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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS Jazz
Non classifié
4 290
Piano & claviers
Piano seul
398
Instruments en Do
167
Accordéon
129
Piano Facile
69
Piano, Voix et Guitare
68
Piano, Voix
58
Piano (partie séparée)
35
1 Piano, 4 mains
17
Orgue
12
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 13 instrumentations
Retracter
Guitares
Basse electrique
978
Ligne De Mélodie, (Paroles) et Accords
251
Guitare notes et tablatures
93
Guitare
92
Guitare (partie séparée)
74
Basse électrique (partie séparée)
22
Ensemble de guitares
6
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
5
Ukulele
3
Paroles et Accords
2
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
445
Pack Instrumental pour Chorale
342
Chorale 3 parties
132
Chorale TTBB
96
Chorale 2 parties
80
Chorale
53
Chorale SSAA
47
Voix duo, Piano
45
Voix duo
14
Voix basse, Piano
14
Chorale Unison
7
Voix basse
3
Voix Alto, Piano
2
Voix haute
2
Voix d'Enfants
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Chorale SSATBB
1
Voix seule
1
+ 14 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
545
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
521
Quatuor de Clarinettes: 4 clarinettes
276
Saxophone (partie séparée)
186
Quatuor de Saxophones: 4 saxophones
101
Hautbois, Basson (duo)
76
Quintette de Clarinettes: 5 clarinettes
76
2 Clarinettes (duo)
65
Ensemble de Clarinettes
55
Quintette de Saxophone: 5 saxophones
54
3 Clarinettes (trio)
54
Saxophone Tenor et Piano
53
Quatuor de Flûtes : 4 flûtes
39
Clarinette (partie séparée)
39
Flûte, Violon, Piano
39
Clarinette Basse, Piano
37
Trio de Flûtes: 3 flûtes
34
Ensemble de Flûtes
34
3 Saxophones (trio)
28
Flûte, Clarinette et Basson
28
Clarinette et Piano
24
Flute (partie séparée)
23
Ensemble de saxophones
22
Clarinette, Basson (duo)
22
Saxophone Alto et Piano
20
Clarinette Basse
20
Flûte traversière et Piano
19
Saxophone Alto
18
Quintette de Flûte : 5 flûtes
18
Hautbois, Piano (duo)
17
Clarinette
14
Flûte, Hautbois, Basson
13
Flûte traversière
13
Saxophone Tenor
11
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
7
Quatuor de Flûtes à bec
6
Flûte, Basson et Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
2 Clarinettes, Basson
6
3 Flûtes à bec (trio)
5
2 Flûtes traversières (duo)
5
2 Flûte à bec (duo)
4
2 Saxophones (duo)
4
Clarinette, Contrebasse (duo)
3
Flûte à bec Soprano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Orchestre
3
Harmonica
2
Instruments en Mib
2
Flûte, Trombone (duo)
2
Saxophone Soprano
2
Hautbois (partie séparée)
2
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Cor anglais, Piano
1
Clarinette, Tuba
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Guitare
1
Saxophone Baryton
1
Hautbois, Flûte
1
+ 60 instrumentations
Retracter
Cuivres
Bass Clef Instruments
1 016
Trombone (partie séparée)
307
Trompette (partie séparée)
116
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de cuivres: 4 trombones
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone
29
Trombone et Piano
27
Ensemble de Trombones
24
Cor (partie séparée)
20
Trompette
18
Tuba (partie séparée)
17
Cor et Piano
12
2 Trombones (duo)
12
Trompette, Piano
11
Tuba et Piano
10
2 Euphoniums et 2 Tubas
9
Quatuor de Cuivres
8
Trombone basse
8
Quatuor de cuivres: 4 cors
7
3 Trompettes (trio)
7
Tuba
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
3 Trombones (trio)
5
Euphonium, Tuba (duo)
5
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
4
Trombone basse et Piano
4
2 Tubas (duo)
2
Bugle
2
Euphonium
2
Instruments en Sib
2
2 Trompettes (duo)
2
Trombone, Tuba (duo)
2
Trio de Cuivres
2
4 Tubas
2
Cor
1
Cor anglais, Piano
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
+ 38 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
1 225
Contre Basse
146
Quatuor à cordes: 2 violons, alto, violoncelle
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
87
Contrebasse, Piano (duo)
64
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle, Contrebasse (duo)
17
Violon, Violoncelle (duo)
15
Violon
15
Violon et Piano
14
Violoncelle, Piano
14
Alto, Piano
13
2 Contrebasses (duo)
11
Violoncelle
9
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Flûte, Contrebasse (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
3
Harpe
3
4 Contrebasses
3
3 Contrebasses
3
Violon, Basson (duo)
2
Trio à cordes: 3 altos
1
Alto et Basson
1
2 Violons (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
3 713
Jazz combo
814
Orchestre d'harmonie
371
Orchestre
145
Orchestre à Cordes
130
Fanfare
92
Ensemble de cuivres
81
Orchestre de chambre
41
Batterie (partie séparée)
39
Batterie
30
Cloches
21
Ensemble de Percussions
17
Marimba
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
4
Percussion (partie séparée)
3
Vibraphone
3
Percussion
2
Xylophone, Piano
2
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
BASS Jazz
Guitare
Partitions à imprimer
92 partitions trouvées
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76
Jazz Guitar Etudes
#
Guitare
#
FACILE
#
Methodes Etudes
#
Jazz
#
Jazz Guitar Etudes
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Beginning - Intermediate - Digital Download Jazz. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #93844EB. Published by Mel B...
