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CORNEMUSE
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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FILM - TV
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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SheetMusicPlus
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Virtualsheetmusic
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3481
PIANO & CLAVIERS
Piano, Voix
2942
Piano seul
2073
Piano Facile
657
Piano, Voix et Guitare
454
1 Piano, 4 mains
165
Instruments en Do
114
Accompagnement Piano
90
Orgue
74
Piano Trio: piano, violon, violoncelle
44
Piano grosses notes
27
Accordéon
26
2 Pianos, 4 mains
25
Instrument seul et Orgue
16
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
5
Piano (partie séparée)
4
Accordéon, Voix
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
172
Guitare
149
Ligne De Mélodie, (Paroles) et Accords
120
2 Guitares (duo)
37
Ukulele
35
Basse electrique
32
Piano, Guitare (duo)
13
Paroles et Accords
13
4 Guitares (Quatuor)
9
Guitare (partie séparée)
6
3 Guitares (trio)
4
Mandoline
3
Mandoline, Guitare (duo)
2
Dulcimer
1
Banjo
1
Ensemble de guitares
1
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
411
Voix Soprano, Piano
180
Chorale 3 parties
164
Voix seule
113
Voix Tenor, Piano
112
Chorale 2 parties
78
Voix duo, Piano
73
Chorale TTBB
67
Chorale Unison
47
Voix duo
45
Voix Mezzo-Soprano, Piano
42
Voix Baryton, Piano
41
Chorale SSAA
37
Voix basse, Piano
36
Voix Alto, Piano
21
Voix moyenne, Piano
17
Voix Baryton
16
Voix haute
16
Chorale
16
Voix Soprano
13
Voix Tenor
12
Soli, choeur mixte et accompagnement
4
Voix haute, Piano
4
Voix basse
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
405
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
279
Clarinette et Piano
274
Quatuor de Saxophones: 4 saxophones
269
Hautbois, Piano (duo)
215
Clarinette
206
Saxophone Alto et Piano
192
Flûte traversière
181
Quatuor de Clarinettes: 4 clarinettes
171
Flûte, Hautbois, Clarinette, Basson
150
2 Saxophones (duo)
137
2 Flûtes traversières (duo)
128
Saxophone Alto
106
Saxophone Soprano et Piano
104
Quatuor de Flûtes : 4 flûtes
104
Saxophone (partie séparée)
103
Quintette de Saxophone: 5 saxophones
92
Saxophone Tenor et Piano
90
2 Clarinettes (duo)
75
Hautbois (partie séparée)
74
Ensemble de Clarinettes
66
Ensemble de Flûtes
66
Saxophone
60
Ensemble de saxophones
50
Harmonica
49
Cor anglais, Piano
45
Quintette de Clarinettes: 5 clarinettes
43
Flûte, Clarinette (duo)
40
Saxophone Tenor
37
3 Clarinettes (trio)
36
Flûte et Guitare
34
Saxophone Baryton, Piano
32
Clarinette (partie séparée)
31
3 Saxophones (trio)
30
2 Hautbois (duo)
28
2 Flûte à bec (duo)
27
Instruments en Mib
26
Hautbois, Clarinette (duo)
24
Quatuor de Flûtes à bec
24
Trio de Flûtes: 3 flûtes
24
Clarinette, Violon (duo)
22
Saxophone, Clarinette (duo)
22
Flûte, Clarinette et Basson
20
Flûte, Violon
20
5 Flûtes à bec
17
Flûte à Bec
17
Clarinette Basse, Piano
17
Hautbois
16
Quintette de Flûte : 5 flûtes
15
Hautbois, violon (duo)
14
Flûte, Violoncelle, Piano (trio)
14
2 Clarinettes, Piano
13
Hautbois, Basson (duo)
12
Flûte, Hautbois (duo)
12
Flûte à bec Soprano
12
Clarinette, Basson (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flute (partie séparée)
10
Saxophone, Violon (duo)
10
Saxophone Soprano
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Clarinette, Piano (trio)
9
Hautbois, Flûte
9
Clarinette, Guitare (duo)
9
Flûte, Saxophone (duo)
8
2 Flûtes traversières, Piano
8
3 Flûtes à bec (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte irlandaise
6
Cor Anglais
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Trompette (duo)
6
Flûte à bec, Guitare (duo)
6
Flûte, Hautbois, Piano (trio)
6
Flûte à bec Tenor
6
Clarinette, Harpe (duo)
5
Clarinette, Violoncelle (duo)
5
2 Saxophones, Piano
5
Saxophone Baryton
5
Flûte, Hautbois, Basson
5
Flûte, Violon, Piano
5
Flûte, Violon et Violoncelle
5
Flûte, Basson et Piano
5
Flûte, Alto (duo)
4
Flûte à Bec, Piano
4
Flûte, Violon, Violoncelle et Piano
4
2 Clarinettes, Basson
4
3 Hautbois
4
Flûte, Trompette (duo)
3
Clarinette et Alto
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
2
Piccolo
2
