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CITHARE
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COR ANGLAIS
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CORNET
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
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AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Non classifié
2311
PIANO & CLAVIERS
Piano, Voix et Guitare
158
Piano seul
82
Accompagnement Piano
25
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano, Voix
23
Orgue
20
Piano Facile
17
Piano Trio: piano, violon, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
6
Instruments en Do
4
Piano (partie séparée)
2
Clavecin
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Ukulele
265
Guitare
91
Guitare notes et tablatures
75
Basse electrique
14
2 Guitares (duo)
7
Dulcimer
5
Banjo
5
Mandoline
5
2 Dulcimers (duo)
2
Guitare (partie séparée)
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
101
Chorale Unison
32
Chorale 3 parties
23
Chorale 2 parties
12
Chorale TTBB
8
Voix duo
3
Chorale SSAA
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix haute
1
Voix duo, Piano
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
36
Hautbois (partie séparée)
36
Clarinette
35
3 Saxophones (trio)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Saxophone Alto
28
Flûte traversière
27
2 Saxophones (duo)
25
Quatuor de Saxophones: 4 saxophones
25
Flûte traversière et Piano
25
Quintette de Saxophone: 5 saxophones
23
Clarinette (partie séparée)
23
Saxophone Alto et Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
2 Clarinettes (duo)
18
Clarinette et Piano
18
Hautbois, Piano (duo)
18
3 Clarinettes (trio)
18
Saxophone Tenor et Piano
17
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de saxophones
13
Saxophone Soprano et Piano
13
Flûte, Hautbois, Clarinette, Basson
13
Flûte, Violon et Violoncelle
11
Cor anglais, Piano
11
Saxophone Baryton, Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
8
Clarinette Basse, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
4
Ensemble de Clarinettes
4
Flûte et Trio à cordes
4
2 Flûte à bec (duo)
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Flute, harpe et violon
3
Quintette de Flûte : 5 flûtes
3
3 Flûtes à bec (trio)
3
Flûte à bec Alto, Piano
2
3 Hautbois
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
2 Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de Flûtes
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes à bec
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois (duo)
1
Saxophone, Clarinette (duo)
1
Saxophone et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Flûte à Bec
1
Hautbois, Harpe
1
4 Hautbois
1
Cor Anglais
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Violon
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Flûte à Bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
33
Cor
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette (partie séparée)
21
Trombone (partie séparée)
20
Trombone
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trombone et Piano
15
Cor et Piano
13
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Tuba (partie séparée)
9
Cor (partie séparée)
9
Trompette, Trombone (duo)
9
Trompette, Piano
7
2 Trompettes (duo)
4
2 Trombones (duo)
4
Ensemble de Trombones
3
Ensemble de Trompettes
3
2 Cors (duo)
3
2 Euphoniums (duo)
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Euphonium, Tuba (duo)
2
Tuba
1
Ensemble de Tubas
1
Trompette, Harpe
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Euphonium
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Trompette, Orchestre
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
588
Harpe
216
Trio à Cordes: violon, alto, violoncelle
174
Violon, Violoncelle (duo)
124
Violon
111
Trio à Cordes: 2 violons, violoncelle
86
Violoncelle (partie séparée)
76
Violon (partie séparée)
61
Violon et Piano
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
58
Violoncelle
51
2 Violons (duo)
50
Violon, Alto (duo)
39
Alto seul
36
Violoncelle, Piano
34
Alto (partie séparée)
29
2 Violoncelles (duo)
25
Contrebasse (partie séparée)
25
Alto, Piano
22
Violon, Guitare (duo)
18
2 Altos (duo)
15
Harpe, Violon (duo)
12
2 Harpes (duo)
11
Alto, Violoncelle (duo)
10
Trio à Cordes: 2 violons, alto
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Quatuor à cordes: 4 violons
8
Contre Basse
8
Trio à cordes: 3 violins
8
4 Violoncelles
6
Contrebasse, Piano (duo)
5
Harpe, Flûte (duo)
5
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Contrebasses
3
Ensemble de Violoncelles
3
4 Harpes
2
Trio à cordes
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Violoncelle, Orchestre
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violoncelle, Orgue
1
Harpe, Quatuor à cordes
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
538
Orchestre
457
Orchestre de chambre
292
Orchestre d'harmonie
86
Ensemble Jazz
52
Percussion (partie séparée)
15
Ensemble de Percussions
14
Jazz combo
9
Ensemble d'École
8
Ensemble de cuivres
6
Cloches
6
Batterie
4
Batterie (partie séparée)
1
Piano et Orchestre
1
Orchestre, Violon
1
Percussion
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
All for Strings
Guitare
Partitions à imprimer
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Four Short Single Focus Compositions for Guitar Solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Nieba…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
4.59 €
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Guitare
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Scott A
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Four Short Single Focus Compositions for Guitar Solo
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Ponticello Music
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SheetMusicPlus
The Old Balladeer
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1249738 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1249738 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk. Individual part. 5 pages. Doug Smith Guitar Studio #844129. Published by Doug Smith Guitar Studio (A0.1249738). An Old Balladeer expresses the mystery, beauty and joy of memories told about the times that came before us. The music uses a low D tuning.The piece uses arpeggios on the bass strings played with the thumb. Over the top of the arpeggios is woven a beautiful harmonized melody that is played with a soft touch. Half way through, a dance like groove in the bass adds motion and the music gently winds its way to an ending with a soft strum of a full D Chord across all six strings.
