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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ARIA
Non classifié
4 248
Piano & claviers
Piano, Voix
5 998
Piano seul
3 435
Piano, Voix et Guitare
1 147
Piano Facile
993
Instruments en Do
422
Orgue
407
1 Piano, 4 mains
129
Accompagnement Piano
116
Accordéon
90
Piano Trio: piano, violon, violoncelle
73
Piano grosses notes
53
2 Pianos, 4 mains
27
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Trompette (duo)
13
Orgue, Piano (duo)
7
Clavecin
7
2 Accordéons
6
Piano (partie séparée)
6
Instrument seul et Orgue
6
Orgue, Voix
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
339
Guitare
318
Ligne De Mélodie, (Paroles) et Accords
190
Ukulele
130
Basse electrique
90
Paroles et Accords
55
2 Guitares (duo)
54
Piano, Guitare (duo)
33
Mandoline
19
4 Guitares (Quatuor)
18
Banjo
9
3 Guitares (trio)
8
Guitare (partie séparée)
5
Ensemble de guitares
5
Dulcimer
5
Basse électrique (partie séparée)
2
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 146
Chorale 3 parties
474
Chorale 2 parties
326
Voix Soprano, Piano
243
Voix seule
224
Chorale TTBB
170
Voix duo, Piano
163
Voix Tenor, Piano
153
Chorale SSAA
134
Voix duo
95
Voix haute
91
Pack Instrumental pour Chorale
88
Voix Alto, Piano
87
Voix Baryton, Piano
80
Chorale
75
Chorale Unison
73
Voix basse, Piano
52
Voix Mezzo-Soprano, Piano
45
Voix moyenne, Piano
28
Voix Tenor
15
Chorale SSATB
9
Voix Soprano
9
Voix et basse continue
8
Chorale SSATTB
6
Chorale SSAATTBB
5
Voix basse
5
Voix duo, Orgue
4
Voix haute, Piano
3
Voix, Guitare
3
Voix Moyenne
2
Chorale SATBB
2
Chorale SATTB
2
Chorale SSAB a cappella
2
Chorale, Orgue
1
Chorale SSAATB
1
Voix Baryton
1
Voix Soprano, Orchestre
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
439
Clarinette et Piano
365
Flûte traversière
356
Clarinette
327
Saxophone Alto et Piano
278
Hautbois, Piano (duo)
267
Quatuor de Saxophones: 4 saxophones
264
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
229
Saxophone Alto
204
Saxophone Tenor et Piano
198
2 Saxophones (duo)
184
Saxophone (partie séparée)
183
Quatuor de Clarinettes: 4 clarinettes
165
Flûte, Hautbois, Clarinette, Basson
159
Saxophone Soprano et Piano
147
Saxophone Tenor
138
2 Flûtes traversières (duo)
128
Hautbois (partie séparée)
114
Saxophone
113
2 Clarinettes (duo)
112
Quatuor de Flûtes : 4 flûtes
96
Quintette de Saxophone: 5 saxophones
77
Clarinette (partie séparée)
73
Ensemble de Clarinettes
73
Flûte à Bec
68
Saxophone Baryton, Piano
67
Ensemble de saxophones
62
Ensemble de Flûtes
57
Flûte, Clarinette (duo)
56
3 Saxophones (trio)
56
Flûte et Guitare
55
Cor anglais, Piano
49
Quatuor de Flûtes à bec
48
Hautbois
35
Quintette de Clarinettes: 5 clarinettes
32
Saxophone Soprano
29
3 Flûtes à bec (trio)
28
3 Clarinettes (trio)
28
Flute (partie séparée)
26
Clarinette Basse, Piano
26
2 Hautbois (duo)
26
Flûte, Violon, Piano
24
Clarinette, Violon (duo)
24
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
23
Saxophone, Clarinette (duo)
20
Hautbois, Basson (duo)
20
2 Clarinettes, Piano
17
Flûte, Clarinette, Piano (trio)
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Violon
16
5 Flûtes à bec
15
2 Flûte à bec (duo)
15
Flûte à bec Alto, Piano
14
Instruments en Mib
14
Saxophone Baryton
14
2 Saxophones, Piano
13
Flûte, Violon et Violoncelle
13
Clarinette, Guitare (duo)
13
Flûte, Clarinette et Basson
13
Ensemble De Flûte à bec
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Cor Anglais
12
Piccolo, Piano
12
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
11
2 Flûtes traversières, Piano
10
Flûte à bec Tenor
10
Clarinette, Violoncelle (duo)
8
Flûte, trombone et piano
8
Flûte, Hautbois, Basson
8
Hautbois, Flûte
8
Flûte, Violoncelle
8
Quintette de Flûte : 5 flûtes
8
Flûte, Saxophone (duo)
8
Flûte à Bec, Piano
7
Flûte à bec Alto
7
Clarinette, Violoncelle, Piano (trio)
7
Clarinette et Alto
7
Piccolo
7
Ocarina
7
Saxophone et Guitare
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Basson (duo)
6
Flûte, Alto (duo)
6
Saxophone et Orgue
6
Flûte à bec Soprano, Piano
6
Flûte, Trompette (duo)
6
Clarinette, Harpe (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Basson et Piano
5
Flûte, Alto et Piano
5
Flûte, Hautbois (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette Basse
