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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bass in C.
Non classifié
3 022
Piano & claviers
Instruments en Do
253
Piano seul
219
Piano Facile
166
Piano, Voix
109
Piano, Voix et Guitare
33
Accompagnement Piano
21
Orgue
12
1 Piano, 4 mains
11
Accordéon
5
Piano (partie séparée)
4
2 Pianos, 4 mains
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
Accordéon, Piano
1
1 Piano, 6 mains
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Basse electrique
362
Ligne De Mélodie, (Paroles) et Accords
50
Guitare notes et tablatures
27
Guitare
24
Guitare (partie séparée)
9
Ukulele
7
Paroles et Accords
2
Ensemble de guitares
2
Ensemble de Ukulélés
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
158
Chorale TTBB
99
Chorale SSAA
87
Chorale 3 parties
43
Voix basse, Piano
20
Chorale 2 parties
19
Pack Instrumental pour Chorale
18
Voix duo, Piano
15
Voix haute
8
Chorale Unison
8
Voix Alto, Piano
6
Voix basse
6
Voix moyenne, Piano
4
Voix Tenor, Piano
3
Voix Soprano, Piano
3
Voix Baryton, Piano
3
Chorale
2
Chorale SSATB
2
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
335
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
253
Ensemble de Flûtes
159
Quatuor de Flûtes : 4 flûtes
76
Quatuor de Clarinettes: 4 clarinettes
75
Quintette de Flûte : 5 flûtes
38
Flûte, Clarinette et Basson
34
Ensemble de Clarinettes
32
3 Clarinettes (trio)
31
Quintette de Clarinettes: 5 clarinettes
31
Hautbois, Basson (duo)
30
2 Clarinettes (duo)
30
Quatuor de Saxophones: 4 saxophones
21
Clarinette, Basson (duo)
21
Saxophone (partie séparée)
20
Trio de Flûtes: 3 flûtes
20
Quintette de Saxophone: 5 saxophones
18
2 Flûtes traversières (duo)
17
Clarinette Basse, Piano
17
Saxophone Alto et Piano
16
2 Flûte à bec (duo)
14
Flûte traversière
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Ensemble De Flûte à bec
13
Quatuor de Flûtes à bec
12
Flûte traversière et Piano
12
3 Saxophones (trio)
11
Hautbois, Piano (duo)
9
Flûte à Bec
7
Clarinette et Piano
7
Clarinette
6
Clarinette (partie séparée)
6
Saxophone Tenor et Piano
6
2 Clarinettes, Basson
6
Flûte, Hautbois, Basson
5
Ensemble de saxophones
5
Flute (partie séparée)
5
Flûte à Bec, Piano
4
2 Saxophones (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Alto
3
Flûte et Guitare
3
Saxophone Soprano et Piano
3
Hautbois, Violoncelle
2
Flûte, Basson et Piano
2
Flûte, Trombone (duo)
2
Flûte, Violon
2
Clarinette, Contrebasse (duo)
1
Instruments en Mib
1
2 Flûtes à bec, Guitare
1
Flûte traversière, Orgue (duo)
1
Clarinette et Alto
1
Clarinette, Tuba
1
Flûte, Violon et Violoncelle
1
Cor anglais, Piano
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Clarinette, Trombone (duo)
1
Saxophone Baryton, Piano
1
Flûte, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
Flûte, Violoncelle, Guitare
1
2 Hautbois (duo)
1
Clarinette Basse
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Bass Clef Instruments
92
Trombone et Piano
69
Trombone (partie séparée)
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Tuba et Piano
32
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Quatuor de cuivres: 4 trombones
19
Trompette (partie séparée)
16
Trombone
15
Trombone, Tuba (duo)
13
3 Trombones (trio)
11
Euphonium, Piano (duo)
10
Ensemble de Trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de Cuivres
7
Trompette
6
Trompette, Piano
6
2 Cors (duo)
6
Tuba
6
Quatuor de cuivres: 4 cors
4
2 Euphoniums (duo)
3
Cor (partie séparée)
3
Trio de Cuivres
3
Euphonium
3
Tuba (partie séparée)
2
Trompette, Euphonium (duo)
2
Trombone basse et Piano
2
2 Euphoniums et 2 Tubas
2
Trompette, Basson (duo)
2
Cor
2
4 Tubas
2
Euphonium, Tuba (duo)
2
2 Tubas (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
Cor, Violoncelle (duo)
1
Instruments en Sib
1
Cor et Piano
1
Ensemble de Cors
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
148
Quatuor à cordes: 2 violons, alto, violoncelle
90
Contrebasse, Piano (duo)
68
Contre Basse
53
Contrebasse (partie séparée)
53
Harpe
25
Violoncelle, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violon et Piano
18
2 Violoncelles (duo)
15
Violoncelle
11
Violon
11
Alto, Piano
8
Violoncelle, Contrebasse (duo)
7
Violon, Violoncelle (duo)
6
2 Contrebasses (duo)
5
2 Violons (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Alto et Basson
