ISBN 9781619113558.

For decades, guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action, here at last is a proven method for the left-handed guitarist! The world's premier method for learning modern plectrum style guitar, time-tested and proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales, and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord/melody concept of guitar performance. A supplementary study book entitled Grade 1 Studies, two different play-along audio recordings (pop version and traditional), and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format, with the solo parts performed on the right channel, and the accompaniment or second duet parts played on the left. The student can play along with the full recording, or tune out either channel and play the missing part. The Left-Handed Modern Guitar Method Grade 1 provides valuable enhancement to the world's most popular guitar method.

ISBN 9781619117280.

For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.

ISBN 9781619117273.

For guitarists, the technical learning curve for improvisation is fairly steep. For this reason, it is important to find multiple uses for the musical structures that you learn to execute. This approach decreases the learning curve considerably. This book and accompanying audio show you how to expand your improvisational vocabulary by combining small, easily identifiable melodic ideas (structures) into longer, more complex lines. The material is written in standard notation. Includes access to online audio.

ISBN 9781619119451.

This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs, All The Way To Sendai.

ISBN 9781619119734.

Applicable to classic, flatpick or fingerstyle guitar, this excellent text relates scales and modes to chord construction, solo playing, and fretboard position a must for the advancing guitarist! Includes many outstanding original guitar studies to teach the guitarist how to apply the theoretical knowledge gained from under-standing, playing, and hearing the scales.