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C Studies
Guitare
Partitions à imprimer
23 partitions trouvées
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Twelve Studies in 12 Major Keys for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak…
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Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99
6.29 €
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Guitare
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Kenneth Pasciak
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Twelve Studies in 12 Major Keys for Guitar
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Kenneth Pasciak
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SheetMusicPlus
Prelude No 3 in C (Streams)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.69 €
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Guitare
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.59 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Garcia Dionisio Aguado: Study In C Major - guitar solo
Guitare
Instantly printable sheet music by Garcia Dionisio Aguado for guitar solo of MEDIUM skill …
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Instantly printable sheet music by Garcia Dionisio Aguado for guitar solo of MEDIUM skill level. Contents: etude, etudes, studies, exercises / classical,instructional
$4.97
4.47 €
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Guitare
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Garcia Dionisio Aguado
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Virtualsheetmusic
Modern Guitar Method Grade 2 - Expanded Edition
Guitare
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.93201EEB Composed …
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.93201EEB Composed by William Bay. This edition: Expanded Edition. Jazz. Modern Guitar Method. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #93201EEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93201EEB). ISBN 9781609745929. 8.75x11.75 inches.Grade 2/Expanded version of the famed Mel Bay Modern Guitar Method adds new, carefully graded playing material for every concept taught. Solos are presented in various styles. A special feature is the addition of in-depth picking studies in the keys of C, Am, G, Em, F, Dm, D, and Bm. Additional studies are contained in second position and in 6/8 time. In short, if you really want to learn to play great guitar, this is the method! It is unmatched in its thoroughness in teaching every important concept. Includes access to online audio.-Additional New Music for Every Concept Taught.-Picking Studies in 8 keys.-New Solos in Diverse Styles.-Begins Study of Position Playing.-Carefully Graded to Move at a User Friendly Pace.-Unmatched in Comprehensiveness.-Companion online audio download.
$14.99
13.48 €
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Guitare
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William Bay
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Modern Guitar Method Grade 2 - Expanded Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Frank Vignola- Building Guitar Finger Strength
Guitare
Guitar (flatpicking) - Intermediate - Digital Download SKU: M0.99659EB And 26 Di…
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Guitar (flatpicking) - Intermediate - Digital Download SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99659EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99659EB). ISBN 9781619112582. 8.75x11.75 inches.In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength!In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii û V û I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions. Includes access to online audio.
$12.99
11.68 €
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Guitare
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Frank Vignola
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Frank Vignola- Building Guitar Finger Strength
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.55 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Moon River
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.914775 By Henry Mancini. By Henry …
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Solo Guitar - Level 2 - Digital Download SKU: A0.914775 By Henry Mancini. By Henry Mancini. Arranged by Barney Kessel. Jazz. Individual part. 2 pages. Cesar Leandro Miguel #5743461. Published by Cesar Leandro Miguel (A0.914775). This one is a beautiful jazz waltz performed by Barney Kessel and composed by Henry Mancini for the Breakfast at Tiffany's soundtrack. Mr. Kessel does a simple and effective interpretation of the tune, giving it an soft atmosphere with his jazz guitar.This version don't include tabs, and is easy to other C instruments to read.A nice and easy tune great to get started into jazz tunes.Hope you like it! Good studies!Best regards, Cesar
$13.99
12.58 €
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Guitare
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Henry Mancini
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Barney Kessel
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Moon River
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Cesar Leandro Miguel
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SheetMusicPlus
MBGU Guitar Studies: A Comprehensive Guide to Chords
Guitare
By William Bay. For Guitar (All). All Styles. 136 pages. Published by Mel Bay Publications…
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By William Bay. For Guitar (All). All Styles. 136 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746643. An in-depth, user-friendly guitar chord dictionary.Presents chords in the following categories: acoustic guitar chords, blues guitar chords, jazz guitar chords, rock guitar chords, open tuning guitar chords, capo guitar chords and seven-string guitar chords.Open tuning chords presented include dropped D, DADGAD, open G, Open E, Open A, Open D, Open C and Orkney.
