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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
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Non classifié
548
PIANO & CLAVIERS
Piano seul
273
Piano Facile
101
Accompagnement Piano
51
Orgue
27
Accordéon
27
Piano, Voix et Guitare
21
Piano, Voix
18
Piano Trio: piano, violon, violoncelle
12
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Instruments en Do
2
2 Pianos, 4 mains
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
43
Guitare
32
2 Guitares (duo)
11
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Basse electrique
2
Ukulele
1
3 Guitares (trio)
1
Mandoline
1
Banjo
1
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VOIX
Chorale SATB
49
Voix seule
18
Voix Tenor, Piano
17
Chorale 3 parties
11
Chorale TTBB
11
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix Tenor
4
Chorale 2 parties
4
Voix Soprano
1
Chorale
1
Chorale SSAA
1
Voix duo
1
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VENTS
Flûte traversière et Piano
56
Quatuor de Saxophones: 4 saxophones
51
2 Saxophones (duo)
49
Clarinette
44
Flûte traversière
41
Clarinette et Piano
39
Hautbois, Piano (duo)
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Saxophone Alto et Piano
31
2 Clarinettes (duo)
28
Saxophone Tenor et Piano
26
Flûte, Hautbois, Clarinette, Basson
25
Quatuor de Clarinettes: 4 clarinettes
25
2 Flûtes traversières (duo)
23
Saxophone Alto
22
Quintette de Saxophone: 5 saxophones
19
Saxophone (partie séparée)
18
3 Saxophones (trio)
17
Flûte, Clarinette (duo)
16
Saxophone Soprano et Piano
15
Saxophone
14
Hautbois, Clarinette (duo)
13
2 Hautbois (duo)
13
Flûte à Bec
12
Flûte et Guitare
10
Hautbois (partie séparée)
10
3 Clarinettes (trio)
10
Saxophone, Violon (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Flûte, Hautbois (duo)
9
Clarinette, Violon (duo)
9
Hautbois, violon (duo)
9
Hautbois, Basson (duo)
9
2 Flûte à bec (duo)
9
Flûte, Violon
8
Saxophone, Clarinette (duo)
8
Clarinette, Basson (duo)
8
Hautbois
8
Hautbois, Violoncelle
6
Cor anglais, Piano
6
Quatuor de Flûtes à bec
6
Trio de Flûtes: 3 flûtes
6
Clarinette, Violoncelle (duo)
6
Saxophone Baryton, Piano
5
Clarinette Basse, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violoncelle
5
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle, Piano (trio)
4
Ensemble de Flûtes
4
Ensemble de Clarinettes
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Tenor
3
2 Saxophones, Piano
3
Flute, harpe et violon
3
Flûte, Trombone (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Piano (trio)
2
3 Hautbois
2
Ensemble de Hautbois
2
Ensemble De Flûte à bec
2
Hautbois, Flûte
2
Flûte, Basson et Piano
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
Harmonica
1
Hautbois, Harpe
1
Clarinette, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Flûte et Trio à cordes
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
Cor Anglais
1
Flûte à bec Soprano
1
Clarinette, Basson, Piano (trio)
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Basson
1
Flute (partie séparée)
1
4 Hautbois
1
Flûte à bec Soprano, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
40
Trompette, Piano
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
25
Cor et Piano
23
2 Trombones (duo)
22
Trombone
21
2 Trompettes (duo)
17
Cor
15
2 Cors (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Tuba et Piano
12
Trompette, Saxophone (duo)
10
Trompette, violon (duo)
10
Trompette, Trombone (duo)
10
Trompette, Basson (duo)
8
Tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
6
Ensemble de Trompettes
5
2 Tubas (duo)
4
Euphonium, Piano (duo)
4
Euphonium
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Violoncelle (duo)
3
Cor, Violoncelle (duo)
3
Trio de Cuivres
3
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
4 Tubas
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
Cor, Tuba (duo)
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
3 Cors (trio)
1
Cor Anglais
1
3 Tubas (trio)
1
Ensemble de Cors
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
86
Violon
65
Violoncelle, Piano
58
Alto seul
45
Alto, Piano
45
Violoncelle
41
Violon, Violoncelle (duo)
31
2 Violons (duo)
25
Violoncelle (partie séparée)
22
Harpe
22
2 Violoncelles (duo)
18
Trio à Cordes: violon, alto, violoncelle
14
Violon, Alto (duo)
13
2 Altos (duo)
13
