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AUTRES INST…
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CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CLASSIQUE - BAROQUE …
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COUNTRY
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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562
PIANO & CLAVIERS
Orgue
114
Piano seul
99
Piano Facile
20
Piano, Voix
20
Piano, Voix et Guitare
16
Instruments en Do
5
Orgue, Trompette (duo)
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
23
Guitare
22
4 Guitares (Quatuor)
3
2 Guitares (duo)
1
Ukulele
1
Banjo
1
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1
3 Guitares (trio)
1
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VOIX
Chorale SATB
546
Chorale 3 parties
263
Chorale TTBB
100
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77
Chorale SSAA
64
Chorale Unison
37
Pack Instrumental pour Chorale
36
Chorale
33
Voix seule
13
Chorale SSATB
10
Chorale SSAB a cappella
6
Chorale SSAATTBB
2
Voix Alto, Piano
1
Chorale, Orgue
1
Chorale SSAB, Piano
1
Chorale SATTBB, Clavier
1
Chorale SSAATB
1
Chorale SSATTB
1
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VENTS
Quatuor de Saxophones: 4 saxophones
40
Flûte et Guitare
34
Clarinette et Piano
33
Flûte, Hautbois, Clarinette, Basson
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto et Piano
21
Quatuor de Clarinettes: 4 clarinettes
19
Flûte traversière et Piano
19
Quintette de Saxophone: 5 saxophones
19
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
15
Quatuor de Flûtes : 4 flûtes
14
Flûte traversière
14
2 Saxophones (duo)
14
Clarinette
13
Cor anglais, Piano
12
3 Saxophones (trio)
12
Ensemble de Flûtes
12
Flûte à Bec
12
Quatuor de Flûtes à bec
11
Saxophone Soprano et Piano
11
Saxophone Baryton, Piano
10
3 Flûtes à bec (trio)
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Ensemble de Clarinettes
7
Clarinette Basse, Piano
7
Clarinette (partie séparée)
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone (partie séparée)
7
Flûte à bec Tenor
6
2 Flûte à bec (duo)
6
Saxophone Alto
5
Flûte à bec Soprano
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
Hautbois (partie séparée)
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Flûte : 5 flûtes
4
Ensemble De Flûte à bec
3
Flûte, Violoncelle, Piano (trio)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
2
Hautbois
2
Ensemble de saxophones
2
Clarinette Basse
2
Saxophone Baryton
2
Cor Anglais
2
Flute (partie séparée)
2
Saxophone Soprano
2
4 Hautbois
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Hautbois, Quatuor à cordes
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Ensemble de Hautbois
1
Flûte et Quatuor à Cordes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette, Piano
23
Quatuor de Cuivres
18
Quatuor de cuivres: 4 trombones
17
Trompette
16
Trombone et Piano
14
Cor et Piano
14
Cor anglais, Piano
12
Quatuor de cuivres: 4 cors
12
Trompette (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trombones
6
Tuba et Piano
5
2 Trompettes (duo)
4
Trombone
4
Tuba
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
4
Trompette, Trombone (duo)
4
3 Trombones (trio)
4
Trombone (partie séparée)
4
3 Tubas (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
4
Tuba et Orgue
3
2 Cors (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
4 Tubas
3
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Cors
3
2 Tubas (duo)
3
Cor (partie séparée)
2
Cor
2
Trombone, Cor (duo)
2
Cor Anglais
2
Tuba (partie séparée)
2
4 Euphoniums
1
Trompette, Orchestre
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Cornet A Pistons
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
55
Violon et Piano
22
Violoncelle, Piano
21
Alto, Piano
20
Violon
12
Violon (partie séparée)
10
Trio à Cordes: violon, alto, violoncelle
10
4 Violoncelles
9
Violon, Violoncelle (duo)
9
Violoncelle
7
2 Violons (duo)
6
Violon, Orgue
6
Contrebasse, Piano (duo)
6
Harpe
5
Trio à cordes: 3 violins
5
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 altos
4
Quatuor à cordes: 4 violons
4
2 Altos (duo)
4
2 Violoncelles (duo)
3
Harpe, Violon, Violoncelle
3
Quatuor à cordes : 4 altos
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Violoncelle (partie séparée)
3
Trio à cordes
2
Violoncelle, Orchestre
2
Violon, Alto (duo)
2
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
30
Orchestre à Cordes
27
Ensemble de cuivres
21
Orchestre de chambre
13
Orchestre
12
Cloches
8
Xylophone, Piano
5
Timbales (partie séparée)
1
Instrumentation Flexible
1
Orchestre, Violon
1
Jazz combo
1
Vibraphone
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Bach Choral
Guitare
Partitions à imprimer
22 partitions trouvées
<
1
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.5 €
#
Guitare
#
Johann Sebastian Bach
#
Aleksander Wilgos
#
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
#
SheetMusicPlus
Two Chorales
Guitare
Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged…
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Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged by Anton Stingl. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4986. Published by Schott Music - Digital (S9.Q4986).
