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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A.G. Harmon
Non classifié
297
Piano & claviers
Piano seul
158
Piano, Voix
89
Piano Facile
61
Orgue
29
Piano, Voix et Guitare
14
Accompagnement Piano
10
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
5
Piano (partie séparée)
2
Accordéon
1
Orgue, Piano (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
115
Guitare
23
Ukulele
7
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
1
2 Dulcimers (duo)
1
Paroles et Accords
1
Basse electrique
1
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale SSAA
34
Chorale 3 parties
32
Chorale TTBB
18
Chorale 2 parties
17
Chorale Unison
6
Voix duo, Piano
6
Voix Soprano, Piano
5
Voix Tenor, Piano
5
Voix Alto, Piano
5
Voix Baryton, Piano
2
Voix haute
2
Voix duo
2
Voix basse, Piano
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Harmonica
16
Flûte traversière
15
Quintette de Saxophone: 5 saxophones
15
2 Flûte à bec (duo)
14
Hautbois, Piano (duo)
13
Clarinette
12
Clarinette et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
2 Saxophones (duo)
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone (partie séparée)
10
2 Flûtes traversières (duo)
10
Saxophone Tenor et Piano
9
Saxophone Alto et Piano
7
3 Clarinettes (trio)
7
Hautbois
7
2 Clarinettes (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Flûtes
6
Saxophone Alto
6
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette (duo)
5
Hautbois, Clarinette (duo)
4
Saxophone Soprano et Piano
4
Ocarina
4
2 Hautbois (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor
4
Flûte, Clarinette et Basson
3
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle
2
Flute, harpe et violon
2
3 Saxophones (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Hautbois, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte, Alto et Piano
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Ensemble de saxophones
1
Saxophone Soprano
1
Clarinette Basse
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Violon
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
Clarinette, Harpe (duo)
1
Flute (partie séparée)
1
Clarinette, Saxophone, Piano
1
Flûte, Violon, Violoncelle et Piano
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Piano
12
Cor
10
Trombone et Piano
10
Trombone (partie séparée)
9
Trombone
9
Cor et Piano
9
Trompette (partie séparée)
7
Tuba et Piano
7
2 Trompettes (duo)
6
Tuba
4
2 Trombones (duo)
4
2 Cors (duo)
4
Trompette, Trombone (duo)
4
2 Tubas (duo)
4
Euphonium
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Quatuor de Cuivres
1
Cor (partie séparée)
1
Cor anglais, Piano
1
Cor, Violoncelle (duo)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
47
Violoncelle, Piano
30
Alto, Piano
29
Harpe
26
Violoncelle
17
Violon
13
Violon, Violoncelle (duo)
12
2 Violons (duo)
11
Contre Basse
9
2 Violoncelles (duo)
8
Contrebasse, Piano (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
7
2 Altos (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
6
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
2 Contrebasses (duo)
4
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Ensemble de Violons
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
316
Orchestre à Cordes
45
Orchestre
15
Ensemble de Percussions
8
Ensemble Jazz
7
Ensemble de cuivres
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Cloches
4
Orchestre de chambre
2
Batterie (partie séparée)
2
Jazz combo
1
Percussion
1
+ 7 instrumentations
Retracter
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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Vous avez sélectionné:
A.G. Harmon
Guitare
Partitions à imprimer
23 partitions trouvées
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1
How To Save A Life
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1208361 By The Fray. By Isaac Slad…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1208361 By The Fray. By Isaac Slade and Joseph King. Arranged by Enrique Rojas. Pop,Rock. Individual part. 6 pages. Enrique Rojas Music #806470. Published by Enrique Rojas Music (A0.1208361). This is a fingerstyle guitar arrangement to be played as soloist or with accompaniment. This easy arrangement is ideal for guitarists who would like to include popular music into their repertoire. It uses 1 step down tuning (D G C F A D) to maximize open strings to harmonize with the melody.
