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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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OUD
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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Note4Piano
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difficulté (tous)
débutant
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avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
846
PIANO & CLAVIERS
Piano seul
849
Piano, Voix
354
Piano Facile
219
Piano, Voix et Guitare
139
Orgue
82
Instruments en Do
60
Accompagnement Piano
29
1 Piano, 4 mains
17
Accordéon
9
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
58
Guitare notes et tablatures
58
Ukulele
49
Basse electrique
23
Ligne De Mélodie, (Paroles) et Accords
9
Paroles et Accords
7
2 Guitares (duo)
6
Guitare (partie séparée)
5
Mandoline
2
Banjo
2
Dulcimer
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
3 Guitares (trio)
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
575
Chorale Unison
54
Chorale TTBB
38
Chorale 3 parties
35
Chorale SSAA
32
Voix haute
25
Chorale 2 parties
20
Voix Soprano, Piano
19
Voix duo, Piano
17
Voix seule
14
Voix Alto, Piano
7
Voix Tenor, Piano
7
Voix moyenne, Piano
6
Voix Baryton, Piano
3
Voix Tenor
2
Voix duo
1
Chorale SSAB, Piano
1
Voix basse
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Clarinette et Piano
48
Quintette de Saxophone: 5 saxophones
43
Quatuor de Saxophones: 4 saxophones
42
Hautbois, Piano (duo)
41
2 Saxophones (duo)
36
Saxophone (partie séparée)
32
Flûte, Hautbois, Clarinette, Basson
28
2 Flûtes traversières (duo)
27
Clarinette
24
Flûte traversière
22
Quatuor de Clarinettes: 4 clarinettes
22
Quatuor de Flûtes : 4 flûtes
21
Saxophone Alto et Piano
21
3 Saxophones (trio)
17
2 Clarinettes (duo)
17
Saxophone Alto
17
Ensemble de Clarinettes
16
Saxophone Tenor et Piano
14
Flûte à bec Soprano
13
Quintette de Flûte : 5 flûtes
12
Hautbois (partie séparée)
11
Saxophone Tenor
11
Quintette de Clarinettes: 5 clarinettes
11
Saxophone Soprano et Piano
9
Trio de Flûtes: 3 flûtes
9
2 Flûte à bec (duo)
8
Flûte et Guitare
8
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
3 Clarinettes (trio)
8
Quatuor de Flûtes à bec
7
Flûte à bec Alto
7
2 Hautbois (duo)
6
Saxophone Baryton, Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Flute, harpe et violon
5
Flute (partie séparée)
5
Hautbois
4
Saxophone Soprano
4
3 Flûtes à bec (trio)
4
Clarinette (partie séparée)
3
Ensemble de saxophones
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Basse continue
3
Ensemble de Flûtes
3
Clarinette, Basson (duo)
3
Clarinette Basse, Piano
3
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Flûte à bec Soprano, Basse continue
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Hautbois, Flûte
2
Ensemble de Hautbois
2
Flute, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec
1
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
Clarinette Basse
1
2 Saxophones, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette et Alto
1
Flûte et Trio à cordes
1
Piccolo
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
4 Hautbois
1
Flûte, Basson et Piano
1
Hautbois, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trompette, Piano
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
23
Cor et Piano
21
Trombone (partie séparée)
18
Trombone et Piano
15
Cor
11
Trompette (partie séparée)
11
Ensemble de Trombones
10
2 Trompettes (duo)
8
2 Trombones (duo)
8
Cor anglais, Piano
8
Tuba et Piano
8
Ensemble de Trompettes
7
Trombone
7
Cor (partie séparée)
6
Quatuor de cuivres: 4 cors
6
Tuba
6
2 Cors (duo)
5
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres
5
Ensemble de Cors
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trompettes
4
4 Tubas
3
Tuba (partie séparée)
3
Trompette, Cor (duo)
3
Euphonium, Piano (duo)
3
Trombone, Cor (duo)
2
Euphonium
2
3 Tubas (trio)
2
3 Cors (trio)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
172
Violon et Piano
94
Violon
64
Violoncelle, Piano
58
Harpe
57
Alto, Piano
44
Violoncelle
34
2 Violons (duo)
25
2 Violoncelles (duo)
24
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
23
Alto seul
20
Contrebasse, Piano (duo)
16
2 Altos (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contre Basse
12
Violon, Alto (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
8
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
6
Ensemble d'Altos
6
Contrebasse (partie séparée)
5
Ensemble de Violons
5
Trio à cordes
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Violon (duo)
3
Alto (partie séparée)
3
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
2 Violoncelles, Piano
1
Harpe, Voix
1
Alto, Guitare (duo)
1
2 Harpes (duo)
1
Harpe, Quatuor à cordes
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
141
Orchestre à Cordes
92
Orchestre d'harmonie
89
Ensemble Jazz
35
Orchestre de chambre
25
Ensemble de cuivres
18
Cloches
16
Ensemble de Percussions
4
Batterie (partie séparée)
3
Jazz combo
2
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Xylophones
2
Xylophone, Piano
2
Fanfare
1
Batterie
1
Timbales (partie séparée)
1
Marimba
1
Instrumentations suivantes
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AUTRES
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Gina G
