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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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1117
PIANO & CLAVIERS
Piano, Voix
1255
Piano seul
813
Piano Facile
169
Piano, Voix et Guitare
121
1 Piano, 4 mains
121
Orgue
113
Instruments en Do
21
2 Pianos, 4 mains
19
Piano Trio: piano, violon, violoncelle
10
Accordéon
10
Accompagnement Piano
9
Piano grosses notes
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
73
Guitare notes et tablatures
68
Basse electrique
28
2 Guitares (duo)
18
4 Guitares (Quatuor)
18
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
14
Mandoline
6
Piano, Guitare (duo)
3
Dulcimer
2
Paroles et Accords
1
Guitare (partie séparée)
1
Banjo
1
Instrumentations suivantes
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VOIX
Chorale SATB
284
Voix Soprano, Piano
106
Chorale 3 parties
88
Chorale TTBB
42
Chorale SSAA
38
Voix seule
34
Voix Tenor, Piano
29
Chorale Unison
26
Voix duo, Piano
22
Chorale 2 parties
21
Voix Alto, Piano
13
Voix haute
12
Voix duo
10
Voix moyenne, Piano
8
Chorale
7
Voix Soprano
7
Voix Tenor
6
Voix Mezzo-Soprano, Piano
4
Chorale SSAATTBB
3
Voix duo, Orgue
3
Voix Baryton, Piano
2
Chorale SATTB
2
Voix basse, Piano
2
Chorale SSATTB
1
Voix Moyenne
1
Chorale, Orgue
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
253
Quatuor de Clarinettes: 4 clarinettes
164
Flûte traversière et Piano
95
Quatuor de Flûtes : 4 flûtes
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
2 Saxophones (duo)
69
Saxophone Alto et Piano
64
Clarinette et Piano
57
Saxophone Tenor et Piano
54
Hautbois, Piano (duo)
50
2 Clarinettes (duo)
46
Clarinette
43
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
42
Flûte traversière
40
Saxophone Soprano et Piano
40
Saxophone (partie séparée)
32
Quatuor de Flûtes à bec
29
Saxophone Baryton, Piano
28
Ensemble de Clarinettes
23
Flûte, Clarinette (duo)
21
Saxophone Alto
20
Ensemble de saxophones
18
Ensemble de Flûtes
17
Cor anglais, Piano
15
2 Hautbois (duo)
14
Hautbois (partie séparée)
13
Flûte et Guitare
10
Clarinette Basse, Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Clarinette (partie séparée)
9
Saxophone, Clarinette (duo)
9
Quintette de Saxophone: 5 saxophones
9
Hautbois, Basson (duo)
8
3 Saxophones (trio)
8
Clarinette, Violon (duo)
8
Flûte à bec Soprano
6
Hautbois, Clarinette (duo)
6
3 Clarinettes (trio)
6
Flûte, Violon
6
Clarinette, Trompette (duo)
5
2 Flûte à bec (duo)
5
Hautbois, Flûte
5
Flûte, Saxophone (duo)
5
2 Clarinettes, Piano
4
Flûte, Violon et Violoncelle
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
3
Flûte, Violoncelle
3
Clarinette, Guitare (duo)
3
4 Hautbois
3
Clarinette et Alto
3
Saxophone Soprano
3
Saxophone Tenor
3
Flûte, Trompette (duo)
3
Flûte, Hautbois (duo)
3
Clarinette, Basson (duo)
3
Saxophone
2
Saxophone et Guitare
2
Cor Anglais
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
2
Flûte à bec, Guitare (duo)
2
Saxophone Baryton
2
Hautbois
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto
2
Harmonica
2
Flûte à Bec, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
1
Flûte à Bec
1
3 Hautbois
1
2 Saxophones, Piano
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Harpe
1
Piccolo
1
Flute, harpe et violon
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Flute (partie séparée)
1
Flûte, Violoncelle, Guitare
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
5 Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trombone et Piano
54
Trompette, Piano
43
Quatuor de cuivres: 4 trombones
42
Cor et Piano
41
Quatuor de cuivres: 4 cors
38
Trompette
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Tuba et Piano
25
2 Trompettes (duo)
22
Euphonium, Piano (duo)
20
2 Trombones (duo)
15
Cor anglais, Piano
15
Trompette, Trombone (duo)
14
Trombone
14
Cor
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
4 Tubas
11
Quatuor de cuivres: 4 trompettes
10
Trombone (partie séparée)
10
Tuba
8
2 Cors (duo)
8
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
6
Trompette, Cor (duo)
6
Ensemble de Trombones
6
2 Tubas (duo)
4
Cor (partie séparée)
3
Ensemble de Trompettes
3
Euphonium
3
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Quatuor de Cuivres
2
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trompette et Guitare
1
Trompette, Violoncelle (duo)
1
Trompette, Harpe
1
Cor et Harpe
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
218
