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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1660
PIANO & CLAVIERS
Piano seul
732
Piano, Voix
353
Piano, Voix et Guitare
346
Piano Facile
144
Instruments en Do
50
Orgue
47
Accompagnement Piano
34
Piano grosses notes
19
Accordéon
12
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
Piano (partie séparée)
9
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
2 Pianos, 4 mains
5
Clavecin
4
Orgue, Trompette (duo)
1
Clavier
1
2 Pianos, 8 mains
1
2 Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
95
Ligne De Mélodie, (Paroles) et Accords
92
Guitare
78
Paroles et Accords
32
Ukulele
19
Basse electrique
10
2 Guitares (duo)
10
Guitare (partie séparée)
7
Dulcimer
4
Piano, Guitare (duo)
3
Banjo
3
4 Guitares (Quatuor)
2
Mandoline
2
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
2 Dulcimers (duo)
1
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
379
Chorale 3 parties
105
Chorale TTBB
73
Chorale 2 parties
57
Chorale Unison
48
Voix duo, Piano
31
Chorale SSAA
29
Voix Soprano, Piano
8
Voix duo
8
Chorale
8
Voix seule
7
Voix haute
6
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix basse
2
Voix, Guitare
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
132
Quintette de Saxophone: 5 saxophones
117
Quatuor de Saxophones: 4 saxophones
98
Flûte traversière et Piano
80
Ensemble de saxophones
73
Flûte, Hautbois, Clarinette, Basson
68
Clarinette
58
Clarinette et Piano
52
Saxophone Tenor et Piano
50
Saxophone Alto et Piano
46
Hautbois, Piano (duo)
46
Flûte traversière
45
Quatuor de Clarinettes: 4 clarinettes
45
Saxophone (partie séparée)
38
Saxophone Alto
37
Ensemble de Clarinettes
37
Saxophone Soprano et Piano
31
Saxophone Baryton, Piano
31
2 Saxophones (duo)
29
2 Flûtes traversières (duo)
26
Saxophone Tenor
24
Ensemble de Flûtes
22
Quatuor de Flûtes : 4 flûtes
20
Hautbois (partie séparée)
19
Cor anglais, Piano
19
Clarinette Basse, Piano
18
Quintette de Flûte : 5 flûtes
18
3 Saxophones (trio)
15
2 Clarinettes (duo)
15
Saxophone Soprano
12
2 Flûte à bec (duo)
10
Quatuor de Flûtes à bec
9
Trio de Flûtes: 3 flûtes
9
Flûte à bec Soprano
9
3 Clarinettes (trio)
9
Clarinette, Basson (duo)
8
Clarinette (partie séparée)
8
Flûte, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flute (partie séparée)
7
5 Flûtes à bec
6
Flûte, Violoncelle
6
Hautbois, Basson (duo)
6
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Alto (duo)
5
3 Flûtes à bec (trio)
5
Clarinette et Alto
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violon et Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
3
Piccolo, Piano
3
Flûte, Clarinette et Basson
3
Flûte à Bec
3
Saxophone
3
Ensemble de Hautbois
2
Flûte à bec Tenor
2
4 Hautbois
2
2 Saxophones, Piano
2
Flûte, Violon
2
Harmonica
2
Flûte et Trio à cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte irlandaise
1
Piccolo
1
Hautbois, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse
1
Instruments en Mib
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Cor Anglais
1
Hautbois, Flûte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Hautbois (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Basson
1
Clarinette, Violon (duo)
1
Hautbois
1
Flûte, Violon, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
117
Ensemble de Trompettes
50
Trompette
47
Trombone et Piano
39
Cor et Piano
36
Trompette, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trombone
31
Ensemble de Trombones
30
Quatuor de Cuivres
22
Euphonium, Piano (duo)
22
Trombone (partie séparée)
21
Trompette (partie séparée)
20
Cor anglais, Piano
19
Cor
18
Tuba et Piano
15
Ensemble de Cors
10
Cor (partie séparée)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Tuba
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
2 Trombones (duo)
5
4 Tubas
5
2 Trompettes (duo)
5
2 Cors (duo)
5
Trio de Cuivres
4
3 Tubas (trio)
3
2 Tubas (duo)
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
3 Cors (trio)
3
Tuba (partie séparée)
3
Bass Clef Instruments
2
Tuba et Orgue
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
1
3 Euphoniums
1
Cor anglais, Guitare (duo)
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Euphonium, Tuba (duo)
1
Instruments en Sib
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon et Piano
81
Violon
65
Alto, Piano
52
Violoncelle, Piano
52
Violon, Violoncelle (duo)
39
Violoncelle
33
Harpe
31
Violoncelle (partie séparée)
26
2 Violons (duo)
24
Trio à Cordes: violon, alto, violoncelle
23
Alto seul
21
Violon, Alto (duo)
17
Violon (partie séparée)
15
Ensemble de Violons
14
Ensemble d'Altos
14
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
8
2 Altos (duo)
7
Contre Basse
7
4 Violoncelles
6
Violoncelle, Contrebasse (duo)
6
Alto (partie séparée)
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
4
Violoncelle , Guitare (duo)
4
Flûte, Contrebasse (duo)
4
Violon, Guitare (duo)
4
Alto, Guitare (duo)
3
2 Harpes (duo)
3
Harpe, Flûte (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
Trio à Cordes: 2 violons, alto
2
Harpe (partie séparée)
2
Harpe et Piano
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Trio à cordes
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
202
Orchestre à Cordes
99
Orchestre
69
Ensemble de cuivres
53
Ensemble Jazz
31
Cloches
26
Orchestre de chambre
23
Batterie
16
Ensemble de Percussions
11
Jazz combo
8
Fanfare
7
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Vibraphone et Marimba
