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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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Non classifié
481
PIANO & CLAVIERS
Piano seul
442
Piano, Voix
107
Piano Facile
99
Piano, Voix et Guitare
57
Instruments en Do
25
Orgue
11
1 Piano, 4 mains
6
Clavier
5
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
4
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano grosses notes
1
Accordéon
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare notes et tablatures
80
Guitare
31
Basse electrique
25
Ukulele
18
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14
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8
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5
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
Banjo
1
Mandoline
1
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VOIX
Chorale SATB
281
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170
Chorale 3 parties
101
Chorale SSAA
45
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38
Chorale
7
Voix duo
6
Voix Alto, Piano
6
Chorale Unison
6
Voix haute
3
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix basse, Piano
1
Chorale SSATB
1
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VENTS
Quatuor de Saxophones: 4 saxophones
41
Saxophone (partie séparée)
35
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Alto et Piano
26
Clarinette
25
Clarinette et Piano
21
Hautbois, Piano (duo)
18
Quatuor de Flûtes : 4 flûtes
16
2 Saxophones (duo)
15
Clarinette (partie séparée)
13
2 Clarinettes (duo)
13
Flûte traversière
12
Saxophone Alto
11
2 Flûtes traversières (duo)
11
Saxophone Tenor et Piano
11
Flûte à bec Soprano
10
Ensemble de Clarinettes
10
Quintette de Saxophone: 5 saxophones
9
Ensemble de saxophones
8
Saxophone Soprano et Piano
8
Flute (partie séparée)
7
2 Hautbois (duo)
7
Flûte, Clarinette (duo)
6
3 Clarinettes (trio)
6
Hautbois
6
Saxophone Baryton, Piano
5
Flûte à bec Alto
5
Saxophone Tenor
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto, Piano
4
Trio de Flûtes: 3 flûtes
3
2 Flûtes à bec, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Saxophone Baryton
2
Saxophone Soprano
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
2
3 Saxophones (trio)
2
Flûte, Violon
2
Cor anglais, Piano
1
3 Flûtes à bec, Piano
1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
Flûte irlandaise
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Saxophone
1
Flûte à Bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Cor Anglais
1
Clarinette et Alto
1
Clarinette, Trompette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Clarinette Basse, Piano
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette (partie séparée)
23
Trompette
18
Trompette, Piano
16
Cor et Piano
15
Trombone (partie séparée)
14
Trombone
13
Cor (partie séparée)
13
Trombone et Piano
11
2 Trombones (duo)
9
2 Trompettes (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
7
Cor
7
Tuba (partie séparée)
7
Tuba
6
Quatuor de Cuivres
6
2 Cors (duo)
6
2 Tubas (duo)
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
3
Trompette, Trombone (duo)
3
2 Euphoniums et 2 Tubas
3
Trompette, Saxophone (duo)
3
Euphonium, Piano (duo)
2
Trompette, Cor (duo)
2
3 Trombones (trio)
2
Ensemble de Cors
2
Cor anglais, Piano
1
Cor, Violoncelle (duo)
1
Trio de Cuivres
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
178
Violon et Piano
31
Violon
27
Violon, Violoncelle (duo)
21
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle, Piano
20
Alto, Piano
18
Harpe
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Violons (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
Violon, Alto (duo)
11
Violoncelle
10
2 Violoncelles (duo)
10
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
6
Contre Basse
6
Contrebasse (partie séparée)
4
Violoncelle (partie séparée)
3
Alto (partie séparée)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
2 Harpes (duo)
2
Violon (partie séparée)
2
Alto et Harpe
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
269
Fanfare
80
Ensemble Jazz
54
Orchestre
47
Orchestre à Cordes
36
Ensemble de cuivres
34
Batterie (partie séparée)
22
Cloches
21
Batterie
20
Jazz combo
19
Ensemble de Percussions
15
Percussion (partie séparée)
10
Orchestre de chambre
10
Vibraphone
1
Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Brian A
Guitare
Partitions à imprimer
31 partitions trouvées
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A minor Chord Progression Generator (small)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1139658 Composed by Brian Streckfu…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1139658 Composed by Brian Streckfus. Children,Instructional. Individual part. 1 pages. Brian Streckfus #739927. Published by Brian Streckfus (A0.1139658). Teach yourself the seven chords that belong in the key of A harmonic minor. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are also a great composition aid. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions.