Violon et Piano
119
Violoncelle, Piano
74
Alto, Piano
67
Violon, Violoncelle (duo)
59
Harpe
58
Violon
49
Trio à Cordes: violon, alto, violoncelle
46
4 Violoncelles
42
2 Violons (duo)
41
2 Violoncelles (duo)
34
Violoncelle (partie séparée)
32
2 Altos (duo)
28
Alto seul
21
Violon, Alto (duo)
19
Quatuor à cordes: 4 violons
17
Contrebasse, Piano (duo)
16
Violon (partie séparée)
14
Quatuor à cordes : 4 altos
14
Contre Basse
14
Alto (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
12
Violon, Guitare (duo)
10
Violoncelle
10
Alto, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: 2 violons, alto
5
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Harpes (duo)
4
Alto, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
Contrebasse (partie séparée)
4
Violoncelle, Contrebasse (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Basse continue
2
Trio à cordes
2
Violon, Orgue
2
4 Contrebasses
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Quatuor à cordes
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
146
Orchestre d'harmonie
138
Orchestre à Cordes
86
Batterie
76
Orchestre de chambre
55
Ensemble de cuivres
46
Ensemble Jazz
29
Cloches
24
Jazz combo
9
Marimba
9
Percussion (partie séparée)
6
Ensemble de Percussions
6
Instrumentation Flexible
3
Big band
1
Percussion
1
Fanfare
1
Marimba et Orgue
1
2 Xylophones
1
Vibraphone
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
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Aria 4
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Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
Guitare
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
4.12 €
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Guitare
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Johann Sebastian Bach
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Valery Dzyabenko
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Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Valery Dzyabenko
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SheetMusicPlus
In Bulgarian Mood
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plame…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #735957. Published by Plamen Petrov (A0.1135932). An expressive piece for solo guitar with Bulgarian folk motifs.
$5.00
4.57 €
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Guitare
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Plamen Petrov
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Plamen Petrov
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In Bulgarian Mood
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Plamen Petrov
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SheetMusicPlus
Bulgarian Colours
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plame…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #733509. Published by Plamen Petrov (A0.1133356). Guitar solo. Bulgarian Folk nuanses.
$5.00
4.57 €
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Guitare
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Plamen Petrov
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Plamen Petrov
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Bulgarian Colours
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Plamen Petrov
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SheetMusicPlus
Three Bulgarian Legends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plame…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. 6 pages. Plamen Petrov #900745. Published by Plamen Petrov (A0.1311810). Mystical and lovely music with bulgarian folk motives .
$4.00
3.66 €
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Guitare
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Plamen Petrov
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Plamen Petrov
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Three Bulgarian Legends
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Plamen Petrov
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SheetMusicPlus
Aria For Solo Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.955299 Composed by Neal Fitzpatric…
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Solo Guitar - Level 5 - Digital Download SKU: A0.955299 Composed by Neal Fitzpatrick. Contemporary,New Age,Standards. Individual part. 4 pages. Neal Fitzpatrick Editions #4895015. Published by Neal Fitzpatrick Editions (A0.955299).