$4.99
4.6 €
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Guitare
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The Fray
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Enrique Rojas
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How To Save A Life
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Enrique Rojas Music
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SheetMusicPlus
Rock My Soul
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
6.44 €
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Guitare
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Traditional
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Richard Hirsch
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.83 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.6 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.53 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
18.42 €
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Guitare
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felde…
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Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Pop,Rock. 79 pages. Duration 372. Ron Calabrese #TNcRYrWN5BaTRWl6j56eK. Published by Ron Calabrese (A0.1350516). Key: A minor.Guitar, Guitar Ensemble, Guitar Ensemble – Beginner/Advanced – Ron Calabrese Hotel California (Arrangement by Ron Calabrese): Score, 5 Guitar Parts, Guitar Tablature: 49 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players. The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion. The iconic guitar solo includes smooth harmonies across multiple guitar parts. Part Descriptions: Guitar 1: The Guitar 1 Part is written to showcase the tune’s main melody and chorus. This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece. All fingering and tabulator are included for convenience. Guitar 2: The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable. Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo. This part can be played by an intermediate player. All fingering and tabulator are included for convenience. Guitar 3 & 4: The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections. These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5: The Guitar 5 Part is the bass guitar part (written in G clef). From time to time, the part includes key rhythmic phrases used to complement the other parts. The Guitar 5 Part also includes the chords as a potential 6th Part.
$19.99
18.43 €
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Guitare
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.83 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Blue-Eyed Billy-Bob Brown Blues
Guitare
Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watc…
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Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watchorn. Arranged by Brett Watchorn. Blues,Classical,Contemporary,Contest,Festival,Traditional. 8 pages. Brave Music Australia Publishing #111645. Published by Brave Music Australia Publishing (A0.497972). Blue-Eyed Billy-Bob Brown Blues is a fun and swanky blues shuffle for an intermediate guitar trio. The song is remeniscient of classic 12-bar blues tunes with a slight 1950's rock 'n roll edge. This piece is sure to get the audience toes tapping, and the players should have some fun too. Guitar 3 functions as a bass player, with walking bass lines and some groovy little licks. Guitar 1 features solos and melody highlights. Guitar 2 functions as the harmoniser, but also has some counter-melodies and licks too. --- Key: G blues --- Tempo: Recorded at 100bpm --- Time signature: 4/4 --- Feel: Blues shuffle --- Form: In A A B A --- bravemusicaustralia.com.au --- Sunglasses essential! 😎.
$4.99
4.6 €
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Guitare
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Brett Watchorn
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Brett Watchorn
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Blue-Eyed Billy-Bob Brown Blues
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Brave Music Australia Publishing
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SheetMusicPlus
The First Chill of Winter
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1155968 Composed by Dale K. Rodger…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1155968 Composed by Dale K. Rodgers. Contemporary,Contest,Festival,Jazz,New Age,Wedding. Individual part. 8 pages. Dale K. Rodgers #756273. Published by Dale K. Rodgers (A0.1155968). Beautiful, pensive, and romantic performance piece for classical or finger-style guitar. Melody and chord progression came about during the first quiet snowfall of a Northern Ohio winter while sitting by the fire. Keys of Em and G Major. Various time signatures ( 4/4 5/4 2/4 3/4 ) Advanced level utilizing the entire fretboard with uncommon chord combinations, harmonics, etc. Two versions are provided; the first in standard notation with extensive fingerings given, and the second which also includes TAB.
$4.99
4.6 €
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Guitare
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Dale K
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The First Chill of Winter
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Dale K. Rodgers
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SheetMusicPlus
Prelúdio 2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Banda. By Jeferson Mota de Oliveira. Arranged by Jeferson Mota de Oliveira. Christmas,Classical,Renaissance,Soul,Wedding. Individual part. 1 pages. JEFERSON MOTA DE OLIVEIRA #839138. Published by JEFERSON MOTA DE OLIVEIRA (A0.1244166). Esse é um Prelúdio para violão solo.Um prelúdio é uma composição musical instrumental curta e independente que geralmente serve como introdução a uma peça mais extensa, como uma ópera, uma suÃte, uma sonata ou um concerto. O termo prelúdio vem do latim praeludium, que significa tocar antes.Os prelúdios são caracterizados por sua natureza improvisatória e exploratória, permitindo ao compositor ou ao intérprete explorar diferentes melodias, harmonias e texturas musicais. Eles podem apresentar uma variedade de estilos e formas musicais, desde peças virtuosÃsticas e brilhantes até prelúdios mais introspectivos e contemplativos.Os prelúdios têm sido escritos e apreciados ao longo da história da música em várias épocas e gêneros musicais, como no perÃodo barroco com os prelúdios de Johann Sebastian Bach, no perÃodo romântico com os prelúdios de Frédéric Chopin e no jazz com os prelúdios improvisados pelos pianistas de jazz.
