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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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LUTH
MANDOLINE
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OCARINA
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PERCUSSION
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CLASSIQUE - BAROQUE …
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121
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142
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7
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Guitare notes et tablatures
12
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11
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8
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7
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4
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2
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2
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2
2 Guitares (duo)
1
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VOIX
Chorale SATB
89
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24
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10
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7
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6
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6
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5
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2
Chorale
2
Pack Instrumental pour Chorale
1
Voix duo
1
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VENTS
Saxophone (partie séparée)
25
Clarinette (partie séparée)
14
Saxophone
12
Clarinette
7
Saxophone Alto et Piano
6
Saxophone Tenor
6
2 Saxophones (duo)
5
Hautbois (partie séparée)
5
2 Clarinettes (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette et Piano
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Hautbois, Piano (duo)
3
Saxophone Tenor et Piano
3
Clarinette, Violon (duo)
2
3 Saxophones (trio)
2
Hautbois
2
3 Clarinettes (trio)
2
Ensemble de Clarinettes
2
Clarinette Basse
2
Piccolo
1
Clarinette, Trompette (duo)
1
2 Hautbois (duo)
1
5 Flûtes à bec
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
Cor anglais, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
Clarinette et Alto
1
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CUIVRES
Trompette (partie séparée)
21
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
8
Trombone
6
Trompette, Piano
6
Cor
5
Tuba (partie séparée)
4
Tuba
4
Cor (partie séparée)
4
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba ou Euphonium ou Saxhorn
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
Tuba et Piano
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
1
Cor et Piano
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
2 Tubas (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
17
Harpe
9
Violoncelle, Piano
8
Violon
7
Violoncelle
7
Violon, Violoncelle (duo)
6
Violon (partie séparée)
6
2 Violons (duo)
5
Contrebasse (partie séparée)
5
Violon et Piano
5
Alto, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Contre Basse
3
2 Altos (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
2 Harpes (duo)
2
2 Violoncelles (duo)
2
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
52
Orchestre
23
Ensemble Jazz
16
Ensemble de cuivres
11
Percussion
7
Batterie
7
Cloches
7
Fanfare
7
Percussion (partie séparée)
7
Orchestre à Cordes
4
Orchestre de chambre
2
Xylophone
1
2 Marimbas
1
Batterie (partie séparée)
1
Jazz combo
1
Timbales
1
Timbales (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Born This Way - Flute
Guitare
Partitions à imprimer
11 partitions trouvées
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Always Remember Us This Way
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1437442 By Lady Gaga. By Hillary L…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1437442 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, and Stefani Germanotta. Arranged by Chris Richter. Film/TV,Pop. Individual part. 4 pages. Chris Richter #1017564. Published by Chris Richter (A0.1437442). Always Remember Us This Way from A Star is Born arranged for solo fingerstyle guitar.
$7.99
7.3 €
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Guitare
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Lady Gaga
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Chris Richter
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Always Remember Us This Way
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Chris Richter
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SheetMusicPlus
Trois Beaux Oiseaux du Paradis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
3.66 €
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Guitare
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Born This Way - Guitar
Guitare
By Lady Gaga. Arranged by John Wasson. Pop. Jazz Band. 2 pages. Published by Hal Leonard -…
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By Lady Gaga. Arranged by John Wasson. Pop. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.49 €
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Guitare
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Lady Gaga
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John Wasson
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Born This Way - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Born This Way - Guitar
Guitare
By Lady Gaga. Arranged by John Berry. Jazz; Pop. Jazz Band. 2 pages. Published by Hal Leon…
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By Lady Gaga. Arranged by John Berry. Jazz; Pop. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.49 €
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Guitare
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Lady Gaga
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John Berry
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Pop
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Born This Way - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Born This Way - Electric Guitar
Guitare
By Lady Gaga and Glee Cast. By Fernando Garibay, Stefani Germanotta, Jeppe Laursen, and Pa…
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By Lady Gaga and Glee Cast. By Fernando Garibay, Stefani Germanotta, Jeppe Laursen, and Paul Blair. Arranged by Tim Davis, Adam Anders, and Roger Emerson. Rhythm. Concert; Pop; Rock. EPak. 2 pages. Duration 3:00. Published by Hal Leonard - Digital Sheet Music
$7.00
6.4 €
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Guitare
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Lady Gaga and Glee Cast
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Pop
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Born This Way - Electric Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
"Barnsley's Garden" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
1.82 €
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Guitare
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Keith Gehle
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"Barnsley's Garden" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Gebeth (Prayer)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165626 By Johann Kaspar Mertz. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165626 By Johann Kaspar Mertz. By Johann Kaspar Mertz. Arranged by Erik Gibelyou. 19th Century,Classical,Romantic Period. Individual part. 3 pages. Erik Gibelyou #765991. Published by Erik Gibelyou (A0.1165626). “Gebeth†(Prayer) is one of the most beautiful and moving character pieces written by Johann Kaspar Mertz (1806–1856). Born in Pressburg (modern Bratislava), Mertz later established himself in Vienna as an excellent guitarist and guitar composer. This piece comes from his Bardenklänge (Bardic sounds) written in 1847, a series of short pieces written in the style of piano miniatures popular at the time. An angelic, harp-like introduction gives way to a unique and breathtaking arpeggio figuration in the second half. This modern edition in standard notation is easy to read and includes corrections to fingering and articulation compared to the original edition. To help with learning the piece, I have added my own fingerings and suggested articulations as well as performance notes.
$2.99
2.73 €
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Guitare
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Johann Kaspar Mertz
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Erik Gibelyou
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Gebeth
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Erik Gibelyou
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.57 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Preludio in A (estudio nº15)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio JimÃ…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00
5.49 €
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Guitare
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Antonio Jiménez Manjón
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Rui Namora
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Preludio in A
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Rui Namora
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SheetMusicPlus
Laurindo Almeida - Brazilian Reflections
Guitare
By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Publis…
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By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655606. A collection of rich harmonic and contrapuntal vocal/ guitar arrangements by the renowned guitarist and composer, Laurindo Almeida. Born in Sao Paulo Brazil in 1917 and immigrating to the U.S. in 1947, it was Almeida who brought the bossa nova style to the United States long before it was so named. With Brazilian Reflections, the always elegant and tasteful Almeida brings his skills as a supreme guitarist and arranger to bear in these stunning arrangements of traditional and modern songs from Brazil. Written in standard notation with Portuguese lyrics. The companion online audio available for download included with this book features Almeida accompanying his wife, soprano Deltra (Didi) Eamon Almeida, in spirited and soulful renditions which reflect their love of this music and their life-long personal/ professional collaboration.ISBN 9781610655606. A collection of rich harmonic and contrapuntal vocal/ guitar arrangements by the renowned guitarist and composer, Laurindo Almeida. Born in Sao Paulo Brazil in 1917 and immigrating to the U.S. in 1947, it was Almeida who brought the bossa nova style to the United States long before it was so named. With Brazilian Reflections, the always elegant and tasteful Almeida brings his skills as a supreme guitarist and arranger to bear in these stunning arrangements of traditional and modern songs from Brazil. Written in standard notation with Portuguese lyrics. The companion online audio available for download included with this book features Almeida accompanying his wife, soprano Deltra (Didi) Eamon Almeida, in spirited and soulful renditions which reflect their love of this music and their life-long personal/ professional collaboration.
$14.99
13.7 €
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Guitare
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Laurindo Almeida
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Laurindo Almeida - Brazilian Reflections
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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