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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ad Lib Music
Non classifié
521
Piano & claviers
Piano, Voix et Guitare
77
Piano seul
40
Piano, Voix
37
Piano (partie séparée)
12
Orgue
7
Accordéon
5
Piano Facile
2
Accompagnement Piano
1
Instruments en Do
1
Ensemble d'Accordéons
1
+ 5 instrumentations
Retracter
Guitares
Guitare (partie séparée)
23
Guitare
5
Guitare notes et tablatures
2
3 Guitares (trio)
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
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Voix
Chorale SATB
107
Chorale 2 parties
40
Chorale TTBB
39
Chorale 3 parties
24
Chorale SSAA
19
Soli, choeur mixte et accompagnement
5
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4
Voix Alto, Piano
4
Chorale SSAATTBB
4
Chorale
4
Voix Tenor, Piano
3
Voix seule
2
Voix duo, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Tenor
1
Chorale SSATB
1
Voix basse, Piano
1
+ 14 instrumentations
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Vents
Saxophone (partie séparée)
62
2 Flûte à bec (duo)
49
Flûte traversière et Piano
36
Flûte à bec Alto, Basse continue
20
Clarinette
12
Flute (partie séparée)
12
Flûte traversière
12
Hautbois (partie séparée)
9
Saxophone Alto
8
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette, Basson
5
Flûte et Guitare
4
Ensemble de saxophones
3
Hautbois
3
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Hautbois, Piano (duo)
2
2 Flûtes, Basse continue
2
2 Clarinettes (duo)
2
Saxophone Tenor et Piano
2
Clarinette et Piano
2
Harmonica
2
Saxophone Tenor
2
Flûte traversière, Basse continue
1
Saxophone Alto et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Flûte à bec Alto
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte traversière, Orchestre
1
Clarinette, Orchestre
1
+ 30 instrumentations
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Cuivres
Trombone (partie séparée)
51
Trompette (partie séparée)
44
Tuba (partie séparée)
12
Cor (partie séparée)
11
Trompette
10
Cor
8
Tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Ensemble de Cors
3
Trompette, Piano
3
Cor et Piano
1
Trombone et Piano
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Quatuor de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
2 Violons et Basse continue
28
Violoncelle
28
2 Violoncelles (duo)
27
Violon
27
Violon, Basse continue
15
Violon et Piano
15
Alto seul
15
Contre Basse
12
Contrebasse (partie séparée)
12
Violon (partie séparée)
11
Violoncelle (partie séparée)
7
Violoncelle, Piano
5
Trio à Cordes: 2 violons, violoncelle
5
Alto (partie séparée)
4
Alto, Piano
4
2 Violons (duo)
3
Violoncelle, Basse continue
2
2 Violons, Piano
2
Violon, Alto (duo)
2
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: violon, alto, violoncelle
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
46
Orchestre d'harmonie
39
Orchestre à Cordes
15
Batterie (partie séparée)
12
Orchestre de chambre
7
Orchestre
4
Ensemble de cuivres
4
Cloches
2
Orchestre, Violon
2
Batterie
1
Marimba
1
Vibraphone
1
Fanfare
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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EL LIBRO DE ARTEMIDORO, Op.63, for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
6.44 €
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Guitare
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Homage to Villa-Lobos and Other Compositions
Guitare
By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Pub…
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By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743727. This is the first compilation of guitar music for a right hand technique that includes the little finger. The 12 complete compositions include original pieces by Charles Postlewate (Homage to Villa-Lobos, Variations on a Theme of Prokofiev and Improvisation on Green Dolphin Street), transcriptions of piano pieces by Claude Debussy (La puerta del vino and Dr. Gradus ad Parnassum), arrangements of Peruvian popular songs (Jose Maria and Virgins of the Sun) and new editions of standard repertoire pieces - two studies by Fernando Sor and the beautiful tremolo study by Agustin Barrios, An Alm for the Love of God. Postlewate also includes excerpts of two other standard repertoire pieces by Federico Moreno Torroba (Sonatina) and Heitor Villa-Lobos (Prelude #2) - which are published elsewhere under copyright restrictions - to show the advantage of using the little finger. These pieces demonstrate new right