ISBN 9781619115330. 8.5 X 11 inches. This book is designed to teach any guitarist to compose chord melody arrangements for the guitar, at a pace which is comfortable for both the beginner and the advanced student. Every method used is discussed at length with over 50 musical examples given. The accompanying audio will assure the student that he or she is playing the examples correctly. Topics include: harmonization and re-harmonization methods, analyzing melodies, dealing with extensions, creating slash chord harmony, etc. This book is a must- have for anyone interested in performing as a solo guitar player. Two full-length arrangements are included which cover the material presented. Written in notation only with chord symbols and fretboard diagrams. Access to audio available online.

Getting Into Guitar Styles is the guitarist's guide to playing different musical styles. The styles that are covered include Blues, Rock, Country, Funk, R and B, Latin, Reggae, Fingerstyle, and Classical as well as different styles of Jazz such as Traditional Jazz, Contemporary Jazz, and Fusion. The musical elements and techniques that are used in different styles of music are looked at. The book not only looks at and demonstrates different musical styles, but in the process it shows the practical application of scales and other musical elements. Many of the examples on the companion audio are played with the written guitar part and also without the written part so you can play the written part with the rhythm tracks or improvise your own part. The book has standard notation and tablature as well as fingerboard diagrams. The companion audio is included. Includes access to online audio.

ISBN 9781609742324.

The first part of this edition teaches a very specific portion of music theory with the goal of providing a thorough foundation for building chords and arpeggios. The second part reveals the unique fingerboard patterns arising from the nature of the guitar's six-string tuning and applies these essential patterns to teaching every aspect of building chords and arpeggios for the guitar. Clear illustrations are abundant throughout this text, making its wealth of information easier to learn and apply. This book is accessible to those who have never learned to read music notation, presenting ideas that anyone can understand and utilize. Self-tests are featured at the end of each chapter facilitating complete and thorough comprehension. Even though this text accelerates rapidly through intermediate and advanced levels, it will also benefit the beginner with no previous musical experience.

8.75 x 11.75 inches.

At first hearing, fingerstyle solo jazz guitar can be more than a little overwhelming. Melding together are improvised lead lines and chordal work and bass lines and rhythmics. Relax. Since you already play jazz with a pick, you are familiar with many of the musical elements used in fingerstyle jazz. It is just that it may not be obvious to you what, specifically, fingerstyle concepts and techniques are. That is exactly where this book begins.