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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Armonie
Non classifié
2 752
Piano & claviers
Piano seul
1 466
Piano, Voix
442
Piano Facile
338
Orgue
138
Instruments en Do
126
Piano, Voix et Guitare
92
Accompagnement Piano
63
1 Piano, 4 mains
40
Piano Trio: piano, violon, violoncelle
29
Piano Quatuor: piano, violon, alto, violoncelle
19
2 Pianos, 4 mains
14
Piano (partie séparée)
10
Accordéon
8
Orgue, Piano (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
3
Clavier
1
+ 13 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
69
Guitare (partie séparée)
15
Ligne De Mélodie, (Paroles) et Accords
9
Piano, Guitare (duo)
7
2 Guitares (duo)
6
Mandoline
5
Ukulele
5
Basse electrique
4
4 Guitares (Quatuor)
4
Paroles et Accords
2
Dulcimer
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
1 945
Chorale 3 parties
867
Chorale 2 parties
527
Chorale TTBB
310
Chorale SSAA
193
Chorale Unison
99
Voix Soprano, Piano
53
Voix duo, Piano
50
Voix duo
47
Voix Tenor, Piano
40
Voix Alto, Piano
40
Voix Baryton, Piano
13
Chorale, Orchestre
13
Voix haute
12
Chorale SSAATTBB
8
Chorale SSATB
8
Voix basse, Piano
6
Voix seule
6
Voix moyenne, Piano
5
Chorale SSAB, Piano
3
Chorale
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
1
Voix, Guitare
1
Chorale SATBB
1
Voix Soprano
1
Chorale SSAATB
1
+ 23 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
236
Quatuor de Saxophones: 4 saxophones
219
Flûte traversière et Piano
205
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
199
Hautbois, Piano (duo)
172
Clarinette et Piano
169
Quintette de Saxophone: 5 saxophones
121
2 Flûtes traversières (duo)
106
Saxophone Alto et Piano
101
Quatuor de Flûtes : 4 flûtes
100
Quatuor de Clarinettes: 4 clarinettes
89
2 Saxophones (duo)
86
Flûte traversière
78
Clarinette
75
Saxophone (partie séparée)
67
2 Clarinettes (duo)
66
Saxophone Tenor et Piano
66
Saxophone Alto
51
Saxophone Soprano et Piano
51
2 Flûte à bec (duo)
48
Quintette de Clarinettes: 5 clarinettes
42
3 Clarinettes (trio)
37
Hautbois
36
Ensemble de Clarinettes
36
Flûte, Clarinette (duo)
36
2 Hautbois (duo)
33
Quintette de Flûte : 5 flûtes
32
Hautbois, Clarinette (duo)
30
Hautbois, Basson (duo)
29
Saxophone Tenor
29
Flûte, Violoncelle
28
Trio de Flûtes: 3 flûtes
28
Hautbois, Violoncelle
27
Hautbois (partie séparée)
26
Saxophone Baryton, Piano
26
Flûte, Clarinette et Basson
25
Clarinette, Basson (duo)
25
3 Saxophones (trio)
24
Clarinette, Violoncelle (duo)
23
Clarinette, Violon (duo)
21
Ensemble de Flûtes
20
Flûte, Violon
18
Flûte, Alto (duo)
14
Ensemble de saxophones
13
Cor anglais, Piano
12
Clarinette et Alto
12
Flûte, Hautbois (duo)
12
Hautbois et alto (duo)
12
Flûte, Violon, Piano
11
Flûte, Hautbois, Basson
11
Hautbois, violon (duo)
10
Quatuor de Flûtes à bec
10
Saxophone Baryton
9
Saxophone Soprano
9
Clarinette (partie séparée)
8
Flûte, Clarinette, Piano (trio)
8
Flûte à bec Soprano
8
Flûte, Basson et Piano
8
Flûte et Guitare
8
Flute (partie séparée)
8
Cor Anglais
6
Flûte, Trombone (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Saxophone, Clarinette (duo)
6
Flûte, Violoncelle, Piano (trio)
6
5 Flûtes à bec
6
2 Flûtes traversières, Piano
6
Clarinette, Guitare (duo)
6
Flûte, Alto et Piano
5
Hautbois, Violon, Piano
5
Flûte à bec Alto
5
Flute, harpe et violon
5
Hautbois, Violoncelle et Piano
4
Clarinette, Trombone (duo)
4
Clarinette Basse, Piano
4
Ensemble De Flûte à bec
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Basson, Piano (trio)
4
Clarinette, Alto et Piano (trio)
3
Flûte, Trompette (duo)
3
Clarinette Basse
3
Clarinette, Trompette (duo)
3
Hautbois, Flûte
3
2 Clarinettes, Piano
2
Hautbois, trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Alto, Piano
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble à vent
2
Hautbois, Basson et Piano
2
Hautbois, Clarinette et Piano (Trio)
2
2 Clarinettes, Basson
2
