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CHARANGO
CITHARE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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avec audio
avec vidéo
avec play-along
Non classifié
9372
PIANO & CLAVIERS
Piano seul
453
Orgue
447
Piano (partie séparée)
278
Piano, Voix
227
Piano, Voix et Guitare
86
Piano Facile
65
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
29
Instruments en Do
16
Orgue, Piano (duo)
9
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano grosses notes
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare (partie séparée)
275
Guitare notes et tablatures
26
Guitare
25
Ligne De Mélodie, (Paroles) et Accords
17
Basse électrique (partie séparée)
9
Ukulele
5
4 Guitares (Quatuor)
3
Banjo
2
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
Paroles et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
32395
Chorale 3 parties
10708
Chorale 2 parties
8547
Chorale TTBB
7366
Chorale SSAA
4930
Chorale Unison
4362
Chorale
1848
Chorale SSAATTBB
126
Chorale SSATB
94
Chorale SSAB a cappella
53
Chorale SSATTB
41
Chorale SSATBB
30
Voix duo, Piano
28
Voix duo
16
Chorale SAATB A Cappella
14
Chorale SSAB, Piano
13
Chorale SSAATB
11
Chorale SATBB
10
Chorale SSAATB A Cappella
9
Voix seule
8
Soli, choeur mixte et accompagnement
8
Chorale SATTB
7
Chorale SATTBB A Cappella
6
Voix Soprano, Orchestre
6
Voix Soprano, Piano
3
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix haute
1
Chorale SATTBB, Clavier
1
Voix Tenor, Piano
1
Chorale, Orgue
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
315
Clarinette (partie séparée)
181
Flute (partie séparée)
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Hautbois (partie séparée)
89
Flûte, Hautbois, Clarinette, Basson
82
Quatuor de Saxophones: 4 saxophones
77
Flûte traversière et Piano
75
Clarinette et Piano
67
Quatuor de Clarinettes: 4 clarinettes
42
Hautbois, Piano (duo)
40
Saxophone Alto et Piano
37
Flûte et Guitare
36
Quatuor de Flûtes : 4 flûtes
32
Quintette de Saxophone: 5 saxophones
28
3 Saxophones (trio)
27
Ensemble de Flûtes
25
Saxophone Tenor et Piano
23
2 Saxophones (duo)
23
Ensemble de Clarinettes
22
Clarinette
18
Saxophone Soprano et Piano
16
Cor anglais, Piano
15
Ensemble de saxophones
13
Quintette de Clarinettes: 5 clarinettes
12
2 Clarinettes (duo)
11
Flûte traversière
11
Quatuor de Flûtes à bec
10
2 Flûtes traversières (duo)
10
Saxophone Baryton, Piano
10
3 Clarinettes (trio)
9
Trio de Flûtes: 3 flûtes
9
Clarinette Basse, Piano
8
Flûte à bec Soprano
8
Flûte, Clarinette (duo)
8
Saxophone Alto
6
2 Flûte à bec (duo)
6
Quintette de Flûte : 5 flûtes
6
Ensemble De Flûte à bec
5
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Basson (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte à bec Tenor
4
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Flûte à bec Alto
3
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Hautbois (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec, Guitare (duo)
2
Flûte, Violoncelle
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Flûte traversière, Orchestre
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
3 Hautbois
1
Clarinette, Orgue
1
Flûte, Hautbois, Basson
1
Flûte et Trio à cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
Flûte à Bec
1
Hautbois, Harpe
1
Saxophone
1
Clarinette, Orchestre
1
Hautbois, Violoncelle
1
4 Hautbois
1
Cor Anglais
1
Saxophone et Orgue
1
Ensemble à vent
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
426
Trombone (partie séparée)
313
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Cor (partie séparée)
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trompette, Piano
43
Quatuor de cuivres: 4 trombones
39
Trombone et Piano
35
Tuba (partie séparée)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Quatuor de Cuivres
24
Cor et Piano
24
Trompette
23
Ensemble de Trombones
18
Quatuor de cuivres: 4 cors
16
Cor anglais, Piano
15
Trompette, Trombone (duo)
12
3 Trombones (trio)
11
Tuba et Piano
9
2 Trompettes (duo)
9
Euphonium, Piano (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
6
2 Trombones (duo)
6
Trombone
6
Cor, Orchestre
5
2 Cors (duo)
5
3 Tubas (trio)
5
3 Cors (trio)
5
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Trio de Cuivres
4
Cor
4
Tuba
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Ensemble de Trompettes
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
Cor anglais et Harpe (duo)
1
Cor et Basson (duo)
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Trompette, Orchestre
1
Cor, Violoncelle (duo)
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
4 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Contrebasse (partie séparée)
474
Quatuor à cordes: 2 violons, alto, violoncelle
243
Violon (partie séparée)
214
Violoncelle (partie séparée)
123
Alto (partie séparée)
95
Violon et Piano
68
Harpe (partie séparée)
56
Alto, Piano
56
Violoncelle, Piano
53
Violon
23
Trio à Cordes: violon, alto, violoncelle
22
Harpe
20
Violon, Violoncelle (duo)
12
Violoncelle, Orchestre
11
Violoncelle
11
2 Violons (duo)
10
Alto seul
9
4 Violoncelles
8
Contrebasse, Piano (duo)
8
Violon, Orgue
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon, Alto (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: 3 violoncelles
6
2 Violoncelles (duo)
5
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
5
Trio à cordes: 3 violins
5
2 Altos (duo)
5
Contre Basse
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Violon, Violoncelle
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Ensemble d'Altos
