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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Accord�on
Non classifié
428
Piano & claviers
Accordéon
6 044
Piano seul
122
Piano, Voix et Guitare
71
Piano Facile
60
Instruments en Do
36
Accordéon, Voix
28
Piano, Voix
15
Accordéon, Piano
13
Accordéon, Corde(s)
12
Orgue
11
Accordéon et Orchestre
8
2 Accordéons
4
1 Piano, 4 mains
3
Accordéon - Piano, Voix, Guitare
2
Piano Trio: piano, violon, violoncelle
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 14 instrumentations
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Ligne De Mélodie, (Paroles) et Accords
1 579
Paroles et Accords
786
Guitare
22
Guitare notes et tablatures
10
Basse electrique
2
Ukulele
2
Dulcimer
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Banjo
1
Ensemble de guitares
1
+ 6 instrumentations
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Voix
Chorale SATB
50
Chorale 3 parties
8
Chorale 2 parties
5
Chorale Unison
4
Chorale SSAA
4
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
2
Chorale SSAATTBB
2
Voix Alto, Piano
1
Voix Baryton, Piano
1
Chorale TTBB
1
Voix haute
1
+ 7 instrumentations
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Vents
Ensemble de saxophones
29
2 Saxophones (duo)
16
Saxophone Alto
15
Saxophone Tenor
13
Quintette de Saxophone: 5 saxophones
12
Flûte traversière et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone, Clarinette (duo)
9
Ensemble de Clarinettes
9
Saxophone (partie séparée)
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette
8
2 Clarinettes (duo)
7
Clarinette et Piano
7
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Saxophone Alto et Piano
6
Clarinette, Trompette (duo)
5
Hautbois (partie séparée)
5
Clarinette, Violon (duo)
5
Flûte, Violon
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette (duo)
4
Hautbois, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Trompette (duo)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Clarinette et Alto
3
2 Hautbois (duo)
3
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Flûtes
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo
1
Clarinette, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
Hautbois, Violoncelle
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Flûte à bec Alto
1
2 Flûtes traversières, Piano
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Ensemble de Trombones
7
Trompette
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
5
Cor et Piano
5
Trombone et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
3
Ensemble de Cors
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Tuba
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Cor
1
2 Euphoniums et 2 Tubas
1
Euphonium
1
Euphonium, Piano (duo)
1
Trompette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
21
Trio à Cordes: violon, alto, violoncelle
17
Violon, Violoncelle (duo)
16
Violoncelle
15
Violon et Piano
9
Alto, Piano
9
2 Violoncelles (duo)
6
Harpe
5
Violon, Alto (duo)
5
2 Violons (duo)
4
Violoncelle, Piano
3
4 Violoncelles
3
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Altos (duo)
3
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Ensemble de Violons
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre
23
Orchestre à Cordes
21
Ensemble de cuivres
13
Orchestre de chambre
11
Ensemble Jazz
9
Cloches
1
Jazz combo
1
Ensemble de Percussions
1
+ 4 instrumentations
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Autres
Formation musicale - Solfège
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Instruments
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
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FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
MANDOLINE
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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1
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Pulso de la vida
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Guitare
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AVANCÉ
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
Yesterday
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Richard Hirsch
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Yesterday
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Re...
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Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
Nadir
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Guitare
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...
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Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Bourrée in E MInor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63,
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #47997...
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Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
Waves
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Richard Hirsch
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Waves
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.527336 Composed by Richard Hirsch. 20th Century,Classical,Contemporary,Instructional. Individual part. 3 pages. Richard ...
