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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Bee
Non classifié
456
Piano & claviers
Piano seul
327
Piano, Voix
143
Instruments en Do
25
Orgue
20
1 Piano, 4 mains
9
Piano, Voix et Guitare
8
2 Pianos, 4 mains
6
Clavier
3
Accordéon
3
2 Pianos, 8 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
33
Guitare notes et tablatures
16
2 Guitares (duo)
8
Ukulele
3
Mandoline
3
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
2
Piano, Guitare (duo)
1
Basse electrique
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
43
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
9
Chorale SSAA
6
Chorale 3 parties
6
Voix basse, Piano
6
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix duo, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix, Guitare
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix Soprano
1
Voix Tenor, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Clarinette
28
Clarinette et Piano
26
Flûte traversière et Piano
24
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois (partie séparée)
17
Flûte, Hautbois, Clarinette, Basson
16
2 Flûtes traversières (duo)
16
Flûte traversière
14
Quintette de Saxophone: 5 saxophones
14
Ensemble de Clarinettes
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
Saxophone
9
3 Clarinettes (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano et Piano
7
Ensemble de saxophones
7
Quintette de Clarinettes: 5 clarinettes
6
Flute (partie séparée)
5
Clarinette Basse, Piano
5
Saxophone Tenor et Piano
4
Flûte et Guitare
4
Saxophone Baryton, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto
3
2 Saxophones (duo)
3
Clarinette, Violoncelle (duo)
2
Saxophone et Orgue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon
2
Clarinette, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais, Piano
1
Saxophone Tenor
1
Hautbois
1
Flûte, Violon, Piano
1
Cor Anglais
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
2 Clarinettes (duo)
1
Flûte à bec Alto, Piano
1
Ensemble de Flûtes
1
Clarinette, Violon (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trombone et Piano
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Cor
23
Trompette
22
Euphonium, Piano (duo)
20
Tuba et Piano
20
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
14
Trompette, Piano
12
Cor et Piano
12
Trombone
11
Ensemble de Trompettes
7
Tuba
5
2 Trombones (duo)
5
Trombone basse et Piano
4
Trombone basse
4
Quatuor de Cuivres
4
Euphonium
4
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
3
2 Tubas (duo)
2
Trompette (partie séparée)
2
Instruments en Sib
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone et orchestre
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
4 Tubas
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
102
Violon et Piano
46
Violon
32
Violoncelle, Piano
22
Alto, Piano
18
Violoncelle
15
Harpe
11
2 Violons (duo)
10
Violon, Violoncelle (duo)
9
Alto seul
9
Violon, Alto (duo)
8
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Violon, Guitare (duo)
4
Trio à cordes
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Contrebasse (duo)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
81
Orchestre à Cordes
49
Orchestre d'harmonie
42
Ensemble de cuivres
41
Ensemble Jazz
34
Orchestre de chambre
25
Jazz combo
7
Fanfare
3
Ensemble de Percussions
3
Cloches
2
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
The Bee
expert
Guitare
Partitions à imprimer
33 partitions trouvées
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1
26
Bee Cliffs Suite for Classical Guitar
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Guitare
#
AVANCÉ
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Scott J
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Bee Cliffs Suite for Classical
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Scott Simon
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1306935 Composed by Scott J. Simon. 21st Century,Classical,Contemporary,Wedding. Individual part. 14 pages. Scott Simon ...
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Solo Guitar - Level 5 - SKU: A0.1306935 Composed by Scott J. Simon. 21st Century,Classical,Contemporary,Wedding. Individual part. 14 pages. Scott Simon #896264. Published by Scott Simon (A0.1306935). This original suite for solo classical guitar captures an introspective, mysterious mood and blends contemporary harmony with the Spanish classical tradition. The techniques utilized progress naturally from chords and scales, to arpeggios, to tremolo. See also Tablature Edition.