Flûte traversière, Basse continue
2
Flûte, trombone et piano
2
Flûte traversière, Orgue (duo)
2
Clarinette Basse
2
4 Hautbois
1
Hautbois, Violoncelle
1
Piccolo, Piano
1
Ensemble De Flûte à bec
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Flûte et Trio à cordes
1
Saxophone et violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte de Pan
1
Ocarina
1
Hautbois, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Hautbois, Harpe
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
248
Trompette, Piano
202
Trompette
156
Cor et Piano
153
Trombone et Piano
143
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Cor
117
Trombone
111
Tuba et Piano
80
2 Trombones (duo)
67
Tuba
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
2 Trompettes (duo)
48
Quatuor de cuivres: 4 trombones
48
Quatuor de cuivres: 4 cors
45
Cor anglais, Piano
45
Euphonium, Piano (duo)
41
Trompette (partie séparée)
39
Ensemble de Trombones
38
Trombone (partie séparée)
35
Quatuor de Cuivres
32
Instruments en Sib
25
Ensemble de Cors
24
2 Cors (duo)
23
Trompette, Trombone (duo)
20
Cor (partie séparée)
18
Trio de Cuivres
18
Bass Clef Instruments
18
Trompette, Saxophone (duo)
17
4 Tubas
11
2 Euphoniums (duo)
11
Trompette, violon (duo)
10
3 Trombones (trio)
10
Quatuor de cuivres: 4 trompettes
10
Tuba et Orgue
9
3 Trompettes (trio)
9
Ensemble de Trompettes
9
Euphonium
8
Tuba (partie séparée)
7
Cor Anglais
6
2 Tubas (duo)
6
2 Euphoniums et 2 Tubas
6
Euphonium, Tuba (duo)
5
3 Tubas (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Violoncelle et Piano
3
Trombone, Cor (duo)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trompette, Trombone, Piano
2
Trombone basse
2
Instruments en Fa
2
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
Cor et Orgue
1
Euphonium Ou Saxhorn Et Piano
1
Cor anglais, Guitare (duo)
1
Cor, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
578
Violon et Piano
495
Violoncelle, Piano
347
Alto, Piano
252
Violon
242
Violoncelle (partie séparée)
133
Harpe
127
Alto seul
120
Violon, Violoncelle (duo)
100
2 Violons (duo)
84
Trio à Cordes: violon, alto, violoncelle
70
Violoncelle
69
Contre Basse
64
Contrebasse, Piano (duo)
61
2 Violoncelles (duo)
59
Violon (partie séparée)
55
2 Altos (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Alto (partie séparée)
42
Violon, Alto (duo)
40
4 Violoncelles
35
2 Harpes (duo)
34
Harpe, Flûte (duo)
29
Trio à Cordes: 2 violons, violoncelle
28
Alto, Violoncelle (duo)
26
Contrebasse (partie séparée)
17
Trio à Cordes: 3 violoncelles
14
Quatuor à cordes : 4 altos
14
Quatuor à cordes: 4 violons
13
Piano Trio: Violon, Alto, Piano
12
Violon, Guitare (duo)
11
Trio à cordes: 3 violins
10
2 Contrebasses (duo)
9
Trio à cordes
9
Violoncelle, Contrebasse (duo)
8
Alto, Guitare (duo)
8
Trio à cordes: 3 altos
7
2 Violons, Piano
7
Harpe, Violon (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Violoncelle , Guitare (duo)
6
3 Contrebasses
5
Ensemble de Violoncelles
5
Trio à Cordes: 2 violons, alto
4
Harpe, Violon, Violoncelle
4
Violon, Basson (duo)
3
Harpe et Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Alto et Basson
2
Harpe, Orchestre
1
Violoncelle, Orchestre
1
Harpe, Voix
1
Violon, Basse continue
1
Violon, Orgue
1
2 Violons et Basse continue
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
730
Orchestre
477
Orchestre à Cordes
317
Ensemble de cuivres
206
Orchestre de chambre
159
Jazz combo
41
Ensemble Jazz
37
Percussion (partie séparée)
18
Ensemble de Percussions
16
Fanfare
13
Cloches
12
Big band
8
Marimba
7
Timbales (partie séparée)
5
Xylophone, Piano
5
Percussion
4
Batterie (partie séparée)
4
Xylophone
4
Quatuor à Vent : 4 instruments à vents
3
Batterie
3
Quintette à Vent
2
Caisse Claire
2
Voix et Orchestre
1
Timbales
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Opera
Guitare
Partitions à imprimer
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Opus 31 - Soap opera
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.966073 Composed by John Trie. Cont…
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Solo Guitar - Level 4 - Digital Download SKU: A0.966073 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018801. Published by john Trie (A0.966073). Opus 31 - Soap opera - by John Trie.