$1.99
1.83 €
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Guitare
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Doug Smith
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The Old Balladeer
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Doug Smith Guitar Studio
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SheetMusicPlus
I Still Call Australia Home
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arrang…
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Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00
7.35 €
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Guitare
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acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.69 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.59 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.S. Bach for Guitar
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Aaron Larget-Caplan
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SheetMusicPlus
Song Tune for Guitar from King Arthur
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.836019 Composed by Henry Purcell. …
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Solo Guitar - Level 2 - Digital Download SKU: A0.836019 Composed by Henry Purcell. Arranged by Joshua Jun S. Kim. Baroque,Concert. Individual part. 2 pages. Joshua S. Kim #3225757. Published by Joshua S. Kim (A0.836019). King Arthur is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. Also called The British Worthy, it was first performed at the Queen's Theatre in London, in late spring 1691.This arrangement for classical guitar has been made from the original music score for strings. It contains guitar fingerings for intemediate-level players.
$1.99
1.83 €
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Guitare
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Henry Purcell
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Joshua Jun S
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Song Tune for Guitar from King Arthur
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Joshua S. Kim
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SheetMusicPlus
Air for Guitar from King Arthur
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.835971 Composed by Henry Purcell. …
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Solo Guitar - Level 2 - Digital Download SKU: A0.835971 Composed by Henry Purcell. Arranged by Joshua Kim. Baroque,World. Individual part. 1 pages. Joshua S. Kim #3066369. Published by Joshua S. Kim (A0.835971). King Arthur is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. Also called The British Worthy, it was first performed at the Queen's Theatre in London, in late spring 1691.This arrangement for classical guitar is made from the original music score for strings.
$1.99
1.83 €
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Guitare
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Henry Purcell
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Joshua Kim
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Air for Guitar from King Arthur
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Joshua S. Kim
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SheetMusicPlus
Vivaldi : Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - I. Allegro giusto
Guitare
Téléchargez la tablature et la partition Guitare Concerto en ré majeu…
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Téléchargez la tablature et la partition Guitare Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - I. Allegro giusto de Vivaldi. Tab pour Quatuor -- Classique
5.99 €
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Guitare
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Vivaldi
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Concerto en ré majeur pour lu
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Tomplay
Vivaldi : Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - III. Allegro
Guitare
Téléchargez la tablature et la partition Guitare Concerto en ré majeu…
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Téléchargez la tablature et la partition Guitare Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - III. Allegro de Vivaldi. Tab pour Quatuor -- Classique
5.99 €
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Guitare
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Vivaldi
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Concerto en ré majeur pour lu
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Tomplay
Prelude (from Suite No. 4 for Solo Cello) (BWV 1010) by JS Bach - arr for Solo Guitar in G major
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1079071 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1079071 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Individual part. 3 pages. Pietro Prugna #683272. Published by Pietro Prugna (A0.1079071). This is another beautiful Prelude from the popular 6 Suites for Solo Cello by JS Bach. It was originally in Eb but is arranged for Classical Guitar in G major. In this key, the lowest note is E, which does not require any alternate tuning for the Classical Guitar. Some fingerings have been added so as to allow the strings to vibrate longer and a more sustained effect.
