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Alan J
Non classifié
177
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5
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1
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24
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11
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1
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33
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23
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17
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16
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11
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10
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22
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1
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1
4 Violoncelles
1
Alto (partie séparée)
1
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1
2 Violons (duo)
1
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30
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12
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8
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2
Fanfare
2
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1
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1
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1
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Vous avez sélectionné:
Alan J
Guitare
Partitions à imprimer
5 partitions trouvées
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Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitare
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INTERMÉDIAIRE
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Classique
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,C...
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Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue i
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publica...
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99
Take My Life and Let It Be Consecrated
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Guitare
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Gospel Spirituel
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Musique Sacrée
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Frances Ridley Havergal - Musi
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Bruce J
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Take My Life and Let It Be Con
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In His Name Music/SESAC
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SheetMusicPlus
Composed by Frances Ridley Havergal - Music: Henry A. Cesar Malan. Arranged by Bruce J. Patterson. Christian, Contemporary Christian, Gospel, Jewish, Sacred. In...
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Composed by Frances Ridley Havergal - Music: Henry A. Cesar Malan. Arranged by Bruce J. Patterson. Christian, Contemporary Christian, Gospel, Jewish, Sacred. Individual Part. 3 pages. Published by In His Name Music/SESAC (S0.18152). - Individual Part - Christian,Contemporary Christian,Gospel,Jewish,Sacred - In His Name Music/SESAC
$3.99
I Believe / J'Imagine - Guitar
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Guitare
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Annie Villeneuve
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Mark A
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Festival
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I Believe / J'Imagine - G
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Annie Villeneuve. By Stephan Moccio, Alan Frew, and Thierry Leflamme. Arranged by Mark A. Brymer. Orchestra. Concert; Festival; Film/TV; Graduation; Olympics...
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By Annie Villeneuve. By Stephan Moccio, Alan Frew, and Thierry Leflamme. Arranged by Mark A. Brymer. Orchestra. Concert; Festival; Film/TV; Graduation; Olympics. EPak. 3 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
$7.00
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