$7.99
7.38 €
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Guitare
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John Trie
#
Opus 31 - Soap opera
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john Trie
#
SheetMusicPlus
Opus 31 - Soap opera - mp3
Guitare
Guitar - Digital Download SKU: A0.1064671 Composed by John Trie. 20th Century,Conte…
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Guitar - Digital Download SKU: A0.1064671 Composed by John Trie. 20th Century,Contemporary. Full Performance. Duration 166. John Trie #37383. Published by john Trie (A0.1064671). Opus 31 - Soap opera - by John Trie.
$2.39
2.21 €
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Guitare
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John Trie
#
Opus 31 - Soap opera - mp3
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john Trie
#
SheetMusicPlus
V. Bellini - "Casta Diva", from opera "Norma"
Guitare
Solo Guitar - Digital Download SKU: A0.951361 Composed by V. Bellini. Arranged by M…
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Solo Guitar - Digital Download SKU: A0.951361 Composed by V. Bellini. Arranged by Michael Goldort. Classical. Individual part. 3 pages. Michael Goldort #4837181. Published by Michael Goldort (A0.951361). V. Bellini - Casta Diva, air from opera Norma, arrangement for guitar by M. Goldort
$5.99
5.53 €
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Guitare
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V
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Michael Goldort
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V. Bellini - "Casta Diva", from opera "Norma"
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Michael Goldort
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SheetMusicPlus
Opus 31 - Soap opera - guitar tablature
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.966074 Composed by John Trie. Cont…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.966074 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018799. Published by john Trie (A0.966074). Opus 31 - Soap opera - by John Trie. Classical guitar tab.
$6.99
6.46 €
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Guitare
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John Trie
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Opus 31 - Soap opera - guitar tablature
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john Trie
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SheetMusicPlus
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
Guitare
Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book.…
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Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.<br> <br> One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.
$9.99
9.23 €
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Guitare
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Nestor Ausqui
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CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
#
Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.47 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.85 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mattinata for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.531186 Composed by R. Leoncavallo.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.531186 Composed by R. Leoncavallo. Arranged by Klas Krantz. Classical,Romantic Period. Individual part. 2 pages. Amadeus Music #2032875. Published by Amadeus Music (A0.531186). Ruggiero Leoncavallo (1857–1919) was an Italian opera composer. His opera Pagliacci remains one of the most popular works in the operatic repertory, appearing as number 14 on Opera America's 2007 list of the 20 most-performed operas in North America.
$3.95
3.65 €
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Guitare
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R
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Klas Krantz
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Mattinata for guitar solo
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Amadeus Music
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SheetMusicPlus
All I Ask Of You (from The Phantom Of The Opera)
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.440755 This edition: Interactiv…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.440755 This edition: Interactive Download,scorch. Broadway,Musical/Show,Wedding. Score. 2 pages. Hal Leonard - Digital #11995. Published by Hal Leonard - Digital (HX.440755).
$2.99
2.76 €
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Guitare
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All I Ask Of You
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Hal Leonard - Digital
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SheetMusicPlus
Melody From the Opera "Orpheus and Eurydice"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1188715 Composed by Christoph Will…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1188715 Composed by Christoph Willibald Von Gluck. Arranged by Evgeny Shushkovsky. Baroque,Classical,Multicultural,World. Individual part. 2 pages. Evgeny Shushkovsky #788330. Published by Evgeny Shushkovsky (A0.1188715).
$3.99
3.69 €
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Guitare
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Christoph Willibald Von Gluck
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Evgeny Shushkovsky
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Melody From the Opera "Orpheus and Eurydice"
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Evgeny Shushkovsky
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SheetMusicPlus
Grand Fantasy on the themes of the opera "Carmen" by G. Bizet
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1191512 Composed by Evgeny Shushko…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1191512 Composed by Evgeny Shushkovsky. 20th Century,Multicultural,World. Individual part. 7 pages. Evgeny Shushkovsky #791019. Published by Evgeny Shushkovsky (A0.1191512).
