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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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LIVRES
LUTH
MANDOLINE
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TROMPETTE
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VIOLONCELLE
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Artist’s Life - Flute Solo
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126
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16
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6
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6
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10
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Voix Tenor, Piano
1
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Voix Soprano, Piano
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2
Hautbois (partie séparée)
1
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1
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1
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1
Piccolo, Piano
1
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17
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8
Cor
5
Tuba
4
Trombone basse
4
Euphonium, Piano (duo)
4
Cor Anglais
4
Trompette, Piano
3
Trompette (partie séparée)
2
Cor anglais, Piano
2
Trombone et Piano
2
Cor et Piano
1
+ 7 instrumentations
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19
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9
Alto seul
7
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7
Alto (partie séparée)
6
Violon et Piano
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
1
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1
Contre Basse
1
Violoncelle, Piano
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Artist’s Life - Flute Solo
Guitare
Partitions à imprimer
6 partitions trouvées
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1
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Electric Guitar
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Guitare
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INTERMÉDIAIRE
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Jacques Cameron
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II, Bass Guitar.
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Jacques Cameron - Stendhal Syn
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Legacy Artists
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1378122 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Cent...
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Solo Guitar - Level 3 - SKU: A0.1378122 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 7 pages. Legacy Artists #962743. Published by Legacy Artists (A0.1378122). This sheet music features the electric guitar solos for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Electric Guitar Lead I, Electric Guitar Lead II, Electric Guitar Lead III, Rhythm Guitar I & II, Bass Guitar.
$5.99
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Rhythm Guitar I and II
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Guitare
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INTERMÉDIAIRE
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Jacques Cameron
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Jacques Cameron - Stendhal Syn
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Legacy Artists
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1379183 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Cent...
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Solo Guitar - Level 3 - SKU: A0.1379183 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963861. Published by Legacy Artists (A0.1379183). This sheet music features the rhythm guitar partitions for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Rhythm Guitar I and II.
$2.99
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Electric Guitar Lead III
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Guitare
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INTERMÉDIAIRE
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Jacques Cameron
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Jacques Cameron - Stendhal Syn
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Legacy Artists
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1379177 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Cent...
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Solo Guitar - Level 3 - SKU: A0.1379177 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963854. Published by Legacy Artists (A0.1379177). This sheet music features the third lead electric guitar partition for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Electric Guitar Lead III.
$2.99
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Bass Guitar
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Guitare
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INTERMÉDIAIRE
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Jacques Cameron
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Jacques Cameron - Stendhal Syn
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Legacy Artists
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1379185 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Cent...
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Solo Guitar - Level 3 - SKU: A0.1379185 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963864. Published by Legacy Artists (A0.1379185). This sheet music features the bass guitar partition for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Bass Guitar.
$2.99
Els Segons Temps
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Guitare
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INTERMÉDIAIRE
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Darian Stavans
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Els Segons Temps
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Music Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163...
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Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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Artist’s Life - Flute Solo