$1.99
1.83 €
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Guitare
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Johann Sebastian Bach
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Pietro Prugna
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Prelude
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Pietro Prugna
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SheetMusicPlus
Eric Satie - Gymnopedie 1 arr. for guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arranged by Georg Mertens. 20th Century,Concert,Romantic Period,Standards. Individual part. 4 pages. Georg Mertens #3691539. Published by Georg Mertens (A0.790882). Eric Satie's famous Gymnopedie is written in a slow and transparent manner. This is ideal to be transcribed for guitar, being not too difficult as no fast passages or heavy chords need to be managed.The subtleness comes out very well on the guitar.The original composition is in D major. I chose as the key E major to allow open strings to sound longer out and also making it easier for the left hand.
$4.99
4.58 €
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Guitare
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Erik Satie
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Georg Mertens
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Eric Satie - Gymnopedie 1 arr. for guitar
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Georg Mertens
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.3 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Minuet in G Major for Beginner Guitar
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.947607 Arranged by Laura Glassel. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.947607 Arranged by Laura Glassel. Baroque. Individual part. 1 pages. Laura Glassel #4833757. Published by Laura Glassel (A0.947607). This is an arrangement of the Minuet in G Major from the Notebook for Anna Magdalena Bach for beginner guitar. Written in G major. Uses notes on all 6 strings of the guitar. Not TAB. 1 page.
$2.99
2.75 €
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Guitare
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Laura Glassel
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Minuet in G Major for Beginner Guitar
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Laura Glassel
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SheetMusicPlus
Can't Help Falling In Love
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By Georg…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Iury Cardoso. Classical,Country,Folk,Pop,Rock. Individual part. 3 pages. Iury Cardoso #857338. Published by Iury Cardoso (A0.1264515). EASY GUITAR arrangement of the song Can't Help Falling In Love by Elvis Presley.(There is also a TABS VERSION on this website).-3 pages-This is a easy guitar fingerstyle for beginner intermediate students.The entire melody of this arrangement is played on the first string of the guitar and all chords use open strings. The simplified chords make it easy to learn and allows the students to have a fun experience.See on youtube:https://www.youtube.com/watch?v=HQDArGWTZcISee more guitar arrangements by Iury Cardoso on this website, thank you so much!  Copyright © 1961; Renewed 1989 Gladys Music (ASCAP) This arrangement Copyright © 2014 Gladys Music (ASCAP) All Rights Reserved in the U.S. Administered by Imagem Sounds International Publishing Copyright Secured All Rights Reserved#easy fingerstyle guitar#can't help falling in love#elvis presley#fingerstyle#classical guitar#guitar#guitar sheet music#easy guitar sheet music#guitar tabs#easy classical guitar sheet music#easy guitar score#easy arrangement#guitar music#acoustic guitar.
$4.99
4.58 €
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Guitare
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Elvis Presley
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Iury Cardoso
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Can't Help Falling In Love
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Iury Cardoso
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SheetMusicPlus
Guitar Reading and Technique, The New All-Fret Approach
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1251016 By Donald B. Miller. By Do…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1251016 By Donald B. Miller. By Donald B. Miller. Instructional. Individual part. 96 pages. Donald Miller Music #845311. Published by Donald Miller Music (A0.1251016). Why is it of paramount importance to approach guitar reading tech- nique by working from the lower strings upward rather than from the top string downward? There are many reasons, but two of the most important ones are that chords are built vertically, from the bottom up, and that the lower notes frequently determine the exact fret( s) for these upper and mid- dle neck areas. Therefore this book is based on the only natural approach to guitar reading: from lower strings upward. And it should be noted that this method has met with 100 percent success, whether with students who are beginning non-readers or those who have studied the instrument but read poorly or not at all.
$20.00
18.37 €
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Guitare
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Donald B
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Guitar Reading and Technique, The New All-Fret Approach
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Donald Miller Music
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SheetMusicPlus
Rumores de la Caleta, Op. 71 for string quartet and guitar
Guitare
Small Ensemble,Strings Guitar - Level 4 - Digital Download SKU: A0.530888 Composed …
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Small Ensemble,Strings Guitar - Level 4 - Digital Download SKU: A0.530888 Composed by Isaac Albeniz. Arranged by Klas Krantz. Classical,Romantic Period. Score and parts. 17 pages. Amadeus Music #2026873. Published by Amadeus Music (A0.530888). Rumores de la Caleta from Recuerdos de viaje, Op. 71, Np. 6, 1887.Isaac Albéniz y Pascual (1860 - 1909) was a Spanish pianist and composer, best known for his piano works based on folk music idioms, many of which have been transcribed by others for the guitar.
