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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
3 786
Piano & claviers
Piano seul
1 966
Piano, Voix
555
Piano Facile
339
Piano, Voix et Guitare
332
Instruments en Do
254
Orgue
138
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
35
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Fake Book
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
197
Guitare notes et tablatures
162
Ligne De Mélodie, (Paroles) et Accords
144
Ukulele
39
Basse electrique
25
2 Guitares (duo)
18
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
10
Mandoline
10
Ensemble de guitares
6
Dulcimer
4
3 Guitares (trio)
4
Banjo
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Paroles et Accords
2
Guitare (partie séparée)
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ensemble de Ukulélés
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
737
Chorale 3 parties
217
Chorale TTBB
122
Chorale 2 parties
84
Chorale SSAA
76
Voix Alto, Piano
70
Voix Soprano, Piano
65
Voix Tenor, Piano
58
Chorale Unison
54
Voix duo, Piano
40
Voix Baryton, Piano
39
Voix haute
13
Voix seule
8
Voix duo
6
Pack Instrumental pour Chorale
4
Chorale
4
Voix moyenne, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix basse
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Flûte traversière et Piano
376
Quatuor de Saxophones: 4 saxophones
342
Clarinette et Piano
320
2 Saxophones (duo)
303
Quintette de Saxophone: 5 saxophones
274
Flûte, Hautbois, Clarinette, Basson
243
Saxophone Alto et Piano
226
Hautbois, Piano (duo)
210
Quatuor de Clarinettes: 4 clarinettes
199
Saxophone Alto
176
Flûte traversière
170
Saxophone Soprano et Piano
149
2 Clarinettes (duo)
147
Saxophone Tenor et Piano
142
Saxophone Tenor
136
Ensemble de saxophones
133
2 Flûtes traversières (duo)
132
Clarinette
113
Ensemble de Clarinettes
106
Saxophone, Clarinette (duo)
101
Saxophone (partie séparée)
93
Cor anglais, Piano
93
Saxophone Baryton, Piano
77
Quatuor de Flûtes : 4 flûtes
76
Clarinette, Violon (duo)
73
3 Saxophones (trio)
67
Flûte, Clarinette (duo)
61
Clarinette, Trompette (duo)
60
Ensemble de Flûtes
59
2 Hautbois (duo)
55
Quintette de Clarinettes: 5 clarinettes
54
Hautbois (partie séparée)
53
3 Clarinettes (trio)
47
Clarinette Basse, Piano
44
Hautbois, Basson (duo)
40
Hautbois, Clarinette (duo)
39
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
2 Flûte à bec (duo)
36
Clarinette et Alto
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Flûte, Trompette (duo)
29
2 Flûtes traversières, Piano
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone Soprano
24
Ensemble De Flûte à bec
22
Flûte et Guitare
21
Flûte à bec Soprano
21
Clarinette, Basson (duo)
20
5 Flûtes à bec
14
Flute (partie séparée)
14
Cor Anglais
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Soprano, Piano
10
Clarinette (partie séparée)
8
Clarinette, Violoncelle (duo)
8
Flûte à bec Alto, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte, Clarinette, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Clarinette, Violoncelle, Piano (trio)
6
Piccolo, Piano
5
Flûte à Bec
5
Flûte à bec Tenor
5
Flûte, Alto et Piano
4
Hautbois
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Saxophone et Guitare
4
Saxophone et Harpe
4
Ensemble à vent
3
Flûte, Violon, Piano
3
3 Hautbois
3
Hautbois, Harpe
2
Ensemble de Hautbois
2
Piccolo
2
Hautbois, Guitare (duo)
2
Ocarina
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
2
4 Hautbois
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
2 Flûtes à bec, Guitare
1
Flûte, Hautbois, Basson
1
Cornemuse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Flûte, Violon, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Harmonica
1
Saxophone et Orgue
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte traversière, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
+ 115 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
476
Quatuor de Cuivres : 2 trompettes, trombone, tuba
284
Trompette
205
Trombone et Piano
186
Trompette, Piano
160
Trombone
121
Cor et Piano
118
Quatuor de Cuivres
97
Cor anglais, Piano
93
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
2 Trompettes (duo)
74
Trompette, Saxophone (duo)
72
2 Trombones (duo)
67
Ensemble de Trombones
55
Tuba et Piano
55
Trompette, Trombone (duo)
50
Cor
47
Quatuor de cuivres: 4 trombones
43
Ensemble de Trompettes
41
Trompette (partie séparée)
35
Tuba
30
2 Cors (duo)
26
Quatuor de cuivres: 4 cors
23
Ensemble de Cors
20
2 Euphoniums et 2 Tubas
17
2 Tubas (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
14
4 Tubas
14
Cor Anglais
14
3 Trombones (trio)
9
Trompette, Cor (duo)
9
3 Tubas (trio)
8
Trombone, Cor (duo)
7
Cor (partie séparée)
7
3 Cors (trio)
6
Tuba et Orgue
5
Trio de Cuivres
5
Bass Clef Instruments
4
Euphonium
4
Cor et Harpe
4
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
3
Cor et Orgue
3
Trompette, Harpe
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone basse et Piano
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone et orchestre
2