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violoncelle, Basse continue
1
Ensemble de Violons
1
Alto et Basson
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
591
Orchestre
430
Batterie (partie séparée)
245
Percussion (partie séparée)
206
Orchestre à Cordes
170
Ensemble de cuivres
92
Orchestre de chambre
88
Cloches
87
Ensemble Jazz
51
Batterie
42
Piano et Orchestre
35
Fanfare
25
Orchestre, Violon
18
Timbales (partie séparée)
16
Jazz combo
16
Marimba
6
Ensemble de Percussions
4
Vibraphone
3
Instrumentation Flexible
2
Vibraphone (partie séparée)
1
Xylophone, Piano
1
Voix et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
85
Vous avez sélectionné:
A Choral
Guitare
Partitions à imprimer
25 partitions trouvées
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1
Next to Normal: A Choral Medley: Guitar
Guitare
Guitar - Digital Download SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa D…
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Guitar - Digital Download SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa DeSpain. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015751_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015751_G). UPC: 038081360447.Next to Normal is a thrilling, groundbreaking, Tony Award -winning musical, and definitely one of the most talked about Broadway productions of our time. This 5-minute medley captures the inventive spirit and powerhouse music of the show.Inst. Parts Available (choral); Recorded Acc. Available.
$9.00
8.42 €
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Guitare
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Lisa DeSpain
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Recorded Acc. Available.
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Next to Normal: A Choral Medley: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Three Chorales for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #755010. Published by JDevor Music, LLC (A0.1154736). Three Chorales for solo guitar Short, melodic pieces for the intermediate-advanced classical guitarist. A great introduction to contemporary classical music for the guitar teacher and student.
$12.99
12.15 €
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Guitare
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J
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Three Chorales for solo guitar
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JDevor Music, LLC
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SheetMusicPlus
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00
11.23 €
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Guitare
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Yoann FILIN
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O Lord, Hear my Prayer
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Yoann Filin
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SheetMusicPlus
Evergreen (Love Theme from A Star Is Born): Guitar
Guitare
Guitar - Digital Download SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra…
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Guitar - Digital Download SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra Streisand. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017553_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017553_G). Paul Williams.Barbra Streisand's smash hit from her 1976 film A Star Is Born is now available for your choir! Lush harmonies and long flowing melodic lines give plenty of opportunities to develop musical expression, and all voice parts get an opportunity to sing the melody.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00
4.68 €
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Guitare
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Barbra Streisand
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Mark Hayes
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Recorded Acc. Available.
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Evergreen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.55 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Chorale
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Cl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344. Published by Doug Smith Guitar Studio (A0.1163992). Chorale is music in the first postion that uses a four part texture. The piece can be used to introduce guitar students to how to playfour notes at once with free strokes and show proper balance to the moving parts involved  with four note chords.
$1.99
1.86 €
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Guitare
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Doug Smith
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Chorale
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Doug Smith Guitar Studio
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SheetMusicPlus
Quelques Notes Pour Anna
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1322865 By Nicolas De Angelis. By Jan F…
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Guitar - Level 3 - Digital Download SKU: A0.1322865 By Nicolas De Angelis. By Jan F.g. Dreyer and Paul Marie Andre De Senneville. Arranged by Josef Peter Traun. Classical,Pop,Wedding. 27 pages. Traun #911132. Published by Traun (A0.1322865). An arrangement for guitar ensemble (GE).Orchestral cast: Guitar 1, Guitar 2, Guitar 3, Guitar 4 (Begleitung), Bass, Rhythm Guitar ad libitum and Full Score. Guitars 1-3 also in a choral setting. For example: Guitar orchestra.  Other Instruments from the score can added ad lib.
