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CHANT - CHO…
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CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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PATRIOTIQUE
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Non classifié
859
PIANO & CLAVIERS
Piano, Voix
1586
Piano seul
553
Piano Facile
319
1 Piano, 4 mains
29
Orgue
29
Accordéon
26
Piano, Voix et Guitare
17
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, violon, alto, violoncelle
11
Accompagnement Piano
8
Instruments en Do
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Instrument seul et Orgue
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
2
Piano grosses notes
1
Clavier
1
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
41
Guitare notes et tablatures
23
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
14
Ukulele
7
Basse electrique
5
Mandoline
4
Ensemble de guitares
3
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
70
Chorale TTBB
66
Voix haute
57
Voix basse, Piano
56
Voix Soprano, Piano
25
Voix seule
14
Chorale 3 parties
14
Chorale SSAA
8
Chorale 2 parties
6
Voix Tenor, Piano
4
Voix duo, Piano
3
Voix moyenne, Piano
2
Chorale
2
Voix Baryton, Piano
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
Chorale Unison
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
95
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Saxophones: 4 saxophones
77
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette et Piano
50
2 Saxophones (duo)
46
Clarinette
46
Hautbois, Piano (duo)
45
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
41
Saxophone Alto et Piano
40
Quintette de Saxophone: 5 saxophones
33
Quatuor de Flûtes : 4 flûtes
31
Ensemble de saxophones
30
Ensemble de Clarinettes
29
Quintette de Clarinettes: 5 clarinettes
27
Saxophone Soprano et Piano
26
Hautbois (partie séparée)
26
Quintette de Flûte : 5 flûtes
26
Saxophone Alto
24
2 Flûtes traversières (duo)
24
Saxophone (partie séparée)
21
Saxophone Tenor et Piano
21
Flûte et Guitare
20
Clarinette (partie séparée)
19
2 Clarinettes (duo)
19
2 Flûte à bec (duo)
15
Ensemble de Flûtes
15
Saxophone Tenor
13
Flûte, Clarinette (duo)
12
3 Saxophones (trio)
11
Flute (partie séparée)
9
2 Hautbois (duo)
9
Saxophone
8
3 Clarinettes (trio)
7
Hautbois
6
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Saxophone Baryton, Piano
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violoncelle
4
Flûte, Basson et Piano
4
Flûte, Clarinette et Basson
4
3 Flûtes à bec (trio)
4
Flûte, Violoncelle, Piano (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violoncelle (duo)
3
Hautbois, trombone (duo)
3
Saxophone et violoncelle
3
Flûte à bec Soprano
3
Clarinette Basse, Piano
3
Flûte à bec Alto
3
Hautbois, Violoncelle
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
Flûte, Trombone (duo)
3
Cor anglais, Piano
3
Saxophone, Basson (duo)
3
Harmonica
3
Clarinette, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Hautbois (duo)
2
3 Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Guitare
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon et Violoncelle
2
Flûte à Bec, Piano
1
Instruments en Mib
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Flûte et Trio à cordes
1
Flûte traversière, Orchestre
1
Flûte, Violon, Piano
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
Ensemble à vent
1
2 Saxophones, Piano
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
2 Clarinettes, Basson
1
Hautbois et Orchestre
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trombone et Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
37
Cor
33
Trombone
30
Trompette, Piano
27
Ensemble de Trombones
23
Cor et Piano
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone (partie séparée)
15
2 Trompettes (duo)
14
2 Trombones (duo)
14
Quatuor de Cuivres
13
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
13
Trompette (partie séparée)
12
Trompette, Trombone (duo)
10
Tuba (partie séparée)
9
Tuba
9
2 Cors (duo)
9
Cor (partie séparée)
7
2 Euphoniums et 2 Tubas
6
4 Tubas
6
Ensemble de Cors
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
5
Trombone, Cor (duo)
4
Trombone, Violon (duo)
3
Trompette, Saxophone (duo)
3
Trompette, Basson (duo)
3
Cor, Violoncelle (duo)
3
Trombone, Alto (duo)
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trompette, Violoncelle (duo)
3
Cor anglais, Piano
3
2 Euphoniums (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trompettes
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Orchestre
1
Tuba et Orgue
1
Trombone basse et Piano
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Instruments en Sib
1
Trio de Cuivres
1
Euphonium
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon et Piano
128
Violoncelle, Piano
81
Violon
70
Violon (partie séparée)
48
Violoncelle
44
Alto, Piano
42
Alto seul
35
2 Violons (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
2 Harpes (duo)
21
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
18
Contre Basse
18
Violon, Alto (duo)
16
Alto (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
11
Violoncelle (partie séparée)
10
Contrebasse, Piano (duo)
9
Violon, Guitare (duo)
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
4 Violoncelles
7
Alto et Basson
6
Alto, Violoncelle (duo)
6
Violoncelle , Guitare (duo)
6
Alto, Guitare (duo)
5
Trio à cordes: 3 violins
5
Trio à cordes
5
Quatuor à cordes : 4 altos
5
Harpe, Violon (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
3
Trio à cordes: 3 altos
3
Violon, Basson (duo)
3
3 Contrebasses
2
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
2 Altos, Piano
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
166
Orchestre
124
Orchestre à Cordes
111
Orchestre de chambre
19
Ensemble de cuivres
14
Percussion
11