$19.99
17.98 €
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Guitare
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William Bay
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MBGU Guitar Studies: A Comprehensive Guide to Chords
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Allegretto in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Allegretto - from M thode compl te pour Guitare, Op.59 Digital Sheetmusi…
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Matteo Carcassi - Allegretto - from M thode compl te pour Guitare, Op.59 Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Methods/Studies
$2.99
2.69 €
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Guitare
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Guitar Solo
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Musicnotes
Andantino in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Andantino [excerpt] - from M thode compl te pour Guitare, Op.59 Digital …
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Matteo Carcassi - Andantino [excerpt] - from M thode compl te pour Guitare, Op.59 Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Methods/Studies
$2.99
2.69 €
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Guitare
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Guitar Solo
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Musicnotes
Exercise No. 22 in C Major [excerpt] by Fernando Sor - Guitar Solo
Guitare
Fernando Sor - Exercice No. 22 [excerpt] Digital Sheetmusic plus an interactive, downloada…
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Fernando Sor - Exercice No. 22 [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Methods/Studies~~Classical
$1.99
1.79 €
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Guitare
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Guitar Solo
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Musicnotes
Etude No. 5 in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Etude No. 5, Op. 60, No. 5 - from Melodic and Progressive Etudes Digital…
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Matteo Carcassi - Etude No. 5, Op. 60, No. 5 - from Melodic and Progressive Etudes Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Methods/Studies~~Educational
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Etude No. 6 in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Etude No. 6, Op. 60, No. 6 - from Melodic and Progressive Etudes Digital…
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Matteo Carcassi - Etude No. 6, Op. 60, No. 6 - from Melodic and Progressive Etudes Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Methods/Studies~~Educational
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Etude No.15 in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Etude No.15 - from Melodic and Progressive Etudes, Op. 60 Digital Sheetm…
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Matteo Carcassi - Etude No.15 - from Melodic and Progressive Etudes, Op. 60 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1; 2 pages -- Classical~~Romantic~~Methods/Studies
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Etude No. 1 in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Etude No. 1, Op. 60 - from Melodic and Progressive Etudes Digital Sheetm…
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Matteo Carcassi - Etude No. 1, Op. 60 - from Melodic and Progressive Etudes Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Methods/Studies~~Educational
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Etude in C Major, Op. 29, No. 5 by Fernando Sor - Guitar Solo
Guitare
Fernando Sor - Etude No. 5 - from Twelve Etudes for the Guitar, Op. 29 Digital Sheetmusic …
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Fernando Sor - Etude No. 5 - from Twelve Etudes for the Guitar, Op. 29 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1; 3 pages -- Classical~~Romantic~~Methods/Studies
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Etude No.22 in C Major by Matteo Carcassi - Guitar Solo
Guitare
Matteo Carcassi - Etude No.22 - from Melodic and Progressive Etudes, Op. 60 Digital Sheetm…
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Matteo Carcassi - Etude No.22 - from Melodic and Progressive Etudes, Op. 60 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1; 2 pages -- Classical~~Romantic~~Methods/Studies
$5.50
4.95 €
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Guitare
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Guitar Solo
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Musicnotes
Modern Guitar Method Grade 6, Expanded Edition
Guitare
By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 100 pages. P…
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By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 100 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746612. Grade 6/Expanded version of the famed Mel Bay Modern Guitar Method adds new, carefully graded playing material for every concept taught. Solos are presented in various styles. Contains studies, chord melody solos, chord studies, quartal harmony etudes, triad studies and duets in the keys of A, F#m, Eb, Cm, E, C#m, Ab and Fm. Includes access to online audio.Additional New Music for Every Concept TaughtCarefully Graded to Move at a User Friendly PacePresents a comprehensive listing of chords found in each key.For each key, etudes are presented in four different positions.The most comprehensive approach to contemporary guitar mastery available!
$17.99
16.18 €
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Guitare
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William Bay
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Modern Guitar Method Grade 6, Expanded Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Modern Guitar Method Grade 5, Expanded Edition
Guitare
By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 104 pages. P…
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By William Bay. For Guitar (All). This edition: Expanded Edition. All Styles. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746636. Contains studies, chord melody solos, chord studies, quartal harmony etudes, triad studies and duets in the keys of C, Am, G, Em, F, Dm, D, Bm, Bb and Gm.Presents a comprehensive listing of chords found in each key.For each key, etudes are presented in four different positions.The most comprehensive approach to contemporary guitar mastery available! Online audio download available.
$17.99
16.18 €
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Guitare
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William Bay
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Modern Guitar Method Grade 5, Expanded Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Tientos
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.49 €
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Guitare
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
Left-Handed Modern Guitar Method Grade 1
Guitare
Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and …
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Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30090MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113558.<br> <br> For decades, guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action, here at last is a proven method for the left-handed guitarist! The world's premier method for learning modern plectrum style guitar, time-tested and proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales, and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord/melody concept of guitar performance. A supplementary study book entitled Grade 1 Studies, two different play-along audio recordings (pop version and traditional), and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format, with the solo parts performed on the right channel, and the accompaniment or second duet parts played on the left. The student can play along with the full recording, or tune out either channel and play the missing part. The Left-Handed Modern Guitar Method Grade 1 provides valuable enhancement to the world's most popular guitar method.
$9.99
8.98 €
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Guitare
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Mel Bay
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Left-Handed Modern Guitar Method Grade 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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