$9.99
Bagatelle No 25 'Fur Elise' by Beethoven for solo guitar
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Guitare
#
AVANCÉ
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Classique
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Ludwig van Beethoven
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Tim Rushworth
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Bagatelle No 25 'Fur Elise' by
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.943119 Composed by Ludwig van Beethoven. Arranged by Tim Rushworth. Romantic Period,Standards. Individual part. 3 pages....
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Solo Guitar - Level 5 - SKU: A0.943119 Composed by Ludwig van Beethoven. Arranged by Tim Rushworth. Romantic Period,Standards. Individual part. 3 pages. Tim Rushworth #4325943. Published by Tim Rushworth (A0.943119). This arrangement of the famous 'Fur Elise' by Beethoven makes this wonderful music accessible to guitarists. This is the complete work, rather than just the melody itself which is widely available elsewhere. The central section will need some dedicated practise for most players, to achieve a decent speed, but it is not difficult. I have used harmonics to include some of the notes in the higher octave in places, both natural and artificial harmonics with the right hand. This is an advanced technique but the effort is worthwhile. I hope you enjoy my arrangement.
$3.99
Nikolai Rimsky-Korsakov: The Flight of the Bumblebee (advanced) for guitar solo
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Guitare
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AVANCÉ
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Classique
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Nikolai Rimsky-Korsakov
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Virtualsheetmusic
This is an exclusive arrangement for guitar solo of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical...
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This is an exclusive arrangement for guitar solo of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical
$5.99
ADAGIO CANTABILE (PATHETIC SONATE) - BEETHOVEN - GUITAR SOLO
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Guitare
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AVANCÉ
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Classique
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FALLAHIN SCORE EDITIONS
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REGINALDO MARTINS
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ADAGIO CANTABILE
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Fallahin Score Editions
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1151149 By FALLAHIN SCORE EDITIONS. By Ludwig van Beethoven. Arranged by REGINALDO MARTINS. Classical,Romantic Period. I...
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Solo Guitar - Level 5 - SKU: A0.1151149 By FALLAHIN SCORE EDITIONS. By Ludwig van Beethoven. Arranged by REGINALDO MARTINS. Classical,Romantic Period. Individual part. 5 pages. Fallahin Score Editions #751329. Published by Fallahin Score Editions (A0.1151149). TRANSCRIPTION FOR GUITAR SOLO.
$16.00
Theme and Variations on Greensleeves
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Guitare
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AVANCÉ
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Contemporain
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Peter C Xifaras
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Crossover charts
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Theme and Variations on Greens
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Xifaras Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.941273 Composed by Peter C Xifaras. 20th Century,Contemporary. Individual part. 8 pages. Xifaras Music #4763441. Publish...
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Solo Guitar - Level 5 - SKU: A0.941273 Composed by Peter C Xifaras. 20th Century,Contemporary. Individual part. 8 pages. Xifaras Music #4763441. Published by Xifaras Music (A0.941273). Peter Xifaras, the creative force behind the Symphonex Orchestra® and Recording Academy/Grammys member, is an award winning guitarist/composer whose music has topped Billboard's Classical & Crossover charts. Peter's body of work ranges from classical and cinematic to spoken-word and jazz-fusion and has garnered praise for crossing over musical boundaries in publications such as Guitar Player Magazine, FingerStyle Guitar, and 20th Century Guitar.An 8 page work, 'Theme and Variations on Greensleeves' was an award winner at the annual Volos composition competition in Greece and has been performed in concert by the composer.
$16.95
The Guitarist's Hour
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Guitare
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AVANCÉ
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Classique
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The Guitarist's Hour
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - Digital Download A Guitar Anthology. This edition: Sheet music. Guitar Archive. Downloadable. Op. Vol. 3. Schott Music - Digital ...