$1.99
1.83 €
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Guitare
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Allegro Instrumental Banda
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Jeferson Mota de Oliveira
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Prelúdio 2
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JEFERSON MOTA DE OLIVEIRA
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SheetMusicPlus
Despacito
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99
4.6 €
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Guitare
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.61 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
Deep, Deep Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach a…
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Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach and Lee Dengler. Arranged by Billy Peters. Contemporary. Individual part. 3 pages. Publish by Billy Peters #4354681. Published by Publish by Billy Peters (A0.993715). Deeper than the nails driven into His handsIs the love of a Father who gives His only Son.This guitar arrangement is based on the beautiful choral work of Herb Frombach and Lee Dengler. It is intended for classical guitarists. Unique to this arrangement is the drop (G) on the 5th string, and the drop (C) on the 6th. The 6th string C will sound and give a harmonic drone when the first chord is played. Be careful to let that harmonic tone ring as it will help tie the music together during the difficult shifts in the left hand.
$4.99
4.6 €
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Guitare
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Herb Frombach and Lee Dengler
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Billy Peters
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Deep, Deep Love
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Publish by Billy Peters
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SheetMusicPlus
Pulso de la vida
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Sco…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
5.49 €
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Guitare
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Twinkle,Twinkle Little Star For Guitar Trio
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1199999 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1199999 Composed by Traditional. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Jazz,Traditional. 2 pages. Neal Fitzpatrick Editions #798822. Published by Neal Fitzpatrick Editions (A0.1199999). Twinkle,Twinkle Little Star here is arranged for three guitars. This arrangement is in the first position in the familiar key of G Major. The parts are designed so that each participant can switch play each part. This essentially makes it a three-fold learning tool for the students by their being able to play in different registers in the first position and understand the harmonized melody for all perspectives. The student gets a chance to perform the melody and also be part of the accompaniment. Great for schools, group guitar lessons and private studios.
$2.50
2.3 €
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Guitare
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Traditional
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Neal Fitzpatrick
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Twinkle,Twinkle Little Star For Guitar Trio
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Neal Fitzpatrick Editions
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SheetMusicPlus
Gigue
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
2.76 €
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Guitare
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Grand Vals Franciso Tarrega for easy intermediate guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
5.53 €
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Guitare
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Francisco Tarrega
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Dennis Greensmith
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Grand Vals Franciso Tarrega for easy intermediate guitar
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Dennis Greensmith
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SheetMusicPlus
For Emily
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1312304 Composed by Dale K. Rodger…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1312304 Composed by Dale K. Rodgers. Classical,Instructional. Individual part. 4 pages. Dale K. Rodgers #901164. Published by Dale K. Rodgers (A0.1312304). One of my young students asked if I had any pieces SHE could play. So I wrote this over the following weekend. For fingerstyle or classical guitar, Keys of Em and G.  3/4 and 4/4 time. Even a R.H. harmonic is in there. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.
$3.99
3.68 €
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Guitare
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Dale K
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For Emily
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Dale K. Rodgers
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SheetMusicPlus
The Vineyard for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1308033 Composed by Scott J. Simon…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1308033 Composed by Scott J. Simon. 21st Century,Classical,Contemporary,Pop,Wedding. Individual part. 6 pages. Scott Simon #897313. Published by Scott Simon (A0.1308033). This is a contemporary fingerstyle original featuring voice-leading, syncopation, functional and non-functional harmony, and modulations between G and E Major. Standard fingerstyle techniques are utilized throughout. See also Tablature edition.
$4.99
4.6 €
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Guitare
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Scott J
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The Vineyard for Classical Guitar
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Scott Simon
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SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
9.21 €
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Guitare
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo guitar
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Georg Mertens
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SheetMusicPlus
Modern Guitar Method Grade 5, Expanded Edition
Guitare
By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 104 pages. P…
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By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746636. Contains studies, chord melody solos, chord studies, quartal harmony etudes, triad studies and duets in the keys of C, Am, G, Em, F, Dm, D, Bm, Bb and Gm.Presents a comprehensive listing of chords found in each key.For each key, etudes are presented in four different positions.The most comprehensive approach to contemporary guitar mastery available! Online audio download available.ISBN 9781609746636. Contains studies, chord melody solos, chord studies, quartal harmony etudes, triad studies and duets in the keys of C, Am, G, Em, F, Dm, D, Bm, Bb and Gm.Presents a comprehensive listing of chords found in each key.For each key, etudes are presented in four different positions.The most comprehensive approach to contemporary guitar mastery available! Online audio download available.
$17.99
16.59 €
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Guitare
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William Bay
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Modern Guitar Method Grade 5, Expanded Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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