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Guitar - Beginning - Intermediate - Digital Download Jazz. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #93844EB. Published by Mel Bay Publications - Digital Sheet Music
8.75 x 11.75 inches.
At first hearing, fingerstyle solo jazz guitar can be more than a little overwhelming. Melding together are improvised lead lines and chordal work and bass lines and rhythmics. Relax. Since you already play jazz with a pick, you are familiar with many of the musical elements used in fingerstyle jazz. It is just that it may not be obvious to you what, specifically, fingerstyle concepts and techniques are. That is exactly where this book begins.
$19.99
Smooth Talkin' Bass
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Doug Smith
#
Smooth Talkin' Bass
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Sm...
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Solo Guitar - Level 4 - SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #847093. Published by Doug Smith Guitar Studio (A0.1253432). Smooth Talkin' Bass brings out the special character of the 6th, low E string. The bass line imitates the melodic phrasing of an upright jazz bass solo. The pizzicato ormuffled sound is used throughout while the accompaniment is played with treble string. chords or harmonics.
$1.99
You Can Teach Yourself Jazz Guitar
#
Guitare
#
DÉBUTANT
#
Jazz
#
John Griggs
#
You Can Teach Yourself Jazz Gu
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (flatpicking) - Beginning - SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publicatio...
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Guitar (flatpicking) - Beginning - SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95162BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95162BCDEB). ISBN 9781610655026. 8.75x11.75 inches.This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature.The companion online recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship.
$14.99
A Study in G - Jazz/Classical Guitar
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Guitare
#
INTERMÉDIAIRE
#
Renato Sousa
#
A Study in G - Jazz/Classical
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Renato Sousa
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.997407 Composed by Renato Sousa. Contemporary,Instructional,Jazz. Individual part. 2 pages. Renato Sousa #5317591. Publi...
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Solo Guitar - Level 3 - SKU: A0.997407 Composed by Renato Sousa. Contemporary,Instructional,Jazz. Individual part. 2 pages. Renato Sousa #5317591. Published by Renato Sousa (A0.997407). A simple study that features independent bass lines and melody. Great for jazz players looking to get into the classical realm, or intermediate classical students.
$2.99
Essential Jazz Etudes..The Blues - Guitar
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Guitare
#
INTERMÉDIAIRE
#
Jazz
#
Jack Wilkins
#
Essential Jazz Etudes..The Blu
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
By Jack Wilkins. For Guitar (All). Jazz and Blues play along. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Jack Wilkins. For Guitar (All). Jazz and Blues play along. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657853. This collection of jazz etudes with accompanying online audio gives students a fun and effective way to learn to play jazz style blues lines. The audio tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. Includes access to online audio.
$14.99
Bass Line Basics for Guitar
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Guitare
#
Jazz
#
Charles H
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Bass Line Basics for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Composed by Charles H. Chapman. Jazz. E-book and online audio. 32 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.98387BCDEB). - e-book and o...
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Composed by Charles H. Chapman. Jazz. E-book and online audio. 32 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.98387BCDEB). - e-book and online audio - Jazz - Mel Bay Publications - Digital Sheet Music
$12.99
Cornucopia (Guitar Part)
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Guitare
#
INTERMÉDIAIRE
#
Rock
#
Brad Powell
#
Cornucopia
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.948709 Composed by Brad Powell (The Candlelight Guitarist). Folk,Holiday,Jazz,Latin. Individual part. 5 pages. Geofonica...
