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ACCORDEON
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Ligne De Mélodie, (Paroles) et Accords
93
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25
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11
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2
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99
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32
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22
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12
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2
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134
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53
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34
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33
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30
Clarinette
29
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24
Ensemble de Flûtes
20
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19
Quatuor de Clarinettes: 4 clarinettes
15
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11
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11
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10
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10
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9
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9
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8
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8
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7
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7
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6
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5
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5
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5
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5
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5
Ocarina
5
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4
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4
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4
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2
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2
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Piccolo
2
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2
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Cor anglais, Piano
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Saxophone Soprano
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Flûte à bec Tenor
1
Flûte, Hautbois (duo)
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5 Flûtes à bec
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Flûte à bec Soprano, Piano
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Flûte, Violon, Piano
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Hautbois
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Flûte à Bec
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
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CUIVRES
Trombone (partie séparée)
119
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette (partie séparée)
48
Trombone
38
Trompette
37
Tuba
33
Trompette, Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Cor
26
Euphonium, Piano (duo)
15
Trombone et Piano
10
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba (partie séparée)
7
Cor (partie séparée)
7
Tuba et Piano
7
Cor et Piano
6
Euphonium
6
2 Trompettes (duo)
6
2 Trombones (duo)
6
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
3 Trompettes (trio)
1
Euphonium (partie séparée)
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
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CORDES
Quintette à cordes: 2 violons, alto, violoncelle, basse
133
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon
51
Harpe
29
Violoncelle (partie séparée)
26
Contrebasse (partie séparée)
16
Alto seul
16
Violon et Piano
14
Trio à Cordes: violon, alto, violoncelle
14
Violoncelle
13
Alto (partie séparée)
13
Contre Basse
12
Alto, Piano
11
Violon (partie séparée)
10
Violon, Violoncelle (duo)
10
Violoncelle, Piano
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon, Alto (duo)
5
2 Violons (duo)
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
5 Harpes
2
Violon, Guitare (duo)
2
3 Harpes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2208
Orchestre à Cordes
98
Orchestre
45
Ensemble Jazz
39
Ensemble de cuivres
33
Fanfare
24
Orchestre de chambre
20
Batterie (partie séparée)
13
Jazz combo
8
Cloches
7
Batterie
5
Percussion (partie séparée)
2
Ensemble de Percussions
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentation Flexible
1
Xylophone
1
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AUTRES
Vous avez sélectionné:
C.t.a.
Guitare
Partitions à imprimer
23 partitions trouvées
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1
Valsa Nº 01 para Violão em C. Waltz Nº 01 for Guitar in C.
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1002722 Composed by Carlos Gonç…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1002722 Composed by Carlos Gonçalves da Silva. Contemporary,Standards. Individual part. 3 pages. Carlos Goncalves da Silva #6439487. Published by Carlos Goncalves da Silva (A0.1002722). Valsa tÃpica para Violão. Boa para tocar.Typical waltz for Guitar. Good to play.Valsa apropriado como peça de apresentação e de estudo. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura e dinâmica. Duração aproximada de 3 minutos.Waltz suitable as a presentation piece and study. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge, ligature and dynamics. Approximate duration of 3 minutes.
$1.99
1.84 €
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Guitare
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Carlos Gonçalves da Silva
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e
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Valsa Nº 01 para Violão em C. Waltz Nº 01 for Guitar in C.
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Carlos Goncalves da Silva
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SheetMusicPlus
Choro Nº 01 em C para Violão. Choro Nº 01 em C for Guitar.
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1002710 Composed by Carlos Gonç…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1002710 Composed by Carlos Gonçalves da Silva. Contemporary,Standards. Individual part. 2 pages. Carlos Goncalves da Silva #6430059. Published by Carlos Goncalves da Silva (A0.1002710). Choro tÃpico brasileiro apropriado como peça de apresentação. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura e dinâmica. Duração aproximada de 3 minutos.Typical Brazilian choro suitable as a presentation piece. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge, ligature and dynamics. Approximate duration of 3 minutes.
$1.99
1.84 €
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Guitare
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Carlos Gonçalves da Silva
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Choro Nº 01 em C para Violão. Choro Nº 01 em C for Guitar.
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Carlos Goncalves da Silva
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SheetMusicPlus
Fantasy on a Mozart Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.62 €
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Guitare
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Choro Nº 08 em C for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1002720 Composed by Carlos Gonç…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1002720 Composed by Carlos Gonçalvers da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Goncalves da Silva #6476193. Published by Carlos Goncalves da Silva (A0.1002720). Choro tÃpico brasileiro apropriado como peça de apresentação. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura e dinâmica. Duração aproximada de 2 minutos.Typical Brazilian choro suitable as a presentation piece. It can be used by schools. Ask for medium difficulty for study and practice. Works eyelash, ligature and dynamics. Approximate duration of 2 minutes.
