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ACCORDEON
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PIANO & CLAVIERS
Piano seul
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Piano, Voix et Guitare
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Orgue
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1 Piano, 4 mains
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Piano grosses notes
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4
Accordéon
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2
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179
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71
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35
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28
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15
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11
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10
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6
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5
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3
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2
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1
Chorale SSAATTBB
1
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Voix basse
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Voix Tenor, Piano
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VENTS
Quatuor de Saxophones: 4 saxophones
77
Saxophone (partie séparée)
44
Flûte, Hautbois, Clarinette, Basson
39
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32
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25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Alto
22
Flûte traversière
21
Clarinette
20
Quatuor de Flûtes : 4 flûtes
18
Clarinette et Piano
16
Clarinette (partie séparée)
15
Saxophone Tenor
12
Saxophone Tenor et Piano
11
Saxophone Soprano et Piano
9
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8
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8
Flute (partie séparée)
8
Hautbois, Piano (duo)
7
Hautbois (partie séparée)
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2 Saxophones (duo)
7
Ensemble de Clarinettes
7
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
Saxophone
3
Hautbois
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
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3
Flûte, Clarinette (duo)
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
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Trio de Flûtes: 3 flûtes
2
Flûte à Bec
2
3 Saxophones (trio)
2
2 Flûte à bec (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Clarinette Basse, Piano
1
Saxophone Soprano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
Cor Anglais
1
Clarinette, Violon (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Harmonica
1
2 Flûtes traversières, Piano
1
Piccolo
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Flûte, Tuba (duo)
1
Flûte et Guitare
1
Flûte, Violon
1
Ensemble De Flûte à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette
31
Trompette (partie séparée)
24
Trombone (partie séparée)
22
Cor
17
Trombone
16
Trompette, Piano
16
Trombone et Piano
9
Cor (partie séparée)
9
Tuba (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
3
2 Trombones, Piano
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Tuba et Piano
1
Trio de Cuivres
1
2 Trombones (duo)
1
Instruments en Sib
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Piano
1
Cor Anglais
1
Ensemble de Tubas
1
Euphonium
1
Tuba
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violon
35
Violon et Piano
21
Violoncelle (partie séparée)
16
Alto seul
16
Harpe
15
Violon (partie séparée)
13
Violoncelle
12
Violoncelle, Piano
11
Alto (partie séparée)
10
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Alto, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 2 violons, alto
4
2 Violons (duo)
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Alto (duo)
2
Contre Basse
2
Harpe (partie séparée)
1
Contrebasse, Piano (duo)
1
Trio à cordes
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Violon, Basse continue
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
358
Orchestre à Cordes
90
Ensemble Jazz
48
Orchestre
35
Ensemble de cuivres
24
Fanfare
22
Batterie
20
Orchestre de chambre
16
Jazz combo
12
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Marimba
4
Percussion
3
Cloches
3
Timbales (partie séparée)
2
Ensemble de Percussions
2
Vibraphone
2
Quintette de Cuivres: autres combinaisons
1
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AUTRES
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1
A ti se neces vratiti - BAJAGA & LOSA
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1131730 By Nitro Acoustic. By Nitro Aco…
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Guitar - Level 3 - Digital Download SKU: A0.1131730 By Nitro Acoustic. By Nitro Acoustic. Arranged by Nitro Acoustic. Multicultural,Pop,Rock,Romantic Period,World. Full Performance. Duration 194. Nitro Acoustic #731954. Published by Nitro Acoustic (A0.1131730). Moja obrada pesme A ti se neces vratiti koju u originalu sviraju i pevaju BAJAGA & LOSA. Uzivajte :).
$1.99
1.81 €
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Guitare
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Nitro Acoustic
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Nitro Acoustic
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A ti se neces vratiti - BAJAGA & LOSA
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Nitro Acoustic
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SheetMusicPlus
Pedacinhos Do Céu - Brazilian Choro for 7 strings
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1045890 By Waldir Azevedo. By Wald…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1045890 By Waldir Azevedo. By Waldir Azevedo. Arranged by Cicero de Campos Gallinari. Latin,Standards,Traditional. Individual part. 2 pages. Cicero Gallinari #650467. Published by Cicero Gallinari (A0.1045890). O violão de 7 cordas é usado para acompanhar o Choro [música instrumental brasileira]. Esse arranjo contem a base de acompanhamento que o violão de 7 cordas faz. Um trabalho muito interessante por ser muito difÃcil encontrar partituras para esse instrumento. Em breve enviarei mais!