Flûte, Harpe et Violoncelle
2
Cor anglais, Guitare (duo)
2
Saxophone et Guitare
2
Flûte à bec Tenor
2
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
1
Flûte traversière, Basse continue
1
Harmonica
1
Flûte, Tuba (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte à Bec
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
2 Hautbois, Piano
1
Piccolo
1
Saxophone, Tuba (duo)
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
198
Trombone et Piano
138
Trompette, Piano
121
Cor et Piano
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Trompette
85
Tuba et Piano
72
Trombone
63
Trombone (partie séparée)
57
Quatuor de Cuivres
56
Cor
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Trompette (partie séparée)
46
Tuba
46
2 Trompettes (duo)
44
2 Trombones (duo)
43
Trompette, Trombone (duo)
37
2 Cors (duo)
32
Euphonium, Piano (duo)
28
2 Tubas (duo)
20
Quatuor de cuivres: 4 trombones
13
Trompette, Cor (duo)
13
Cor anglais, Piano
12
Cor (partie séparée)
10
Tuba (partie séparée)
9
Cor, Violoncelle (duo)
8
Quatuor de cuivres: 4 cors
8
Ensemble de Trombones
7
Trompette, Basson (duo)
7
Trio de Cuivres
7
Cor Anglais
6
2 Euphoniums (duo)
6
Trompette, Violoncelle (duo)
6
Trompette, Trombone, Piano
5
3 Trombones (trio)
4
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
3 Trompettes (trio)
4
Ensemble de Cors
3
Cor et Basson (duo)
3
2 Euphoniums et 2 Tubas
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Trombones, Piano
2
Instruments en Sib
2
Trombone, Violon (duo)
2
Trompette, Tuba (duo)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
Trombone et orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Trombone basse
2
Trombone, Tuba (duo)
1
Trombone, Alto (duo)
1
2 Cors, Piano
1
Trompette, Violoncelle et Piano
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
691
Violon et Piano
230
Violoncelle, Piano
184
Alto, Piano
167
Violon, Violoncelle (duo)
134
Trio à Cordes: violon, alto, violoncelle
104
Violoncelle
95
Harpe
93
2 Violons (duo)
84
Trio à Cordes: 2 violons, violoncelle
82
Violon
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
78
Violon, Alto (duo)
74
Contrebasse, Piano (duo)
66
Alto seul
56
2 Altos (duo)
48
Contre Basse
47
2 Violoncelles (duo)
45
Violon (partie séparée)
33
Alto, Violoncelle (duo)
26
Violon, Basson (duo)
23
Contrebasse (partie séparée)
20
2 Contrebasses (duo)
20
Alto (partie séparée)
19
Piano Trio: Violon, Alto, Piano
17
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Violon, Guitare (duo)
12
Trio à cordes: 3 violins
9
Alto et Basson
8
Quatuor à cordes: 4 violons
6
Violon, Clarinette, Piano (trio)
6
4 Violoncelles
5
Trio à cordes: 3 altos
5
Harpe, Flûte (duo)
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
Violoncelle (partie séparée)
3
Harpe, Violon, Violoncelle
2
4 Harpes
2
Ensemble d'Altos
2
2 Altos, Piano
2
Violoncelle, Orgue
2
Alto, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Harpe, Violoncelle (duo)
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
3 Contrebasses
1
Ensemble de Violons
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72 272
Orchestre à Cordes
324
Cloches
147
Orchestre
128
Ensemble de cuivres
123
Ensemble Jazz
113
Fanfare
67
Orchestre de chambre
48
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
16
Jazz combo
14
Marimba
14
Batterie (partie séparée)
9
Percussion (partie séparée)
7
Ensemble de Percussions
7
Vibraphone
6
Xylophone, Piano
6
Xylophone
6
Batterie
4
Voix et Orchestre
4
Instrumentation Flexible
2
2 Marimbas
1
Marimba, Saxophone (duo)
1
Vibraphone et Marimba
1
Quintette à Vent
1
2 Xylophones
1
Piano et Orchestre
1
+ 21 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Armonie
Guitare
Partitions à imprimer
87 partitions trouvées
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76
10th Degree Blues
#
Guitare
#
AVANCÉ
#
Doug Smith
#
10th Degree Blues
