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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
(S)hort
Non classifié
1 392
Piano & claviers
Piano grosses notes
3 292
Orgue
1 650
Piano seul
1 098
Piano Facile
888
Piano, Voix et Guitare
124
Piano, Voix
114
Clavier
59
Instruments en Do
38
1 Piano, 4 mains
32
Piano Trio: piano, violon, violoncelle
14
2 Pianos, 4 mains
11
Piano (partie séparée)
9
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
61
Guitare notes et tablatures
49
2 Guitares (duo)
18
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
8
Guitare (partie séparée)
8
4 Guitares (Quatuor)
4
Basse electrique
4
Ensemble de guitares
3
Banjo
1
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Paroles et Accords
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
315
Chorale 3 parties
93
Chorale SSAA
67
Chorale Unison
56
Chorale 2 parties
53
Chorale TTBB
43
Voix Alto, Piano
13
Voix haute
8
Voix Soprano, Piano
5
Voix moyenne, Piano
5
Voix Tenor, Piano
5
Voix duo
2
Chorale
2
Voix basse
2
Chorale SSATTB
1
Chorale SSATB
1
Voix Soprano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
136
2 Saxophones (duo)
97
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
80
Flûte, Hautbois, Clarinette, Basson
76
Saxophone (partie séparée)
76
2 Flûtes traversières (duo)
64
Clarinette et Piano
56
Saxophone Alto et Piano
46
Hautbois, Piano (duo)
46
Quatuor de Clarinettes: 4 clarinettes
43
2 Clarinettes (duo)
41
Flûte traversière
36
Saxophone, Clarinette (duo)
33
Clarinette
28
Saxophone Tenor et Piano
26
Hautbois (partie séparée)
25
Saxophone
24
Quatuor de Flûtes : 4 flûtes
23
Hautbois, Basson (duo)
21
2 Hautbois (duo)
21
Flûte, Clarinette (duo)
20
Saxophone Soprano et Piano
20
Clarinette, Violon (duo)
20
Ensemble de Flûtes
16
Ensemble de Clarinettes
16
Saxophone Alto
16
3 Saxophones (trio)
15
Clarinette, Trompette (duo)
15
Clarinette (partie séparée)
15
Saxophone Tenor
15
Quintette de Saxophone: 5 saxophones
14
Flûte, Violon
13
Flûte à Bec
11
Trio de Flûtes: 3 flûtes
10
Hautbois, Flûte
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Clarinette (duo)
10
3 Clarinettes (trio)
10
Clarinette et Alto
10
Flûte, Hautbois, Clarinette (trio)
9
Hautbois
8
Cor anglais, Piano
8
Flûte, Saxophone (duo)
8
Flûte et Guitare
8
Flûte, Trompette (duo)
8
Saxophone Baryton, Piano
7
Flûte, Alto (duo)
7
Clarinette, Basson (duo)
7
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
6
Ensemble de saxophones
5
Piccolo
5
Flûte à bec Alto
5
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
5
Saxophone Soprano
4
Flûte à bec Soprano
4
Flûte, Clarinette et Basson
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Basson
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor Anglais
3
Flûte, Violon, Violoncelle et Piano
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Saxophone Baryton
2
Instruments en Mib
2
2 Saxophones, Piano
2
Flûte, Violon, Piano
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Ocarina
1
5 Flûtes à bec
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Orgue
1
3 Hautbois
1
Flûte à bec Tenor
1
Flûte à Bec, Piano
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
150
Trompette (partie séparée)
60
Trombone (partie séparée)
54
Trombone et Piano
46
Trompette
46
Trompette, Piano
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Ensemble de Trompettes
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Cor et Piano
34
Trombone
26
Tuba et Piano
23
Trompette, Saxophone (duo)
22
2 Trompettes (duo)
22
2 Trombones (duo)
21
Trompette, Trombone (duo)
21
Quatuor de Cuivres
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
13
Cor
10
Tuba
9
2 Cors (duo)
9
Euphonium
8
Cor anglais, Piano
8
3 Trombones (trio)
7
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
6
Trombone basse
6
Tuba (partie séparée)
5
3 Trompettes (trio)
5
Cor (partie séparée)
5
2 Tubas (duo)
3
3 Euphoniums
3
Trombone basse et Piano
3
2 Euphoniums et 2 Tubas
3
Cor Anglais
3
Ensemble de Trombones
3
Trio de Cuivres
2
Bass Clef Instruments
2
Trompette, Cor (duo)
2
Instruments en Sib
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
395
Violon, Violoncelle (duo)
264
Trio à Cordes: violon, alto, violoncelle
238
Violon
232
Violon et Piano
95
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Violoncelle, Piano
61
Alto, Piano
51
2 Violons (duo)
40
Violoncelle
38
Alto seul
36
Violon, Alto (duo)
35
Harpe
31
2 Altos (duo)
29
2 Violoncelles (duo)
26
Alto (partie séparée)
23
Violon (partie séparée)
20
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
14
Alto, Violoncelle (duo)
14
Contrebasse, Piano (duo)
8
2 Harpes (duo)
7
4 Violoncelles
7
Harpe, Flûte (duo)
6
Violoncelle (partie séparée)
5