$5.99
5.48 €
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Guitare
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Neal Fitzpatrick
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Aria For Solo Guitar
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Neal Fitzpatrick Editions
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SheetMusicPlus
Aria (from Watermusic)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1255202 By Svetlin Markov. By George Fr…
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Guitar - Level 3 - Digital Download SKU: A0.1255202 By Svetlin Markov. By George Frideric Handel. Arranged by Svetlin Markov. Baroque. 12 pages. Svetlin Markov #848765. Published by Svetlin Markov (A0.1255202). An arrangement for 4 guitars or guitar ensemble.
$1.99
1.82 €
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Guitare
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Svetlin Markov
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Svetlin Markov
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Aria
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Svetlin Markov
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SheetMusicPlus
Bulgarian Ballad
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1137190 By Plamen Petrov. By Plame…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1137190 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Historic. Individual part. 4 pages. Plamen Petrov #737391. Published by Plamen Petrov (A0.1137190). A mistic piece for guitar solo. In three voices. 9/8 time.
$5.00
4.57 €
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Guitare
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Plamen Petrov
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Plamen Petrov
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Bulgarian Ballad
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Plamen Petrov
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SheetMusicPlus
Hungarian Rhapsody
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435. Published by Mihajlo Vihula (A0.993059). Hungaria Rhapsody op.124 for guitar by Mihajlo Vihula and dedicated to Monika Minár classical guitarist. .
$8.40
7.69 €
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Guitare
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Mihajlo Vihula
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Hungarian Rhapsody
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Mihajlo Vihula
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SheetMusicPlus
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages. Mfp Éditions #1037154. Published by Mfp Éditions (A0.1458179). Composer : Johann Sebastian BachArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highterTwo pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pagesTwo great cantata arias arranged for solo guitar.Zion Hört Die Wächter Singen:6th string in D – (Capo I). From cycle II.Schafe Können Sicher Weiden:6th string in C.
$30.00
27.45 €
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Guitare
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Johann Sebastian Bach
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Maël Fauvy
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BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
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Mfp Éditions
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SheetMusicPlus
2 Arias
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graup…
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Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Individual part. 4 pages. Apt4guitar #4793595. Published by apt4guitar (A0.789455). Contents: Arias GWV 810 & GWV 821
$3.50
3.2 €
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Guitare
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Christoph Graupner
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Roberto GarcÃa
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GWV 821
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2 Arias
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apt4guitar
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SheetMusicPlus
Theme and Variation (from 4 Easy Pieces)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. J. Cornell Publications #818114. Published by A. J. Cornell Publications (A0.1221823). Mertz’s “Theme and Variation†(from 4 Easy Pieces) for solo classical guitar.
$1.99
1.82 €
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Guitare
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Johann Kaspar Mertz
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Johann Kaspar Mertz
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Theme and Variation
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A. J. Cornell Publications
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SheetMusicPlus
Variation über ein Thema von Haydn
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahm…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahms. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 4 pages. Songbooks.info #904103. Published by songbooks.info (A0.1315371). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.28 €
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Guitare
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Johannes Brahms
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Bettina Schipp
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Variation über ein Thema von Haydn
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songbooks.info
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SheetMusicPlus
Ave Maria (F. Schubert) for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1035931 Composed by Franz Schubert…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1035931 Composed by Franz Schubert. Arranged by Fabio de Simone. Classical. Individual part. 4 pages. Fabio de Simone #640966. Published by Fabio de Simone (A0.1035931). Ave Maria (D.839, Op. 52 No. 6) of Franz Schubert arranged for solo guitar.
$15.00
13.72 €
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Guitare
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Franz Schubert
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Fabio de Simone
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Ave Maria
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Fabio de Simone
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SheetMusicPlus
Alla Maniera Ungherese No.4
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041535 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041535 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646289. Published by Koncert 1234 Kft (A0.1041535). Alla Maniera Ungherese No.4 ISRC HU-D26-14-00299 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.74 €
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Guitare
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Jozsef Ludvig
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Alla Maniera Ungherese No.4
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Koncert 1234 Kft
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SheetMusicPlus
Hungarian Dance No. 5 for Acoustic Guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.843494 Composed by Johannes Brahms…
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Solo Guitar - Level 2 - Digital Download SKU: A0.843494 Composed by Johannes Brahms. Arranged by Cássio Silva Chaves. Instructional,Romantic Period,Standards. Individual part. 4 pages. Cassio Silva #6410155. Published by Cassio Silva (A0.843494).