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Rameau : Suite en ré majeur, RCT 6 - III. Menuet I – Menuet II - Version originale (niveau intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Suite en ré majeur, RCT 6 - III. Menue…
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Téléchargez la tablature et la partition Guitare Suite en ré majeur, RCT 6 - III. Menuet I – Menuet II - Version originale (niveau intermédiaire, guitare seule) de Rameau. Tab pour Guitare seule -- Classique
3.99 €
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Guitare
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Rameau
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Suite en ré majeur, RCT 6
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Tomplay
Modern Guitar Method Grade 3, Expanded Edition
Guitare
Composed by William Bay. This edition: Expanded Edition. Modern Guitar Method. All Styles.…
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Composed by William Bay. This edition: Expanded Edition. Modern Guitar Method. All Styles. E-book and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.93202EEB). - e-book and online audio - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746223. This expanded edition of the acclaimed Modern Guitar Method Grade 3 contains outstanding solos, etudes, chord melody studies, scale studies and duets in the keys of A, F#m, G, D, Em, Bm, F, Dm, Bb, Gm, Eb, Cm, Ab and Fm! In addition, 2nd and 3rd positions are thoroughly explored. Every concept in the original Grade 3 has been expanded with ample playing material. Completion of this text will assure that the guitar student is well on the way to becoming an accomplished guitarist. Online audio download available.ISBN 9781609746223. This expanded edition of the acclaimed Modern Guitar Method Grade 3 contains outstanding solos, etudes, chord melody studies, scale studies and duets in the keys of A, F#m, G, D, Em, Bm, F, Dm, Bb, Gm, Eb, Cm, Ab and Fm! In addition, 2nd and 3rd positions are thoroughly explored. Every concept in the original Grade 3 has been expanded with ample playing material. Completion of this text will assure that the guitar student is well on the way to becoming an accomplished guitarist. Online audio download available.
$14.99
13.7 €
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Guitare
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William Bay
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Modern Guitar Method Grade 3, Expanded Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
9.1 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Serenata Española. New completely revised and fingered edition based on original sources,
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malat…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
7.77 €
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Guitare
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Joaquín Malats
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Serenata Española. New completely revised and fingered edition based on original sources,
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Air On A G String BWV 1068
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Ba…
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Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
6.39 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
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SheetMusicPlus
Suite in G
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 9 pages. Joabe Guilherme Oliveira #856195. Published by Joabe Guilherme Oliveira (A0.1263227). It is with great pleasure that we publish this collection of pieces entitled Suite in G. This compilation, transcribed and fingered by Joabe Guilherme and Alexandre Ribeiro, brings together selected pieces from the renowned Kapsberger's Libro quarto d'intavolatura di chitarrone. Each piece has been carefully chosen to offer a unique and delightful musical experience. We would like to dedicate this collection to a talented and admirable musician, Henrique Carvalho. Henrique is an exquisite interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skills have captivated audiences around the world. It is an honor to pay tribute to him with this Suite, which will undoubtedly inspire him to continue enchanting everyone with his art. Our collection features five distinct pieces, each one showcasing the mastery and expressiveness of Kapsberger's genius. A special feature of this collection is the attention given to the technical resources and characteristics of the theorbo. An example of this is the use of campanelas, which are rarely employed in modern guitar playing but are a fundamental element in this transcription. In summary, Suite in G is a collection that presents a carefully chosen selection of pieces from the Libro quarto d'intavolatura di chitarrone. Compiled with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar, this collection is the result of our dedication to conveying the authenticity and beauty of the original works. We hope you enjoy this musical journey with us and are enchanted by the rich sound and technical prowess that the Suite in G provides.