$1.99
1.82 €
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Guitare
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Brian Streckfus
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A minor Chord Progression Generator
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Brian Streckfus
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SheetMusicPlus
A Harmonic Minor Roman Numeral (small)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1138176 Composed by Brian Streckfu…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1138176 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Individual part. 1 pages. Brian Streckfus #738441. Published by Brian Streckfus (A0.1138176). Teach yourself the seven chords that belong in the key of A harmonic minor. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are also a great composition aid. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions.
$1.99
1.82 €
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Guitare
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Brian Streckfus
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A Harmonic Minor Roman Numeral
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Brian Streckfus
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SheetMusicPlus
Funeral March of a Marionette (Charles Gounod) (Standard Notation)
Guitare
Composed by Charles Francois Gounod (1818-1893). Arranged by Brian Hayes. Romantic P…
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Composed by Charles Francois Gounod (1818-1893). Arranged by Brian Hayes. Romantic Period. Individual part. 9 pages. Brian Hayes #6096719. Published by Brian Hayes
$8.99
8.24 €
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Guitare
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Charles Francois Gounod
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Funeral March of a Marionette
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Brian Hayes
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SheetMusicPlus
Mi Favorita (a 19th century mazurka) (Standard Notation)
Guitare
Composed by Anonymous. Arranged by Brian Hayes. Romantic Period. Individual part. 5 …
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Composed by Anonymous. Arranged by Brian Hayes. Romantic Period. Individual part. 5 pages. Brian Hayes #6082103. Published by Brian Hayes
$6.99
6.4 €
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Guitare
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Anonymous
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Brian Hayes
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Mi Favorita
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Brian Hayes
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SheetMusicPlus
I Hear A Symphony
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.857263 By The Supremes. By Brian H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.857263 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Individual part. 2 pages. Elbsound.studio #3511145. Published by Elbsound.studio (A0.857263). Transcription from the original recording.Includes chord symbols and rhythmic notation.
$4.99
4.57 €
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Guitare
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Verde Selva
Guitare
Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 …
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Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 pages. Brian Hayes #6702893. Published by Brian Hayes
I hope you will enjoy this note-for-note transcription of the wonderful Verde Selva by the great Flamenco guitarist, Juan Serrano, from his 1965 RCA Victor recording Popular Music of Spain and the Old World. Verde Selva is a rumba, a rhythmic dance that has its origins in Cuba, becoming a part of the flamenco tradition in the 19th century in Andalusia, Spain. The playing technique used by Serrano in Verde Selva is often referred to as Rumba Melodica due to its use of arpeggiated chords rather than the rhythmic strumming that is typically associated with rumbas. As it is typical for Flamenco guitarists to improvise and change their pieces with subsequent performances, Juan Serrano\'s Verde Selva evolved over the span of his career, resulting in two versions of the piece; the first, featured on the 1965 vinyl LP Popular Music of Spain and the Old World (the basis for this transcription) and the second, in the 1981 Mel Bay publication Juan Serrano - Flamenco Concert Selections, which included Juan Serrano\'s own transcription of his then current version of the piece, along with the recorded track on the included audio CD. Although it is this 1981 version that is performed by guitarists, today, it is my fondness of the 1965 Popular Music of Spain and the Old World recording that inspired me to transcribe this rendition of Serrano\'s Verde Selva, a transcription which had not before been released to the public. Although this transcription is note-for-note to the original recording, liberties were taken only in one regard in that repeats were added in some sections to give more length to this beautiful piece.
$7.99
7.32 €
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Guitare
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Juan Serrano
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Brian Hayes
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Verde Selva
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Brian Hayes
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SheetMusicPlus
Malaguena (for solo guitar) (Standard Notation)
Guitare
Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download A…
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Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malagueña, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona’s invention but was taken from the “Malagueña” flamencoform, originating out of Málaga, Spain, in the 19th century. “Malagueña,” andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is “in the style of Sabicas,” a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona’sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.
