English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
9
Partitions
Numériques
33
Librairie
Musicale
92
Matériel
de Musique
75
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6788
PIANO & CLAVIERS
Piano, Voix
485
Piano seul
388
Accompagnement Piano
300
Piano Facile
100
Piano, Voix et Guitare
83
Piano (partie séparée)
35
Instruments en Do
30
Orgue
26
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
4
1 Piano, 6 mains
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
55
Guitare notes et tablatures
34
Guitare
33
2 Dulcimers (duo)
14
Ligne De Mélodie, (Paroles) et Accords
7
2 Guitares (duo)
5
Ensemble de guitares
4
Ukulele
3
4 Guitares (Quatuor)
2
Dulcimer
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
2 Mandolines (duo)
1
Mandoline
1
Piano, Guitare (duo)
1
Banjo
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOIX
Chorale 2 parties
1272
Voix duo, Piano
805
Chorale SATB
642
Chorale 3 parties
288
Voix duo
256
Chorale TTBB
103
Voix basse, Piano
48
Chorale Unison
42
Chorale SSAA
35
Voix et basse continue
29
Soli, choeur mixte et accompagnement
22
Pack Instrumental pour Chorale
17
Voix basse
12
Voix Soprano, Piano
11
Voix Alto, Piano
7
Voix Tenor, Piano
6
Chorale
5
Voix moyenne, Piano
3
Voix haute
3
Voix Tenor
2
Voix Baryton, Piano
2
Chorale SSATB
1
Voix, Guitare
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Flûte, Hautbois, Clarinette, Basson
590
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
293
Clarinette Basse, Piano
107
Ensemble de Clarinettes
97
Hautbois, Piano (duo)
89
Flûte traversière et Piano
68
Clarinette et Piano
64
Quatuor de Clarinettes: 4 clarinettes
63
Saxophone Alto et Piano
57
Saxophone Tenor et Piano
56
Ensemble de Flûtes
49
2 Clarinettes (duo)
48
Hautbois, Basson (duo)
46
Flûte, Basson et Piano
44
Quintette de Saxophone: 5 saxophones
44
Flûte, Clarinette et Basson
43
3 Clarinettes (trio)
35
Flûte, Violon, Piano
32
Hautbois, Clarinette, Basson (trio d'anches)
30
Flûte, Hautbois, Basson
26
Clarinette, Basson (duo)
22
Saxophone Baryton, Piano
21
Clarinette
20
2 Saxophones (duo)
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
3 Saxophones (trio)
15
2 Flûtes traversières (duo)
15
Saxophone Soprano et Piano
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Clarinette, Basson, Piano (trio)
11
Quatuor de Saxophones: 4 saxophones
10
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes à bec
8
Quatuor de Flûtes : 4 flûtes
8
Quintette de Flûte : 5 flûtes
7
Flûte et Guitare
7
Saxophone (partie séparée)
6
Ensemble De Flûte à bec
6
3 Flûtes à bec (trio)
5
Saxophone Alto
5
Flûte traversière
4
Flûte à bec Soprano
3
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Hautbois, Basson et Piano
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor
3
Hautbois (partie séparée)
3
Flûte à bec Alto, Piano
2
Flûte à Bec
2
Clarinette, Trompette (duo)
2
2 Flûte à bec (duo)
2
Flûte, Violon
2
Flûte, Hautbois, Clarinette (trio)
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
Clarinette, Guitare (duo)
2
Saxophone
2
Hautbois, Violoncelle
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Trombone (duo)
1
Cor anglais, Piano
1
2 Clarinettes, Basson
1
Flute (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Piano
1
Cor anglais, Guitare (duo)
1
Hautbois, Flûte
1
Piccolo
1
Flûte à bec Tenor
1
Saxophone, Basson (duo)
1
Flûte à bec Alto
1
Flûte, Trompette (duo)
1
Clarinette, Tuba
1
Harmonica
1
Saxophone et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
126
Quatuor de cuivres: 4 trombones
100
Tuba et Piano
99
Trompette, Piano
44
Cor et Piano
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Euphonium, Piano (duo)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
2 Trombones (duo)
23
Bass Clef Instruments
15
Trombone
14
Trombone basse et Piano
12
Trombone basse
12
Tuba
11
Trompette
11
2 Cors (duo)
10
Ensemble de Trombones
8
3 Trompettes (trio)
6
2 Tubas (duo)
5
2 Trompettes (duo)
4
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone (partie séparée)
3
Euphonium
3
Trompette (partie séparée)
2
Trompette, Saxophone (duo)
2
Tuba et Orgue
2
Quatuor de Cuivres
2
2 Euphoniums (duo)
2
3 Trombones (trio)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
2
Cor et Basson (duo)
1
Trompette et Guitare
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Piano
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Cor
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Contrebasse, Piano (duo)
476
Quintette à cordes: 2 violons, alto, violoncelle, basse
215
Violon et Piano
109
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violoncelle, Piano
100
Alto, Piano
72
Contre Basse
66
Violon
45
Violoncelle
27
Contrebasse (partie séparée)
25
Harpe
20
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle, Contrebasse (duo)
16
2 Contrebasses (duo)
15
Violon, Basson (duo)
13
2 Violoncelles (duo)
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Alto et Basson
9
Violon, Violoncelle (duo)
7
Violon, Guitare (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Trio à cordes: 3 violins
6
Violon (partie séparée)
5
4 Violoncelles
5
2 Violons (duo)
4
Violon, Alto (duo)
4
Trio à cordes: 3 altos
4
Violoncelle, Basse continue
4
2 Harpes (duo)
3
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
2 Altos (duo)
3
Violoncelle , Guitare (duo)
3
Alto seul
3
Harpe, Voix
2
Harpe, Violon (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
2
Violoncelle (partie séparée)
2
Flûte, Contrebasse (duo)
2
4 Contrebasses
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
384
Orchestre
97
Orchestre à Cordes
95
Cloches
86
Jazz combo
59
Orchestre de chambre
53
Ensemble Jazz
39
Ensemble de cuivres
29
Batterie
13
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Ensemble de Percussions
9
Ensemble d'École
6
Fanfare
3
Instrumentation Flexible
3
Vibraphone
3
Marimba
2
Percussion (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Bass accompaniment.
