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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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FORMATION MUSI…
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143
PIANO & CLAVIERS
Piano seul
220
Piano, Voix
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Orgue
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Clavecin
5
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
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1 Piano, 4 mains
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Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
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GUITARES
Guitare
12
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4
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3
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VOIX
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13
Chorale TTBB
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
12
Quatuor de Clarinettes: 4 clarinettes
6
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Clarinette
3
Clarinette (partie séparée)
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Clarinette et Piano
3
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2
Flûte traversière
2
Flute (partie séparée)
2
Saxophone (partie séparée)
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Ensemble de Clarinettes
2
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2
Quatuor de Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
Piccolo, Piano
1
Saxophone Tenor
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Quintette de Flûte : 5 flûtes
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Saxophone Soprano et Piano
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2 Saxophones (duo)
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Clarinette Basse, Piano
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Ensemble de Flûtes
1
2 Clarinettes (duo)
1
Hautbois, Flûte
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Saxophone Alto
1
Saxophone
1
Clarinette, Violon (duo)
1
Quintette de Saxophone: 5 saxophones
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone et Piano
9
Ensemble de Trombones
9
Trompette (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
5
Quatuor de cuivres: 4 cors
5
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5
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3
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2
4 Tubas
2
Cor (partie séparée)
2
Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
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Tuba
2
Cor
1
Trompette, Piano
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Trombone basse et Piano
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1
Quatuor de cuivres: 4 trompettes
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2 Cors (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
14
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle, Piano
8
Violoncelle
7
Violon, Violoncelle (duo)
7
Alto seul
2
Alto (partie séparée)
2
Contre Basse
2
Alto, Piano
2
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre
64
Orchestre d'harmonie
38
Orchestre de chambre
19
Orchestre à Cordes
17
Ensemble de cuivres
13
Ensemble Jazz
8
Ensemble de Percussions
6
Cloches
4
Jazz combo
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Percussion (partie séparée)
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Fanfare
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Batterie
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Marimba
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AUTRES
Vous avez sélectionné:
Theme From
expert
Guitare
Partitions à imprimer
12 partitions trouvées
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O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00
10.97 €
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Guitare
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Yoann FILIN
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O Lord, Hear my Prayer
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Yoann Filin
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SheetMusicPlus
Theme and Variations on Greensleeves
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.941273 Composed by Peter C Xifaras…
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Solo Guitar - Level 5 - Digital Download SKU: A0.941273 Composed by Peter C Xifaras. 20th Century,Contemporary. Individual part. 8 pages. Xifaras Music #4763441. Published by Xifaras Music (A0.941273). Peter Xifaras, the creative force behind the Symphonex Orchestra® and Recording Academy/Grammys member, is an award winning guitarist/composer whose music has topped Billboard's Classical & Crossover charts. Peter's body of work ranges from classical and cinematic to spoken-word and jazz-fusion and has garnered praise for crossing over musical boundaries in publications such as Guitar Player Magazine, FingerStyle Guitar, and 20th Century Guitar.An 8 page work, 'Theme and Variations on Greensleeves' was an award winner at the annual Volos composition competition in Greece and has been performed in concert by the composer.
$16.95
15.5 €
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Guitare
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Peter C Xifaras
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Crossover charts
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Theme and Variations on Greensleeves
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Xifaras Music
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SheetMusicPlus
A LITTLE WHILE FROM NOW
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1004411 Composed by Larry Williams…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1004411 Composed by Larry Williams. Contemporary. Individual part. 5 pages. Larry Andrew Williams #3533669. Published by Larry Andrew Williams (A0.1004411). A harmonically progressive piece with syncopated and complex rhythms in a theme & variation style. .
$10.00
9.14 €
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Guitare
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Larry Williams
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variation style.
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A LITTLE WHILE FROM NOW
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Larry Andrew Williams
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SheetMusicPlus
Fantasia
Guitare
Guitar - advanced - Digital Download SKU: S9.Q3595 On Themes from La Traviata
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Guitar - advanced - Digital Download SKU: S9.Q3595 On Themes from La Traviata. Composed by Francisco Tarrega. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3595. Published by Schott Music - Digital (S9.Q3595).
$6.99
6.39 €
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Guitare
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Francisco Tarrega
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Fantasia
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Schott Music - Digital
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SheetMusicPlus
Peated Waltzes
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
5.44 €
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Guitare
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.27 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
9.1 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.49 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Pulso de la vida
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Sco…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
5.44 €
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Guitare
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Cousin Mary
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1151064 By John Coltrane. By John …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1151064 By John Coltrane. By John Coltrane. Arranged by Andrew Pattinson. 20th Century,Instructional,Jazz. Individual part. 6 pages. Andrew Pattinson #751250. Published by Andrew Pattinson (A0.1151064). Cousin Mary from the album Giant Steps by John Coltrane. This arrangement is in the key of A flat and contains the Theme, all 12 of John Coltrane's choruses and the outro improvisation over 6 pages. Slight simplification has been done for ease of reading in that all ornaments have been removed including grace notes. Chords are included throughout to aid study.
$4.99
4.56 €
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Guitare
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John Coltrane
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Andrew Pattinson
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Cousin Mary
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Andrew Pattinson
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SheetMusicPlus
Introduction et Variations
Guitare
Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Compo…
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Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This edition: Sheet music. Downloadable. Op. 9. Duration 10 minutes. Chanterelle #Q51803. Published by Chanterelle
English - German.<br> <br> This edition has been chosen for the Michele Pittaluga guitar competition in 2010. Fernando Sor's most popular work, happens to probably be his best anyway. When Andres Segovia started playing it regularly its place in the guitar repertoire was guaranteed. This is an offprint of Volume 2 of Sor's Complete works for guitar.English - German.<br> <br> This edition has been chosen for the Michele Pittaluga guitar competition in 2010. Fernando Sor's most popular work, happens to probably be his best anyway. When Andres Segovia started playing it regularly its place in the guitar repertoire was guaranteed. This is an offprint of Volume 2 of Sor's Complete works for guitar.
$9.99
9.13 €
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Guitare
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Fernando Sor
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Introduction et Variations
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Chanterelle
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SheetMusicPlus
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018. As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page. The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.Â
$5.00
4.57 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 9 in E flat major
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Jeremiah Lawson
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SheetMusicPlus
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