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Solo Guitar - Level 4 - SKU: A0.527336 Composed by Richard Hirsch. 20th Century,Classical,Contemporary,Instructional. Individual part. 3 pages. Richard Hirsch #137832. Published by Richard Hirsch (A0.527336). A nice arpeggio piece for solo steel string acoustic or classical guitar. The piece has a meditative almost hypnotic character and was called lullaby by my daughters which is a good alternative title. It can be played at different tempos and changes character according to tempo. The faster versions border on the minimalism of Steve Reich and the slower versions tend toward the contemplations of Arvo Pärt. I created the piece as a study in arpeggio for intermediate to advanced students of guitar and hope it will fill a gap in the modern repertoire of arpeggio studies. It has been a favorite with audiences over the years at my live performances. In the YouTube link I play on a steel string guitar. The piece works just as well, though with a slightly more mellow sound, on a nylon string classical guitar.
$4.99
18 Etudes Progressives Pour La Guitare Op.51
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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18 Etudes Progressives Pour La
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1254258 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 77 pages. ...
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Solo Guitar - Level 4 - SKU: A0.1254258 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 77 pages. Socrates Arvanitakis #847831. Published by Socrates Arvanitakis (A0.1254258). PREFACE & Editorial NotesThe 18 studies op.51 by Mauro Giuliani are in general of a moderate difficulty andtheir didactic purposes can be perceived as the solid establishment of anintermediate level of technique and the advancement into a higher level, so some ofthem may be a little more difficult than the rest. At the same time, most of them areentertaining musical pieces with high aesthetic value and can also be studied andplayed for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 This volume is offered with decorated and undecorated pages (as two books in one)so that the user can chose which version he prefers and construct his printed ordigital book accordingly. Blank pages have been added to be used or omitted for thearrangement of left and right hand pages. Navigating the Thematic Index1 click on the photo of any piece: Go to relevant decorated page2 click the header of any titled page: Return to the index3 click on the title of any displayed piece: Interchange between decorated/undecorated pages.
$15.00
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
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Guitare
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FACILE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferr
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. ...
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Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
GREEK DEMOTIC SONGS 210-225 (ΕΛΛΗΝΙΚΑ ΔΗΜΟΤΙΚΑ ΤΡΑΓΟΥΔΙΑ 210-225) COLLECTION 1 / VOLUME 14
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Traditional/Anonymous
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Socrates Arvanitakis
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GREEK DEMOTIC SONGS 210-225
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1227200 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 56 pages. So...
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Solo Guitar - Level 4 - SKU: A0.1227200 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 56 pages. Socrates Arvanitakis #823206. Published by Socrates Arvanitakis (A0.1227200). This first collection of Greek Demotic Song melodies has been arranged for classical guitar and it contains 297 songs. It will be published in 18 volumes of 16 songs per volume, apart from volumes 17 and 18 containing respectively 21 and 19 melodies. The publication follows the alphabetical order of the song titles and it is based on the Greek Alphabet. The term demotic is used with referring to the rural musical tradition of Greece in order to differentiate it from urban traditions referred to as Laiko and/or Rebetiko song tradition. All three terms in fact refer to popular music either by anonymous or eponymous creators. All pieces are of an advanced intermediate level and each volume contains the same pieces twice, with and without tabs and various internal and external navigational links and can be viewed and/or printed as one or two books according to user's needs.
$20.00
GREEK DEMOTIC SONGS 258-278 (ΕΛΛΗΝΙΚΑ ΔΗΜΟΤΙΚΑ ΤΡΑΓΟΥΔΙΑ 258-278) COLLECTION 1 / VOLUME 17
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Traditional/Anonymous
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Socrates Arvanitakis
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GREEK DEMOTIC SONGS 258-278
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1227204 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 78 pages. So...
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Solo Guitar - Level 4 - SKU: A0.1227204 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 78 pages. Socrates Arvanitakis #823210. Published by Socrates Arvanitakis (A0.1227204). This first collection of Greek Demotic Song melodies has been arranged for classical guitar and it contains 297 songs. It will be published in 18 volumes of 16 songs per volume, apart from volumes 17 and 18 containing respectively 21 and 19 melodies. The publication follows the alphabetical order of the song titles and it is based on the Greek Alphabet. The term demotic is used with referring to the rural musical tradition of Greece in order to differentiate it from urban traditions referred to as Laiko and/or Rebetiko song tradition. All three terms in fact refer to popular music either by anonymous or eponymous creators. All pieces are of an advanced intermediate level and each volume contains the same pieces twice, with and without tabs and various internal and external navigational links and can be viewed and/or printed as one or two books according to user's needs.