Guitare
Partitions à imprimer
33 partitions trouvées
<
1
26
Smooth Talkin' Bass
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1253432 Composed by Doug Smith. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #847093. Published by Doug Smith Guitar Studio (A0.1253432). Smooth Talkin' Bass brings out the special character of the 6th, low E string. The bass line imitates the melodic phrasing of an upright jazz bass solo. The pizzicato ormuffled sound is used throughout while the accompaniment is played with treble string. chords or harmonics.
$1.99
1.81 €
#
Guitare
#
Doug Smith
#
Smooth Talkin' Bass
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Fun with Open Bass Notes
Guitare
Guitar - very easy to easy - Digital Download SKU: S9.Q52372 50 easy Pieces for …
(+)
Guitar - very easy to easy - Digital Download SKU: S9.Q52372 50 easy Pieces for Guitar to introduce two-part Playing. This edition: Sheet music. Bass - guitar. Downloadable. Schott Music - Digital #Q52372. Published by Schott Music - Digital (S9.Q52372). German • English.50 easy pieces, songs and well-known classical themes in easy settings with open string accompaniment ('open bass'). The ideal introduction to two-part playing, developed by an experienced teacher for practical teaching. This edition is clearly and deliberately structured and therefore easy to read.
$15.99
14.56 €
#
Guitare
#
Fun with Open Bass Notes
#
Schott Music - Digital
#
SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1444676 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1444676 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024539. Published by Rodrigo Faleiros (A0.1444676). Discover the elegance of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks in this beautifully arranged piece for solo classical guitar. This version, designed for beginner to intermediate players, weaves a simple bass accompaniment with the melody, offering a fuller harmonic experience while remaining accessible to those developing their skills.Key Features: Beginner to Intermediate Level: A perfect blend of simplicity and complexity, suitable for guitarists growing in their musical journey. Melody with Bass Accompaniment: Integrates a straightforward bass line that complements the melody, enriching the overall texture of the piece. This arrangement of the “Menuet” is an inviting gateway into the world of classical guitar, balancing the beauty of Bach’s composition with the joy of learning and playing.To explore more arrangements that bridge beginner and intermediate levels, click here to expand your repertoire.
$1.99
1.81 €
#
Guitare
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Menuet
#
Rodrigo Faleiros
#
SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444678 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1444678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024542. Published by Rodrigo Faleiros (A0.1444678). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99
3.63 €
#
Guitare
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Menuet
#
Rodrigo Faleiros
#
SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024543. Published by Rodrigo Faleiros (A0.1444679). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure. The sheet music is thoughtfully annotated with fingerings to guide intermediate players through the nuanced interpretation of this Baroque masterpiece.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. Fingerings Included: Offers clear fingerings to assist in the execution of more complex passages, ensuring a smooth learning curve. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99
3.63 €
#
Guitare
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Menuet
#
Rodrigo Faleiros
#
SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
(+)
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.55 €
#
Guitare
#
Giulio Regondi
#
Rod Whittle
#
4 pp
#
Tremolo from the Regondi Nocturne
#
Maggie Creek Music
#
SheetMusicPlus
ELEMENTAL STUDIES FOR CLASSICAL GUITAR
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315472 By GONZALO CORNEJO. By GON…
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1315472 By GONZALO CORNEJO. By GONZALO CORNEJO. 19th Century,Children,Classical,Folk,Traditional. Individual part. 21 pages. GONZALO CORNEJO #904205. Published by GONZALO CORNEJO (A0.1315472). 13 Little studies for solo guitar, ideal for developing sight reading at an elemental stage. In first position and always using the bass accompaniment in open strings.Includes a  couple of more challenging pieces, whith easy arpeggios, and 8 popular tunes.