$10.00
9.14 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Suite in G
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Joabe Guilherme Oliveira
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SheetMusicPlus
Sonata K.391 in G Major
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.920982 Composed by Domenico Scarla…
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Solo Guitar - Level 4 - Digital Download SKU: A0.920982 Composed by Domenico Scarlatti. Arranged by Rui Namora. Baroque,Standards. Individual part. 3 pages. Rui Namora #4604053. Published by Rui Namora (A0.920982). Guitar transcription of Domenico Scarlatti's Sonata K.391 in G major. This arrangement maintains the original key and is carefully and thoroughly fingered.Also available in a four-sonatas collection. Check my other arrangements.
$2.99
2.73 €
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Guitare
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Domenico Scarlatti
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Rui Namora
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Sonata K.391 in G Major
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Rui Namora
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SheetMusicPlus
Minuet in G minor - BWV Anh 115
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1342815 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1342815 Composed by Johann Sebastian Bach. Arranged by Stefano Laporte. Baroque,Classical,Historic,Instructional. Individual part. 1 pages. Stefano Laporte #928322. Published by Stefano Laporte (A0.1342815). The original composition was written for piano. This arrangement is an adaptation for classical guitar.
$3.50
3.2 €
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Guitare
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Johann Sebastian Bach
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Stefano Laporte
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Minuet in G minor - BWV Anh 115
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Stefano Laporte
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SheetMusicPlus
Cello Suite No.1 in G major, BWV 1007 : Prelude
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1107859 By Angelos Tsoutsis. By Jo…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1107859 By Angelos Tsoutsis. By Johann Sebastian Bach. Arranged by Angelos Tsoutsis. Baroque,Classical. Individual part. 3 pages. Angelos tsoutsis #710464. Published by angelos tsoutsis (A0.1107859). Arrangement of the cello prelude for the guitar. No changes from the original octave in this arrangement , just the score , as the composer conceived it , in painstakingly detailed guitar version.
$9.99
9.13 €
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Guitare
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Angelos Tsoutsis
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Angelos Tsoutsis
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Cello Suite No.1 in G major, BWV 1007 : Prelude
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angelos tsoutsis
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SheetMusicPlus
Sonatas Nos.1 C major and Nos. 2 G major
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q583960 Facsimile. Composed…
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Guitar - intermediate - Digital Download SKU: S9.Q583960 Facsimile. Composed by Christian Gottlieb Scheidler. Downloadable. Edition Chanterelle - Digital #Q583960. Published by Edition Chanterelle - Digital (S9.Q583960). English â?¢ German.The original text of these easy early Classical Sonatas.
$12.99
11.88 €
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Guitare
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Christian Gottlieb Scheidler
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Sonatas Nos.1 C major and Nos. 2 G major
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Edition Chanterelle - Digital
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SheetMusicPlus
S.L. Weiss Ciacconne SW10 for guitar. Preface & score. P. J. Gómez-J. Velázquez ed.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943991 Composed by S.L. Weiss. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943991 Composed by S.L. Weiss. Arranged by Pedro J. Gómez (arr.), Juan Velázquez (ed.). Baroque. Individual part. 35 pages. Pedro Jesús Gómez #4799321. Published by Pedro Jesús Gómez (A0.943991). First contemporary guitar arrangement of Weiss' baroque lute Ciacconne SW10, with musicological study and references from the original tablature. Arranged by Pedro Jesús Gómez and edited by Juan Velázquez
$8.99
8.22 €
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Guitare
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S
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Pedro J
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S.L. Weiss Ciacconne SW10 for guitar. Preface & score. P. J. Gómez-J. Velázquez ed.