Flûte, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
4
Contre Basse
4
Trio à Cordes: 2 violons, alto
3
Harpe, Violon (duo)
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Harpe
3
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
288
Orchestre à Cordes
206
Cloches
111
Orchestre
108
Ensemble de cuivres
58
Fanfare
58
Ensemble Jazz
48
Orchestre de chambre
36
Ensemble de Percussions
17
Jazz combo
14
Batterie
10
Percussion (partie séparée)
7
Batterie (partie séparée)
5
Vibraphone (partie séparée)
4
Vibraphone
3
Xylophone
2
Timbales (partie séparée)
1
Piano et Orchestre
1
Xylophone, Piano
1
Bodhran
1
+ 15 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
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Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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English
Partitions Gratuites
12
Partitions Numériques
61
Librairie Musicale
100
Matériel de Musique
1 412
Partitions numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Vous avez sélectionné:
(S)hort
Guitare
Partitions à imprimer
61 partitions trouvées
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51
"Kimberly's Song" for solo classical fingerstyle guitar
#
Guitare
#
INTERMÉDIAIRE
#
Keith Gehle
#
"Kimberly's Song" fo
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Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1413633 By Keith Gehle. By Keith W. Gehle. Classical,New Age,Wedding. Individual part. 2 pages. Keith Gehle #995418. Pub...
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Solo Guitar - Level 3 - SKU: A0.1413633 By Keith Gehle. By Keith W. Gehle. Classical,New Age,Wedding. Individual part. 2 pages. Keith Gehle #995418. Published by Keith Gehle (A0.1413633). “Kimberly’s Song†was written for Keith’s wife while they were dating and recorded shortly thereafter as part of his Wintersong album of 20 original pieces for solo guitar. Although initially recorded on the classical guitar, it also sounds very nice on the steel string acoustic and is not too challenging for an intermediate player. There’s also a version with TAB available on this site. “Kimberly’s Song†is a charming and sentimental ballad that will surely touch the hearts of listeners at concerts, weddings and gigs.
$2.99
"Jesu, Joy of Man's Desiring" for solo classical fingerstyle guitar
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Guitare
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
Keith W
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"Jesu, Joy of Man's Desir
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Indiv...
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Solo Guitar - Level 2 - SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Individual part. 2 pages. Keith Gehle #995682. Published by Keith Gehle (A0.1413902). This shortened version of J.S. Bach’s most familiar melody is perfect for weddings where a player just needs the opening theme and chorus as a processional or recessional. This rendition includes detailed fingerings in standard notation. There's also a version with TAB available on this site. Jesu, Joy of Man's Desiring is an essential piece for guitarists playing for weddings, church services and gigs.
$1.99
Carlos Barbosa-Lima: 30 Short Pieces for Guitar
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Guitare
#
Classique
#
John Griggs
#
Carlos Barbosa-Lima: 30 Short
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Beginning-Intermediate - SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sh...
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Guitar - Beginning-Intermediate - SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97038MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97038MEB). ISBN 9781619116795. 8.75x11.75 inches.Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti, Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The online audio offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! Includes access to online audio.
$14.99
Short People
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Randy Newman
#
Peter Miklitz
#
Short People
#
Peter Miklitz
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.781784 By Randy Newman. By Randy Newman. Arranged by Peter Miklitz. Film/TV,Pop. Individual part. 4 pages. Peter Miklitz...
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Solo Guitar - Level 4 - SKU: A0.781784 By Randy Newman. By Randy Newman. Arranged by Peter Miklitz. Film/TV,Pop. Individual part. 4 pages. Peter Miklitz #3603693. Published by Peter Miklitz (A0.781784). Randy Newman's famous song Short People arranged for solo Guitar in standard notation and TAB.