1
Piano et Orchestre
1
2 Xylophones
1
Xylophone, Piano
1
Percussion
1
Orchestre, Violon
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Because
Guitare
Partitions à imprimer
78 partitions trouvées
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Because The Night
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1199391 By Patti Smith. By Bruce S…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1199391 By Patti Smith. By Bruce Springsteen and Patti Smith. Arranged by Keith Stevens. Pop,Rock,Singer/Songwriter. Individual part. 5 pages. Andemil #798457. Published by Andemil (A0.1199391). An arrangement for solo fingerstyle guitar in DADGAD tuning of Because The Night, by Pattie Smith. Â Written by Smith & Bruce Springsteen, Natalie Merchant and 10,000 Maniacs also had a wonderful cover of this song in the early 90's.
$4.99
4.6 €
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Guitare
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Patti Smith
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Keith Stevens
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Because The Night
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Andemil
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SheetMusicPlus
Because Of You
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.788276 By Kelly Clarkson. By Ben M…
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Solo Guitar - Level 4 - Digital Download SKU: A0.788276 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Antonius Agung Setiawan. Pop. Individual part. 5 pages. Antonius Agung Setiawan #5281459. Published by Antonius Agung Setiawan (A0.788276). Because Of You by Kelly ClarksonSolo guitar arrangement by Antonius Agung SetiawanFingesrtyle guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.99
5.52 €
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Guitare
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Kelly Clarkson
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Antonius Agung Setiawan
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Because Of You
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Antonius Agung Setiawan
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SheetMusicPlus
Because of Calvary
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.944536 Composed by Words by Isaac …
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Solo Guitar - Level 1 - Digital Download SKU: A0.944536 Composed by Words by Isaac Watts additional words and music by Aaron Crawford. Christian,Gospel,Praise & Worship,Sacred. Individual part. 2 pages. Aaron Crawford #4847879. Published by Aaron Crawford (A0.944536).
$1.99
1.83 €
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Guitare
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Words by Isaac Watts additional words and music by Aaron Crawford
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Because of Calvary
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Aaron Crawford
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SheetMusicPlus
Because
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.315552 By The Beatles. This edi…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.315552 By The Beatles. This edition: Interactive Download,scorch. Pop,Rock. Score. 2 pages. Published by Hal Leonard - Digital (HX.315552).
$2.99
2.76 €
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Guitare
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The Beatles
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Because
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Hal Leonard - Digital
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SheetMusicPlus
Because He Lives
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.1138968 By Bill & Gloria Gaithe…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1138968 By Bill & Gloria Gaither. This edition: Interactive Download,scorch. Christian,Gospel,Sacred. Score. 2 pages. Hal Leonard - Digital #67090. Published by Hal Leonard - Digital (HX.1138968).
$2.99
2.76 €
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Guitare
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Bill & Gloria Gaither
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Because He Lives
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Hal Leonard - Digital
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SheetMusicPlus
Just Because
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1254046 By Anita Baker. This editio…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1254046 By Anita Baker. This edition: scorch. Pop. Score. 3 pages. Hal Leonard - Digital #438715. Published by Hal Leonard - Digital (HX.1254046).
$2.99
2.76 €
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Guitare
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Anita Baker
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Just Because
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Hal Leonard - Digital
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SheetMusicPlus
Because He Lives, Amen
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.1310245 By Matt Maher. This edi…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1310245 By Matt Maher. This edition: Interactive Download,scorch. Christian,Easter,Sacred. Score. 2 pages. Hal Leonard - Digital #264402. Published by Hal Leonard - Digital (HX.1310245).