3
Alto, Violoncelle (duo)
3
Violon, Basson (duo)
3
Violon (partie séparée)
3
Ensemble de Contre basses
2
Alto seul
2
Violoncelle, Basse continue
2
Violon, Alto (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
2
Flûte, Contrebasse (duo)
2
Harpe, Voix
2
Violon, Basse continue
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
2 Altos (duo)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
982
Orchestre
251
Ensemble Jazz
221
Orchestre à Cordes
214
Ensemble de cuivres
208
Orchestre de chambre
86
Fanfare
60
Jazz combo
51
Cloches
30
Ensemble de Percussions
11
Ensemble d'École
7
Instrumentation Flexible
7
Batterie (partie séparée)
4
Batterie
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Percussion (partie séparée)
2
Big band
1
+ 12 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Crtitères actifs :
Bass in C.
Guitare
Partitions à imprimer
24 partitions trouvées
<
1
Prelude No 3 in C (Streams)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Simon James
#
Prelude No 3 in C
#
DML
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
The Tapping Triad (Electric Bass Etude)
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Guitare
#
AVANCÉ
#
Contemporain
#
Antonius Agung Setiawan
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The Tapping Triad
#
Antonius Agung Setiawan
#
SheetMusicPlus
Bass Guitar - Level 5 - SKU: A0.788485 Composed by Antonius Agung Setiawan. Contemporary. Score. 5 pages. Antonius Agung Setiawan #6184211. Published by...
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Bass Guitar - Level 5 - SKU: A0.788485 Composed by Antonius Agung Setiawan. Contemporary. Score. 5 pages. Antonius Agung Setiawan #6184211. Published by Antonius Agung Setiawan (A0.788485). The Tapping TriadComposed by Antonius Agung SetiawanElectric Bass Etude composition in C major scaleTwo-Handed Tapping Technique Electric Bass compositionInstagram @ https://www.instagram.com/pakagung/Youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg#guitaronlybypakagung
$6.99
Once In Royal David's City (Irby)
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Guitare
#
Henry John Gauntlett
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Robert McCormack
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Once In Royal David's City
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Robert McCormak
#
SheetMusicPlus
Solo Guitar - SKU: A0.483296 Composed by Henry John Gauntlett. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Traditional. I...
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Solo Guitar - SKU: A0.483296 Composed by Henry John Gauntlett. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483296). Very playable arrangement, mostly in first position key of C. Homophonic for the verse. Polyphony in the refrain occurs with the rising bass scale under the melody. A stretch between fingers one and four, frets one and five occurs here. This provides a nice musical pay-off and is well within the ability of an intermediate player.
$1.99
Sertão
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Guitare
#
AVANCÉ
#
Leo Costa
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Leo Costa
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Sertão
#
Leo Costa
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1260855 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Contemporary,Jazz,Lat...
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Solo Guitar - Level 5 - SKU: A0.1260855 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Contemporary,Jazz,Latin. Individual part. 2 pages. Leo Costa #853996. Published by Leo Costa (A0.1260855). Sertão (Brazilian outback) was composed in the Brazilian central plateau in the state of Goiás, in 2012 and released in 2023 on the album Na Densidade do Ar, by guitarist Leo Costa. It brings the arid and at the same time majestic atmosphere of the Brazilian hinterland. With a strong melody that brings a lament at the same time it carries influences of the traditional music of the Brazilian hinterland, remembering the viola caipira and the fiddle. It has the constancy of the pedal bass in C that has both the Arab influence of the lute and the stippling of the Brazilian northeast and midwest.
