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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chorale
Non classifié
758
Piano & claviers
Orgue
629
Piano seul
225
Piano Facile
32
Piano, Voix
29
Piano, Voix et Guitare
17
Accompagnement Piano
13
Piano (partie séparée)
8
Orgue, Trompette (duo)
6
1 Piano, 4 mains
6
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
23
Guitare (partie séparée)
16
4 Guitares (Quatuor)
5
Banjo
3
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
62 655
Chorale 3 parties
24 815
Pack Instrumental pour Chorale
19 897
Chorale 2 parties
15 104
Chorale TTBB
12 744
Chorale SSAA
6 721
Chorale Unison
6 189
Chorale
5 107
Chorale SSATB
324
Chorale SSAATTBB
222
Chorale SSATTB
153
Chorale SSAB a cappella
74
Chorale SSAB, Piano
52
Chorale SSAATB
51
Chorale SATBB
25
Voix seule
17
Chorale SSAATB A Cappella
9
Chorale SAATB A Cappella
7
Chorale SATTBB A Cappella
6
Voix duo, Piano
6
Voix duo
1
Voix Tenor, Piano
1
Chorale, Orgue
1
Voix Alto, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quatuor de Saxophones: 4 saxophones
68
Clarinette (partie séparée)
56
Flûte, Hautbois, Clarinette, Basson
48
Quatuor de Clarinettes: 4 clarinettes
38
Flûte et Guitare
35
Quatuor de Flûtes : 4 flûtes
34
Flûte traversière et Piano
34
Clarinette et Piano
28
Quintette de Saxophone: 5 saxophones
24
Flute (partie séparée)
23
Hautbois, Piano (duo)
22
2 Saxophones (duo)
19
Saxophone Alto et Piano
17
Hautbois (partie séparée)
15
Ensemble de Flûtes
14
Quatuor de Flûtes à bec
13
Ensemble de Clarinettes
13
Saxophone Tenor et Piano
12
Clarinette
12
2 Flûtes traversières (duo)
12
3 Saxophones (trio)
11
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
10
2 Clarinettes (duo)
10
3 Flûtes à bec (trio)
9
Flûte à Bec
9
Quintette de Clarinettes: 5 clarinettes
8
3 Clarinettes (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
7
Quintette de Flûte : 5 flûtes
6
Flûte à bec Soprano
6
Trio de Flûtes: 3 flûtes
6
Flûte traversière
6
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Saxophone Alto
5
2 Flûte à bec (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette Basse, Piano
3
Ensemble de saxophones
3
Clarinette, Orgue
3
Saxophone Tenor
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble De Flûte à bec
2
Flûte à bec Tenor
2
Hautbois, Clarinette (duo)
1
Ensemble de Hautbois
1
2 Hautbois (duo)
1
4 Hautbois
1
Hautbois, Basson (duo)
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte et Quatuor à Cordes
1
Cor Anglais
1
Saxophone
1
Hautbois, Harpe
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
Hautbois, Quatuor à cordes
1
Ensemble à vent
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trombone (partie séparée)
62
Trompette (partie séparée)
54
Quatuor de cuivres: 4 trombones
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quatuor de Cuivres
27
Cor (partie séparée)
25
Trompette, Piano
24
Trombone et Piano
22
Tuba (partie séparée)
19
2 Euphoniums et 2 Tubas
16
Quatuor de cuivres: 4 cors
14
Trompette
13
Cor et Piano
13
Ensemble de Trombones
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
3 Trombones (trio)
7
4 Tubas
7
2 Trombones (duo)
5
Cor anglais, Piano
5
Tuba et Piano
5
Euphonium, Tuba (duo)
4
Cor
4
Trombone
4
3 Cors (trio)
4
Quatuor de cuivres: 4 trompettes
4
Cornet A Pistons
3
Euphonium, Piano (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors (duo)
3
Ensemble de Cors
3
Trio de Cuivres
2
Tuba et Orgue
2
Ensemble de Trompettes
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
2
3 Tubas (trio)
1
Trombone, Orgue
1
Tuba
1
Euphonium (partie séparée)
1
Cor Anglais
1
4 Euphoniums
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
34
Alto, Piano
25
Violoncelle, Piano
22
Violon (partie séparée)
21
Trio à Cordes: violon, alto, violoncelle
19
Violon
15
Contrebasse (partie séparée)
15
Violon, Violoncelle (duo)
11
Violoncelle
11
2 Violons (duo)
9
4 Violoncelles
8
Violoncelle (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe
6
2 Violoncelles (duo)
5
Violon, Alto (duo)
5
Alto (partie séparée)
5
2 Altos (duo)
5
Violon, Orgue
5
Trio à cordes
4
Alto seul
4
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Ensemble d'Altos
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
545
Orchestre à Cordes
71
Ensemble de cuivres
59
Orchestre de chambre
37
Orchestre
36
Ensemble Jazz
31
Cloches
23
Percussion (partie séparée)
17
Batterie (partie séparée)
8
Marimba
8
Fanfare
7
Timbales (partie séparée)
5
Ensemble de Percussions
4
Jazz combo
3
Percussion
2
Vibraphone
2
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
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Nouveautes
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Vous avez sélectionné:
Chorale
Guitare
Partitions à imprimer
23 partitions trouvées
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1
Three Chorales for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
J
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Three Chorales for solo guitar
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JDevor Music, LLC
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #7550...