$11.99
10.98 €
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Guitare
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Johann Sebastian Bach
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Anton Stingl
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Two Chorales
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Schott Music - Digital
#
SheetMusicPlus
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
5.49 €
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Guitare
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Johann Sebastian Bach
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Simon James
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In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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DML
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SheetMusicPlus
2 Chorale Preludes BWV 645, BWV 147
Guitare
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.…
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
7.28 €
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Guitare
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Johann Sebastian Bach
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David Russell
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2 Chorale Preludes BWV 645, BWV 147
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Les Editions Doberman-Yppan
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SheetMusicPlus
Three Bach Chorales
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3 pages. Published by Maggie Creek Music (S0.53731). - - Baroque Period - Maggie Creek Music
$5.00
4.58 €
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Guitare
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Johann Sebastian Bach
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Rod Whittle
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Three Bach Chorales
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Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.41 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.41 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.41 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.58 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.4 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV 147
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DML
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SheetMusicPlus
Deep, Deep Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach a…
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Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach and Lee Dengler. Arranged by Billy Peters. Contemporary. Individual part. 3 pages. Publish by Billy Peters #4354681. Published by Publish by Billy Peters (A0.993715). Deeper than the nails driven into His handsIs the love of a Father who gives His only Son.This guitar arrangement is based on the beautiful choral work of Herb Frombach and Lee Dengler. It is intended for classical guitarists. Unique to this arrangement is the drop (G) on the 5th string, and the drop (C) on the 6th. The 6th string C will sound and give a harmonic drone when the first chord is played. Be careful to let that harmonic tone ring as it will help tie the music together during the difficult shifts in the left hand.
$4.99
4.57 €
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Guitare
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Herb Frombach and Lee Dengler
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Billy Peters
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Deep, Deep Love
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Publish by Billy Peters
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.57 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.15 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Gib Dich Zufrieden Und Sei Stille (BWV 511)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.781753 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781753 Composed by Johann Sebastian Bach. Arranged by Peter Miklitz. Baroque,Christian,Praise & Worship,Sacred. Individual part. 1 pages. Peter Miklitz #2963783. Published by Peter Miklitz (A0.781753). Johann Sebastian Bach's beautiful Choral Gib Dich Zufrieden Und sei Stille arranged for Classical Guitar solo.
$4.00
3.66 €
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Guitare
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Johann Sebastian Bach
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Peter Miklitz
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Gib Dich Zufrieden Und Sei Stille
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Peter Miklitz
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SheetMusicPlus
In Dulci Jubilo BWV368 for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebas…
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Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. Full Performance. Duration 77. DML #721997. Published by DML (A0.1120782). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein and in BWV 729 as a chorale prelude. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 368 follows almost exactly the four original voices from the chorale. The score is also available.
$1.99
1.82 €
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Guitare
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Simon James
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Simon James
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In Dulci Jubilo BWV368 for guitar quartet
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DML
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SheetMusicPlus
Jesu, Joy of Man's Desiring - w/tremolo (Guitar Solo)
Guitare
Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #3428675. Published by Kevin Edward Love (A0.753000). A piece that needs no introduction. This version uses tremolo to express the choral interludes. Enjoy!
$3.95
3.62 €
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Guitare
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Johann Sebastian Bach
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K
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Jesu, Joy of Man's Desiring - w/tremolo
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Kevin Edward Love
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.809676 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.809676 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque. Individual part. 3 pages. R. E. Proctor #6957. Published by R. E. Proctor (A0.809676). The arrangement is taken from the Canata #147 with the choral sections reflecting the actual SATB voicings with little variation. Some portions of the arrangement may be more suited to the advanced player.
$3.95
3.62 €
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Guitare
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Johann Sebastian Bach
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Robert E
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Jesu, Joy of Man's Desiring
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R. E. Proctor
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SheetMusicPlus
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00
10.99 €
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Guitare
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Yoann FILIN
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O Lord, Hear my Prayer
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Yoann Filin
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SheetMusicPlus
Jesu Joy of Man's Desiring
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew Howes #6215701. Published by Andrew Howes (A0.951422). Advanced solo version for classical guitar, including the chorale. Testing but worth it!
$6.00
5.5 €
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Guitare
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Johann Sebastian Bach
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Andrew Howes
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Jesu Joy of Man's Desiring
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Andrew Howes
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SheetMusicPlus
"Wachet auf, ruft uns die Stimme", Sleepers Awake from chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach, - classical guitar by Andrei Krylov
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baro…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Advanced Intermediate. Score. Andrei Krylov #25. Published by Andrei Krylov
$6.00
5.5 €
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Guitare
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Johann Sebastian Bach
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Andrei Krylov
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"Wachet auf, ruft uns die Stimme", Sleepers Awake from chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach, - classical guitar by Andrei Krylov
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Andrei Krylov
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SheetMusicPlus
Thirty Chorale Preludes of J. S. Bach
Guitare
By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publi…
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By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.31 €
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Guitare
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Joseph Thompson
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Thirty Chorale Preludes of J. S. Bach
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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