4
Flûte à bec, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Harmonica
3
Saxophone et Piano
3
Clarinette, Orchestre
3
Hautbois, Harpe
3
4 Hautbois
3
Clarinette, Basson, Piano (trio)
2
Clarinette, Trombone (duo)
2
3 Hautbois
2
Clarinette, trompette et piano
2
Hautbois, Violoncelle
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violoncelle, Guitare
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et violoncelle
1
Hautbois, Basson et Piano
1
Flûte et Quatuor à Cordes
1
Clarinette, Orgue
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
Flûte et Trio à cordes
1
Saxophone et Harpe
1
Clarinette, Contrebasse (duo)
1
Clarinette, Saxophone, Piano
1
Flûte à bec, Harpe
1
Flûte traversière, Basse continue
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Trompette
325
Trompette, Piano
264
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Trombone
220
Trombone et Piano
217
Cor et Piano
171
Cor
166
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba et Piano
107
Tuba
89
Trombone (partie séparée)
76
Trompette (partie séparée)
74
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
66
2 Trompettes (duo)
63
Cor anglais, Piano
49
Quatuor de Cuivres
48
2 Trombones (duo)
45
Quatuor de cuivres: 4 trombones
43
Quatuor de cuivres: 4 cors
42
Trompette, Trombone (duo)
31
Cor (partie séparée)
25
Tuba (partie séparée)
24
Euphonium
23
2 Cors (duo)
19
Ensemble de Trombones
19
Trompette, Saxophone (duo)
18
2 Euphoniums et 2 Tubas
17
Trompette, Cor (duo)
16
Instruments en Sib
14
Quatuor de cuivres: 4 trompettes
13
4 Tubas
13
Ensemble de Cors
12
Cor Anglais
12
Trio de Cuivres
9
Ensemble de Trompettes
9
3 Trombones (trio)
9
Bass Clef Instruments
8
Trombone basse et Piano
6
2 Tubas (duo)
6
Trombone basse
4
Trombone, Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor, Violoncelle (duo)
4
3 Trompettes (trio)
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette et Guitare
3
Cor, Tuba (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trombone, Cor (duo)
2
Cor et Harpe
2
Cor anglais, Guitare (duo)
2
Trompette, Harpe
2
Cor et Orgue
2
Trompette, Violoncelle et Piano
2
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Tuba et Orgue
1
Cor et Basson (duo)
1
Trompette, violon (duo)
1
Instruments en Fa
1
Trombone, violoncelle (duo)
1
2 Trombones, Piano
1
2 Euphoniums (duo)
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
925
Violon et Piano
588
Violon
416
Violoncelle, Piano
414
Violoncelle
325
Alto, Piano
319
Alto seul
201
Harpe
186
Trio à Cordes: violon, alto, violoncelle
161
Violon, Violoncelle (duo)
156
2 Violons (duo)
119
Violon (partie séparée)
88
Contrebasse, Piano (duo)
82
Contre Basse
79
2 Violoncelles (duo)
77
Violon, Alto (duo)
59
2 Altos (duo)
56
Alto (partie séparée)
56
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violoncelle , Guitare (duo)
30
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Violon, Guitare (duo)
29
Violoncelle (partie séparée)
27
Contrebasse (partie séparée)
26
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
17
Trio à cordes: 3 violins
16
Trio à Cordes: 3 violoncelles
16
Quatuor à cordes : 4 altos
14
Alto, Guitare (duo)
14
Piano Trio: Violon, Alto, Piano
14
Trio à cordes
12
Trio à Cordes: 2 violons, alto
12
Harpe, Violon (duo)
11
2 Violons, Piano
10
2 Harpes (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Flûte (duo)
7
Violoncelle, Contrebasse (duo)
7
2 Violoncelles, Piano
6
Violon, Basse continue
6
Violoncelle, Orgue
5
Trio à cordes: 3 altos
4
2 Altos, Piano
4
Violon, Orgue
4
Violon, Basson (duo)
3
Flûte, Contrebasse (duo)
3
Ensemble de Violons
3
2 Contrebasses (duo)
2
Ensemble de Violoncelles
2
Harpe, Voix
2
Ensemble d'Altos
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
1
Harpe, Quatuor à cordes
1
Alto et orchestre
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violon, Violoncelle
1
3 Contrebasses
1
Harpe, Violoncelle (duo)
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
717
Orchestre à Cordes
367
Orchestre
367
Batterie
234
Instrumentation Flexible
233
Orchestre de chambre
176
Ensemble de cuivres
131
Ensemble Jazz
102
Fanfare
97
Cloches
70
Percussion (partie séparée)
39
Jazz combo
33
Ensemble de Percussions
28
Marimba
19
Percussion
13
Timbales (partie séparée)
