Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.

This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).

Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.

The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.

ISBN 9781609740825.

This collection of new music, written by composers who are or who have been performing guitarists themselves, presents intermediate to advanced concert works that explore the musical and technical diversity of the contemporary guitar. Each composer offers a unique musical and technical perspective of what the contemporary guitar is. The harmonic language ranges from jazz to atonality, the styles vary from blues to minimalism, and the cultural influences span from Eastern European to Celtic. The composers include Delpriora, Gilardino, Hudson, Johanson, Kenyon, Marron, Mearns, Ourkouzounov, Piorkowsky, and Van der Veen. The music is standard notation only.

Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.

This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).

Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.

Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.

The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.

Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.

Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.

This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).

Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.

Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.

The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.

Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.

8.75 x 11.75 inches.

This collection of Latin-influenced pieces is ideal for the classical or fingerstyle guitarist seeking challenging new material that spans a number of genres and is melodically, harmonically, and rhythmically engaging. For the classical guitarist, the collection offers an excellent source of solos inspired by traditional forms and styles while providing new works that will readily compliment the traditional classical guitar repertoire. Fingerstyle players will discover attractive pieces, appreciating the many syncopated rhythms. The composer himself, with a degree in classical guitar, performs on a modified steel-string instrument. Written in standard notation only, the author's detailed fingerings and online audio recordings will facilitate learning these delightful pieces ranging from intermediate to advanced levels. Includes access to online audio. At Mel Bay Publications, we are privileged to hear a lot of new, original music. With Michael Bellmont's guitar compositions, we guarantee that once you hear them, you'll want to play them yourself!