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1304739 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 5 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1304739 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #894165. Published by Doug Smith Guitar Studio (A0.1304739). 10th Degree Blues is music to be performed on the tenth fret of the guitar.The piece tosses phrases back and forth in an echoing fashio, using blues melodies and phrasing over a typical 12 bar blues progression. The chords work in open strings for haarmonies. The tenth position offers higher pitches that provide a bright happy mood and context.
$2.99
Pulso de la vida
#
Guitare
#
AVANCÉ
#
Yorgos Nousis
#
Pulso de la vida
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
Lyrical Solos
#
Guitare
#
AVANCÉ
#
Contemporain
#
William Bay
#
Lyrical Solos
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (flatpicking) - Advanced - SKU: M0.WBM15EB Composed by William Bay. Concert and Documentaries, Adult Contemporary. Contemporary. E-book. Mel Bay ...
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Guitar (flatpicking) - Advanced - SKU: M0.WBM15EB Composed by William Bay. Concert and Documentaries, Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #WBM15EB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM15EB). ISBN 9781619114906. 8.75x11.75 inches.The guitar has so many moods and colors. I have always loved the expressive, lyrical pieces written for this unique instrument. This book is a collection of 19 solos of medium difficulty which present a colorful array of moods, harmonies and tonal textures. Each piece gives the guitarist ample opportunity for reflection, interpretation and expression. The solos should be played freely with maximum use of dynamics and tone color. The harmonies are rich and often contemporary. I hope you enjoy playing these compositions as I certainly enjoyed writing them.
$12.99
Hotel California
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
The Eagles
#
Ron Calabrese
#
Hotel California
#
Ron Calabrese
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 p...
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Guitar - Level 4 - SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
Chorus and Aria from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Hotel California
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Guitare
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INTERMÉDIAIRE
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition...
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Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Pop,Rock. 79 pages. Duration 372. Ron Calabrese #TNcRYrWN5BaTRWl6j56eK. Published by Ron Calabrese (A0.1350516). Key: A minor.Guitar, Guitar Ensemble, Guitar Ensemble – Beginner/Advanced – Ron Calabrese Hotel California (Arrangement by Ron Calabrese): Score, 5 Guitar Parts, Guitar Tablature: 49 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players. The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion. The iconic guitar solo includes smooth harmonies across multiple guitar parts. Part Descriptions: Guitar 1: The Guitar 1 Part is written to showcase the tune’s main melody and chorus. This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece. All fingering and tabulator are included for convenience. Guitar 2: The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable. Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo. This part can be played by an intermediate player. All fingering and tabulator are included for convenience. Guitar 3 & 4: The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections. These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5: The Guitar 5 Part is the bass guitar part (written in G clef). From time to time, the part includes key rhythmic phrases used to complement the other parts. The Guitar 5 Part also includes the chords as a potential 6th Part.