13
Batterie (partie séparée)
13
Quintette à Vent
8
Xylophone
5
Vibraphone
4
Piano et Orchestre
4
Xylophone, Piano
3
Vibraphone (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Timbales
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
2 Xylophones
1
Caisse Claire
1
Big band
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
Marimba, Piano (duo)
1
+ 29 instrumentations
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ACCORDEON
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--INSTRUMENTS--
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301
Chorus and Aria from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Goldberg Variations: Aria, BWV 988 (Johann Sebastian Bach)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Chris Richter
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Goldberg Variations: Aria, BWV
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part. 3 pages. Chris...
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Solo Guitar - Level 3 - SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part. 3 pages. Chris Richter #1032381. Published by Chris Richter (A0.1453153). Johann Sebastian Bach's Goldberg Variations: Aria, BWV 988 arranged for solo fingerstyle guitar.
$5.99
Aria - mp3
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Guitare
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Classique
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Giambattista Martina
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John Trie
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Aria - mp3
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john Trie
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SheetMusicPlus
Guitar - SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full Performance. Dura...
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Guitar - SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full Performance. Duration 92. John Trie #37289. Published by john Trie (A0.1064649). Aria by Giambattista Martina. Guitar arrangement by John Trie.
$1.99
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Guitare
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Classique
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Johann Sebastian Bach
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Valery Dzyabenko
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Aria from Suite No. 3. Johann
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual ...
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Solo Guitar - SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
In Bulgarian Mood
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Plamen Petrov
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Plamen Petrov
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In Bulgarian Mood
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #73...
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Solo Guitar - Level 4 - SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #735957. Published by Plamen Petrov (A0.1135932). An expressive piece for solo guitar with Bulgarian folk motifs.
$5.00
Bulgarian Colours
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Plamen Petrov
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Plamen Petrov
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Bulgarian Colours
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #73...
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Solo Guitar - Level 4 - SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #733509. Published by Plamen Petrov (A0.1133356). Guitar solo. Bulgarian Folk nuanses.
$5.00
Three Bulgarian Legends
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Plamen Petrov
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Plamen Petrov
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Three Bulgarian Legends
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. 6 pages. Plamen ...
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Solo Guitar - Level 4 - SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. 6 pages. Plamen Petrov #900745. Published by Plamen Petrov (A0.1311810). Mystical and lovely music with bulgarian folk motives .