$8.00
Herrick's Sawmill
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Guitare
#
INTERMÉDIAIRE
#
Jim Bosse
#
Herrick's Sawmill
#
Jim Bosse
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954978 Composed by Jim Bosse. Concert,Contemporary,Folk. Individual part. 21 pages. Jim Bosse #4580661. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954978 Composed by Jim Bosse. Concert,Contemporary,Folk. Individual part. 21 pages. Jim Bosse #4580661. Published by Jim Bosse (A0.954978). This piece was inspired by a beautiful location in the mountains of Colorado, and the history of Nathanial Herrick who built a sawmill there in 1887. This piece is scored for classical guitar with an optional narration. The narration is a fiction short story based on the known history but expanding off this reality. With the narration, performance time is 13 minutes. The guitar solo version is half that. Demand level is intermediate. Jim's web site is: www.facebook.com/jimbosseguitar .
$3.99
Francisco Tarrega and Ferdinando Carulli A Student's Guide
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Guitare
#
INTERMÉDIAIRE
#
Joseph Castle
#
Francisco Tarrega and Ferdinan
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Classical guitar - Intermediate - SKU: M0.30553EB For Classic Guitar. Composed by Joseph Castle. Edited by Joseph Castle. Solos. Style. E-book. M...
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Classical guitar - Intermediate - SKU: M0.30553EB For Classic Guitar. Composed by Joseph Castle. Edited by Joseph Castle. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30553EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30553EB). ISBN 9781619115729. 8.75x11.75 inches.Francisco Tarrega (1852 - 1909) and Ferdinando Carulli (1770 - 1841) were two of the foundational classical guitar composers. Their works are studied and to this day performed by guitarists worldwide. This book presents 9 of the post popular Tarrega guitar compositions and 11 of Carulli's most famous short pieces. These pieces were transcribed and adapted for the intermediate level guitar student. The book features large notes, carefully edited fingering and important historical and performance notes.
$9.99
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau très facile, guitare d'accompagnement) - Version courte
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Guitare
#
DÉBUTANT
#
Film/TV
#
Elton John
#
Le Roi lion
#
Tomplay
Telechargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau très facile, guitare d'accompagnement) - Ve...
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Telechargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau très facile, guitare d'accompagnement) - Version courte de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99€
Jessica's Theme (Breaking In The Colt)
#
Guitare
#
FACILE
#
Bruce Rowland
#
Richard Charlton
#
Jessica's Theme
#
Richard Charlton
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1396746 Composed by Bruce Rowland. Arranged by Richard Charlton. Film/TV,Instructional,Pop. Individual part. 1 pages. Ri...
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Solo Guitar - Level 2 - SKU: A0.1396746 Composed by Bruce Rowland. Arranged by Richard Charlton. Film/TV,Instructional,Pop. Individual part. 1 pages. Richard Charlton #980088. Published by Richard Charlton (A0.1396746). A short solo for classical guitar.
$4.99
King Saul's Descent Into Madness
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Guitare
#
AVANCÉ
#
Joseph Dávila
#
King Saul's Descent Into Madne
#
JaGlo Music
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1167001 Composed by Joseph Dávila. Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo ...
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Solo Guitar - Level 5 - SKU: A0.1167001 Composed by Joseph Dávila. Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #767372. Published by JaGlo Music (A0.1167001). This is a short but powerful piece that paints an auditory picture of the twisted mind of King Saul. This piece is perfect for guitarists at the advanced level.
$4.99
Professor Burble's 2nd Invention for guitar solo (mp3)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Professor Burble's 2nd Inventi
#
David Warin Solomons
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1267923 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Wa...
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Guitar - Level 4 - SKU: A0.1267923 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #860474. Published by David Warin Solomons (A0.1267923). This is the second in the series of Inventions by my fictitious character Professor Burble whom I created back in the 1970s to cover my more adventurous compositions.In this case the original idea for the tune came from a scrap of paper given to me by the Princess of Pembroke Collegein Oxford in 1972.It appears in various subsequent compositions including a tuba quartet and a short story called the Duchess' Tune.
$4.50
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue i
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publica...
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99
Easy Way to Guitar C
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Guitare
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DÉBUTANT
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Methodes
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Easy Way to Guitar C
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay...
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Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93196MEB). ISBN 9781610654180. 8.75X11.75 inches.Easy Way to Guitar C is a popular, easy to understand childrenÂ’s course designed to give the student a thorough grounding in note reading and solo performance. Chord playing is introduced gradually, utilizing simplified chords. Creative graphics, color, and short pieces in big-note format make this an appealing series for the young guitar student. A few easy duets are included in each book for performance with a teacher or a friend. Standard notation only. Includes access to online audio.