$20.00
GREEK DEMOTIC SONGS 226-241 (ΕΛΛΗΝΙΚΑ ΔΗΜΟΤΙΚΑ ΤΡΑΓΟΥΔΙΑ 226-241) COLLECTION 1 / VOLUME 15
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Traditional/Anonymous
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Socrates Arvanitakis
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GREEK DEMOTIC SONGS 226-241
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1227201 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 58 pages. So...
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Solo Guitar - Level 4 - SKU: A0.1227201 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 58 pages. Socrates Arvanitakis #823207. Published by Socrates Arvanitakis (A0.1227201). This first collection of Greek Demotic Song melodies has been arranged for classical guitar and it contains 297 songs. It will be published in 18 volumes of 16 songs per volume, apart from volumes 17 and 18 containing respectively 21 and 19 melodies. The publication follows the alphabetical order of the song titles and it is based on the Greek Alphabet. The term demotic is used with referring to the rural musical tradition of Greece in order to differentiate it from urban traditions referred to as Laiko and/or Rebetiko song tradition. All three terms in fact refer to popular music either by anonymous or eponymous creators. All pieces are of an advanced intermediate level and each volume contains the same pieces twice, with and without tabs and various internal and external navigational links and can be viewed and/or printed as one or two books according to user's needs.
$20.00
GREEK DEMOTIC SONGS 279-297 (ΕΛΛΗΝΙΚΑ ΔΗΜΟΤΙΚΑ ΤΡΑΓΟΥΔΙΑ 279-297) COLLECTION 1 / VOLUME 18
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Traditional/Anonymous
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Socrates Arvanitakis
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GREEK DEMOTIC SONGS 279-297
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1227205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 54 pages. So...
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Solo Guitar - Level 4 - SKU: A0.1227205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary. Individual part. 54 pages. Socrates Arvanitakis #823211. Published by Socrates Arvanitakis (A0.1227205). This first collection of Greek Demotic Song melodies has been arranged for classical guitar and it contains 297 songs. It will be published in 18 volumes of 16 songs per volume, apart from volumes 17 and 18 containing respectively 21 and 19 melodies. The publication follows the alphabetical order of the song titles and it is based on the Greek Alphabet. The term demotic is used with referring to the rural musical tradition of Greece in order to differentiate it from urban traditions referred to as Laiko and/or Rebetiko song tradition. All three terms in fact refer to popular music either by anonymous or eponymous creators. All pieces are of an advanced intermediate level and each volume contains the same pieces twice, with and without tabs and various internal and external navigational links and can be viewed and/or printed as one or two books according to user's needs.
$20.00
Guitar Music - Melodies for Beginners
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Guitare
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DÉBUTANT
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Numerous
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Robert Styles
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Guitar Music - Melodies for Be
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Ro...
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Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
$9.95
RECORDANDO NAZARETH
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Guitare
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Joao Pernambuco
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Globrazil
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RECORDANDO NAZARETH
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Luiz C Teixeira
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SheetMusicPlus
Solo Guitar - SKU: A0.891715 Composed by Joao Pernambuco. Arranged by Globrazil. Latin,World. Individual part. 3 pages. Luiz C Teixeira #5853711. Publis...
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Solo Guitar - SKU: A0.891715 Composed by Joao Pernambuco. Arranged by Globrazil. Latin,World. Individual part. 3 pages. Luiz C Teixeira #5853711. Published by Luiz C Teixeira (A0.891715). RECORDANDO NAZARETH (REMEMBERING NAZARETH) is a beautiful piece for guitar, written by Joao Pernambuco, a genius composer for guitar. Here I arranged this piece according to what I heard on youtube.