Alto, Violoncelle (duo)
12
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
4 Violoncelles
7
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
6
Trio à Cordes: 3 violoncelles
6
Quatuor à cordes: 4 violons
5
Trio à cordes: 3 violins
5
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes : 4 altos
5
2 Contrebasses (duo)
4
2 Harpes (duo)
4
Alto (partie séparée)
4
Violon, Guitare (duo)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
Violon, Basson (duo)
3
Trio à cordes
3
Alto et Basson
3
2 Violoncelles, Piano
2
2 Violons, Piano
2
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38
Orchestre à Cordes
26
Orchestre de chambre
15
Ensemble de cuivres
13
Orchestre
8
Cloches
6
Ensemble Jazz
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
2
Fanfare
2
Xylophone, Piano
1
Percussion
1
Vibraphone
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Bach Air
Guitare
Partitions à imprimer
32 partitions trouvées
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1
26
Bach - Air on the G string - BWV 1068 - Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1213696 By Johann Sebastian Bach. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1213696 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 2 pages. Ygor Nunes #810893. Published by Ygor Nunes (A0.1213696). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
4.6 €
#
Guitare
#
Johann Sebastian Bach
#
Ygor Nunes
#
Bach - Air on the G string - BWV 1068 - Guitar
#
Ygor Nunes
#
SheetMusicPlus
Bach - Air on the G string - BWV 1068 - Guitar TABs
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1213675 By Johann Sebastian Bach. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1213675 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 3 pages. Ygor Nunes #810871. Published by Ygor Nunes (A0.1213675). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$5.99
5.52 €
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Guitare
#
Johann Sebastian Bach
#
Ygor Nunes
#
Bach - Air on the G string - BWV 1068 - Guitar TABs
#
Ygor Nunes
#
SheetMusicPlus
Air on the G string - BWV 1068 - Guitar TABs
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1213664 By Johann Sebastian Bach. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1213664 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 3 pages. Ygor Nunes #810859. Published by Ygor Nunes (A0.1213664). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
4.6 €
#
Guitare
#
Johann Sebastian Bach
#
Ygor Nunes
#
Air on the G string - BWV 1068 - Guitar TABs
#
Ygor Nunes
#
SheetMusicPlus
Air on the G string - BWV 1068 - Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1213698 By Johann Sebastian Bach. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1213698 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 2 pages. Ygor Nunes #810895. Published by Ygor Nunes (A0.1213698). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
4.6 €
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Guitare
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Johann Sebastian Bach
#
Ygor Nunes
#
Air on the G string - BWV 1068 - Guitar
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Ygor Nunes
#
SheetMusicPlus
Bach Air on the G string solo guitar Bonell
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Carlos Bonell. Baroque, C…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Carlos Bonell. Baroque, Classical, Contemporary, Instructional, Wedding. Individual part. 4 pages. Carlos Bonell #6328997. Published by Carlos Bonell
$2.99
2.76 €
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Guitare
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Johann Sebastian Bach
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Carlos Bonell
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Bach Air on the G string solo guitar Bonell
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Carlos Bonell
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SheetMusicPlus
Air On The G String
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Viktoriia Kulykovska. Baroq…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Viktoriia Kulykovska. Baroque, Classical. Individual part. 2 pages. Viktoriia Kulykovska #686375. Published by Viktoriia Kulykovska
Arrangement for solo guitar of the world-famous Bach Aria. Medium level of difficulty.