$4.00
Bulgarian Suite
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Guitare
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AVANCÉ
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Folklorique/Traditionel
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Plamen Petrov
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Plamen Petrov
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Bulgarian Suite
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1136502 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 6 pages. Plamen Petrov #73...
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Solo Guitar - Level 5 - SKU: A0.1136502 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 6 pages. Plamen Petrov #736501. Published by Plamen Petrov (A0.1136502). A lovely piece for guitar solo with Bulgarian national sound.
$5.00
2 HUNGARIAN RHAPSODIES
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Guitare
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INTERMÉDIAIRE
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Mihajlo Vihula
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2 HUNGARIAN RHAPSODIES
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Mihajlo Vihula
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.993077 Composed by Mihajlo Vihula. 20th Century,Contemporary,Folk,World. Individual part. 23 pages. Mihajlo Vihula #6326...
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Solo Guitar - Level 3 - SKU: A0.993077 Composed by Mihajlo Vihula. 20th Century,Contemporary,Folk,World. Individual part. 23 pages. Mihajlo Vihula #6326963. Published by Mihajlo Vihula (A0.993077). 2 HUNGARIAN RHAPSODY with TAB notation, 24 pages |Difficulty: Medium. I.Hungaria Rhapsody op.124 dedicated to hungarian /italian guitarist Monika Minár. .
$7.00
Hungarian Rhapsody
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Mihajlo Vihula
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Hungarian Rhapsody
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Mihajlo Vihula
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435. Published by M...
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Solo Guitar - Level 4 - SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435. Published by Mihajlo Vihula (A0.993059). Hungaria Rhapsody op.124 for guitar by Mihajlo Vihula and dedicated to Monika Minár classical guitarist. .
$8.40
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Johann Sebastian Bach
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Maël Fauvy
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BACH – Two Cantata's Ari
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Mfp Éditions
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages....
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Solo Guitar - Level 4 - SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages. Mfp Éditions #1037154. Published by Mfp Éditions (A0.1458179). Composer : Johann Sebastian BachArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highterTwo pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pagesTwo great cantata arias arranged for solo guitar.Zion Hört Die Wächter Singen:6th string in D – (Capo I). From cycle II.Schafe Können Sicher Weiden:6th string in C.
$30.00
2 Arias
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Guitare
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FACILE
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Christoph Graupner
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Roberto GarcÃa
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GWV 821
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2 Arias
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apt4guitar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Ind...
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Solo Guitar - Level 2 - SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Individual part. 4 pages. Apt4guitar #4793595. Published by apt4guitar (A0.789455). Contents: Arias GWV 810 & GWV 821
$3.50
Tremelo Variation of Romanza
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Guitare
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Contemporain
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Dennis Greensmith
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Tremelo Variation of Romanza
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - SKU: A0.954716 Composed by Dennis Greensmith. Contemporary. Individual part. 2 pages. Dennis Greensmith #6642593. Published by Dennis Gree...
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Solo Guitar - SKU: A0.954716 Composed by Dennis Greensmith. Contemporary. Individual part. 2 pages. Dennis Greensmith #6642593. Published by Dennis Greensmith (A0.954716). This is a variation of the first section (the A section) of Romanza in E minor incorporating Tremelo technique. You can add this after playing the normal A section to create a new version the done. This variation incorporates a new karmic structure to give a much fuller texture and an interesting variation. The level is Advanced finger style guitar playing.
$8.00
LISZT - Hungarian Rhapsody 11.
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Guitare
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AVANCÉ
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Classique
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Franz Liszt
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Mihajlo Vihula
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LISZT - Hungarian Rhapsody 11.
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Mihajlo Vihula
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.993051 Composed by Franz Liszt. Arranged by Mihajlo Vihula. Romantic Period. Individual part. 7 pages. Mihajlo Vihula #3...
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Solo Guitar - Level 5 - SKU: A0.993051 Composed by Franz Liszt. Arranged by Mihajlo Vihula. Romantic Period. Individual part. 7 pages. Mihajlo Vihula #3674211. Published by Mihajlo Vihula (A0.993051). Ferenc Liszt: Hungarian Rhapsody 11. .