$10.00
9.11 €
#
Guitare
#
GONZALO CORNEJO
#
ELEMENTAL STUDIES FOR CLASSICAL GUITAR
#
GONZALO CORNEJO
#
SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.1 €
#
Guitare
#
Johann Sebastian Bach
#
Matthew Nace
#
bass line
#
Jesu, Joy of Man's Desiring
#
Matthew Nace
#
SheetMusicPlus
Pulso de la vida
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Sco…
(+)
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
5.42 €
#
Guitare
#
Yorgos Nousis
#
Pulso de la vida
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Summertime
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heywar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.54 €
#
Guitare
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Roger Wallace
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Prelude No 3 in C (Streams)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.72 €
#
Guitare
#
Simon James
#
Prelude No 3 in C
#
DML
#
SheetMusicPlus
It's About Time, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
5.45 €
#
Guitare
#
George Arvola, Virginia Mathews
#
It's About Time, guitar.
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
Tune That Thang. Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pages. George Arvola and Virginia Mathews #512573. Published by George Arvola and Virginia Mathews (A0.947516). New release,late 2015, this arpeggio study is 2:36 in length. With piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard Latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
5.45 €
#
Guitare
#
George Arvola, Virginia Mathews
#
Tune That Thang. Guitar
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
In the Outhouse Blues, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pages. George Arvola and Virginia Mathews #496617. Published by George Arvola and Virginia Mathews (A0.947497). Includes piano accompaniment and bass parts. arpeggioartistry.com shows all 12 inspiring arpeggio studies and full recordings from our book, Delicious Licorice. A 2015 new release, 2:30 in length, In the Outhouse Blues is a fun, relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies!
$5.99
5.45 €
#
Guitare
#
George Arvola, Virginia Mathews
#
In the Outhouse Blues, guitar.
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
Deluxe Bluegrass Flatpickin' Guitar Method
Guitare
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.93630EB Composed by Nei…
(+)
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.93630EB Composed by Neil Griffin. Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #93630EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93630EB). ISBN 9781609748098. 8.75x11.75 inches.A comprehensive method for learning to play guitar in the bluegrass flatpicking style. The first part includes instruction on tuning, reading notation and tablature, learning chords from diagrams, bass runs, left and right hand techniques, plus short pieces and studies. The second part offers dozens of progressively arranged solos in standard notation and tablature with suggested accompaniment chord symbols.
$17.99
16.38 €
#
Guitare
#
Neil Griffin
#
Deluxe Bluegrass Flatpickin' Guitar Method
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
You Can Teach Yourself Jazz Guitar
Guitare
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by …
(+)
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95162BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95162BCDEB). ISBN 9781610655026. 8.75x11.75 inches.This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature.The companion online recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship.
$14.99
13.65 €
#
Guitare
#
John Griggs
#
You Can Teach Yourself Jazz Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
9.1 €
#
Guitare
#
Joh
#
Georg Mertens
#
Bach Cello Suite No 1 - solo guitar
#
Georg Mertens
#
SheetMusicPlus
Prelude No 1 in D (Memories)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.72 €
#
Guitare
#
Simon James
#
Prelude No 1 in D
#
DML
#
SheetMusicPlus
Jingle Bells
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1309110 Composed by J. S. Pierpont. Arr…
(+)
Guitar - Level 1 - Digital Download SKU: A0.1309110 Composed by J. S. Pierpont. Arranged by Jim Evans. 19th Century,Christmas,Holiday,Instructional,Traditional. 8 pages. Beginning.band #898308. Published by beginning.band (A0.1309110). Jingle Bells arranged for three-part guitar chior. Part 1 is melody, part 3 is a bass line, and part 2 is an a an harmonic accompaniment with arpeggios. Parts 1 and 3 should be accessible to very young players, and part 2 could be performed by more advanced players or an instructor.
$5.00
4.55 €
#
Guitare
#
J
#
Jim Evans
#
Jingle Bells
#
beginning.band
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
At Last
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1275899 By Celine Dion. By Harry W…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1275899 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 13 pages. Roger Wallace #867670. Published by Roger Wallace (A0.1275899). Instrumental Solo (in F) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo Instrument parts included in this set:Clarinet/Flugelhorn (Low Range)Alto Sax (Low Range)Tenor Sax/Trombone (TC)French HornBassoon/Trombone/CelloViolaGuitarVibraphoneMarimbaThe Audio Sample features Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.54 €
#
Guitare
#
Celine Dion
#
Roger Wallace
#
At Last
#
Roger Wallace
#
SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.63 €
#
Guitare
#
Sol Paul Levy
#
Eric J Roth
#
The Vampire: A Dramatic Theme
#
Eric J Roth
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