$5.00
4.61 €
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Guitare
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Johann Sebastian Bach
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Viktoriia Kulykovska
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Air On The G String
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Viktoriia Kulykovska
#
SheetMusicPlus
Air (J.S. Bach) - Guitar Solo Complete - Tondi. FR Version
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contemporary,Multicultural,Praise & Worship,Standards,World. Individual part. 4 pages. ToRa Swarna Diva #643194. Published by ToRa Swarna Diva (A0.1038259). 'Air' is a very famous musical composition that is hundreds of years old and was written by Maestro Johan Sebastian Bach. The music written for Strings Orchestra and provides a beautiful, cool and serene atmosphere. Unfortunately, there has not been an arrangement for a guitar solo that is complete and perfectly represents the ambient as Bach has described through this composition. Tondi Rangkuti a.k.a Tondi. FR has written an Air arrangement to play for a guitar solo with a complete set of all two 'movements' from Air. With the proper selection of voicing and harmonizing as from a String Orchestra. Now you can play this composition with a guitar solo and will succeed in producing the same ambient as played by a Strings Orchestra. Only for just $12 you can download this arrangement to put it on a dazzling guitar solo show.
$11.00
10.14 €
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Guitare
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Johann Sebastian Bach
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Tondi Rangkuti a
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Air
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ToRa Swarna Diva
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SheetMusicPlus
Air On A G String BWV 1068
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Ba…
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Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
6.44 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
#
SheetMusicPlus
Air On The G String (For 2 Guitars and 2 Basses)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1283992 By Johann Sebastian Bach. By Jo…
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Guitar - Level 3 - Digital Download SKU: A0.1283992 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Classical,Early Music,Historic,Traditional. 5 pages. Danny Crocome Music #875164. Published by Danny Crocome Music (A0.1283992). An arrangement of Bach's timeless classic 'Air On The G String' for 2 guitars and 2 basses.
$9.99
9.21 €
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Guitare
#
Johann Sebastian Bach
#
Danny Crocome
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Air On The G String
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Danny Crocome Music
#
SheetMusicPlus
Air on the G String BWV 1068 for Classical Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1016042 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1016042 Composed by Johann Sebastian Bach. Arranged by Scott J. Simon. Baroque,Classical,Wedding. Individual part. 2 pages. Scott Simon #5203479. Published by Scott Simon (A0.1016042). J.S. Bach's BWV 1068 Air on the G String arranged for guitar. Standard Tuning, Key of C Major. Standard Notation Edition, see also Tablature Edition.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
#
Scott J
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Air on the G String BWV 1068 for Classical Guitar
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Scott Simon
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SheetMusicPlus
Air On The G String
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1283054 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1283054 Composed by Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Classical,Early Music,Historic,Traditional. 5 pages. Danny Crocome Music #874345. Published by Danny Crocome Music (A0.1283054). An arrangement of Bach's timeless classic 'Air On The G String' for 2 guitars and 2 basses.
$9.99
9.21 €
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Guitare
#
Johann Sebastian Bach
#
Danny Crocome
#
Air On The G String
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Danny Crocome Music
#
SheetMusicPlus
Air in F major, BWV Anh 131 - mp3
Guitare
Guitar - Digital Download SKU: A0.1064544 Composed by Johann Sebastian Bach. Arrang…
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Guitar - Digital Download SKU: A0.1064544 Composed by Johann Sebastian Bach. Arranged by John Trie. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Full Performance. Duration 46. John Trie #34703. Published by john Trie (A0.1064544). Air in F major, BWV Anh 131 by Johann Sebastian Bach. Classical guitar arrangement by John Trie.
$1.99
1.83 €
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Guitare
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Johann Sebastian Bach
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John Trie
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Air in F major, BWV Anh 131 - mp3
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john Trie
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SheetMusicPlus
Air by J.S. Bach
Guitare
Solo Guitar - Digital Download SKU: A0.985338 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.985338 Composed by Johann Sebastian Bach. Arranged by Lucky Widén. Classical,Jazz,Pop. Individual part. 2 pages. Lucky Widen #5335287. Published by Lucky Widen (A0.985338). Arranged for 20 fret solo Jazzguitar by Lucky Widén.
$4.50
4.15 €
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Guitare
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Johann Sebastian Bach
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Lucky Widén
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Air by J.S. Bach
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Lucky Widen
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SheetMusicPlus
Air on a G String Bach For Guitar
Guitare
Guitar - Digital Download SKU: A0.1068519 Composed by Johann Sebastian Bach. Arrang…
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Guitar - Digital Download SKU: A0.1068519 Composed by Johann Sebastian Bach. Arranged by John Murphy. Baroque. Full Performance. Duration 225. John Murphy #3376339. Published by John Murphy (A0.1068519).