$6.50
6 €
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Guitare
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Evgeny Shushkovsky
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Grand Fantasy on the themes of the opera "Carmen" by G. Bizet
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Evgeny Shushkovsky
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SheetMusicPlus
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
7.39 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferrine opera 12
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Socrates Arvanitakis
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SheetMusicPlus
Air d'opera
Guitare
By Giuseppe Verdi (1813-1901). Arranged by Arnaud Sans. For 6 guitars. Level 2.5. Publishe…
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By Giuseppe Verdi (1813-1901). Arranged by Arnaud Sans. For 6 guitars. Level 2.5. Published by Les Productions d'OZ - Digital
$8.95
8.27 €
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Guitare
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Giuseppe Verdi
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Arnaud Sans
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Air d'opera
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Les Productions d'OZ - Digital
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SheetMusicPlus
Two Operatic Fantasias
Guitare
For 2 Guitars. Composed by Jose Ferrer. This edition: Sheet music. Guitar Archive. D…
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For 2 Guitars. Composed by Jose Ferrer. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q47493. Published by Schott Music - Digital
$16.99
15.7 €
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Guitare
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Jose Ferrer
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Two Operatic Fantasias
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Schott Music - Digital
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.23 €
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Flower Duet from Lakme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.934506 Composed by Leo Delibes. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.934506 Composed by Leo Delibes. Arranged by Greg Hays. Opera,Romantic Period. Individual part. 4 pages. Greg Hays #3479099. Published by Greg Hays (A0.934506). One of the most popular duets in opera, Flower Duet from Leo Delibes' opera Lakme is a great crowd pleaser. The very pleasing harmony between the two parts makes for a tasteful piece for both background and concert gigs. Now arranged intimately for duo guitar!
$8.00
7.39 €
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Guitare
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Leo Delibes
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Greg Hays
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Flower Duet from Lakme
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Greg Hays
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SheetMusicPlus
[Cameron-Wolfe] Heretic
Guitare
Solo Guitar - Digital Download SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20…
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Solo Guitar - Digital Download SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20th Century,Contemporary,Opera. Individual part. 19 pages. American Composers Alliance Inc. #4569677. Published by American Composers Alliance Inc. (A0.952203). A micro-opera for solo guitar embedded in an intense psycho-drama of disillusionment and alienation. All texts are by the composer, except for brief quote from Arthur Machen’s 1907 novel, The Hill of Dreams. The guitarist is frequently called-upon to speak (rhythmically or freely) and there is a brief passage of singing. This micro-opera is intended to be staged, and it is strongly recommended that the guitarist collaborate with an adventurous drama coach.
$17.95
16.58 €
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Guitare
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Richard Cameron-Wolfe
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[Cameron-Wolfe] Heretic
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American Composers Alliance Inc.
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SheetMusicPlus
O Mio Babbino Caro (guitar solo)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948707 Composed by Giacomo Puccini…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948707 Composed by Giacomo Puccini. Arranged by Bradley Powell (The Candlelight Guitarist). 20th Century,Concert,Holiday,Opera,Wedding. Individual part. 3 pages. Geofonica Artistworks #6794347. Published by Geofonica Artistworks (A0.948707). One of the most beloved arias by Giacomo Puccini, from the opera Gianni Schicchi (1918), in a new off-the-record classical guitar finger-style arrangement by Bradley Powell (The Candlelight Guitarist). NOTE: This sheet music is in Standard Notation--(a separate edition in both TABS and standard notation is also available here). This arrangement is from The Candlelight Guitarist album The Wedding of Dulcinea & Don Quixote. It's an Intermediate classical guitar level (similar to Sor, Carcassi and Giuliani etudes), an excellent piece for concert or recital, weddings, dinners, or general enjoyment.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at the Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.
$3.99
3.69 €
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Guitare
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Giacomo Puccini
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Don Quixote
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O Mio Babbino Caro
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Geofonica Artistworks
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SheetMusicPlus
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi…
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
7.34 €
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Dan Jones www
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Brindisi
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SheetMusicPlus
Three Minuets for Solo Guitar from The Double Dealer
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.835970 Composed by Henry Purcell. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.835970 Composed by Henry Purcell. Arranged by Joshua S Kim. Baroque,Contemporary,World. Individual part. 3 pages. Joshua S. Kim #3066441. Published by Joshua S. Kim (A0.835970). Three Minuets (minuetts or menuets) arranged for solo classical guitar. The selections were made from Henry Purcell's comic opera The Double Dealer. With its libretto written by William Congreve, the opera was first produced in 1693.
$3.50
3.23 €
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Guitare
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Henry Purcell
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Joshua S Kim
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Three Minuets for Solo Guitar from The Double Dealer
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Joshua S. Kim
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SheetMusicPlus
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