Percussion (partie séparée)
7
Ensemble de Percussions
5
Fanfare
5
Timbales (partie séparée)
5
Cloches
5
Ensemble Jazz
3
Instrumentation Flexible
3
Quintette à Vent
1
Timbales
1
Piano et Orchestre
1
Batterie
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Strauss
Guitare
Partitions à imprimer
41 partitions trouvées
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1
26
The Blue Danube (Johann Strauss II)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1437271 By Johann Strauss Jr. By J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1437271 By Johann Strauss Jr. By Johann Strauss Jr. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 18 pages. Chris Richter #1017344. Published by Chris Richter (A0.1437271). An arrangement of By the Beautiful Blue Danube (An der schönen blauen Donau, Op. 314), by Johann Strauss II for solo fingerstyle guitar.
$5.99
5.43 €
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Guitare
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Johann Strauss Jr
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Chris Richter
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The Blue Danube
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Chris Richter
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SheetMusicPlus
Richard Strauss : Also Sprach Zarathustra
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1455728 Composed by Richard Straus…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1455728 Composed by Richard Strauss. Arranged by Daisuke Minamizawa. Classical,Film/TV. Individual part. 7 pages. Big South Valley Music #1034825. Published by Big South Valley Music (A0.1455728). Fingerpicking arrangement for solo acoustic guitar. This score is an arrangement of the introductory piece, Sunrise (Sonnenaufgang).------ [tuning] Normal tuning------ [capotasto] 3rd fret.
$4.99
4.52 €
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Guitare
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Richard Strauss
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Daisuke Minamizawa
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Richard Strauss : Also Sprach Zarathustra
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Big South Valley Music
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SheetMusicPlus
Strauss II : Idyllen Walzer, Op. 95, No. 2
Guitare
Téléchargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No.…
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Téléchargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 2 de Strauss II. Tab pour Guitare seule -- Classique
4.99 €
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Guitare
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Strauss II
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Idyllen Walzer, Op. 95, No. 2
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Tomplay
Strauss II : 5 Paragraphe aus dem Walzer Codex, Op. 105, No. 3
Guitare
Téléchargez la tablature et la partition Guitare 5 Paragraphe aus dem Walzer…
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Téléchargez la tablature et la partition Guitare 5 Paragraphe aus dem Walzer Codex, Op. 105, No. 3 de Strauss II. Tab pour Guitare seule -- Classique
4.99 €
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Guitare
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Strauss II
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5 Paragraphe aus dem Walzer Co
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Tomplay
Strauss II : Frauenkäferln Walzer, Op. 99, No. 1
Guitare
Téléchargez la tablature et la partition Guitare Frauenkäferln Walzer, …
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Téléchargez la tablature et la partition Guitare Frauenkäferln Walzer, Op. 99, No. 1 de Strauss II. Tab pour Guitare seule -- Classique
4.99 €
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Guitare
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Strauss II
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Frauenkäferln Walzer, Op. 99,
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Tomplay
Strauss II : Idyllen Walzer, Op. 95, No. 1
Guitare
Téléchargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No.…
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Téléchargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 1 de Strauss II. Tab pour Guitare seule -- Classique
5.99 €
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Guitare
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Strauss II
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Idyllen Walzer, Op. 95, No. 1
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Tomplay
Strauss II : Liebes-Lieder Walzer, Op. 114, No. 5
Guitare
Téléchargez la tablature et la partition Guitare Liebes-Lieder Walzer, Op. 1…
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Téléchargez la tablature et la partition Guitare Liebes-Lieder Walzer, Op. 114, No. 5 de Strauss II. Tab pour Guitare seule -- Classique
5.99 €
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Guitare
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Strauss II
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Liebes
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Tomplay
Johann Strauss, Jr.: Pizzicato Polka instantly for guitar solo
Guitare
Instantly downloadable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill …
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Instantly downloadable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. Contents: waltz, walzer, valzer, waltzes, vienna, wien, new year / classical
$4.99
4.52 €
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Guitare
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Johann Strauss, Jr.