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Solo Guitar - Level 4 - SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #755010. Published by JDevor Music, LLC (A0.1154736). Three Chorales for solo guitar Short, melodic pieces for the intermediate-advanced classical guitarist. A great introduction to contemporary classical music for the guitar teacher and student.
$12.99
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude B
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander W...
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Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
Chorale
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Guitare
#
FACILE
#
Doug Smith
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Chorale
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344...
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Solo Guitar - Level 2 - SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344. Published by Doug Smith Guitar Studio (A0.1163992). Chorale is music in the first postion that uses a four part texture. The piece can be used to introduce guitar students to how to playfour notes at once with free strokes and show proper balance to the moving parts involved  with four note chords.
$1.99
Two Chorales
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Guitare
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Classique
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Johann Sebastian Bach
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Anton Stingl
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Two Chorales
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Schott Music - Digital
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SheetMusicPlus
Guitar - SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged by Anton Stingl. This edition: Sheet music. Guitar Archive. Downloadable. Schott Musi...
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Guitar - SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged by Anton Stingl. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4986. Published by Schott Music - Digital (S9.Q4986).
$11.99
2 Chorale Preludes BWV 645, BWV 147
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Guitare
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
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David Russell
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2 Chorale Preludes BWV 645, BW
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
Minuet in D Minor - Guitar
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Guitare
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Classique
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pag...
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Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Matthew Nace
#
bass line
#
Jesu, Joy of Man's Desiring
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Matthew Nace
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
In Dulci Jubilo BWV368 for guitar quartet
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Guitare
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FACILE
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Classique
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Simon James
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Simon James
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In Dulci Jubilo BWV368 for gui
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DML
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. ...
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Guitar - Level 2 - SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. Full Performance. Duration 77. DML #721997. Published by DML (A0.1120782). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein and in BWV 729 as a chorale prelude. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 368 follows almost exactly the four original voices from the chorale. The score is also available.
$1.99
Lo How a Rose E'er Blooming
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Guitare
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INTERMÉDIAIRE
#
German Renaissance Madrigal
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Gordon Wolfe
#
Lo How a Rose E'er Blooming
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Gordon Wolfe
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1003247 Composed by German Renaissance Madrigal. Arranged by Gordon Wolfe. Christian,Christmas. Individual part. 1 pages...
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Solo Guitar - Level 3 - SKU: A0.1003247 Composed by German Renaissance Madrigal. Arranged by Gordon Wolfe. Christian,Christmas. Individual part. 1 pages. Gordon Wolfe #2941723. Published by Gordon Wolfe (A0.1003247). Chorale style madrigal with an original theme added.
$2.50
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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Guitare
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FACILE
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Classique
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Johann Sebastian Bach
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Simon James
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In Dulci Jubilo, J S Bach, BWV
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DML
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pag...
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Guitar - Level 2 - SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Hymn And Dance For The Forgotten
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Guitare
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AVANCÉ
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Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Jesu Joy of Man's Desiring
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Andrew Howes
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Jesu Joy of Man's Desiring
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew ...
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Solo Guitar - Level 5 - SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew Howes #6215701. Published by Andrew Howes (A0.951422). Advanced solo version for classical guitar, including the chorale. Testing but worth it!
$6.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Jesu Joy Of Man's Desiring BWV 147
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV
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DML
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages...
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Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
A Christmas Pastorale
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Guitare
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INTERMÉDIAIRE
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Noël
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A Christmas Pastorale
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Interme...
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(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Intermediate. E-book. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
Three Bach Chorales
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Guitare
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Classique
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Johann Sebastian Bach
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Rod Whittle
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Three Bach Chorales
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Maggie Creek Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3 pages. Published by Maggie Creek Music (S0.53731). - - Baroque Perio...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3 pages. Published by Maggie Creek Music (S0.53731). - - Baroque Period - Maggie Creek Music
$5.00
Thirty Chorale Preludes of J. S. Bach
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Guitare
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Classique
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Joseph Thompson
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Thirty Chorale Preludes of J.
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
"Wachet auf, ruft uns die Stimme", Sleepers Awake from chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach, - classical guitar by Andrei Krylov
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Andrei Krylov
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"Wachet auf, ruft uns die
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Andrei Krylov
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Advanced Intermedi...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Advanced Intermediate. Score. Andrei Krylov #25. Published by Andrei Krylov
$6.00
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Searching for a Chorale
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Guitare
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Seymour Bernstein
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Searching for a Chorale
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Les Editions Doberman-Yppan
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SheetMusicPlus
Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)...
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Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)
$5.95
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