$4.99
4.57 €
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Guitare
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Johannes Brahms
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Cássio Silva Chaves
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Hungarian Dance No. 5 for Acoustic Guitar
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Cassio Silva
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SheetMusicPlus
25 Sketches - Theme with Variation
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton.…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2159. Published by Les Productions d'OZ - Digital (ZZ.DZ-2159). ISBN 9782897370763.
$3.95
3.61 €
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Guitare
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Mark Houghton
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25 Sketches - Theme with Variation
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Les Productions d'OZ - Digital
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SheetMusicPlus
Maria Mari
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1099995 Composed by Alfredo Mazzuc…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1099995 Composed by Alfredo Mazzucchi, Eduardo (dp) Di Capua, and Vincenzo Russo. Arranged by Ivan Paschoito. Standards,Traditional. Individual part. 4 pages. Ivan Paschoito #703864. Published by Ivan Paschoito (A0.1099995). A famous Italian song arranged for classical guitar solo.
$4.99
4.57 €
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Guitare
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Alfredo Mazzucchi, Eduardo
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Ivan Paschoito
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Maria Mari
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Ivan Paschoito
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SheetMusicPlus
Ave Maria (Meditation)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J. S. Bach and Charles Gounod. Arranged by Francisco Tárrega/Ivan Paschoito. 19th Century,Christian,Praise & Worship,Religious,Wedding. Individual part. 4 pages. Ivan Paschoito #860066. Published by Ivan Paschoito (A0.1267529). A revised and commented version from the manuscript of Francisco Tarrega, dated 1900.
$3.99
3.65 €
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Guitare
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Francisco Tarrega
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Ave Maria
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Ivan Paschoito
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SheetMusicPlus
Opus 222, no 2 - Ave Maria
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.965955 Composed by A. Jungmann. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.965955 Composed by A. Jungmann. Arranged by John Trie. 20th Century,Christmas,Classical,Romantic Period,Sacred. Individual part. 4 pages. John Trie #2016515. Published by john Trie (A0.965955). Opus 222, No. 2 - Ave Maria by A. Jungmann. Guitar arrangement by John Trie.
$5.99
5.48 €
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Guitare
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A
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John Trie
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Opus 222, no 2 - Ave Maria
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john Trie
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SheetMusicPlus
Ave Maria (Johann Sebastian Bach & Charles Gounod)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.788324 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.788324 Composed by Johann Sebastian Bach & Charles Gounod. Arranged by Antonius Agung Setiawan. Classical. Individual part. 4 pages. Antonius Agung Setiawan #5375005. Published by Antonius Agung Setiawan (A0.788324). Ave Maria (Prelude in C Major BWV 846) by Johann Sebastian Bach & Charles GounodSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.99
5.48 €
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Guitare
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Johann Sebastian Bach & Charles Gounod
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Antonius Agung Setiawan
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Ave Maria
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Antonius Agung Setiawan
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SheetMusicPlus
Maria Ninguem
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1100671 Composed by Carlos Eduardo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1100671 Composed by Carlos Eduardo Lyra Barbosa. Arranged by Ivan Paschoito. 20th Century,Latin,Singer/Songwriter,Standards. Individual part. 3 pages. Ivan Paschoito #704339. Published by Ivan Paschoito (A0.1100671). A modern Brazilian song arranged for classical guitar solo.
$4.99
4.57 €
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Guitare
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Carlos Eduardo Lyra Barbosa
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Ivan Paschoito
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Maria Ninguem
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Ivan Paschoito
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SheetMusicPlus
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