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Anything For You
Non classifié
73
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81
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66
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36
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14
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10
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5
Orgue
5
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3
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2
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
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21
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17
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6
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4
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3
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3
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2
Mandoline
1
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1
2 Dulcimers (duo)
1
+ 5 instrumentations
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55
Chorale SATB
22
Chorale TTBB
12
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10
Voix duo, Piano
6
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6
Voix haute
3
Chorale
2
Chorale Unison
2
Chorale SSATTB
1
Voix seule
1
+ 6 instrumentations
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Clarinette et Piano
7
Flûte traversière
6
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6
Flûte traversière et Piano
4
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Piano (duo)
3
Flûte, Violon
3
Clarinette
3
Saxophone (partie séparée)
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois
2
Saxophone Tenor
2
Ensemble de saxophones
2
Ensemble de Flûtes
2
Saxophone Alto
2
3 Saxophones (trio)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Trompette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Piano
1
Instruments en Mib
1
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1
Flûte à Bec
1
Saxophone Soprano et Piano
1
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Trompette
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2
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Cor
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1
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1
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1
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1
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1
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1
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1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette (partie séparée)
1
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12
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9
Violon
9
Violoncelle
8
Alto seul
6
Contre Basse
4
Violoncelle, Piano
4
Alto, Piano
3
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2
Trio à Cordes: violon, alto, violoncelle
1
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1
2 Violons (duo)
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon (partie séparée)
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
40
Ensemble de cuivres
13
Orchestre à Cordes
11
Ensemble Jazz
9
Orchestre
6
Batterie (partie séparée)
2
Batterie
1
Fanfare
1
Jazz combo
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CLOCHES
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CORNET
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Vous avez sélectionné:
Anything For You
Guitare
Partitions à imprimer
4 partitions trouvées
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Descriptive Pieces for Guitar Solo
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Scott A
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- SN 2019
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Descriptive Pieces for Guitar
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Ponticello Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1028890 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 9 pages. Ponticello Music #4601489. P...
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Solo Guitar - Level 3 - SKU: A0.1028890 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 9 pages. Ponticello Music #4601489. Published by Ponticello Music (A0.1028890). Descriptive Pieces for guitar solo are snippets of ongoing efforts to create new guitar music. It is a representation of a search for sounds - things the guitar can do that I love and enjoy. These pieces are representative of attempts to create interesting sounding music compositions that are effective in evoking certain feelings or moods. These are older pieces recently reformulated and edited, and still sound fresh and new to my ears, so I like them and I hope you will too. I have tried to include all fingerings and indications to make them clearer for the performer. Ideally, there should not be anything too challenging in these pieces as it is all attempting to be idiomatic for the guitar - that is the goal, anyway! - SN 2019
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
The Time Between Genesis 1:1 and 1:2
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Guitare
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INTERMÉDIAIRE
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J
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The Time Between Genesis 1:1 a
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J.S. Jacques
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jac...
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Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
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