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Gavotte II BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943987 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943987 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592737. Published by Pedro Jesús Gómez (A0.943987). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gavotte II BWV 1012
$2.99
2.73 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Gavotte II BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Sarabande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943985 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943985 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592731. Published by Pedro Jesús Gómez (A0.943985). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Sarabande BWV 1012
$2.99
2.73 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Sarabande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Courante BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943984 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943984 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592729. Published by Pedro Jesús Gómez (A0.943984). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Courante BWV 1012
$3.99
3.65 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Courante BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Gavotte I BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943986 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943986 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592735. Published by Pedro Jesús Gómez (A0.943986). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gavotte I BWV 1012
$2.99
2.73 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Gavotte I BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Allemande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943982 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943982 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592727. Published by Pedro Jesús Gómez (A0.943982). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Allemande BWV 1012
$3.99
3.65 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Allemande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
J.S. Bach Gigue BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
Guitare
Solo Guitar - Digital Download SKU: A0.943988 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.943988 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592741. Published by Pedro Jesús Gómez (A0.943988). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gigue BWV 1012
$3.99
3.65 €
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Guitare
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Johann Sebastian Bach
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J.S. Bach Gigue BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Pedro Jesús Gómez
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SheetMusicPlus
Tango Mania in G Minor (Original)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444326 By Ken Foo. By Ken Foo. 21…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444326 By Ken Foo. By Ken Foo. 21st Century,Classical,Contemporary,Film/TV,Multicultural,World. Individual part. 3 pages. Ken Foo #1024241. Published by Ken Foo (A0.1444326). Tango Mania integrates elements of Villa-Lobos' descending chord sequences and Piazzolla's tango rhythmic essence.
$5.99
5.48 €
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Guitare
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Ken Foo
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Tango Mania in G Minor
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Ken Foo
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SheetMusicPlus
Fugue for Guitar in G Major
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1420077 Composed by Brett Vachon. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1420077 Composed by Brett Vachon. 20th Century,Chamber,Classical. Individual part. 2 pages. Brett Vachon #1001510. Published by Brett Vachon (A0.1420077). This is an original Fugue in G Major for classical guitar written in 2008.Composed and played by Brett Vachon.
$2.99
2.73 €
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Guitare
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Brett Vachon
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Fugue for Guitar in G Major
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Brett Vachon
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SheetMusicPlus
Fugue
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775523 Composed by J. S. Bach (168…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775523 Composed by J. S. Bach (1685-1750). Arranged by John Pinno. Baroque,Concert. Individual part. 7 pages. John Pinno #6459275. Published by John Pinno (A0.775523). An arrangement for solo classical guitar of the Fugue, from the first Sonata for unaccompanied violin by J.S. Bach. This arrangement has been transposed to A minor from the original G minor, and is in traditional music notation. This includes right and left hand fingerings where appropriate.
$9.00
8.23 €
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Guitare
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J
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John Pinno
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Fugue
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John Pinno
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SheetMusicPlus
Cuises para Guitarra Alfredo Figueras
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1025524 Composed by Alfredo Figuer…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1025524 Composed by Alfredo Figueras. 20th Century,Children,Pop. Individual part. 42 pages. Alfredo Mario Figueras #4822405. Published by Alfredo Mario Figueras (A0.1025524). Compilado de Partituras para Guitarra del género Cuis. Estas partituras tienen una extensión de una página, van pasando por entre 2 y 5 ritmos argentinos nacionales y son de cómoda ejecución. Están digitadas y son bastante fáciles de leer https://www.youtube.com/watch?v=q8gDu6QKdO4
$4.00
3.66 €
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Guitare
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Alfredo Figueras
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Cuises para Guitarra Alfredo Figueras
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Alfredo Mario Figueras
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.27 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.56 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
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