$5.00
Rush
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Tulio Cremisini
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Rush
#
Tulio Cremisini
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/A...
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Solo Guitar - Level 4 - SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6717. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987607). Altered tuning: 2nd in C, 6th in D. 9/8 rhythm at 125bpm This piece has an interesting use of harmonics and open air strings in its intro. Then the melody line is carried by the mid basses (5th, 4th and 3rd strings), while low 6th string plays the actual bass line. Upper strings play continuous eight note ostinato movement while also defining harmony.
$8.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
#
AVANCÉ
#
Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Traveling
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Guitare
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INTERMÉDIAIRE
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Doug Smith
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Traveling
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1162823 Composed by Doug Smith. Classical,Country,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio...
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Solo Guitar - Level 3 - SKU: A0.1162823 Composed by Doug Smith. Classical,Country,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #763186. Published by Doug Smith Guitar Studio (A0.1162823). Traveling is set in C Major with a melody in the bass voice that is plucked with the thumb. The piece is begins with Pim three note arpeggios in a folf style and then moves into a middle section that uses two note textures played with the index and middle fingers together. There are tempo changes, slurs, dynamics and the solo ends with an harmonic on the 7th fret.
$1.99
Mary Had a Little Lamb - Easy Guitar
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1151770 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1151770 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #751969. Published by Yuri Noronha (A0.1151770). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner.
$1.99
Mary Had a Little Lamb - Easy Fingerstyle Guitar (with Chord and Fingering)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152477 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152477 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752703. Published by Yuri Noronha (A0.1152477). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.
$1.99
Mary Had a Little Lamb - Easy Guitar (with Chord and Fingering)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1151771 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. S...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1151771 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Score. 1 pages. Yuri Noronha #751971. Published by Yuri Noronha (A0.1151771). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner.
$1.99
Mary Had a Little Lamb - Easy Guitar (with Fingering)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1151772 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1151772 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #751972. Published by Yuri Noronha (A0.1151772). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner.
$1.99
Mary Had a Little Lamb - Easy Guitar (with Chord)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1151763 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. S...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1151763 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Score. 1 pages. Yuri Noronha #751963. Published by Yuri Noronha (A0.1151763). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner.
$1.99
Mary Had a Little Lamb - Easy Fingerstyle Guitar (with Chord)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152498 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152498 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752723. Published by Yuri Noronha (A0.1152498). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.
$1.99
Mary Had a Little Lamb - Easy Classical Guitar
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152492 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152492 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752717. Published by Yuri Noronha (A0.1152492). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.
$1.99
Mary Had a Little Lamb - Easy Classical Guitar (with Fingering)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152485 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152485 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752711. Published by Yuri Noronha (A0.1152485). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.
$1.99
Mary Had a Little Lamb - Easy Fingerstyle Guitar (with TAB, Chord)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152461 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152461 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752687. Published by Yuri Noronha (A0.1152461). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamb fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar #easyfingerstyle.
$1.99
Mary Had a Little Lamb - Easy Fingerstyle Guitar (with TAB, Chord and Fingering)
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Guitare
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DÉBUTANT
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Traditional
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Yuri Noronha
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Mary Had a Little Lamb - Easy
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Yuri Noronha
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1152466 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual...
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Solo Guitar - Level 1 - SKU: A0.1152466 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752692. Published by Yuri Noronha (A0.1152466). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.
$1.99
Pulso de la vida
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Guitare
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AVANCÉ
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Fingerstyle Pattern Picking
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Guitare
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DÉBUTANT
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Folklorique/Traditionel
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Jon Ten Broek
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Fingerstyle Pattern Picking
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Beginning - SKU: M0.96936EB Composed by Jon Ten Broek. Traditional. 0. E-book. Mel Bay Publications - Digital Sheet Music #9693...
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Guitar (fingerpicking) - Beginning - SKU: M0.96936EB Composed by Jon Ten Broek. Traditional. 0. E-book. Mel Bay Publications - Digital Sheet Music #96936EB. Published by Mel Bay Publications - Digital Sheet Music (M0.96936EB). ISBN 9781619117419. 8.75x11.75 inches.This book presents 150 fingerstyle guitar picking patterns for 2/4, 3/4, and 4/4 time - all based on the first position C-major chord. An explanation of the pattern notation system is given in diagram form at the beginning, followed by the patterns themselves. Includes alternate bass-note patterns, bass connecting runs, practice progressions, capo positions with their corresponding key relationships, a transposing chart, information on transposing progressions and a brief section on alternate tunings. Written in a simple diagram format without notation or tablature.