$16.95
15.56 €
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Guitare
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Isaac Albeniz
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Klas Krantz
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Rumores de la Caleta, Op. 71 for string quartet and guitar
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Amadeus Music
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SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.17 €
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Guitare
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
Suite for guitar and orchestra (mp3)
Guitare
Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Ce…
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Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by András Csáki and the Budapest Scoring Symphonic Orchestra under Péter Illényi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
$3.50
3.21 €
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Guitare
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David Warin Solomons
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Suite for guitar and orchestra
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David Warin Solomons
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SheetMusicPlus
Etude for Guitar no V.1 in A Major: A damp afternoon
Guitare
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arrange…
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Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arranged by Rob Reeves. 20th Century,Contemporary,Instructional. Individual part. 1 pages. Published by Rob Reeves (A0.484627). Solo piece for plectrum style guitar. I seek to evoke a strange combination of ennui and mild rapture resulting from the enforced idleness of a damp afternoon contemplating the beauty of drizzle and grey skies. The composition is built around the major scale harmonised in sixths, or inverted thirds, played vertically along the neck on the first and third strings. After repetition of A and B phrases, the same melody is largely repeated a fourth higher, in the key of D, with the final section replaced by desending sixths to the dominant chord, E, before repeating the melody again. In the second repeat of the melody, the descending sixths are replaced by ascending sixths finishing on the root an octave above. A middle eight follows of desending chords, starting on the fourth, which becomes minor, and moving through various shapes to a dominant chord, E. The first theme is repeated again, and concludes with descending sixths over an E pedal tone, before resolving to A major to end.
$1.99
1.83 €
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Guitare
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Rob Reeves
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Rob Reeves
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Etude for Guitar no V.1 in A Major: A damp afternoon
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Rob Reeves
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.66 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Horse gallop
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1041312 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1041312 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646052. Published by Koncert 1234 Kft (A0.1041312). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00
9.18 €
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Guitare
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Jozsef Ludvig
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Horse gallop
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Koncert 1234 Kft
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SheetMusicPlus
Mauro Giuliani Op.1- Studies for the guitar 120 Studies Reimagined and Harmonically Restructured
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292897 Composed by Eric Charles M…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 32 pages. Eric mokotoff #883493. Published by eric mokotoff (A0.1292897). Mauro Giuliani's Op. 1 Right Hand 120 Studies is now available in this newly reimagined and harmonically restructured format.All 120 studies have been rewritten for both Left and Right Hand progressively moving from 1st position to 10th position.This new course will take you through both Major and Minor Keys traveling through chord structures that will teach you the entirety of the guitars neck and frets.Each study recreates the RH fingering and retains the original rhythms while offering new chord progressions in more keys.The original studies focused on two chords to accomplish the Right Hand focus, but both hands are essential in understanding the connection of the strings, frets, and chord structures.This is an exciting, and compelling project that any serious Classical Guitarist should take advantage of.Now learn and play all 120 Mauro Giuliani Studies with a whole new Harmonic journey. Each Major key expresses a I IV I vi ii V7 I progression and each minor key expresses a i iv i V7 i progression.Teachers, professors, and Universities will be excited to introduce students to a whole new reimagined modern look at these essential pedagogic lessons.
$19.99
18.36 €
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Guitare
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Eric Charles Mokotoff
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Eric Charles Mokotoff
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Mauro Giuliani Op.1- Studies for the guitar 120 Studies Reimagined and Harmonically Restructured
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eric mokotoff
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SheetMusicPlus
Olympus. Concerto for Classical Guitar and Small Orchestra
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1085649 Composed by Giannis Papakr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1085649 Composed by Giannis Papakrasas. Arranged by Giannis Papakrasas. Classical,Contemporary,Contest,Festival. Individual part. 59 pages. Giannis Papakrasas #689823. Published by Giannis Papakrasas (A0.1085649). Piano Reduction and Guitar part. Concerto Olympus is originally composed for Flute, Clarinet in Bb, Alto Saxophone, Trumpet in Bb, Snare Drum,Solo Guitar and Strings. Concerto in three parts. I Allegro non troppo e maestoso II Andante cantabile III Allegro festoso. Duration approx 20 mi. Full score and Parts are for sale.
$50.00
45.91 €
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Guitare
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Giannis Papakrasas
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Giannis Papakrasas
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Olympus. Concerto for Classical Guitar and Small Orchestra
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Giannis Papakrasas
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SheetMusicPlus
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