$20.00
18.71 €
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Guitare
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Nicolas De Angelis
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Josef Peter Traun
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Quelques Notes Pour Anna
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Traun
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SheetMusicPlus
In Dulci Jubilo BWV368 for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebas…
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Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. Full Performance. Duration 77. DML #721997. Published by DML (A0.1120782). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein and in BWV 729 as a chorale prelude. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 368 follows almost exactly the four original voices from the chorale. The score is also available.
$1.99
1.86 €
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Guitare
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Simon James
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Simon James
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In Dulci Jubilo BWV368 for guitar quartet
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DML
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.73 €
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Guitare
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
5.6 €
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Guitare
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Johann Sebastian Bach
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Simon James
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In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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DML
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SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.54 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV 147
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DML
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.68 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.67 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
What Wondrous Love is This - vocal trio
Guitare
Choral Voice,SSA chorus, guitar - Level 2 - Digital Download SKU: A0.801282 Compose…
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Choral Voice,SSA chorus, guitar - Level 2 - Digital Download SKU: A0.801282 Composed by Unknown. Arranged by Connie Boss. A Cappella,Sacred,Spiritual. Score. 2 pages. Connie Boss #5178747. Published by Connie Boss (A0.801282). A Capella for a vocal trio - one part is a moving part from the other two.
$5.50
5.15 €
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Guitare
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Unknown
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Connie Boss
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What Wondrous Love is This - vocal trio
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Connie Boss
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SheetMusicPlus
A Christmas Pastorale
Guitare
(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Micha…
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(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Intermediate. E-book. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.7 €
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Guitare
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Pastorales on 2 Guitars)
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A Christmas Pastorale
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.35 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Jesu, Joy of Man's Desiring - w/tremolo (Guitar Solo)
Guitare
Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #3428675. Published by Kevin Edward Love (A0.753000). A piece that needs no introduction. This version uses tremolo to express the choral interludes. Enjoy!
$3.95
3.7 €
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Guitare
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Johann Sebastian Bach
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K
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Jesu, Joy of Man's Desiring - w/tremolo
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Kevin Edward Love
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SheetMusicPlus
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
Guitare
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Compo…
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Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
3.27 €
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Guitare
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Wolfgang Amadeus Mozart
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Klas Krantz
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Song of Praise/Hymn Song for guitar solo) K. 623a
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Amadeus Music
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SheetMusicPlus
Pick Up the Pieces: Guitar
Guitare
Guitar - Digital Download SKU: AX.00-PC-0014319_G Guitar. Composed by Alan G…
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Guitar - Digital Download SKU: AX.00-PC-0014319_G Guitar. Composed by Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014319_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014319_G). UPC: 038081339993.Scat your way to success with this inventive vocal setting of the '70s favorite, an instrumental soul classic by the Average White Band. May be performed a cappella, with piano, or with the rhythmic SoundTrax CD. SoundPax includes rhy.Inst. Parts Available (choral); Recorded Acc. Available.
$6.00
5.61 €
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Guitare
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Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball
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Recorded Acc. Available.
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Pick Up the Pieces: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.55 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.55 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.55 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Classical Guitar Tunes - Songs of Faith
Guitare
Gospel/Sacred. Classics. Ebook and online audio. 83 pages. Mel Bay Publications - Digi…
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Gospel/Sacred. Classics. Ebook and online audio. 83 pages. Mel Bay Publications - Digital Sheet Music #30948MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513469041. 8.75x11.75 inches.<br> <br> Composer/arranger Owen Middleton delivers the goods in these intermediate-level, idiomatic arrangements of 21 traditional hymns and patriotic songs for solo classic guitar. The book includes optional parts for cello and flute in supporting and lead roles. Written in standard notation only, a few tunes feature altered tunings. Light left-hand fingering is provided for the more challenging passages as well as access to online audio for each piece.Middletons years of experience as a choral singer and composer for the guitar and piano shine through in these tasteful settings; his awareness of voice-leading concepts, inner parts, and basslines often gives these time-honored melodies a modern twist.
$14.99
14.03 €
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Guitare
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Classical Guitar Tunes - Songs of Faith
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Searching for a Chorale
Guitare
Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (di…
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Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)
$5.95
5.57 €
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Guitare
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Seymour Bernstein
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Searching for a Chorale
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Les Editions Doberman-Yppan
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SheetMusicPlus
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