ISBN 9781609745578. This anthology contains nineteen of the most popular Gilbert and Sullivan classics arranged in easily sight-readable versions for beginning to intermediate classical guitarists. All the favorites are here, ranging from sentimental ballads such as 'Little Buttercup', 'Willow, Tit-Willow' and 'There Grew a Little Flower', to more up-tempo 'patter' type pieces such as 'Oh! A Private Buffoon', 'Kind Sir You Cannot Have the Heart' and 'A Policeman's Lot'. The aim has been to provide both a useful teaching resource and a light-hearted alternative to the more 'serious' music of the classical guitar repertoire. All the pieces lend themselves extremely well to the common idiomatic textures of the classical guitar. A variety of melody and accompaniment styles are employed, including block chords, arpeggio patterns and passages of double-stopped thirds and sixths. A number of the pieces are in easy first position format, while others explore the common higher positions. The standard guitar keys are utilized (C, G, D, A, E) but there are occasional more challenging temporary modulations to 'difficult' keys, such as E flat major. There are also instances of drop-D tuning, which is often required in classical guitar playing.

ISBN 9781619113619. The twenty classic guitar etudes in this book are melodic and "guitaristic". I composed them in guitar friendly keys. They were written to be fun to play and also to provide short pieces ideal for recitals or concert preludes and encores. The pieces should be played with freedom and expression. They are intermediate in difficulty and will present a diverse array of moods and textures for the guitarist.

ISBN 9781610652360.

Joining a jam session can be intimidating. This book presents everything a beginning or intermediate guitar flatpicker needs to know to participate in a jam session. There are sections that describe how jam sessions work, and jam session etiquette. The book also describes the typical chords and keys for jamming, and describes right hand usage. A section is included on the role each instrument plays in bluegrass rhythm. A play-along audio is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel, and once in stereo. Includes access to online audio.

ISBN 9781609743925. These settings contain very few fingerings so players will often be pushed to use their pencils and their own judgment. Guitar-friendly keys were chosen throughout, but modulations lead to the occasional odd key for brief segments and counterpoint that would be shared by two hands on the piano is necessarily relegated to one on the guitar. The selections are: Melodie, Op. 4, No. 2 (Mendelssohn); Mazurka, Op. 6, No. 3 (Schumann); Waltz, Op. 36, No. 3 (Backer-Grendahl); Le Sommeil de Enfant, Op. 35 (Carreo); and Waltz, Op. 36, No. 3 (Beach).