$19.99
Grid
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Guitare
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Grid
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Studio at the Post
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. ...
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Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01
Hymn And Dance For The Forgotten
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Guitare
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AVANCÉ
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Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Prelude
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Guitare
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AVANCÉ
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Classique
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Sibelius 7 Software
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Prelude
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1496734 By Sibelius 7 Software. By Andrew Howes. 20th Century,21st Century,Classical,Romantic Period. Individual part. 1...
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Solo Guitar - Level 5 - SKU: A0.1496734 By Sibelius 7 Software. By Andrew Howes. 20th Century,21st Century,Classical,Romantic Period. Individual part. 1 pages. Andrew Howes #1073250. Published by Andrew Howes (A0.1496734). The Prelude from my Eyeworth Suite as a stand-alone piece for classical guitar (advanced). It is a reflective, idyllic piece and was written to reflect the view of a lake in The New Forest, Hampshire. It has some interesting harmonies!
$6.00
Annie's Song
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Guitare
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FACILE
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Pop musique
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John Denver
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Gerardo Perez Capdevila
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Annie's Song
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Gerardo Perez Capdevila
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Pere...
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Solo Guitar - Level 2 - SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Perez Capdevila #1051418. Published by Gerardo Perez Capdevila (A0.1473706). Annie's Song by John Denver is a timeless and beautiful piece that resonates with listeners through its heartfelt melody and emotive lyrics. My solo guitar arrangement aims to capture the essence of this classic song, translating its rich harmonies and lyrical beauty into a captivating guitar performance.For intermediate and advanced guitarists, this arrangement offers a delightful challenge that is both rewarding and enriching. Intermediate players will find it an excellent opportunity to hone their fingerstyle techniques and explore expressive dynamics, while advanced players can appreciate the intricate voicings and subtle nuances that bring the song to life.Playing this arrangement allows guitarists to deeply connect with the music, expressing the song’s emotion through their instrument. It's a piece that not only showcases technical skill but also the ability to convey profound emotion, making it a must-learn for any guitarist looking to expand their repertoire with a beautiful and iconic song.Whether performed in an intimate setting or for a larger audience, Annie's Song on solo guitar is sure to captivate and move listeners, making it a wonderful addition to any guitarist’s repertoire.
$9.99
Merry-Go-Round Of Life
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Kumiko
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Will McNicol
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Merry-Go-Round Of Life
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Will McNicol
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will McNicol #1054009. ...
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Solo Guitar - Level 4 - SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will McNicol #1054009. Published by Will McNicol (A0.1476486). This full arrangement for fingerstyle guitar is in Open Gm tuning and utilisises a capo placement for the final section. The open tuning allows the beatiful harmonies to really sing and sustain, lending it a very differnt feel to arrangements in standard tuning. It's a deeply satsifying one to play and I hope you enjoy working on it!
$7.50
JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Benzaiten Editions
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JS Bach • Jesu, Joy of Ma
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Benzaiten Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1438455 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Individual part. 2...
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Solo Guitar - Level 3 - SKU: A0.1438455 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Individual part. 2 pages. Benzaiten Editions #1018473. Published by Benzaiten Editions (A0.1438455). Hey there, music enthusiast! Ready to immerse yourself in the exquisite melodies of Johann Sebastian Bach's timeless Jesu, Joy of Man's Desiring? Let the magic unfold with our sheet music edition! 🎵JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music About 'Jesu Joy of Man's Desiring' Jesu, Joy of Man's Desiring by J.S. Bach is a divine masterpiece from his Cantata, Herz und Mund und Tat und Leben, BWV 147. Its transcendent beauty and uplifting melody have made it a cherished favorite, embodying the spiritual essence of Baroque music. Often chosen for wedding ceremonies and sacred occasions, its celestial harmonies evoke feelings of serenity and reverence, touching hearts with its profound message of joy and hope.
$2.99
Song For The Asking
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Guitare
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INTERMÉDIAIRE
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Simon And Garfunkel
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Trisha Budd
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Song For The Asking
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Trisha Budd
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1413997 By Simon And Garfunkel. By Paul Simon. Arranged by Trisha Budd. 21st Century,Classical,Contemporary,Jazz,Singer/...