hand techniques for the classical guitar that use the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantage of using the little finger for speed, accuracy, strength and balance. This book is a companion to RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics , also by Charles Postlewate.Spanish DescriptionEsta es la primera recopilacion de musica para la guitarra usando una tecnica de la mano derecha de cinco dedos que incluye el dedo menique. Las 12 composiciones completas incluyen piezas originales por Charles Postlewate (Homenaje a Villa-Lobos, Varicaciones sobre un tema de Prokofiev e Improvisacion sobre La calle del delfin verde), transcripciones de piezas para piano por Claude Debussy (La puerta del vino y Dr. Gradus ad Parnassum), arreglos de canciones populares peruanas (Jose Maria y Virgenes del sol) y nuevas ediciones de piezas del repertorio tradicional-dos estudios por Fernando Sor y el bello estudio de tremolo por Agustin Barrios, Una limosna por el amor de Dios. Ademas, Postlewate incluye extractos de otras dos piezas del repertorio tradicional de Federico Moreno Torroba (Sonatina) y de Heitor Villa-Lobos (Prelude #2)-las cuales han sido publicadas y estan protegidas bajo derecho de autor-para mostrar la ventaja de usar el dedo menique. Estas piezas muestran nuevas tecnicas de la mano derecha para la guitarra clasica que usan el dedo menique para tocar escalas, acordes, arpegios, tremolos y arpegios. Tambien muestran la ventaja de usar el dedo menique para aumentar la velocidad, la exactitud, la fuerza y el equilibrio. Este libro acompana a RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics (ESTUDIOS PARA LOS CINCO DEDOS DE LA MANO DER*E*CHA usando acordes, arpegios, tremolos y armonicos) tambien por Charles Postlewate.ISBN 9781609743727. This is the first compilation of guitar music for a right hand technique that includes the little finger. The 12 complete compositions include original pieces by Charles Postlewate (Homage to Villa-Lobos, Variations on a Theme of Prokofiev and Improvisation on Green Dolphin Street), transcriptions of piano pieces by Claude Debussy (La puerta del vino and Dr. Gradus ad Parnassum), arrangements of Peruvian popular songs (Jose Maria and Virgins of the Sun) and new editions of standard repertoire pieces - two studies by Fernando Sor and the beautiful tremolo study by Agustin Barrios, An Alm for the Love of God. Postlewate also includes excerpts of two other standard repertoire pieces by Federico Moreno Torroba (Sonatina) and Heitor Villa-Lobos (Prelude #2) - which are published elsewhere under copyright restrictions - to show the advantage of using the little finger. These pieces demonstrate new right hand techniques for the classical guitar that use the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantage of using the little finger for speed, accuracy, strength and balance. This book is a companion to RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics , also by Charles Postlewate.Spanish DescriptionEsta es la primera recopilacion de musica para la guitarra usando una tecnica de la mano derecha de cinco dedos que incluye el dedo menique. Las 12 composiciones completas incluyen piezas originales por Charles Postlewate (Homenaje a Villa-Lobos, Varicaciones sobre un tema de Prokofiev e Improvisacion sobre La calle del delfin verde), transcripciones de piezas para piano por Claude Debussy (La puerta del vino y Dr. Gradus ad Parnassum), arreglos de canciones populares peruanas (Jose Maria y Virgenes del sol) y nuevas ediciones de piezas del repertorio tradicional-dos estudios por Fernando Sor y el bello estudio de tremolo por Agustin Barrios, Una limosna por el amor de Dios. Ademas, Postlewate incluye extractos de otras dos piezas del repertorio tradicional de Federico Moreno Torroba (Sonatina) y de Heitor Villa-Lobos (Prelude #2)-las cuales han sido publicadas y estan protegidas bajo derecho de autor-para mostrar la ventaja de usar el dedo menique. Estas piezas muestran nuevas tecnicas de la mano derecha para la guitarra clasica que usan el dedo menique para tocar escalas, acordes, arpegios, tremolos y arpegios. Tambien muestran la ventaja de usar el dedo menique para aumentar la velocidad, la exactitud, la fuerza y el equilibrio. Este libro acompana a RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics (ESTUDIOS PARA LOS CINCO DEDOS DE LA MANO DER*E*CHA usando acordes, arpegios, tremolos y armonicos) tambien por Charles Postlewate.