$6.99
6.4 €
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Guitare
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Brian Hayes
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Malaguena
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Brian Hayes
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SheetMusicPlus
Pica Pica (Venezuelan waltz) (for solo guitar) (Standard Notation)
Guitare
Classical Guitar, Solo Guitar - Intermediate - Digital Download Composed by Anonymous…
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Classical Guitar, Solo Guitar - Intermediate - Digital Download Composed by Anonymous. Arranged by Brian Hayes. Romantic Period. Score, Sheet Music Single. 3 pages. Published by Brian Hayes
This is a very well-loved Venezuelan waltz that is usually found in the form of a duet for various instruments, arranged for solo guitar.
$3.99
3.66 €
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Guitare
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Anonymous
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Brian Hayes
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Pica Pica
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Brian Hayes
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SheetMusicPlus
Cello Suite No.1 (Prelude) (J.S. Bach) (Standard Notation)
Guitare
Classical Guitar, Solo Guitar - Digital Download Composed by Johann Sebastian Bach (1…
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Classical Guitar, Solo Guitar - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Brian Hayes. Baroque Period. Score, Sheet Music Single. 5 pages. Published by Brian Hayes
This is a solo classical guitar arrangement of Bach's Cello Suite No.1 (Prelude) in drop D tuning. Standard Notation replete with barre markings, string designations and fingerings.
$6.99
6.4 €
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Guitare
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Johann Sebastian Bach
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Brian Hayes
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Cello Suite No.1
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Brian Hayes
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SheetMusicPlus
Encyclopedia of Guitar Chord Inversions
Guitare
Composed by Brian Balthazor. For Guitar (All). Encyclopedia. All Styles. Beginning-Interme…
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Composed by Brian Balthazor. For Guitar (All). Encyclopedia. All Styles. Beginning-Intermediate. E-book. 160 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609745738. This book provides a clear and concise way to increase your guitar chord vocabulary across the entire fretboard. The book outlines a movable chord system which allows you to both understand chord construction and provides the necessary tools to create chords "on-the-fly" in a playing situation.
$24.99
22.9 €
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Guitare
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Brian Balthazor
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Encyclopedia of Guitar Chord Inversions
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.82 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.82 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.82 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Study: Secondary Dominance
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
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1.82 €
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Guitare
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Sonatina for Solo Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.976106 Composed by Brian Bunker. C…
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Solo Guitar - Level 5 - Digital Download SKU: A0.976106 Composed by Brian Bunker. Contemporary. Individual part. 7 pages. Brian C. Bunker #4995415. Published by Brian C. Bunker (A0.976106). A simple, clear work in three movements for Solo Guitar, with a Sonata-Allegro opening, a slow middle movement, and a Rondo in 6/8. A mixture of modal and tonal materials gives a unique and colorful sound to the piece, full of interest and melodic sweep.
$3.99
3.66 €
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Guitare
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Brian Bunker
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Sonatina for Solo Guitar
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Brian C. Bunker
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SheetMusicPlus
Waltz No. 1 Opus 57
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.
$1.99
1.82 €
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Guitare
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Mauro Giuliani
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Brian Streckfus
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Waltz No. 1 Opus 57
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Brian Streckfus
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SheetMusicPlus
Prelude No. 1 "Expectations"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfu…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfus. Classical,Contemporary,Romantic Period. Individual part. 4 pages. Brian Streckfus #767569. Published by Brian Streckfus (A0.1167192). Romantic classical guitar piece with adventerous harmonies. I wrote this cinematic sounding piece before I really knew how to engrave well, so I am not charging much until I make it look cleaner, though I figured I would upload the draft for now. It's in a bizarre tuning with the thickest string tuned to F (or down tune everything except E down a halfstep).
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1.82 €
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Guitare
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Brian Streckfus
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Prelude No. 1 "Expectations"
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Brian Streckfus
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SheetMusicPlus
Gnossienne No. 1 (Tablature +)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1156456 Composed by Erik Satie. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Individual part. 5 pages. Brian Streckfus #756774. Published by Brian Streckfus (A0.1156456). IMPORTANT NOTE: You get both tablature version and sheet music version in one 5 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Just be careful with your printer settings if you don't want two versions!1. Arranged for guitar2. Tablature added3. Measures and times signature removed reflecting the original composer's ethos. 4. Form simplified so that the piece fits on three pages. D.S. in retrograde is a strange navigation indication, but it seems the most elegant way to save a lot of paper and ink. 5. Slurs added.6. Some left hand fingerings added. I didn't want to add too many to the point where it becomes cumbersome or confusing.