Trombone, Tuba (duo)
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Instruments en Sib
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
736
Violon et Piano
435
Violoncelle, Piano
294
Alto, Piano
283
Violon
248
Violon, Violoncelle (duo)
182
Violoncelle
180
Trio à Cordes: violon, alto, violoncelle
126
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
100
Harpe
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
2 Violoncelles (duo)
82
Violon, Alto (duo)
77
2 Altos (duo)
70
Alto seul
58
2 Harpes (duo)
40
Contrebasse, Piano (duo)
40
4 Violoncelles
32
Contre Basse
31
Alto (partie séparée)
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Alto, Violoncelle (duo)
16
Quatuor à cordes: 4 violons
16
Violon, Guitare (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Trio à cordes: 3 violins
11
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
4 Contrebasses
6
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
5
Alto, Guitare (duo)
5
Harpe, Violon (duo)
5
Harpe, Voix
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
886
Orchestre
380
Orchestre à Cordes
284
Ensemble de cuivres
213
Orchestre de chambre
120
Ensemble Jazz
116
Cloches
55
Fanfare
50
Jazz combo
42
Ensemble de Percussions
40
Batterie
24
Vibraphone
10
Marimba
8
Batterie (partie séparée)
3
Orchestre, Violon
3
Percussion (partie séparée)
3
Xylophone
3
Piano et Orchestre
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Big band
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
As It Was
Guitare
Partitions à imprimer
197 partitions trouvées
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1
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176
As It Was
#
Guitare
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INTERMÉDIAIRE
#
Pop musique
#
Harry Styles
#
Chris Richter
#
As It Was
#
Chris Richter
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1437447 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Chris Richter. Pop. Individual par...
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Solo Guitar - Level 3 - SKU: A0.1437447 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Chris Richter. Pop. Individual part. 6 pages. Chris Richter #1017569. Published by Chris Richter (A0.1437447). Harry Styles As It Was arranged for solo fingerstyle guitar.
$7.99
As Time Goes
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
is a jazz song written by Herm
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Justin James Adu Acquah
#
John Fries
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As Time Goes
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual par...
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Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863866. Published by John Fries (A0.1271465). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. As Time Goes By is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 Warner Bros. film Casablanca.
$4.99
Jingle Bells (But it's 2020) - Minor Key
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Guitare
#
Robson Mendes
#
Robson Mendes
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Jingle Bells
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Robson Mendes
#
SheetMusicPlus
Solo Guitar - SKU: A0.509488 By Robson Mendes (Robsongs Music). By James Lord Pierpont. Arranged by Robson Mendes. Christmas,Jazz,Multicultural,World. I...
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Solo Guitar - SKU: A0.509488 By Robson Mendes (Robsongs Music). By James Lord Pierpont. Arranged by Robson Mendes. Christmas,Jazz,Multicultural,World. Individual part. 5 pages. Published by Robson Mendes (A0.509488). This is a minor key version of the classic Jingle Bells. It was arranged by Robson Mendes in 2020 as we were facing the Covid-19 pandemic. This arrangement explores different parts of the guitar neck making it dynamic and enjoyable while playing. Needless to say how unique it sounds. For those who prefer, this sheet music also contains the tabs. Enjoy it!
$4.99
It Came Upon a Midnight Clear
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Guitare
#
INTERMÉDIAIRE
#
Rock
#
The Candlelight Guitarist
#
Bradley Powell
#
It Came Upon a Midnight Clear
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Powell. Christian,C...
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Solo Guitar - Level 3 - SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 3 pages. Geofonica Artistworks #904878. Published by Geofonica Artistworks (A0.1316386). This arrangement of It Came Upon A Midnight Clear is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. It Came Upon A Midnight Clear can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 0:20.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, playing for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$2.99
It's Only A Paper Moon
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Guitare
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AVANCÉ
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/...