$1.99
1.83 €
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Guitare
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Johann Sebastian Bach
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John Murphy
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Air on a G String Bach For Guitar
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John Murphy
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SheetMusicPlus
Air On The G String (Solo Guitar Score)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.788386 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.788386 Composed by Johann Sebastian Bach. Arranged by Antonius Agung Setiawan. Baroque. Individual part. 3 pages. Antonius Agung Setiawan #5766465. Published by Antonius Agung Setiawan (A0.788386). Ain On The G String by Johann Sebastian BachSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playinstagram @ https://www.instagram.com/pakagung/youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg#guitaronlybypakagung
$5.99
5.52 €
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Guitare
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Johann Sebastian Bach
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Antonius Agung Setiawan
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Air On The G String
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Antonius Agung Setiawan
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SheetMusicPlus
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
Guitare
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
4.15 €
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Guitare
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Johann Sebastian Bach
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Valery Dzyabenko
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Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Valery Dzyabenko
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SheetMusicPlus
Aire on the G String
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.809678 Composed by Johann Sebastia…
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Solo Guitar - Level 3 - Digital Download SKU: A0.809678 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Contemporary. Individual part. 2 pages. R. E. Proctor #7447. Published by R. E. Proctor (A0.809678). An arrangement for guitar of J. S. Bach's popular melody from the Orchestral Suite No. 3.
$3.95
3.64 €
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Guitare
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Johann Sebastian Bach
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Robert E
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Aire on the G String
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R. E. Proctor
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SheetMusicPlus
Air on the G string, Pastorale, Sinfonia
Guitare
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 4.…
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
6.41 €
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Guitare
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Johann Sebastian Bach
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David Russell
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Air on the G string, Pastorale, Sinfonia
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Les Editions Doberman-Yppan
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SheetMusicPlus
Air On A G String
Guitare
Solo Guitar - Digital Download SKU: A0.483451 Composed by Johann Sebastian (dp) Bac…
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Solo Guitar - Digital Download SKU: A0.483451 Composed by Johann Sebastian (dp) Bach. Arranged by Steven Michael King. Baroque,Classical. Individual part. 6 pages. Published by STEVEN KING (A0.483451). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King,.
$4.99
4.6 €
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Guitare
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Johann Sebastian
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Steven Michael King
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Air On A G String
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STEVEN KING
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SheetMusicPlus
Air
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q49751 From: Orchestral…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q49751 From: Orchestral Suite No. 3, BWV 1068. Composed by Johann Sebastian Bach. Edited by Martin Hegel. Arranged by Martin Hegel. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 3 pages. Schott Music - Digital #Q49751. Published by Schott Music - Digital (S9.Q49751). Digital publication of the piece found in the following print music collection: Asturias - 55 Classical Masterpieces from 5 Centuries.
$2.99
2.76 €
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Guitare
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Johann Sebastian Bach
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Martin Hegel
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Air
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Schott Music - Digital
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SheetMusicPlus
Air on the G String BWV 1068
Guitare
By David Onderdonk - guitar. By Johann Sebastian Bach (1685-1750). Arranged by David …
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By David Onderdonk - guitar. By Johann Sebastian Bach (1685-1750). Arranged by David Onderdonk. Baroque, Classical. Individual part. 2 pages. David Onderdonk #353147. Published by David Onderdonk
$5.00
4.61 €
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Guitare
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David Onderdonk - guitar
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David Onderdonk
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Air on the G String BWV 1068
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David Onderdonk
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Westward journey
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1001899 Composed by Nedim Tinjic. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1001899 Composed by Nedim Tinjic. Concert,Contemporary,Standards,World. Individual part. 2 pages. AkustikUm #6317733. Published by akustikUm (A0.1001899). Piece for classical guitar inspired on Balkan melodies with the transition to western music, Bach's most popular air.
$3.50
3.23 €
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Guitare
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Nedim Tinjic
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Westward journey
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akustikUm
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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