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Vous avez sélectionné:
Bored
Guitare
Partitions à imprimer
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1
Break Up With Your Girlfriend, I'm Bored
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1319882 By Ariana Grande. By Arian…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1319882 By Ariana Grande. By Ariana Grande, Ilya, Kandi Burruss, Kevin Briggs, Max Martin, and Savan Kotecha. Arranged by Maxwell Morrison. Contemporary,Hip-Hop,Pop,R & B,Soul. Individual part. 8 pages. MAXWELL MORRISON #908442. Published by MAXWELL MORRISON (A0.1319882). A Fingerstyle transcription of Ariana Grande's 'Break up with your Girlfriend, I'm Bored'. This rendition remains highly faithful to the original, adapting Ariana's signature virtuosic vocal runs for guitar. This, in addition to this arrangement's use of polyphony provides a fun challenge for players intermediate and above.
$4.99
4.61 €
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Guitare
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Ariana Grande
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Maxwell Morrison
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Break Up With Your Girlfriend, I'm Bored
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MAXWELL MORRISON
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SheetMusicPlus
Are You Bored Yet?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.788474 By Wallows. By Braeden Lema…
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Solo Guitar - Level 3 - Digital Download SKU: A0.788474 By Wallows. By Braeden Lemasters, Braeden Lemasterts, Claire Cottrill, Cole Preston, and Dylan Minnette. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 6 pages. Antonius Agung Setiawan #6168063. Published by Antonius Agung Setiawan (A0.788474). Are You Bored Yet? by Wallows feat Clairo Duet guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play instagram @ https://www.instagram.com/pakagung/ youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg soundcloud @ https://www.soundcloud.com/antonius-agung-setiawan #guitaronlybypakagung
$5.50
5.08 €
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Guitare
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Wallows
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Antonius Agung Setiawan
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Are You Bored Yet?
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Antonius Agung Setiawan
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
#
SheetMusicPlus
Wallpaper Music
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1265015 By Gregory John Madge. By …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1265015 By Gregory John Madge. By Gregory John Madge. Arranged by Gregory John Madge. 21st Century,Classical. Individual part. 15 pages. Gregory Madge #857857. Published by Gregory Madge (A0.1265015). A 'wallpaper gig'consists of a restaurant or caféhiring a musician to add 'atmosphere' in thebackground as their diners or customers enjoy their refreshments. Musicians spend years preparing concert pieces to amaze and move audiences, but are they always appropriate in the relaxed setting of a café?These ten pieces aim to give the performer repertoire which they can use in these situations. Each piece is written to convey emotion, but not disturb the diner. Structurally, they consist of one or two sections with long harmonic progressions. This should allow the player to repeat each section as many times as they likewithout the audience noticing or becoming bored. I have included suggested structures in the scores, but these are suggestions only. This is true of the tempo markings as well. Feel free to slow the pieces down when a calmer atmosphere is required and the opposite when customers are a little livlier.
$1.99
1.84 €
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Guitare
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Gregory John Madge
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Gregory John Madge
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Wallpaper Music
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Gregory Madge
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SheetMusicPlus
The Guitar Études
Guitare
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and…
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may have
$22.00
20.34 €
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Guitare
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
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