$40.00
36.48 €
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Guitare
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Waldir Azevedo
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Cicero de Campos Gallinari
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Pedacinhos Do Céu - Brazilian Choro for 7 strings
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Cicero Gallinari
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.6 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.25 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.29 €
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Guitare
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Mountains of Stowe, I Stand Strong
Guitare
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
1.81 €
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand Strong
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Silver Sickle Publications
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SheetMusicPlus
Mountains of Stowe, and The Sky is The Limit
Guitare
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
1.81 €
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sky is The Limit
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Silver Sickle Publications
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SheetMusicPlus
Can't Help Falling In Love
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By Georg…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Iury Cardoso. Classical,Country,Folk,Pop,Rock. Individual part. 3 pages. Iury Cardoso #857338. Published by Iury Cardoso (A0.1264515). EASY GUITAR arrangement of the song Can't Help Falling In Love by Elvis Presley.(There is also a TABS VERSION on this website).-3 pages-This is a easy guitar fingerstyle for beginner intermediate students.The entire melody of this arrangement is played on the first string of the guitar and all chords use open strings. The simplified chords make it easy to learn and allows the students to have a fun experience.See on youtube:https://www.youtube.com/watch?v=HQDArGWTZcISee more guitar arrangements by Iury Cardoso on this website, thank you so much!  Copyright © 1961; Renewed 1989 Gladys Music (ASCAP) This arrangement Copyright © 2014 Gladys Music (ASCAP) All Rights Reserved in the U.S. Administered by Imagem Sounds International Publishing Copyright Secured All Rights Reserved#easy fingerstyle guitar#can't help falling in love#elvis presley#fingerstyle#classical guitar#guitar#guitar sheet music#easy guitar sheet music#guitar tabs#easy classical guitar sheet music#easy guitar score#easy arrangement#guitar music#acoustic guitar.
$4.99
4.55 €
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Guitare
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Elvis Presley
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Iury Cardoso
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Can't Help Falling In Love
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Iury Cardoso
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SheetMusicPlus
Songs from the County of Nice (Chansons du Comté de Nice)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.982804 Composed by No.4: Cinto Tar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.982804 Composed by No.4: Cinto Tarelli (1873-1941), all others: Anonymous, and no.7: Menica Rondelly (1854-1935). Arranged by Louis Sauter. 20th Century,Folk,World. Individual part. 13 pages. Louis Sauter #3024351. Published by Louis Sauter (A0.982804). Seven traditional songs from the County of Nice in France, harmonized and arranged for guitar. A playlist of live recordings is available at https://www.youtube.com/playlist?list=PLs2no8EBWmf2p8xu4daTGAIrNMogYo_AHContains:1. Adiéu Paure Carneval2. Calant de Villafranca3. La Fillo Amé la Maire4. Fla ! Fla !5. Pastre, Pastressa6. Lou Pichin Ome7. Nissa la Bella
$12.99
11.85 €
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Guitare
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No
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Louis Sauter
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Songs from the County of Nice
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Louis Sauter
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SheetMusicPlus
Laurindo Almeida - Brazilian Reflections
Guitare
By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Publis…
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By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655606. A collection of rich harmonic and contrapuntal vocal/ guitar arrangements by the renowned guitarist and composer, Laurindo Almeida. Born in Sao Paulo Brazil in 1917 and immigrating to the U.S. in 1947, it was Almeida who brought the bossa nova style to the United States long before it was so named. With Brazilian Reflections, the always elegant and tasteful Almeida brings his skills as a supreme guitarist and arranger to bear in these stunning arrangements of traditional and modern songs from Brazil. Written in standard notation with Portuguese lyrics. The companion online audio available for download included with this book features Almeida accompanying his wife, soprano Deltra (Didi) Eamon Almeida, in spirited and soulful renditions which reflect their love of this music and their life-long personal/ professional collaboration.
$14.99
13.67 €
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Guitare
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Laurindo Almeida
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Laurindo Almeida - Brazilian Reflections
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
R.O.C.K. In The U.S.A. (A Salute To 60's Rock) - Guitar
Guitare
By John Mellencamp. By John Mellencamp. Arranged by Kirby Shaw. For Guitar. Combo. Concert…
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By John Mellencamp. By John Mellencamp. Arranged by Kirby Shaw. For Guitar. Combo. Concert; Pop; Rock. Individual instrument part. 3 pages. Published by Hal Leonard - Digital Sheet Music
$7.00
6.38 €
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Guitare
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John Mellencamp
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Kirby Shaw
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Pop
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R.O.C.K. In The U.S.A.
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
God Bless The U.S.A.
Guitare
By Lee Greenwood. For easy guitar. Country; Inspirational; Patriotic. Easy Guitar. 2 pages…
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By Lee Greenwood. For easy guitar. Country; Inspirational; Patriotic. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.73 €
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Guitare
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Lee Greenwood
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Inspirational
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God Bless The U.S.A.
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Beach Boys: Surfin' U.S.A. - guitar solo (ChordBuddy system)
Guitare
Instantly printable sheet music by The Beach Boys for guitar solo (ChordBuddy system) of M…
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Instantly printable sheet music by The Beach Boys for guitar solo (ChordBuddy system) of MEDIUM skill level. / oldies,pop,rock
$4.97
4.53 €
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Guitare
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The Beach Boys
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Virtualsheetmusic
Lee Greenwood: God Bless The U.S.A. for guitar
Guitare
Instantly printable sheet music by Lee Greenwood for guitar solo (chords) of EASY skill le…
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Instantly printable sheet music by Lee Greenwood for guitar solo (chords) of EASY skill level. / country,inspirational,patriotic,festival,children
$3.97
3.62 €
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Guitare
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Lee Greenwood
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Virtualsheetmusic
Gene Simmons: Rockin' In The U.S.A. for guitar
Guitare
Instantly downloadable sheet music by Gene Simmons for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Gene Simmons for guitar of MEDIUM skill level.
$2.99
2.73 €
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Guitare
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Gene Simmons
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Virtualsheetmusic
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