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Guitar - advanced - Digital Download A Guitar Anthology. This edition: Sheet music. Guitar Archive. Downloadable. Op. Vol. 3. Schott Music - Digital #Q15801. Published by Schott Music - Digital
An Hour with the Guitar presents a careful selection of the most beautiful pieces of guitar literature. All the names familiar to every professional and amateur guitarist - Aguado, Carulli, Carcassi, Coste, Giuliani, Sor, and many more - are represented in this collection and ensure much stimulating variety. These pieces, with grades of difficulty progressing from very easy to moderately difficult, will give not only the beginner but also the advanced guitarist some valuable material for this teaching, entertainment and performance. Except for a few very beautiful studies, dry exercises habe been avoided in this book in the hope that every guitarist will use it for his hour of relaxation.
$13.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
#
Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Bach to Africa
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. ...
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Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Introduction et Variations
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Guitare
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AVANCÉ
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Classique
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Fernando Sor
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Introduction et Variations
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Chanterelle
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SheetMusicPlus
Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Mat...
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Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This edition: Sheet music. Downloadable. Op. 9. Duration 10 minutes. Chanterelle #Q51803. Published by Chanterelle
English - German.
This edition has been chosen for the Michele Pittaluga guitar competition in 2010. Fernando Sor's most popular work, happens to probably be his best anyway. When Andres Segovia started playing it regularly its place in the guitar repertoire was guaranteed. This is an offprint of Volume 2 of Sor's Complete works for guitar.
$9.99
Partita II (BWV1004) in d minor transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Guitare
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AVANCÉ
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Classique
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Bryan Johanson and Jesse McCan
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Guitar Repertoire, vol. 1 - da
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Publis...
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Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
Asturias - Leyenda.
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Guitare
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AVANCÉ
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Classique
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Isaac Albeniz
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Daniel Clark
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Asturias - Leyenda.
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Rebetiko Suite in D
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Guitare
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AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Rebetiko Suite in D
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1431511 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 17 pages. Socrates Arvanitakis #10119...
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Solo Guitar - Level 5 - SKU: A0.1431511 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 17 pages. Socrates Arvanitakis #1011986. Published by Socrates Arvanitakis (A0.1431511). This suite has an average length of about 15-16 minutes if the metronome markings are followed and it is in five movements:1 Fantasia2 Zeibekikos3 Hassapikos4 Syrtos5 Antikristos (Karsilamas)The style emulated in all movements except the Fantasia is that of the Greek urban music tradition known as “Rebetiko”. Zeibekikos in 9/4 (or more rarely in 9/8) and Hassapikos in 2/4 or 4/4 are the primary dance rhythms of this tradition, but also other rhythms like Antikristos (Karsilamas) and Syrtos are present quite often.Thematic index has been added for easy navigation within this PDF. Clicking on an icon links to the relevant page of music. Clicking on the title of any piece links back to the index.MP3 file has been added for sound reference.
$12.00
Invocation of Darkness
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Guitare
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AVANCÉ
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Contemporain
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Brad Rau
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Invocation of Darkness
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1243643 By Brad Rau. By Brad Rau. 20th Century. Individual part. 6 pages. Brad Rau #838597. Published by Brad Rau (A0.12...
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Solo Guitar - Level 5 - SKU: A0.1243643 By Brad Rau. By Brad Rau. 20th Century. Individual part. 6 pages. Brad Rau #838597. Published by Brad Rau (A0.1243643). This piece was composed by Brad Rau for solo guitar. Rau has always been fascinated with dark, evil, sounding music, and this is his attempt to write some that are truly dark. This is also inspired when Rau has a kidney rupture that eventually causes him to have it removed. This was recorded on Brad's third album, In a Very Unusual Manner. The main theme is based on two minor chords a tritone apart. It then accelerates in tempo into an octatonic excitement with constant time signature changes that jar the listener. Then the main theme comes back, this time in Tremolo. It ends with the same solo theme it begins with. The piece is inspired by works of Erik Satie, Invocation and Dance by Joaquin Rodrigo, and the Usher Waltz by Nikita Koshkin.
$6.99
Donut Music
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Guitare
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AVANCÉ
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355....