$1.99
1.84 €
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Guitare
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Carlos Gonçalvers da Silva
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Choro Nº 08 em C for Guitar
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Carlos Goncalves da Silva
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SheetMusicPlus
Don't Give Up
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.961510 By Peter Gabriel And Kate B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.961510 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Colin Tommis. Contemporary. Individual part. 3 pages. Colin Tommis #6103219. Published by Colin Tommis (A0.961510). This is a notation only version of my arrangement of Peter Gabriel's song. It is unusual in that the 6th string is tuned down to C, and the 5th string is tuned down to G. .
$4.99
4.61 €
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Guitare
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Peter Gabriel And Kate Bush
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Colin Tommis
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Don't Give Up
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Colin Tommis
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.34 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
C-H-R-I-S-T-M-A-S
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.407143 By Eddy Arnold. This edi…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.407143 By Eddy Arnold. This edition: Interactive Download,scorch. Christmas,Holiday. Score. 1 pages. Published by Hal Leonard - Digital (HX.407143).
$2.99
2.76 €
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Guitare
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Eddy Arnold
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C-H-R-I-S-T-M-A-S
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Hal Leonard - Digital
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SheetMusicPlus
Women Composers
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4265 Guitar Works by Caroline V. Hayd…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4265 Guitar Works by Caroline V. Hayden. Composed by C.V. Hayden. Arranged by Annette Kruisbrink. Score. 63 pages. Les Productions d'OZ - Digital #DZ 4265. Published by Les Productions d'OZ - Digital (
Ce volume de la série Women Composers pour guitare contient 20 compositions de la compositrice américaine Caroline V. Hayden. Au XIXe siècle, une grande quantité de musique pour instruments à cordes pincées, comme la guitare, le banjo, la mandoline et la harpe, a été publiée en Amérique. Les danses populaires étaient la Polka, la Valse, la Mazurka, la Gavotte, la Schottische, la Marche et le Galop. Caroline V. Hayden était une représentante importante de ce mouvement musical. This volume in the series of Women Composers for the guitar contains 20 compositions by the American composer Caroline V. Hayden. In the 19th century a large quantity of music for plucked string instruments, such as the guitar, banjo, mandolin and harp was published in America. Popular were dances such as the Polka, Waltz, Mazurka, Gavotte, Schottische, March and Galop. Caroline V. Hayden was an important representative of this musical movement.
$19.95
18.43 €
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Guitare
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C
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Annette Kruisbrink
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Women Composers
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Les Productions d'OZ - Digital
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SheetMusicPlus
Cádiz
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1226373 By Miguel Llobet. By Isaac…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1226373 By Miguel Llobet. By Isaac Albeniz. Arranged by Francisco Tarrega. 19th Century,Romantic Period,Standards. Individual part. 5 pages. Ivan Paschoito #822374. Published by Ivan Paschoito (A0.1226373). A new edition, revised, from Miguel Llobet (1878-1938) 1900 manuscript, made public in 2018 by Museu de la Música de Barcelona.  An alternative and hitherto unknown Tárrega's version for this famous piece by Albéniz in the key of G major.
$4.99
4.61 €
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Guitare
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Miguel Llobet
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Francisco Tarrega
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Cádiz
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Ivan Paschoito
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SheetMusicPlus
Primeras Lecciones Guitarra para Principiantes: Aprender Notas / Tocando Solos
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.99931BCDSPEB Learning Notes/…
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Guitar (all) - Beginning - Digital Download SKU: M0.99931BCDSPEB Learning Notes/Playing Solos. Composed by William Bay. Adult Contemporary. First Lessons - Spanish. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99931BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99931BCDSPEB). ISBN 9781619112827. 8.75x11.75 inches.Esta introducción paso a paso muy fácil de entender para la lectura de notas y la interpretación en solo de guitarra presenta notas básicas en la primera posición. Cuenta con un acompañamiento de audio y video en lÃnea con secciones especiales sobre tipos de guitarras, preguntas frecuentes, cómo encadenar una guitarra, términos musicales y de guitarra.• fácil de entender, introducción paso a paso para la lectura de notas y la interpretación en solitario de guitarra• Presenta notas básicas en primera posición.• acompañamiento de acompañamiento de audio y video en lÃnea • Secciones especiales sobre tipos de guitarras, preguntas frecuentes, cómo encadenar una guitarra, términos musicales y de guitarra. This very easy to understand, step by step introduction to note reading and guitar solo performance presents basic notes in first position. It features a companion play-along online audio and video with special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms.• easy to understand, step by step introduction to note reading and guitar solo performance presents basic notes in first position • companion play-along online audio & video• special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms. Written in Spanish only.
$9.99
9.23 €
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Guitare
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William Bay
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Primeras Lecciones Guitarra para Principiantes: Aprender Notas / Tocando Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.84 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Spanish Guitar Study
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
1.84 €
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Guitare
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
...empty mind, open heart...
