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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Right Now
Non classifié
248
Piano & claviers
Piano seul
168
Piano Facile
108
Piano, Voix
49
Piano, Voix et Guitare
44
Orgue
40
Piano grosses notes
25
Instruments en Do
19
1 Piano, 4 mains
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Guitare (partie séparée)
2
Basse electrique
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale 3 parties
27
Chorale Unison
20
Chorale TTBB
20
Chorale SSAA
18
Voix Alto, Piano
9
Chorale 2 parties
6
Voix Baryton, Piano
4
Voix haute
3
Voix Tenor, Piano
3
Voix Soprano, Piano
3
Voix basse
1
Voix seule
1
Chorale SSATTB
1
Voix duo
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
18
Saxophone (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière et Piano
11
Quintette de Saxophone: 5 saxophones
10
Ensemble de saxophones
10
Ensemble de Flûtes
9
Hautbois, Piano (duo)
9
Clarinette et Piano
8
Saxophone Alto et Piano
8
Flûte traversière
8
Clarinette
7
Saxophone Tenor
7
2 Flûtes traversières (duo)
6
Ensemble de Clarinettes
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
Saxophone Baryton, Piano
6
2 Clarinettes (duo)
5
Hautbois (partie séparée)
5
Saxophone Soprano et Piano
5
Quatuor de Saxophones: 4 saxophones
5
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
3 Clarinettes (trio)
1
Hautbois
1
3 Saxophones (trio)
1
Ensemble de Hautbois
1
Flute (partie séparée)
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trombone et Piano
12
Trompette
9
Tuba et Piano
9
Trompette, Piano
8
Trombone
7
2 Trompettes (duo)
6
Trompette (partie séparée)
6
Cor
6
Tuba
6
Cor et Piano
6
2 Trombones (duo)
5
2 Cors (duo)
4
Ensemble de Trombones
4
2 Tubas (duo)
3
Ensemble de Cors
2
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
1
Trombone basse et Piano
1
Quatuor de Cuivres
1
Trombone (partie séparée)
1
Tuba (partie séparée)
1
Tuba et Orgue
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon, Violoncelle (duo)
39
Trio à Cordes: 2 violons, violoncelle
28
Violon
23
Violoncelle
23
Violon et Piano
17
Violoncelle, Piano
14
Trio à Cordes: violon, alto, violoncelle
12
Violon, Alto (duo)
11
2 Violoncelles (duo)
9
Harpe
8
Alto, Piano
8
Contre Basse
7
2 Violons (duo)
6
Contrebasse, Piano (duo)
6
Alto seul
5
2 Altos (duo)
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Ensemble de Violons
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre à Cordes
28
Orchestre
27
Ensemble Jazz
25
Ensemble de cuivres
12
Orchestre de chambre
7
Cloches
7
Jazz combo
3
Piano et Orchestre
1
Batterie (partie séparée)
1
Fanfare
1
2 Marimbas
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PERCUSSION
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Be Right Now
Guitare
Partitions à imprimer
9 partitions trouvées
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1
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Romance Anonimo (tremolo) for Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural...
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Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
Mauro Giuliani Op.1- Studies for the guitar 120 Studies Reimagined and Harmonically Restructured
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Guitare
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INTERMÉDIAIRE
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Eric Charles Mokotoff
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Eric Charles Mokotoff
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Mauro Giuliani Op.1- Studies f
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eric mokotoff
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instru...
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Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 32 pages. Eric mokotoff #883493. Published by eric mokotoff (A0.1292897). Mauro Giuliani's Op. 1 Right Hand 120 Studies is now available in this newly reimagined and harmonically restructured format.All 120 studies have been rewritten for both Left and Right Hand progressively moving from 1st position to 10th position.This new course will take you through both Major and Minor Keys traveling through chord structures that will teach you the entirety of the guitars neck and frets.Each study recreates the RH fingering and retains the original rhythms while offering new chord progressions in more keys.The original studies focused on two chords to accomplish the Right Hand focus, but both hands are essential in understanding the connection of the strings, frets, and chord structures.This is an exciting, and compelling project that any serious Classical Guitarist should take advantage of.Now learn and play all 120 Mauro Giuliani Studies with a whole new Harmonic journey. Each Major key expresses a I IV I vi ii V7 I progression and each minor key expresses a i iv i V7 i progression.Teachers, professors, and Universities will be excited to introduce students to a whole new reimagined modern look at these essential pedagogic lessons.
$19.99
FAQ: Types and Uses of the Capo
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Guitare
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DÉBUTANT
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Tom Rasely
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FAQ: Types and Uses of the Cap
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning - SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21002EB. Publish...
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Guitar (all) - Beginning - SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21002EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21002EB). ISBN 9781609742089. 8.75x11.75 inches.The capo is a tool of the trade. This will guide you through an understanding of how it works, and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on an understanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos, examples, charts, and exercises are included. The author has created a systematic method that aids your understanding of note relationships, offers a practical application of Circle of Fifths, and works it all from the orientation of the guitar itself, so you also gain valuable knowledge about note relationships and chord shapes all over the fretboard.Since not all capos are created equal, a complete gallery of capos is presented to make your selection process that much easier.,• Guides you through an understanding of how the capo works., ;• Teaches how to select the one that is right for you and your guitar. • Lots of photos, examples, charts, and exercises are included.   • A theoretically correct method of capo use that relies mainly on an understanding of the fingerboard of the guitar; from note relationships to the Circle of Fifths to valuable knowledge about chord shapes all over the fretboard.
$3.99
The Time Between Genesis 1:1 and 1:2
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Guitare
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INTERMÉDIAIRE
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J
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The Time Between Genesis 1:1 a
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J.S. Jacques
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jac...
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Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
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Guitare
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DÉBUTANT
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Classique
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis ...
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Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
Suite for guitar in E minor by J. A. de Logy
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Guitare
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INTERMÉDIAIRE
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Classique
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 page...
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Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
A Flatpicker's Guide to Jamming
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Guitare
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FACILE
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Fingerstyle/Fingerpicking
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Carl Yaffey
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A Flatpicker's Guide to Jammin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Carl Yaffey. Country. Bluegrass. E-book and online audio. 24 pages. Mel Bay Publications - Digital Sheet Music #20820BCDEB. Published by M...
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Composed by Carl Yaffey. Country. Bluegrass. E-book and online audio. 24 pages. Mel Bay Publications - Digital Sheet Music #20820BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652360.
Joining a jam session can be intimidating. This book presents everything a beginning or intermediate guitar flatpicker needs to know to participate in a jam session. There are sections that describe how jam sessions work, and jam session etiquette. The book also describes the typical chords and keys for jamming, and describes right hand usage. A section is included on the role each instrument plays in bluegrass rhythm. A play-along audio is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel, and once in stereo. Includes access to online audio.
$9.99
The Collected Guitar Studies
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Leonard Schulz
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The Collected Guitar Studies
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Chanterelle
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SheetMusicPlus
Guitar - intermediate to advanced - Composed by Leonard Schulz. This edition: Sheet music. Downloadable. Chanterelle #Q47959. Published by Chanterel...
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Guitar - intermediate to advanced - Composed by Leonard Schulz. This edition: Sheet music. Downloadable. Chanterelle #Q47959. Published by Chanterelle
English.
This edition presents all Schulz's known studies, and they demonstrate the composer at his best. Many of the studies are technically demanding, often with focus on specific and sometimes unusual techniques or right-hand fingerings. They also have a rich harmonic language, thus displaying an instrumental and compositional proficiency beyond that of the average guitarist at the time. In quality the Schulz studies may be compared to those by Giulio Regondi.
$21.99
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