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Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00
Cousin Mary
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Guitare
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AVANCÉ
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John Coltrane
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Andrew Pattinson
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Cousin Mary
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Andrew Pattinson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1151064 By John Coltrane. By John Coltrane. Arranged by Andrew Pattinson. 20th Century,Instructional,Jazz. Individual pa...
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Solo Guitar - Level 5 - SKU: A0.1151064 By John Coltrane. By John Coltrane. Arranged by Andrew Pattinson. 20th Century,Instructional,Jazz. Individual part. 6 pages. Andrew Pattinson #751250. Published by Andrew Pattinson (A0.1151064). Cousin Mary from the album Giant Steps by John Coltrane. This arrangement is in the key of A flat and contains the Theme, all 12 of John Coltrane's choruses and the outro improvisation over 6 pages. Slight simplification has been done for ease of reading in that all ornaments have been removed including grace notes. Chords are included throughout to aid study.
$4.99
Prelude (BWV1006) in E major transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Prelude
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #643...
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Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
Aleksandr Scriabin - Prelude Op. 9 No. 1, transcr. for guitar
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Guitare
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AVANCÉ
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Classique
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Aleksandr Scriabin
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Aleksander Wilgos
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Aleksandr Scriabin - Prelude O
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.905203 Composed by Aleksandr Scriabin. Arranged by Aleksander Wilgos. Romantic Period. Individual part. 3 pages. Aleksan...
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Solo Guitar - Level 5 - SKU: A0.905203 Composed by Aleksandr Scriabin. Arranged by Aleksander Wilgos. Romantic Period. Individual part. 3 pages. Aleksander Wilgos #3618091. Published by Aleksander Wilgos (A0.905203). This beautiful Prelude is the first piece from Scribin's Op. 9 where it is followed by a Nocturno. Prelude is originally composed for piano (left hand). In transcription the original tonality C sharp minor has been changed to D minor, which is more suitable for guitar.Arranger's own recording: https://www.youtube.com/watch?v=09GaI75bjMcOther guitar transcriptions by Aleksander Wilgos: https://www.youtube.com/user/aleksanderwilgos.
$5.99
Guitar Sonata in F minor (Guitar Sonata No. 1)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
Solfeggietto in E minor
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Guitare
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Joseph Dávila
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Solfeggietto in E minor
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JaGlo Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Vid...
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Solo Guitar - Level 5 - SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #764975. Published by JaGlo Music (A0.1164642). Solfeggietto in C minor has been played by accomplished pianists worldwide and is considered one of C.P.E. Bach's most famous compositions. This study is challenging but beneficial for the left and right-hand techniques on the piano and the guitar. The key has been changed to E minor which allows the guitarist to use the full range of the guitar while maintaining the challenging aspects of this study. This is a great solo piece for advanced students.
$4.99
Chase Dance
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Guitare
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AVANCÉ
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New Age
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Contemporain
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Apostolos Paraskevas
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Chase Dance
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1113241 By Apostolos Paraskevas. By Apostolos Paraskevas. 20th Century,Classical,Contemporary,New Age. Individual part. ...
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Solo Guitar - Level 5 - SKU: A0.1113241 By Apostolos Paraskevas. By Apostolos Paraskevas. 20th Century,Classical,Contemporary,New Age. Individual part. 7 pages. Silver Sickle Publications #715190. Published by Silver Sickle Publications (A0.1113241). The Chase Dance was commissioned by David Starobin for his Grammy nominated recording Newdance (Bridge 9084). The material of the work derives from a combination of cultural influences (Balkan music) and contemporary techniques that in a combination of the old and the new approaches create a new type of exciting dance. Alternating 5/8, 6/8 and 9/8 meters increase the tension of the piece as well the nerves of the performer as the end approaches. The work ends almost abruptly as chases usually do. It has been recorded by the composer as well in Visions of Azure and by Zoran Dukic in Balkan Muses. Duration 2 minutes and 15 seconds.
$10.99
Sonata No. 2
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Guitare
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AVANCÉ
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Olli Mustonen
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Sonata No. 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadabl...
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Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99
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