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Bach
CONTEMPORAIN - 20-21EME SIECLE
Guitare
Partitions à imprimer
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1
In An English Garden
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
5.44 €
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Guitare
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Preludium Australis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.870289 Composed by Markus Plattner…
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Solo Guitar - Level 3 - Digital Download SKU: A0.870289 Composed by Markus Plattner. Contemporary. Individual part. 3 pages. Markus Plattner #46371. Published by Markus Plattner (A0.870289). Flowing solo guitar piece, roughly reminiscent of Bach's famous Prelude No 1, but with harmonically modern chord sequences.
$2.99
2.73 €
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Guitare
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Markus Plattner
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Preludium Australis
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Markus Plattner
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SheetMusicPlus
Sequentia Offertorium
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1030779 Composed by John Oster. Co…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1030779 Composed by John Oster. Contemporary. Individual part. 11 pages. John Oster #2027937. Published by John Oster (A0.1030779). This is demanding neo-baroque piece based on the main melody from Bach's A Musical Offering..
$15.00
13.72 €
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Guitare
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John Oster
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Sequentia Offertorium
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John Oster
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SheetMusicPlus
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
9.1 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Jeremiah Lawson
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SheetMusicPlus
Tombeau de Sébastien I for guitar solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon F…
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Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Individual part. 1 pages. David Warin Solomons2 #3925253. Published by David Warin Solomons2 (A0.958530). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$6.00
5.49 €
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Guitare
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Joseph Dillon Ford
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Tombeau de Sébastien I for guitar solo
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David Warin Solomons2
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SheetMusicPlus
Tombeau de Sébastien II for guitar duo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon F…
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Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon Ford. 20th Century. Individual part. 3 pages. David Warin Solomons2 #3689605. Published by David Warin Solomons2 (A0.958452). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$8.00
7.32 €
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Guitare
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Joseph Dillon Ford
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Tombeau de Sébastien II for guitar duo
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David Warin Solomons2
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SheetMusicPlus
Prelude for Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923973 Composed by Ted Stanley. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923973 Composed by Ted Stanley. 20th Century,Contemporary. Individual part. 2 pages. Ted Stanley #5023759. Published by Ted Stanley (A0.923973). A short, romantic work for classical guitar. Slow, lyrical and contemplative. Prelude would suggest that it comes before something else, as in a Bach suite, but it is a stand-alone piece more akin to the preludes of Chopin or Debussy. And even though it is not fast and flashy, it would work well as an encore - at the end (postlude?) of a recital. About 3 minutes.Contact: tstanley@fsu.edu (email).
$2.99
2.73 €
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Guitare
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Ted Stanley
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Prelude for Solo Guitar
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Ted Stanley
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SheetMusicPlus
Prelude dedicated to J.S.Bach, part 1 from little suite for guitar in C, music for Classical guitar by Andrei Krylov
Guitare
Composed by Andrei Krylov. 21st Century, Baroque Period, Repertoire, Christmas, Wedding. S…
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Composed by Andrei Krylov. 21st Century, Baroque Period, Repertoire, Christmas, Wedding. Score. 2 pages. Published by Andrei Krylov (S0.22860). - Score - 21st Century,Baroque Period,Repertoire,Christmas,Wedding - Andrei Krylov
$5.00
4.57 €
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Guitare
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Andrei Krylov
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Prelude dedicated to J.S.Bach, part 1 from little suite for guitar in C, music for Classical guitar by Andrei Krylov
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Andrei Krylov
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SheetMusicPlus
Best of Guitar Classics
Guitare
50 Famous Concert Pieces. This edition: Sheet music. Repertoire - Unterricht - Gitar…
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50 Famous Concert Pieces. This edition: Sheet music. Repertoire - Unterricht - Gitarre. Best of Classics. 50 beruhmte Konzertstucke. Downloadable. Schott Music - Digital #Q42532. Published by Schott Music - Digital
This compilation contains 50 pieces for intermediate to advanced guitar players. It contains pieces by de Narvaez, J.S. Bach, Sor, Carulli, Carcassi, Tarrega, Brouwer and many more. The collection is aimed at senior classes within music schools, at students minoring in music, at musicians who participate in competitions, and last but not least at music lovers looking for performance literature to enjoy.
$17.99
16.45 €
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Guitare
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Best of Guitar Classics
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Schott Music - Digital
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SheetMusicPlus
Adoremus, classic guitar
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Alfred Feenstra. Post…
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Guitar - Advanced Intermediate - Digital Download Composed by Alfred Feenstra. Post-Romantic, Recital. Score, Sheet Music Single. 3 pages. Published by Alfred Feenstra
Original guitar piece composed by Alfred, classical guitarist for 57 years and composing more than 40 years.<br> Education: <br> Masterclasses, with David Russell, Thu Le, Manuel Barrueco, Ricardo Gallen, Bertha Rojas, Roland Dyens a.o.<br> Favourite composers: J.S.Bach, Joaquin Rodrigo, Manuel de Falla,Enrique Granados, a.o.
$4.00
3.66 €
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Guitare
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Alfred Feenstra
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Adoremus, classic guitar
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Alfred Feenstra
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SheetMusicPlus
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