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Solo Guitar - Level 5 - SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
The Journey as recorded on "The Journey - Places Real and Imagined
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Guitare
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INTERMÉDIAIRE
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Celtique/Irlandais
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John David Morgan
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John David Morgan
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The Journey as recorded on &qu
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.518439 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Celtic,Contemporary,Folk,Irish. Indivi...
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Solo Guitar - Level 3 - SKU: A0.518439 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Celtic,Contemporary,Folk,Irish. Individual part. 11 pages. John David Morgan #129136. Published by John David Morgan (A0.518439). This is the title track of my first soloacoustic guitar album. It is an instrumental representaion of our journey through life. intermediate level. You don't have to play it as fast as the recording:-) I was a little over-excited to be inthe studio:-).
$4.00
As It Was
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Guitare
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FACILE
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Pop musique
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Harry Styles
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Franz Beckert
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As It Was
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Franz Beckert
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1416855 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Franz Beckert. Pop. Individual par...
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Solo Guitar - Level 2 - SKU: A0.1416855 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Franz Beckert. Pop. Individual part. 2 pages. Franz Beckert #998450. Published by Franz Beckert (A0.1416855).
$4.99
As It Was
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Guitare
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INTERMÉDIAIRE
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Soul/R&B
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Harry Styles
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Amanda J
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As It Was
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Amanda's Music Channel
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1039635 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Amanda J. Herold. Hip-Hop,Pop,R & ...
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Solo Guitar - Level 3 - SKU: A0.1039635 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Amanda J. Herold. Hip-Hop,Pop,R & B. Individual part. 2 pages. Amanda's Music Channel #644547. Published by Amanda's Music Channel (A0.1039635).
$4.99
"It Came Upon a Midnight Clear" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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Keith W
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"It Came Upon a Midnight Clear
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1413852 By Keith Gehle. By Traditional Carol. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual...
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Solo Guitar - Level 3 - SKU: A0.1413852 By Keith Gehle. By Traditional Carol. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 2 pages. Keith Gehle #995638. Published by Keith Gehle (A0.1413852). â??It Came Upon a Midnight Clearâ? was arranged and recorded as part of Keithâ??s 2006 recording entitled Songs of December. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site. This gorgeous tune is a hit with fans of the guitar at Christmas holiday gatherings and church services.
$2.99
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
Christmas Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Dave Matthews And Tim Reynolds
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John Fries
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Christmas Song
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271597 By Dave Matthews And Tim Reynolds. By David Matthews. Arranged by John Fries. 20th Century,Christmas,Holiday,Jaz...
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Solo Guitar - Level 4 - SKU: A0.1271597 By Dave Matthews And Tim Reynolds. By David Matthews. Arranged by John Fries. 20th Century,Christmas,Holiday,Jazz,Standards. Individual part. 2 pages. John Fries #863983. Published by John Fries (A0.1271597). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The Christmas Song (commonly subtitled Chestnuts Roasting on an Open Fire or, as it was originally subtitled, Merry Christmas to You) is a classic Christmas song written in 1945] by Robert Wells and Mel Tormé. According to Tormé, the song was written in July[ during a blistering hot summer. In an effort to stay cool by thinking cool.
$4.99
Wondering Aloud
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Kevin Rees
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Kevin Rees
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Wondering Aloud
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Kevin Rees
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1011240 Composed by Kevin Rees. Arranged by Kevin Rees. 20th Century,Contemporary,Jazz,New Age. Individual part. 3 pages...
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Solo Guitar - Level 4 - SKU: A0.1011240 Composed by Kevin Rees. Arranged by Kevin Rees. 20th Century,Contemporary,Jazz,New Age. Individual part. 3 pages. Kevin Rees #3096173. Published by Kevin Rees (A0.1011240). Wondering Aloud is a work for solo classical guitar, though it could well work for a steel-string guitar or electric guitar as it was composed with jazz harmonies.
$2.99
Recuerdos de la Alhanbra for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instr...
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Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
TIENTO PARA UN PENSADOR for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Daniel Cueto
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TIENTO PARA UN PENSADOR for gu
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Daniel Cueto
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401....
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Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
Tanguillo de Cádiz Guitar 2
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
Romance Anonimo (tremolo) for Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural...
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Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
All My Loving
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Guitare
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FACILE
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The Beatles
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Artur Freire
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All My Loving
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MP Sheet Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Indi...
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Solo Guitar - Level 2 - SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
$4.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Tico Tico (tico Tico No Fuba)
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Guitare
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INTERMÉDIAIRE
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Film Walt Disney
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions...
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Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
Vals No 2 - Guitar
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Guitare
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 2 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte N...
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Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
$5.00
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