$9.99
Imitation Rag
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Guitare
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FACILE
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Doug Smith
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Imitation Rag
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1166201 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 6 pages. Doug Smith Guitar Studio...
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Solo Guitar - Level 2 - SKU: A0.1166201 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 6 pages. Doug Smith Guitar Studio #766580. Published by Doug Smith Guitar Studio (A0.1166201). Imitation Ragn is an energetic little piece in the first position that begins in the key of C major, then transitions to E minor and A major before returning to C major. There are slurs, strums, bass runs. Pimi arpeggios and at one point a five fret stretch.
$1.99
Midsummer Moon
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Guitare
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INTERMÉDIAIRE
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Al Petteway
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Midsummer Moon
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate - SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Me...
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Guitar (fingerpicking) - Intermediate - SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #95552EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95552EB). ISBN 9781619119215. 8.75x11.75 inches.Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al’s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60’s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society’s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country’s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie’s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.
$17.99
Celtic Collection - 4 String Cigar Box Guitar
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Guitare
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FACILE
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Brent Robitaille
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Brent Robitaille
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Fingerings (93 pages!)
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Celtic Collection - 4 String C
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Brent C Robitaille
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.509355 Composed by Brent Robitaille. Arranged by Brent Robitaille. Folk,Holiday. Individual part. 93 pages. Brent C Robi...
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Solo Guitar - Level 2 - SKU: A0.509355 Composed by Brent Robitaille. Arranged by Brent Robitaille. Folk,Holiday. Individual part. 93 pages. Brent C Robitaille #3005041. Published by Brent C Robitaille (A0.509355). Kalymi Publishing is very pleased to announce the release of the Celtic Collection for 4 String Cigar Box Guitar! “30†of the most requested Celtic tunes with Notation, Tablature, Chords, Lyrics & Fingerings (93 pages!). Also included: How to Accompany; Walking Bass; Drone Chords; Extensive Chord Charts including Slash Chords; Celtic Strumming; Fingerboard Charts. These tunes are an excellent way to improve your dexterity and speed no matter what style you prefer. Highly recommended! For audio tracks and more information please visit: http://www.brentrobitaille.com/cigar-box-guitar Tune List: After the Battle of Aughrim - Auld Lang Syne - Black Velvet Band - Carolan's Concerto -Connaughtman's Rambles - Danny Boy - Flowers of Edinburgh - Haste to the Wedding - Hewlett - High Road to Linton - Humours of Whiskey - Irish Washerwoman - John Ryan’s Polka - Kesh Jig - Lark in the Clear Air - Loch Lomond - Molly Malone - Merrily Kiss the Quaker - Morrison’s Jig - O'Carolan's Draught - The Parting Glass - Planxty George Brabazon - Red-Haired Boy - Rights of Man - Sailor’s Hornpipe - Sà Beag Sà Mór - Sonny's Mazurka - Swallow Tail Jig - White Cockade - Wind that Shakes the Barley.
$16.99
Goodness Of God
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Guitare
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FACILE
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Musique Sacrée
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Bethel Music and Jenn Johnson
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Ulung Tanoto
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Goodness Of God
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Si Ulung
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1268876 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arran...
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Solo Guitar - Level 2 - SKU: A0.1268876 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Ulung Tanoto. Christian,Classical,Praise & Worship,Religious,Sacred. Individual part. 1 pages. Si Ulung #861408. Published by Si Ulung (A0.1268876). This is a fingerstyle guitar arrangement of Goodness of God, a song by Bethel Music. Depending on your skill level, the difficulty level is between easy and intermediate. It is in the key of C and can be a great piece to play for beginners who are learning fingerstyle solo guitar- you get to play the melody, bass, and harmony.The demo is played with a mini nylon-string guitar, but it can be played with any type of guitar (acoustic, classical, even electric).Youtube link:https://youtube.com/shorts/x5DAxKjjaOw.
$4.99
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Bass in C.