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Solo Guitar - Level 3 - SKU: A0.948709 Composed by Brad Powell (The Candlelight Guitarist). Folk,Holiday,Jazz,Latin. Individual part. 5 pages. Geofonica Artistworks #6855841. Published by Geofonica Artistworks (A0.948709). Cornucopia is the recent single release by The Candlelight Guitarist (Brad Powell)...featuring an ensemble of guitar, mandolin, string bass, and percussion, in a contemporary bossa-nova style. The instrumental parts for GUITAR (this part), mandolin, and string bass are each available here separately. (Renown percussionist Ms. Bobbye Hall recorded using a bass part for her reference.) These instrumental parts are fairly straightforward (easy to intermediate) professional jazz level. The video (linked herein) shows each performing playing their respective parts. Brad plays both the classical guitar part and mandolin part. The string bassist is Frank Sanchez (original bassist for Weird Al Yankovic), and the percussionist is Ms. Bobbye Hall (with dozens of hit songs to her credit, with many famous artists).ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.
$3.99
8 Swinging Xmas Carols for Guitar & Piano
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Guitare
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INTERMÉDIAIRE
#
Musique Sacrée
#
Keith Terrett
#
Keith Terrett
#
Piano
#
8 Swinging Xmas Carols for Gui
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Keith Terrett
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Indivi...
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Solo Guitar - Level 3 - SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs..
$15.99
Élégie
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Guitare
#
INTERMÉDIAIRE
#
Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
So What
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Guitare
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INTERMÉDIAIRE
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Jazz
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Miles Davis
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P Welsh
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So What
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Accubass
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1050074 By Miles Davis. By Miles Davis. Arranged by P Welsh. Jazz. Individual part. 8 pages. Accubass #654475. Published...
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Solo Guitar - Level 3 - SKU: A0.1050074 By Miles Davis. By Miles Davis. Arranged by P Welsh. Jazz. Individual part. 8 pages. Accubass #654475. Published by Accubass (A0.1050074). Intro, head and Miles's solo arranged for guitar with tablature.
$5.99
Summertime
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dorothy Heyward, Du Bose Heywa
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Roger Wallace
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Summertime
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Roger Wallace
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blue...
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Solo Guitar - Level 4 - SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Elmo's Song
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Guitare
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INTERMÉDIAIRE
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Tony Geiss
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Danny Crocome
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Elmo's Song
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1096160 Composed by Tony Geiss. Arranged by Danny Crocome. 20th Century,Children,Film/TV,Jazz,Pop. 17 pages. Danny Crocome Mu...
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Guitar - Level 3 - SKU: A0.1096160 Composed by Tony Geiss. Arranged by Danny Crocome. 20th Century,Children,Film/TV,Jazz,Pop. 17 pages. Danny Crocome Music #700116. Published by Danny Crocome Music (A0.1096160). Elmo's Song from the TV series Sesame Street, arranged for 5 guitars and bass. The arrangement will suit any kind of guitar (classical, acoustic or electric) and the bass part will work with electric, acoustic or upright bass. Three separate guitar parts take turns playing the lead melody (copying Elmo, Big Bird and Mr. Snuffleupagus). A fun tune that will bring a smile to the audience and the musicians playing it.
$19.99
Misty
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Erroll Louis Garner
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Esteban Peretz
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Misty
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Esteban Peretz
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1081651 Composed by Erroll Louis Garner. Arranged by Esteban Peretz. Jazz,Standards. Individual part. 1 pages. Esteban P...
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Solo Guitar - Level 4 - SKU: A0.1081651 Composed by Erroll Louis Garner. Arranged by Esteban Peretz. Jazz,Standards. Individual part. 1 pages. Esteban Peretz #685768. Published by Esteban Peretz (A0.1081651). This is my Classical Guitar arrangement for the instrument. The chord disposition and progressions have been changed slightly from the original, and the walking bass on the guitar had been added as well. I hope you enjoy my adaptation of that beautiful Jazz Classic theme.
$4.99
TAHOE DREAMS
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Gilbert Piger
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a rhy guitar
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TAHOE DREAMS
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1018762 Composed by Gilbert Piger. Contemporary,Jazz,Latin,World. Individual part. 4 pages. GJP Productions #2072517. Pu...
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Solo Guitar - Level 4 - SKU: A0.1018762 Composed by Gilbert Piger. Contemporary,Jazz,Latin,World. Individual part. 4 pages. GJP Productions #2072517. Published by GJP Productions (A0.1018762). TAHOE DREAMS is the first piece that Gil wrote in his new style that was very jazz like in that it should be played with a group; a rhy guitar; bass and drums. Tahoe was also the first recording that went National.