Song List
: A Rhythm Review A Rondo For Two Guitars M. Gebauer, Opus 10 Around Her Hair She Wore A Purple Ribbon Auld Lang Syne Aura Lee Balkan Moon Black is the Color of My True Love's Hair Blue Guitar Bublitchki Careless Love Carry Me Back To Old Virginny Bland Darling Nellie Gray Duet In D Minor Mazas Grandfather's Clock Greensleeves Gypsy Guitars Joshua Lament In E Minor Little Annie Rooney Londonderry Air March Slav Tschaikowsky Melody If F Rebenstein-Bay Mustang My Bonnie Oh! Susanna Polly Wolly Doodle Seeing Nellie Home Shenandoah Ski Jump Sombrero Thanksgiving The Girl I Left Behind Me The Guitar Festival Mazas The March Of The Robots The Melancholy Maid The Steeplechase The Streets Of Laredo The Swiss Yodeler Waltz in B minor When The Saints Go Marching In
$14.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
"November Memories" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"November Memories"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1358837 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 3 pages. Keith Gehle #943286. Published by Keith Ge...
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Solo Guitar - Level 3 - SKU: A0.1358837 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 3 pages. Keith Gehle #943286. Published by Keith Gehle (A0.1358837). “November Memories†was recorded as part of Keith’s 2016 album entitled Space and Time and recalls autumn afternoons with his brother Ken shortly before his passing. While the album version features an introduction and additional instruments, the piece works very well as a guitar solo. This PDF includes detailed fingerings in standard notation. There’s also a version available with TAB on this site.
$2.49
The Entertainer
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Guitare
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Tim Rushworth
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The Entertainer
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.943126 Composed by Scott Joplin. Arranged by Tim Rushworth. Contemporary. Individual part. 12 pages. Tim Rushworth #5790...
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Solo Guitar - Level 3 - SKU: A0.943126 Composed by Scott Joplin. Arranged by Tim Rushworth. Contemporary. Individual part. 12 pages. Tim Rushworth #5790411. Published by Tim Rushworth (A0.943126). This is an arrangement of Scott Joplin's famous rag; The Entertainer for two guitars. the first part is slightly easier than the second, but both players have lots of fun as the melody is swapped between them at every repeat of all sections. I have included all four sections, so this is a full version.I've been playing this with friends and also made a video recording of both parts which will shortly be uploaded to YouTube. (Link to follow soon.).
$4.99
"March" from The Nutcracker Suite
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Guitare
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INTERMÉDIAIRE
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Guitar Trio
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Marcus Gerakos
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"March" from The Nut
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Marcus Gerakos
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,March. 2 pages. Ma...
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Guitar - Level 3 - SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,March. 2 pages. Marcus Gerakos #899476. Published by Marcus Gerakos (A0.1310417). This is my arrangement for three guitars. The parts have been adapted from the original orchestral score. It's a shortened arrangement designed to be performed with other pieces from The Nutcracker Suite. Year after year this arrangement has proven both engaging and educational for my middle school guitar students.
$10.00
À vos guitares, prêts, jouez! Vol. 4
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Guitare
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À vos guitares, prêts, jouez
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SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
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1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (tude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
Bach to Africa
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. ...
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Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
David W. Solomons, Oxford Days for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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II. Lamento (Gethsemane)
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David W. Solomons, Oxford Days
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Musik Fabrik Music Publishing
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.533472 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Individual part. 21 pages. Musik Fabrik Mu...
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Solo Guitar - Level 4 - SKU: A0.533472 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Individual part. 21 pages. Musik Fabrik Music Publishing #2994073. Published by Musik Fabrik Music Publishing (A0.533472). Eight pieces for solo guitar : I. Innocence Asleep; II. Lamento (Gethsemane); III. Hyde Park Rag; IV. Fantasia from the other bank; V. Prelude in Dorian mode (Dorian Serendipity); VI. The Princess's Tune; VII. Quelques minutes espagnoles; VIII. Sketch in BlueA series of guitar solos illustrating some of the moods and discoveries of the composer when he was young and fancy free ... at college.Christianity:- Innocence Asleep - a gentle tune depicting the baby Jesus- Lamento (Gethsemane) - part of a long lost Easter Suite, reflecting the sorrow in the GardenHolidays- Hyde Park Rag - a quasi ragtime composed on the composer's first outing from Oxford to London.Sexuality- Fantasia from the other bank - the downward sweep of the strangely augmented chord represents the composer's initial feeling of surprise when he realises he is from the other bank (vom anderen Ufer is German slang for gay)Musical discoveries- Prelude in Dorian mode (Dorian Serendipity) - the beginning of a long love affair with this mode, in which the major 6th and minor third give a special flavour.- The Princess's Tune - a curiously atonal piece based on a short theme given to the composer by a very shy fellow student known as the Princess.- Quelques minutes espagnoles - first venture into the Spanish flavours of guitar music- Sketch in Blue - an early experiment making use of blues harmonies
$19.95
"Lavender Sky" for solo classical fingerstyle guitar
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Guitare
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DÉBUTANT
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Keith Gehle
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"Lavender Sky" for s
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1413643 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #995427. Published b...