$12.99
11.98 €
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Guitare
#
Charles Postlewate
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Homage to Villa-Lobos and Other Compositions
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Intavolatura per chitarra e chitarriglia
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. Arranged by Pasquale Di Caro. Baroque,Renaissance. Individual part. 28 pages. Pasquale Di Caro #1079727. Published by Pasquale Di Caro (A0.1504269). Questa pubblicazione contiene tutta la sezione pertinente alla «chitarra a cinque cori in stile pizzicato», trascritta da una parte impiegando il sistema integrale (fedele all’originale), per consentire al lettore un’attenta comparazione, dall’altra il sistema interpretativo, contenente gli interventi adattivi e ricostruttivi. L’obiettivo di questo lavoro didattico-pratico è quello di presentare l’opera ai chitarristi interessati alla cosiddetta musica antica e di adattare le musiche alla chitarra di uso comune.Per le difficoltà sopra descritte e per l’atto stesso del trascrivere da uno strumento ad un altro, non è possibile ottenere con la chitarra moderna gli stessi effetti di quell’antica, per cui ho deciso di trattare queste intavolature cercando le migliori soluzioni per lo strumento di destinazione, evitando la strada filologica che comporterebbe il rischio di ottenere un risultato ambiguo che non riconosca la lezione originaria né tantomeno una moderna chiave di lettura.Le “suonate” sono numerate secondo l’ordine usato nella pubblicazione originaria. Le legature sono state aggiunte e possono essere modificate secondo il proprio gusto. Non ho inserito gli abbellimenti che possono essere usati a piacere come prevedeva la prassi esecutiva del tempo. Mancano gli andamenti che sono intrinsechi della forma e desumibili dal carattere musicale. I segni di ripetizione sono inseriti anche dove non erano previsti, per cui è stato necessario aggiungere alcune battute di raccordo, lasciando libera scelta all’esecutore. In alcuni casi ho preferito omettere e/o inserire delle note di riempimento e portare al basso alcune voci. Tra gli interventi apportati, i più significativi riguardano le modifiche di alcune note, l’uniformazione simmetrica di passaggi melodico-ritmici come nei casi degli incipit e dei valori di durata. Le modifiche sono state effettuate per rendere i brani più omogenei e simmetrici, laddove non era possibile eseguirli senza incorrere in sincopi armoniche o in ambigue riprese di ritornello, a volte modificando addirittura il tempo da 4/4 a 2/4. Per evidenziare il disegno ritmico ho preferito il tempo 3/4 al 3/2; in alcuni casi il 2/4 al 2/2 e così via, con la conseguente riduzione ritmica dei valori. Per tutti coloro che desiderino effettuare uno studio più attento e particolareggiato, consiglio vivamente di comparare la trascrizione integrale con quella interpretativa e di consultare l’intavolatura originale.
$5.99
5.52 €
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Guitare
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Carlo Calvi
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Pasquale Di Caro
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Intavolatura per chitarra e chitarriglia
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Pasquale Di Caro
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SheetMusicPlus
Something like loneliness (Algo a ver com a solidão) - Solo Guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.948961 By Bisdré Santos. By Bis…
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Solo Guitar - Level 2 - Digital Download SKU: A0.948961 By Bisdré Santos. By Bisdré Santos. Arranged by Bisdré Santos. Contemporary,Instructional,Multicultural,World. Individual part. 2 pages. Soul - Musical Creations #5019705. Published by Soul - Musical Creations (A0.948961). Prelude for solo guitar. I wrote this song in Rio de Janeiro in 2006. It is a simple composition that presents some technical difficulties, but it can be performed by beginner students (first year of guitar). It can be played without tempo (ad libtum) or in the tempo indicated in the score. Good studies.
$1.99
1.83 €
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Guitare
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Bisdré Santos
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Bisdré Santos
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Something like loneliness
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Soul - Musical Creations
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SheetMusicPlus
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