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Virtualsheetmusic
Johann Strauss: Annen-Polka, Op. 117 - guitar solo
Guitare
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill lev…
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Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical
$4.99
4.52 €
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Guitare
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Johann Strauss
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Virtualsheetmusic
Johann Strauss: Valse favorite No. 5 - guitar solo
Guitare
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill lev…
(+)
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical
$4.99
4.52 €
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Guitare
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Johann Strauss
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Virtualsheetmusic
Johann Strauss: The Blue Danube - guitar solo
Guitare
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill lev…
(+)
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical
$4.99
4.52 €
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Guitare
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Johann Strauss
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Virtualsheetmusic
Johann Strauss: Radetzky March, from: J. K. Mertz, Kukuk, Musikalische Rundschau (No. 81) - guitar solo
Guitare
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill lev…
(+)
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical
$4.99
4.52 €
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Guitare
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Johann Strauss
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Virtualsheetmusic
Johann Strauss, Jr.: Emperor Waltz - guitar solo
Guitare
Instantly printable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill lev…
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Instantly printable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. / classical
$6.97
6.32 €
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Guitare
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Johann Strauss, Jr.
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Virtualsheetmusic
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.35 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Romantic Guitar Anthology
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
15.4 €
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Guitare
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Johann Strauss - Annen-Polka - opus 117 - (Digital Download)
Guitare
Johann Strauss - Annen-Polka - opus 117 Digital Sheetmusic - instantly downloadable sheet …
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Johann Strauss - Annen-Polka - opus 117 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 2 pages --
$4.99
4.52 €
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Guitare
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Annen-Polka
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Musicnotes
Johann Strauss - Valse favorite No. 5 - (Digital Download)
Guitare
Johann Strauss - Valse favorite No. 5 Digital Sheetmusic - instantly downloadable sheet mu…
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Johann Strauss - Valse favorite No. 5 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages --
$2.99
2.71 €
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Guitare
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Valse favorite No. 5
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Musicnotes
Radetzky March [Main Theme] by Johann Strauss - Guitar Solo
Guitare
Johann Strauss - Radetzky March [Main Theme] Digital Sheetmusic plus an interactive, downl…
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Johann Strauss - Radetzky March [Main Theme] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~March~~19th-Century
$4.50
4.08 €
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Guitare
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Guitar Solo
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Musicnotes
Radetzky March [excerpt] by Johann Strauss - Guitar Solo
Guitare
Johann Strauss - Radetzky March [excerpt] Digital Sheetmusic plus an interactive, download…
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Johann Strauss - Radetzky March [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Romantic~~Classical
$2.49
2.26 €
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Guitare
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Guitar Solo
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Musicnotes
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1442768 By Keith Terrett. By Anton…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instructional,Latin,Multicultural,World. Individual part. 4 pages. Keith Terrett #1022744. Published by Keith Terrett (A0.1442768). Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.The works of Antonio Lauro have long been very popular with guitarists worldwide, yet there have been few recordings devoted exclusively to him. However, several recordings by Adam Holzman, John Williams (guitarist) and David Russell have been issued. John Williams is quoted as having referred to Antonio Lauro as being the Strauss of the guitar. Another recording worth mentioning, A Tribute to Antonio Lauro by Thomas Cronin (guitarist), recorded initially for Irish National Radio on the RTE label, gained great appeal with Venezuelans worldwide.Additionally, Lauro's masterpieces have been the core of studies, workshops and Masters in universities all around the World.
$1.99
1.8 €
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Guitare
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Keith Terrett
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Keith Terrett
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Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
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Keith Terrett
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SheetMusicPlus
Vienna Blood
Guitare
Guitar - easy - Digital Download SKU: S9.Q44820 From: Waltz for Orchestra op. 35…
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Guitar - easy - Digital Download SKU: S9.Q44820 From: Waltz for Orchestra op. 354. Composed by Johann Strauss Jr. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44820. Published by Schott Music - Digital (S9.Q44820). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.71 €
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Guitare
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Johann Strauss Jr
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Martin Hegel
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Vienna Blood
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Schott Music - Digital
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SheetMusicPlus
Radetzky March
Guitare
Guitar - easy - Digital Download SKU: S9.Q44822 From: Radetzky March op. 228…
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Guitar - easy - Digital Download SKU: S9.Q44822 From: Radetzky March op. 228. Composed by Johann Strauss Sr. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44822. Published by Schott Music - Digital (S9.Q44822). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.71 €
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Guitare
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Johann Strauss Sr
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Martin Hegel
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Radetzky March
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Schott Music - Digital
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SheetMusicPlus
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