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Solo Guitar - Level 1 - SKU: A0.1413643 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #995427. Published by Keith Gehle (A0.1413643). This solo guitar version of “Lavender Sky†was written and recorded as part of Keith’s 2006 Christmas/seasonal recording Songs of December. A few years later, a portion of this tune was used as part of the musical score for the award winning short film by David Field entitled Caterpillar. A third rendering of this piece with various instruments appears on Keith’s 2016 album Space and Time. This relatively easy solo version captures beautifully the colors of the December sky and is popular with students learning classical or fingerstyle guitar. The PDF print out includes standard notation with detailed fingerings. There's also a version with TAB on this site.
$1.99
Asturias - Leyenda.
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Guitare
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AVANCÉ
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Classique
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Isaac Albeniz
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Daniel Clark
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Asturias - Leyenda.
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99
In An English Garden
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Guitare
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AVANCÉ
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Contemporain
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editi...
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Guitar - Advanced - SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
There Will Never Be Another You
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Harry Warren
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Michael New
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There Will Never Be Another Yo
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Winterbee Music Company
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Compan...
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Solo Guitar - Level 3 - SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Company #4810051. Published by Winterbee Music Company (A0.985000). Here's a nice arrangement of Warren & Gordon's There Will Never Be Another You. Its short (1 page) and sweet and the kind of piece that you'll want to play every day. Its written for finger style guitar and is a great technical warmup for both hands.
$4.99
"Prelude Op. 28, No. 7" for solo classical fingerstyle guitar
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Guitare
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FACILE
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Classique
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Frederic Chopin
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Keith W
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"Prelude Op. 28, No. 7&qu
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1363287 Composed by Frederic Chopin. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Individual part...
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Solo Guitar - Level 2 - SKU: A0.1363287 Composed by Frederic Chopin. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Keith Gehle #947795. Published by Keith Gehle (A0.1363287). The very short yet beautiful Prelude Op. 28, No. 7 by Frederic Chopin was recorded as part of Keith’s 2004 album entitled Nocturne, Music of the Romantics which featured new arrangements and editions of 19th century music. There’s also a version available with TAB on this site.
$1.99
Basic Pieces for Guitar Volume 1
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Guitare
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DÉBUTANT
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Juan Antonio Muro
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Basic Pieces for Guitar Volume
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning - SKU: M0.95721MEB Composed by Juan Antonio Muro. Children and Young Beginner. Style. E-book and online audio. Mel Bay Publications -...
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Guitar - Beginning - SKU: M0.95721MEB Composed by Juan Antonio Muro. Children and Young Beginner. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95721MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95721MEB). ISBN 9781619115439. 8.75x11.75 inches.This is the first in a two-volume collection of easy, short tunes and exercises for the young classical guitarist. Each chapter treats a separate basic mechanism of the right hand. The first section begins with simple touch exercises on one string, which contain small musical ideas with teacher accompaniment. Later pieces are designed to be played as solos with optional teacher accompaniment. These pieces are a great introduction to note-reading for the young player. Text written in English, Spanish, French and German. Includes access to online audio.Este es el primero de una colección de dos volúmenes de melodÃas y ejercicios fáciles y cortos para el joven guitarrista clásico. Cada capÃtulo trata un mecanismo básico separado de la mano derecha. La primera sección comienza con ejercicios táctiles simples en una cuerda, que contienen pequeñas ideas musicales con el acompañamiento del maestro. Las piezas posteriores están diseñadas para ser jugadas como solos con el acompañamiento opcional del maestro. Estas piezas son una gran introducción a la lectura de notas para el jugador joven. Texto escrito en inglés, español, francés y alemán.Squeeze Box Fairy Tales.
$19.99
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