$7.99
Guitar Music - Book Two
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Guitare
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INTERMÉDIAIRE
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Numerous
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Robert Styles
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. ...
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Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95
Christmas Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Dave Matthews And Tim Reynolds
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John Fries
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Christmas Song
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271597 By Dave Matthews And Tim Reynolds. By David Matthews. Arranged by John Fries. 20th Century,Christmas,Holiday,Jaz...
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Solo Guitar - Level 4 - SKU: A0.1271597 By Dave Matthews And Tim Reynolds. By David Matthews. Arranged by John Fries. 20th Century,Christmas,Holiday,Jazz,Standards. Individual part. 2 pages. John Fries #863983. Published by John Fries (A0.1271597). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The Christmas Song (commonly subtitled Chestnuts Roasting on an Open Fire or, as it was originally subtitled, Merry Christmas to You) is a classic Christmas song written in 1945] by Robert Wells and Mel Tormé. According to Tormé, the song was written in July[ during a blistering hot summer. In an effort to stay cool by thinking cool.
$4.99
Homenaje a Tárrega
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joaquin Turina
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Homenaje a Tárrega
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q11370 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. O...
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Guitar - intermediate to advanced - SKU: S9.Q11370 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. Op. 69. Duration 5:30. Schott Music - Digital #Q11370. Published by Schott Music - Digital (S9.Q11370). The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner.
$9.99
REBOLICO
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Guitare
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Joao Pernambuco
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Globrazil Inc
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REBOLICO
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Luiz C Teixeira
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SheetMusicPlus
Solo Guitar - SKU: A0.891716 Composed by Joao Pernambuco. Arranged by Globrazil Inc. 20th Century,Latin,World. Individual part. 4 pages. Luiz C Teixeira...
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Solo Guitar - SKU: A0.891716 Composed by Joao Pernambuco. Arranged by Globrazil Inc. 20th Century,Latin,World. Individual part. 4 pages. Luiz C Teixeira #5853751. Published by Luiz C Teixeira (A0.891716). REBOLICO is a beautiful piece for guitar, written by Joao Pernambuco, a genius composer for guitar. Here I arranged this piece according to what I heard on youtube.
$7.99
Fandanguillo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joaquin Turina
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Fandanguillo
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q11366 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. O...
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Guitar - intermediate to advanced - SKU: S9.Q11366 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. Op. 36. Duration 3 minutes. Schott Music - Digital #Q11366. Published by Schott Music - Digital (S9.Q11366). The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner.
$9.99
Lua para o Epilogo de Verão (Août)
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Guitare
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AVANCÉ
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Contemporain
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions ...
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Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
GREEK DEMOTIC SONGS 162-177 (ΕΛΛΗΝΙΚΑ ΔΗΜΟΤΙΚΑ ΤΡΑΓΟΥΔΙΑ 162-177) COLLECTION 1 / VOLUME 11
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Traditional/Anonymous
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Socrates Arvanitakis
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GREEK DEMOTIC SONGS 162-177
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Socrates Arvanitakis
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SheetMusicPlus
Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary, Traditional. Individual part. 55 pages. Socrates Arvanitakis #815...
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Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Contemporary, Traditional. Individual part. 55 pages. Socrates Arvanitakis #815008. Published by Socrates Arvanitakis
This first collection of Greek Demotic Song melodies has been arranged for classical guitar and it contains 297 songs. It will be published in 18 volumes of 16 songs per volume, apart from volumes 17 and 18 containing respectively 21 and 19 melodies. The publication follows the alphabetical order of the song titles and it is based on the Greek Alphabet. The term "demotic" is used with referring to the rural musical tradition of Greece in order to differentiate it from urban traditions referred to as "Laiko" and/or "Rebetiko" song tradition. All three terms in fact refer to popular music either by anonymous or eponymous creators.
All pieces are of an advanced intermediate level and each volume contains the same pieces twice, with and without tabs and various internal and external navigational links and can be viewed and/or printed as one or two books according to user's needs.
$20.00
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