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Solo Guitar - Level 3 - SKU: A0.1413997 By Simon And Garfunkel. By Paul Simon. Arranged by Trisha Budd. 21st Century,Classical,Contemporary,Jazz,Singer/Songwriter. Individual part. 3 pages. Trisha Budd #995765. Published by Trisha Budd (A0.1413997). This beautiful arrangement of Paul Simon's Song for the Asking is for classical guitar solo. It is suitable for intermediate to advanced players and would make an excellent concert program choice. It features an introduction and then the use of different textures for the main melody, including rich harmonies, arpeggios and harmonics.
$5.99
When I Survey the Wondrous Cross
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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When I Survey the Wondrous Cro
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405348 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988401...
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Solo Guitar - Level 5 - SKU: A0.1405348 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988401. Published by Shaw Music (A0.1405348). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
Nothing but the Blood
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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Nothing but the Blood
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405392 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988445...
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Solo Guitar - Level 5 - SKU: A0.1405392 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988445. Published by Shaw Music (A0.1405392). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
Holy, Holy, Holy, Lord God Almighty!
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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Holy, Holy, Holy, Lord God Alm
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405347 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988400...
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Solo Guitar - Level 5 - SKU: A0.1405347 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988400. Published by Shaw Music (A0.1405347). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
Beneath the Cross of Jesus
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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Beneath the Cross of Jesus
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405590 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988649...
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Solo Guitar - Level 5 - SKU: A0.1405590 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988649. Published by Shaw Music (A0.1405590). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
Hymns for Classical Guitar, Book 1
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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Hymns for Classical Guitar, Bo
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405732 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Lent,Sacred. Individual part. 20 pages. Shaw Music #...
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Solo Guitar - Level 5 - SKU: A0.1405732 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Lent,Sacred. Individual part. 20 pages. Shaw Music #988797. Published by Shaw Music (A0.1405732). This set of five classic hymns for guitar will delight listeners and performers alike. These settings juxtapose exciting and intriguing harmonies with worshipful and meditative moods, and they serve equally well in both sanctuary and recital hall. Titles include: Beneath the Cross of Jesus; Holy, Holy, Holy, Lord God Almighty!; Like a River Glorious; Nothing but the Blood; When I Survey the Wondrous Cross.
$11.95
Like a River Glorious
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Guitare
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AVANCÉ
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Musique Sacrée
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Gideon Whitehead
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Gideon Whitehead
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Like a River Glorious
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Shaw Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1405727 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 5 pages. Shaw Music #988791...
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Solo Guitar - Level 5 - SKU: A0.1405727 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 5 pages. Shaw Music #988791. Published by Shaw Music (A0.1405727). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
Study for M
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Guitare
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FACILE
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Nick Clow
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Study for M
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963...
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Solo Guitar - Level 2 - SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963. Published by Nick Clow (A0.940528). This is an intermediate level solo guitar study that might be a worthwhile addition to a student's or intermediate guitarist's study materials or repertoire. It's not too hard - maybe Trinity Grade 3/4. You will be able to find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings are not only crude, but imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, the fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
Santa Claus Is Comin' To Town
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Guitare
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INTERMÉDIAIRE
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Jazz
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Steve Tyrell
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Tim Roberts
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Santa Claus Is Comin' To Town
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Phretz del Oro Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.944430 By Steve Tyrell. By John Frederick Coots. Arranged by Tim Roberts. Jazz. Individual part. 2 pages. Phretz del Oro...
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Solo Guitar - Level 3 - SKU: A0.944430 By Steve Tyrell. By John Frederick Coots. Arranged by Tim Roberts. Jazz. Individual part. 2 pages. Phretz del Oro Music #4799903. Published by Phretz del Oro Music (A0.944430). Arranged for Solo Guitar with classical techniques and jazzy harmonies. Also includes an open solo section with chord slashes only.
$4.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
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