$9.99
Hungarian Dance No. 5
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Guitare
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FACILE
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Classique
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Johannes Brahms
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Martin Hegel
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Hungarian Dance No. 5
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy - SKU: S9.Q44850 From: 21 Hungarian dances. Composed by Johannes Brahms. Arranged by Martin Hegel. This edition: Sheet music. Copyr...
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Guitar - easy - SKU: S9.Q44850 From: 21 Hungarian dances. Composed by Johannes Brahms. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44850. Published by Schott Music - Digital (S9.Q44850). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Rhapsody on a Theme of Paganini, Op. 43, Variation 18 (Sergei Rachmaninoff)
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Guitare
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Chris Richter
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Rhapsody on a Theme of Paganin
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1438321 Composed by Sergei Rachmaninoff. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 3 pages....
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Solo Guitar - Level 3 - SKU: A0.1438321 Composed by Sergei Rachmaninoff. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 3 pages. Chris Richter #1018344. Published by Chris Richter (A0.1438321). Sergei Rachmaninoff's Rhapsody on a Theme of Paganini, Op. 43, Variation 18: Andante cantabile (D♭ major) arranged for solo fingerstyle guitar.
$5.99
Auld Lang Syne - Variation 3 - mp3
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Guitare
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Charles Grobe
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John Trie
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Auld Lang Syne - Variation 3 -
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john Trie
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SheetMusicPlus
Guitar - SKU: A0.1064616 Composed by Charles Grobe. Arranged by John Trie. 20th Century,Classical,Folk,Romantic Period,World. Full Performance. Duration...
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Guitar - SKU: A0.1064616 Composed by Charles Grobe. Arranged by John Trie. 20th Century,Classical,Folk,Romantic Period,World. Full Performance. Duration 79. John Trie #36547. Published by john Trie (A0.1064616). Auld Lang Syne - Variation 3 by Charles Grobe. Guitar arrangement by John Trie.
$1.99
Theme and Variation (from 4 Easy Pieces)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Kaspar Mertz
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Johann Kaspar Mertz
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Theme and Variation
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A. J. Cornell Publications
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. ...
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Solo Guitar - Level 3 - SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. J. Cornell Publications #818114. Published by A. J. Cornell Publications (A0.1221823). Mertz’s “Theme and Variation†(from 4 Easy Pieces) for solo classical guitar.
$1.99
"Ave Maria" for solo guitar
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Guitare
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Keith W
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"Ave Maria" for solo guitar
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1397100 Composed by Franz Schubert (1797 - 1828). Arranged by Keith W. Gehle. 19th Century,Christmas,Religious,Sacred,We...
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Solo Guitar - Level 3 - SKU: A0.1397100 Composed by Franz Schubert (1797 - 1828). Arranged by Keith W. Gehle. 19th Century,Christmas,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #980436. Published by Keith Gehle (A0.1397100). Composed three years before his death in 1828, Franz Schubertâ??s â??Ave Mariaâ? is by far one of his most popular works. Pieces entitled â??Ave Mariaâ? (or Hail Mary) are traditional Roman Catholic prayers in honor of Mary, the mother of Jesus. For that reason, they are very popular during the Christmas season and often used in traditional wedding services. This PDF includes detailed fingerings and insightful interpretation in standard notation. Thereâ??s also a version available with TAB on this site.
$2.99
Bach,Gounod : Ave Maria
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Guitare
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INTERMÉDIAIRE
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Classique
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Bach,Gounod
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Ave Maria
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Tomplay
Telechargez la tablature et la partition Guitare Ave Maria de Bach. Tab pour Guitare seule -- Classique...
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Telechargez la tablature et la partition Guitare Ave Maria de Bach. Tab pour Guitare seule -- Classique
5.99€
Schubert : Ave Maria (niveau intermédiaire/difficile, guitare seule)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Musique Sacrée
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Schubert
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Ave Maria
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Tomplay
Telechargez la tablature et la partition Guitare Ave Maria (niveau intermediaire/difficile, guitare seule) de Schubert. Tab pour Guitare seule -- Classique,Musi...
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Telechargez la tablature et la partition Guitare Ave Maria (niveau intermediaire/difficile, guitare seule) de Schubert. Tab pour Guitare seule -- Classique,Musique religieuse
5.99€
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