$8.45
Blue Moon
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Marcels
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John Butler
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Blue Moon
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John Butler
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1194055 By The Marcels. By Lorenz Hart and Richard Rodgers. Arranged by John Butler. Broadway,Jazz,Musical/Show,Standard...
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Solo Guitar - Level 4 - SKU: A0.1194055 By The Marcels. By Lorenz Hart and Richard Rodgers. Arranged by John Butler. Broadway,Jazz,Musical/Show,Standards. Individual part. 3 pages. John Butler #793532. Published by John Butler (A0.1194055). This arrangemt of Blue Moon was written for solo Jazz Guitar. It was influenced by the solo guitar work of Joe Pass and emphasizes many chromatic harmonies with a consistent walking bass line. It was written for the intermediate-advanced player. Hope you enjoy!
$4.99
The Last Waltz
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Guitare
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INTERMÉDIAIRE
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Engelbert Humperdinck
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Peng Chen
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The Last Waltz
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JCmusic.com
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1298656 By Engelbert Humperdinck. By Barry Mason and Les Reed. Arranged by Peng Chen. Jazz,Pop,Romantic Period. Individu...
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Solo Guitar - Level 3 - SKU: A0.1298656 By Engelbert Humperdinck. By Barry Mason and Les Reed. Arranged by Peng Chen. Jazz,Pop,Romantic Period. Individual part. 4 pages. JCmusic.com #888534. Published by JCmusic.com (A0.1298656). This song for intermediate fingerstyle performance, I played it with capo on 2nd fret, speed of 108 BPM. I added some jazz chords and wrote a different ending for it, I also changed the rhythm to swing which make me feel smoother. During the recording, I tried again to create my own guitar tone. I used my Boss OC-5 pedal to create an extra bass track and carefully mixed with the original guitar sound. I recommend you use headphones when watch my youtube video.
$9.99
Lyric Piece
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Lyric Piece
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1170228 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar St...
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Solo Guitar - Level 4 - SKU: A0.1170228 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #770593. Published by Doug Smith Guitar Studio (A0.1170228). Lyric Piece is melodeic light jazz music that uses the 1st through 5th Positions in the key of A major. There are harmonized melodic runs, connecting bass melodies, slurs with left hand fingers, pizzicato articulations and key changes.
$2.99
Joy To The World
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Joy To The World
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316270 By The Candlelight Guitarist. By Isaac Watts. Arranged by Bradley Powell. Christmas,Classical,Holiday,Jazz,Tradi...
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Solo Guitar - Level 3 - SKU: A0.1316270 By The Candlelight Guitarist. By Isaac Watts. Arranged by Bradley Powell. Christmas,Classical,Holiday,Jazz,Traditional. Individual part. 3 pages. Geofonica Artistworks #904964. Published by Geofonica Artistworks (A0.1316270). This arrangement of Joy To The World is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell). It's fingerstyle classical guitar, in a Gospel music style, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Joy To The World can be seen and heard played in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) beginning at 2:01 in YouTube timeline.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella).COMMENTS FROM ESTABLISHED REVIEWERS for Candlelight Guitarist recordings...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
Raindrops Keep Fallin' On My Head
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Guitare
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INTERMÉDIAIRE
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B
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Christopher J
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Raindrops Keep Fallin' On My H
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Stan...
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Solo Guitar - Level 3 - SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
Livery Stable Blues
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Kyle Gray Young
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Kyle Gray Young
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Livery Stable Blues
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Kyle Gray Young
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1093128 By Kyle Gray Young. By Alcide Nunez and Ray Lopez. Arranged by Kyle Gray Young. 20th Century,Blues,Jazz,Standard...
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Solo Guitar - Level 4 - SKU: A0.1093128 By Kyle Gray Young. By Alcide Nunez and Ray Lopez. Arranged by Kyle Gray Young. 20th Century,Blues,Jazz,Standards. Individual part. 3 pages. Kyle Gray Young #697225. Published by Kyle Gray Young (A0.1093128). Here's a wonderful adaptation for guitar from the original 1917 sheet music of Livery Stable Blues. This was the first commercially released jazz record, which came out the same year. This arrangement is for intermediate players and up. It is presented in crystal clear tablature and standard notation. A constant driving bass line keeps this one moving along. This one will sure to be a favorite of yours to play for many years to come. Don't forget to swing the eighths!
$1.99
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BASS Jazz