$1.99
1.82 €
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Guitare
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Erik Satie
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Brian Streckfus
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Gnossienne No. 1
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Brian Streckfus
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SheetMusicPlus
Nothing Else Matters
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1269941 By Metallica. By James Het…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1269941 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Brian Hayes. 20th Century,Contemporary,Rock,Spiritual. Individual part. 4 pages. Brian Hayes #862413. Published by Brian Hayes (A0.1269941). A fingerstyle arrangement for solo guitar, including both accompanying parts and melody along with my own interpretation of the bridge section and ending. This version is in standard notation. Tablature version also available, here, on Sheet Music Direct.
$7.99
7.32 €
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Guitare
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Metallica
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Brian Hayes
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Nothing Else Matters
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Brian Hayes
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SheetMusicPlus
1/1
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1348442 By Brian Eno. By Brian Pet…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1348442 By Brian Eno. By Brian Peter George Eno, Rhett Davies, Robert Wyatt, and Robert Wyatt Ellidge. Arranged by Alexander Elliott Miller. 20th Century,Classical,Contemporary,Pop. Individual part. 2 pages. Alexander Elliott Miller #933220. Published by Alexander Elliott Miller (A0.1348442). This arrangement aims to capture Brian Eno's 1/1 from Ambient 1: Music for Airports on a solo electric guitar, with significant use of harmonics, right hand harmonics, and guitar neck tapping to create ambient effects.
$4.99
4.57 €
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Guitare
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Brian Eno
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Alexander Elliott Miller
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1/1
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Alexander Elliott Miller
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SheetMusicPlus
"Presto" from Sonata #1 in G minor (Standard Notation)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastian Bach. Arranged by Brian Hayes. Baroque. Individual part. 7 pages. Brian Hayes #6753205. Published by Brian Hayes (A0.932645). This is a solo classical guitar arrangement of Johann Sebastian Bach's Presto from his Sonata #1 in G minor, originally written for violin. This arrangement is replete with both right and left-hand fingerings, string designation and barre markings which are essential when taking on the task of mastering this great piece.
$7.99
7.32 €
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Guitare
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Johann Sebastian Bach
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Brian Hayes
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"Presto" from Sonata #1 in G minor
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Brian Hayes
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SheetMusicPlus
Greensleeves (Finger-style Guitar Version)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1162994 Composed by Traditional Fo…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1162994 Composed by Traditional Folk Anon. Arranged by Brian Streckfus. Early Music,Instructional,Medieval,Renaissance,Traditional. Individual part. 1 pages. Brian Streckfus #763346. Published by Brian Streckfus (A0.1162994). 1. Arranged for guitar. 2. Guitar TAB w/ rhythms added. 3. Left and Right hand fingerings added 4. Chord nomenclature added to roughly summarize the harmony and to aid in improvising.5. Fonts made larger and more attractive.6. Mordent added.I added quite a bit of fingerings to this. Ideally performers should do this themselves but adding them also solidifies the arrangement and saves the performer some time.
$2.99
2.74 €
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Guitare
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Traditional Folk Anon
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Brian Streckfus
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Greensleeves
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Brian Streckfus
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SheetMusicPlus
Recuerdos de la Alhambra (Tarrega) (Standard Notation)
Guitare
Solo Guitar - Digital Download SKU: A0.932620 Composed by Francisco Tarrega. Arrang…
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Solo Guitar - Digital Download SKU: A0.932620 Composed by Francisco Tarrega. Arranged by Brian Hayes. Romantic Period. Individual part. 6 pages. Brian Hayes #6092149. Published by Brian Hayes (A0.932620). These are my fingerings for the beautiful Recuerdos de la Alhambra by Francisco Tárrega with a change to the opening of the major section which allows the open G string to resound more freely.
$3.99
3.66 €
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Guitare
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Francisco Tarrega
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Brian Hayes
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Recuerdos de la Alhambra
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Brian Hayes
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SheetMusicPlus
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