Partitions Numériques de Brian M pour Guitare

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 51

PIANO & CLAVIERS

Piano seul 17 Piano, Voix et Guitare 14 Piano, Voix 13 Piano Facile 10 Instruments en Do 2

GUITARES

Ligne De Mélodie, (Paroles) et Accords 93 Basse electrique 4 Guitare notes et tablatures 4 Guitare 3 2 Guitares (duo) 2

Paroles et Accords 1

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VOIX

Pack Instrumental pour Chorale 10 Chorale SATB 10 Chorale 3 parties 7 Chorale 2 parties 3 Chorale TTBB 3

Chorale SSAA 1 Chorale 1

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VENTS

Clarinette et Piano 6 Flûte traversière et Piano 6 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5 Hautbois, Piano (duo) 4 Flûte, Hautbois, Clarinette, Basson 3

2 Clarinettes (duo) 2 2 Flûtes traversières (duo) 2 2 Hautbois (duo) 2 Clarinette 2 Flûte traversière 2 Hautbois 2 Flûte, Clarinette (duo) 2 2 Saxophones (duo) 2 Saxophone Tenor et Piano 2 Saxophone Alto et Piano 2 Saxophone Baryton, Piano 1 Quatuor de Clarinettes: 4 clarinettes 1 Saxophone Soprano et Piano 1 Cor anglais, Piano 1 Quatuor de Saxophones: 4 saxophones 1 Clarinette Basse, Piano 1

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CUIVRES

Trompette, Piano 5 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5 Cor et Piano 3 Trompette 3 2 Trombones (duo) 2

Tuba 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Cor 2 2 Trompettes (duo) 2 Tuba et Piano 2 Trombone et Piano 2 Cor anglais, Piano 1 Tuba (partie séparée) 1 Euphonium, Piano (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 15 Violon, Violoncelle (duo) 5 Violon et Piano 5 Violon 4 Violoncelle, Piano 4

Quintette à cordes: 2 violons, alto, violoncelle, basse 4 2 Violoncelles (duo) 4 Violon, Alto (duo) 3 Alto, Piano 3 2 Violons (duo) 3 Trio à Cordes: violon, alto, violoncelle 2 Contrebasse, Piano (duo) 2 Alto seul 2 Trio à Cordes: 2 violons, violoncelle 2 Contre Basse 2 Violoncelle 2 2 Altos (duo) 2 Harpe 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 39 Cloches 2 Percussion (partie séparée) 2 Ensemble de cuivres 2 Orchestre à Cordes 2

Timbales (partie séparée) 1 Orchestre 1 Fanfare 1 Ensemble Jazz 1 Orchestre de chambre 1

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AUTRES

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Brian M

Guitare

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3 partitions trouvées

Malaguena (for solo guitar) (Standard Notation)

Guitare

Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download A…(+)

Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malagueña, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona’s invention but was taken from the “Malagueña” flamencoform, originating out of Málaga, Spain, in the 19th century. “Malagueña,” andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is “in the style of Sabicas,” a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona’sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.This is a flamenco guitar arrangement of Malagueña, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona’s invention but was taken from the “Malagueña” flamencoform, originating out of Málaga, Spain, in the 19th century. “Malagueña,” andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is “in the style of Sabicas,” a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona’sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.

$6.99 6.41 € #Guitare #Brian Hayes #Malaguena #Brian Hayes #SheetMusicPlus

Waltz No. 1 Opus 57

Guitare

Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani…(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.

$1.99 1.83 € #Guitare #Mauro Giuliani #Brian Streckfus #Waltz No. 1 Opus 57 #Brian Streckfus #SheetMusicPlus

The Entertainer (Excerpt)

Guitare

Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …(+)

Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche, Â and to emphasize the main melody more. 5. Some composers indications added when really necessary. Â 6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time.Â 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5.Â The D# is part of the C major blues scale.6.Â Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.

$1.99 1.83 € #Guitare #Scott Joplin #Brian Streckfus #The Entertainer #Brian Streckfus #SheetMusicPlus