$2.99
2.76 €
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Guitare
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Matt Maher
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Because He Lives, Amen
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Hal Leonard - Digital
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SheetMusicPlus
Because
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1195212 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1195212 By The Beatles. By John Lennon and Paul McCartney. Arranged by Evgeny Shushkovsky. 20th Century,Classical,Multicultural,World. Individual part. 2 pages. Evgeny Shushkovsky #794392. Published by Evgeny Shushkovsky (A0.1195212).
$4.99
4.6 €
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Guitare
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The Beatles
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Evgeny Shushkovsky
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Because
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Evgeny Shushkovsky
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SheetMusicPlus
MAIDHAN TWILIGHT - Tondi. FR Original Works.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1047787 By Tondi Rangkuti a.k.a To…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1047787 By Tondi Rangkuti a.k.a Tondi. FR. By Tondi Rangkuti a.k.a Tondi. FR. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Classical,Jazz,Multicultural,Romantic Period,World. Individual part. 9 pages. ToRa Swarna Diva #652226. Published by ToRa Swarna Diva (A0.1047787). This is a composition written by Tondi Rangkuti a.k.a Tondi. FR which was originally written in full orchestral arrangement format. And this sheet is a derivative form or arrangement into a Guitar Classic format also by Tondi. FR. Melodic and emotional of this composition was so very powerful. Because it is a contemplation of various old photos from the Classic era of Medan City, the city which was previously given the title 'Paris Van Sumatra' because of its beauty at that time. A plantation city and has the most modern facilities in its era. Buildings with art deco architecture and lush and large trees. This composition is a Tribute to this City. The composition starts with the Asymmetrical Time of 9/4 then turn to 4/2 and Key Minor. In Section B then modulate to A Major. Then a very emotional Fragment was in the E Phrygian scale. Where the ability to play Malay and Hijaz-style mood music is needed. Melodies are basically built from simple motifs. But then it was developed to be very wide. A picture of music that tells about the beauty of the romantic classical era. Download this beautiful composition immediately for only $22.
$22.00
20.27 €
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Guitare
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Tondi Rangkuti a
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Tondi Rangkuti a
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MAIDHAN TWILIGHT - Tondi. FR Original Works.
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ToRa Swarna Diva
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SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.21 €
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Guitare
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
One Last Wish
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner.…
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Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Guitare
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Soundtrack
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Derek Hasted
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One Last Wish
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Derek Hasted
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.83 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.05 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Suite for guitar in E minor by J. A. de Logy
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
7.37 €
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Guitare
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by J. A. de Logy
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Socrates Arvanitakis
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.48 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
The Parting Glass
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1433997 By Traditional Celtic Folk…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1433997 By Traditional Celtic Folk Song. By Scottish traditional folk. Arranged by Nick Mordal. Celtic,Classical,Folk,Irish,Patriotic,Traditional. Individual part. 2 pages. Nick Mordal #1014240. Published by Nick Mordal (A0.1433997). This classic Scottish folk tune The Parting Glass was difficult to do because I wanted to keep the harmony minimalistic, yet keep everything moving along in interesting ways. In the end it worked out very nicely, be sure to listen to the recording and watch the video link.
$10.00
9.22 €
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Guitare
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Traditional Celtic Folk Song
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Nick Mordal
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The Parting Glass
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Nick Mordal
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.83 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Malaguena
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.896462 Composed by Ernesto Lecuona…
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Solo Guitar - Level 3 - Digital Download SKU: A0.896462 Composed by Ernesto Lecuona. Arranged by Lacy Reynolds. Contemporary. Individual part. 3 pages. Lacy Reynolds #4574939. Published by Lacy Reynolds (A0.896462). This solo guitar arrangement of Malaguena started out as my senior project where I only had to listen to this piece by ear and write down only 2 minutes of the song. This evolved into me finishing the whole song because it was so enjoyable to listen to. This flamenco styled piece is for solo guitar. .
$4.99
4.6 €
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Guitare
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Ernesto Lecuona
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Lacy Reynolds
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Malaguena
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Lacy Reynolds
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SheetMusicPlus
Flowers
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1272459 By Miley Cyrus. By Gregory…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1272459 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Tondi. FR. 21st Century,Disco,Funk,Pop,Standards. Individual part. 7 pages. ToRa Swarna Diva #864682. Published by ToRa Swarna Diva (A0.1272459). Tondi Rangkuti A.K.A Tondi. FR arranged the song 'Flowers' (Miley Cyrus) for fingerstyle guitar. This arrangement is quite unique because it doesn't lose it''s original groove. And the guitar acts as a singer. After all, this arrangement can be played at any tempo. Slow, moderate and fast. Without changes to the mood and vibes of the song.
$11.90
10.97 €
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Guitare
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Miley Cyrus
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Tondi
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Flowers
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ToRa Swarna Diva
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SheetMusicPlus
Every Breath You Take
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
4.6 €
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Guitare
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
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