Guitare
Guitar - avancé - Digital Download SKU: ZY.DO-1521 Composed by David Leisner. Scor…
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Guitar - avancé - Digital Download SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
$7.95
7.34 €
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Guitare
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David Leisner
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...empty mind, open heart...
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Les Editions Doberman-Yppan
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SheetMusicPlus
Bach's Harp (from The Well Tempered Guitarist)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. Baroque,Concert,Contemporary. Individual part. 3 pages. Tim Rushworth #5208959. Published by Tim Rushworth (A0.943124). Have you ever been frustrated by trying to play Bach’s Prelude in C (from the well tempered clavier) on the guitar? As he wrote it for keyboard, it’s not surprising that it doesn’t quite work, I suppose. Well, after many years of wanting to play it on my guitar, I have realised that unless I learn to play the lute or get a 10 string guitar, it’s not going to happen. The keyboard version is so beautiful that it doesn’t need any alteration, but I have always felt that it should work on guitar, somehow or other.
$4.99
4.61 €
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Guitare
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Tim Rushworth
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Bach's Harp
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Tim Rushworth
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.84 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Moon River
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.914775 By Henry Mancini. By Henry …
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Solo Guitar - Level 2 - Digital Download SKU: A0.914775 By Henry Mancini. By Henry Mancini. Arranged by Barney Kessel. Jazz. Individual part. 2 pages. Cesar Leandro Miguel #5743461. Published by Cesar Leandro Miguel (A0.914775). This one is a beautiful jazz waltz performed by Barney Kessel and composed by Henry Mancini for the Breakfast at Tiffany's soundtrack. Mr. Kessel does a simple and effective interpretation of the tune, giving it an soft atmosphere with his jazz guitar.This version don't include tabs, and is easy to other C instruments to read.A nice and easy tune great to get started into jazz tunes.Hope you like it! Good studies!Best regards, Cesar
$13.99
12.92 €
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Guitare
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Henry Mancini
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Barney Kessel
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Moon River
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Cesar Leandro Miguel
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SheetMusicPlus
Collection of polyphonic music for guitars. European composers of 17-18 centuries.
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corel…
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Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I.S.Bach, Jean-Philippe Rameau, Johann Pachelbel, Krieger, Wiese, Wittgauer, and Wolfgang Amadeus Mozart. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 86 pages. Valery Dzyabenko #5354397. Published by Valery Dzyabenko (A0.978129). The collection of polyphonic pieces for classical guitar is intended for students of children's music schools. The complexity of the pieces is designed so that you can start learning polyphony even from 1st grade, and then up to 5th or 7th. Here you will find guitar arrangements of music by European composers of the 17th and 18th centuries. The collection contains many works that are not found in other publications. For example, the famous JS Bach's aria from Suite No. 3. The arrangement is performed in a comfortable key in C major, in good harmony with the transmission of almost all voices of this masterpiece of Bach. Or the famous Sarabande from JS Bach's suite. In other publications, it is presented in the key of B minor. In this edition, the Sarabande has been converted to the key minor. Sarabande became available to children. The collection also includes guitar arrangements by composers Mozart, Krieger, Türk, Rameau, Telemann, Aguado, Wiese, Corelli, Vitgauer, Hurlebusch and others.
$11.00
10.16 €
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Guitare
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Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I
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Valery Dzyabenko
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Collection of polyphonic music for guitars. European composers of 17-18 centuries.
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Valery Dzyabenko
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SheetMusicPlus
It Don't Mean A Thing (If It Ain't Got That Swing)
Guitare
By Duke Ellington. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages…
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By Duke Ellington. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.84 €
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Guitare
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Duke Ellington
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Standards
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It Don't Mean A Thing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I Don't Stand A Ghost Of A Chance
Guitare
By Bing Crosby. C Instruments. Jazz; Standards. RBMC. 1 pages. Published by Hal Leonard - …
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By Bing Crosby. C Instruments. Jazz; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.84 €
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Guitare
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Bing Crosby
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Standards
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I Don't Stand A Ghost Of A Chance
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Miscellaneous: I Am A C-H-R-I-S-T-I-A-N - guitar solo (ChordBuddy system)
Guitare
Instantly printable sheet music by Miscellaneous for guitar solo (ChordBuddy system) of ME…
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Instantly printable sheet music by Miscellaneous for guitar solo (ChordBuddy system) of MEDIUM skill level. / christian,sacred
$2.97
2.74 €
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Guitare
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Miscellaneous
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Virtualsheetmusic
Eddy Arnold: C-H-R-I-S-T-M-A-S - guitar solo
Guitare
Instantly printable sheet music by Eddy Arnold for guitar solo of MEDIUM skill level. / ch…
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Instantly printable sheet music by Eddy Arnold for guitar solo of MEDIUM skill level. / christmas,holiday,advent,carol,festival
$6.97
6.44 €
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Guitare
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Eddy Arnold
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Virtualsheetmusic
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