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AUTRES
Vous avez sélectionné:
The Clash
Guitare
Partitions à imprimer
17 partitions trouvées
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1
The Clash : Should I Stay Or Should I Go (niveau facile/intermédiaire, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare Should I Stay Or Should I G…
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Téléchargez la tablature et la partition Guitare Should I Stay Or Should I Go (niveau facile/intermédiaire, rhythm guitar) de The Clash. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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The Clash
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Should I Stay Or Should I Go
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Tomplay
The Clash : Should I Stay Or Should I Go (niveau facile, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare Should I Stay Or Should I G…
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Téléchargez la tablature et la partition Guitare Should I Stay Or Should I Go (niveau facile, rhythm guitar) de The Clash. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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The Clash
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Should I Stay Or Should I Go
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Tomplay
Leonard Cohen,Whitney Houston,U2,The Clash,Chris de Burgh : Le meilleur des années 80' pour la guitare, Intermédiaire, Vol. 4
Guitare
Téléchargez la tablature et la partition Guitare Le meilleur des anné…
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Téléchargez la tablature et la partition Guitare Le meilleur des années 80' pour la guitare, Intermédiaire, Vol. 4. Partition pour Guitare mélodique avec band/orchestre -- Pop/rock
19.99 €
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Guitare
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Leonard Cohen,Whitney Houston,
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Le meilleur des années 80' po
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Tomplay
London Calling
Guitare
By The Clash. For easy guitar. Metal; Pop; Punk; Rock. Easy Guitar. 2 pages. Published by …
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By The Clash. For easy guitar. Metal; Pop; Punk; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.69 €
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Guitare
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The Clash
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Pop
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London Calling
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.5 €
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Guitare
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Alban Berg
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Rod Whittle
#
4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
#
SheetMusicPlus
I Fought The Law
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1079045 By Bobby Fuller Four. By S…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1079045 By Bobby Fuller Four. By Sonny Curtis. Arranged by Keith Stevens. Pop,Rock. Individual part. 4 pages. Andemil #683244. Published by Andemil (A0.1079045). An arrangement for solo fingerstyle guitar in DGDGAD tuning of I Fought The Law by Sonny Curtis. Originally recorded by The Crickets, then later recorded by The Bobby Fuller Four and re-recorded in 1979 by The Clash.
$4.99
4.49 €
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Guitare
#
Bobby Fuller Four
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Keith Stevens
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I Fought The Law
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Andemil
#
SheetMusicPlus
The Parlement / Volt
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymo…
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Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Traditional,World. Individual part. 3 pages. Soul - Musical Creations #6353761. Published by Soul - Musical Creations (A0.948978). From the Dowland manuscript, this piece seems to te based on Kemp's Jig, a popular tune of the time, associated with Will Kemp, the famous English comic actor and dancer. Suggest tempo is brisk. * On the measure 8 is important to release the third finger from the low C at this point to avoid an ugly clash with the upper C#. The change of key is somewhat sudden, but it is helped by stressing the C#. Volt: This very popular piece was untitled in the Dowland manuscript but apears elsewere under the title of Volt or La Volta. It Appears frequently in Italian lute sources and was probably originally Italian. * The only technical problem lies the first two measures, where the change from the second to fifth position should be made evenly and without hurry.
$1.99
1.79 €
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Guitare
#
John Dowland
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Bisdré Santos
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The Parlement / Volt
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Soul - Musical Creations
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.5 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
(+)
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.5 €
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Guitare
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Alban Berg
#
Rod Whittle
#
(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
#
SheetMusicPlus
Should I Stay Or Should I Go
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1108650 By The Clash. By Joe Strum…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1108650 By The Clash. By Joe Strummer and Mick Jones. Arranged by Danny Crocome. 20th Century,Blues,Country,Rock,Singer/Songwriter. Individual part. 3 pages. Danny Crocome Music #711299. Published by Danny Crocome Music (A0.1108650). A solo guitar arrangement of the classic tune by The Clash.
$4.99
4.49 €
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Guitare
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The Clash
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Danny Crocome
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Should I Stay Or Should I Go
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Danny Crocome Music
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SheetMusicPlus
London Calling
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1438249 By The Clash. By Joe Strum…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438249 By The Clash. By Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon. Arranged by Chris Richter. Rock. Individual part. 5 pages. Chris Richter #1018300. Published by Chris Richter (A0.1438249). London Calling by the Clash arranged for solo fingerstyle guitar.
$7.99
7.19 €
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Guitare
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The Clash
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Chris Richter
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London Calling
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Chris Richter
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SheetMusicPlus
Topper Headon: London Calling for guitar
Guitare
Instantly printable sheet music by The Clash for guitar solo (chords) of EASY skill level.…
(+)
Instantly printable sheet music by The Clash for guitar solo (chords) of EASY skill level. / metal,pop,punk,rock,children
$3.97
3.57 €
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Guitare
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Topper Headon
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Virtualsheetmusic
Mick Jones: Should I Stay Or Should I Go for guitar solo
Guitare
Instantly printable sheet music by The Clash for guitar solo of MEDIUM skill level. / pop,…
(+)
Instantly printable sheet music by The Clash for guitar solo of MEDIUM skill level. / pop,punk,rock
$6.97
6.27 €
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Guitare
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Mick Jones
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Virtualsheetmusic
Prince: Let's Go Crazy for guitar
Guitare
Instantly printable sheet music by The Clash for guitar (chords) of MEDIUM skill level. / …
(+)
Instantly printable sheet music by The Clash for guitar (chords) of MEDIUM skill level. / pop,punk,rock
$2.97
2.67 €
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Guitare
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Prince
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Virtualsheetmusic
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