guitar Studio (A0.1304754). Impromptu For Anna is music composed for performance on the twelfth fret of the guitar. The mood of the music is one of exotic mystery. The high range of the pitches offer sounds that are quite simialr to Chinese folk instruments. The music was first performed for Chinese visitors to McNally Smith College of Music in St. Paul, MN in the summer of 2015. The melody is built within arpeggios that weave open strings into the texture. Intonation in the high range of the guitar involves careful listening and exact fingering with the left hand.
$2.99
2.76 €
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Guitare
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Doug Smith
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Impromptu For Anna
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Doug Smith Guitar Studio
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SheetMusicPlus
Message
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1041318 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1041318 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646058. Published by Koncert 1234 Kft (A0.1041318). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00
9.22 €
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Guitare
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Jozsef Ludvig
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Message
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Koncert 1234 Kft
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SheetMusicPlus
Concerto for Guitar and Orchestra
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.882381 Composed by David Chesky. C…
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Solo Guitar - Level 5 - Digital Download SKU: A0.882381 Composed by David Chesky. Contemporary,Latin. Individual part. 430 pages. Pamaluc Music #18563. Published by Pamaluc Music (A0.882381). A virtuoso guitar concerto in the Spanish Flamenco style. Duration 23:00 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
32.25 €
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Guitare
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David Chesky
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Concerto for Guitar and Orchestra
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Pamaluc Music
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SheetMusicPlus
10th Degree Blues
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304739 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304739 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #894165. Published by Doug Smith Guitar Studio (A0.1304739). 10th Degree Blues is music to be performed on the tenth fret of the guitar.The piece tosses phrases back and forth in an echoing fashio, using blues melodies and phrasing over a typical 12 bar blues progression. The chords work in open strings for haarmonies. The tenth position offers higher pitches that provide a bright happy mood and context.
$2.99
2.76 €
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Guitare
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Doug Smith
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10th Degree Blues
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Doug Smith Guitar Studio
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SheetMusicPlus
Asturias - Leyenda.
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99
2.76 €
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Guitare
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Isaac Albeniz
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Daniel Clark
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Asturias - Leyenda.
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Daniel Clark
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SheetMusicPlus
Horse gallop
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1041312 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1041312 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646052. Published by Koncert 1234 Kft (A0.1041312). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00
9.22 €
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Guitare
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Jozsef Ludvig
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Horse gallop
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Koncert 1234 Kft
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SheetMusicPlus
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