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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cadence
Non classifié
150
Piano & claviers
Piano seul
160
Orgue
12
Piano Facile
9
Piano, Voix
8
Instruments en Do
6
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Piano, Voix et Guitare
2
Clavier
1
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
14
Guitare (partie séparée)
4
Basse electrique
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
60
Chorale TTBB
9
Chorale 3 parties
6
Chorale Unison
4
Chorale 2 parties
3
Chorale SSAA
2
Chorale SSATB
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Flûtes traversières (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Clarinettes (duo)
5
Clarinette (partie séparée)
5
Ensemble de saxophones
5
Hautbois, Piano (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette, Piano (trio)
3
Flute (partie séparée)
3
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Flûte traversière
2
Flûte, Clarinette, Violon (trio)
1
Saxophone et Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Saxophone Alto et Piano
1
Saxophone Soprano et Piano
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
Hautbois (partie séparée)
1
Saxophone et Harpe
1
2 Hautbois (duo)
1
Clarinette
1
2 Saxophones (duo)
1
Hautbois, Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
+ 29 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
17
Quatuor de Cuivres
12
Trompette (partie séparée)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor (partie séparée)
4
Tuba (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Trombone (duo)
1
Tuba
1
Ensemble de Trombones
1
Ensemble de Trompettes
1
Trombone et Piano
1
Euphonium, Tuba (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Harpe
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Harpe
11
2 Violons (duo)
7
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
3
Contrebasse (partie séparée)
3
Harpe, Flûte (duo)
3
4 Violoncelles
2
Violon, Violoncelle (duo)
2
Violon (partie séparée)
2
Violon, Alto (duo)
2
Violon
2
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Alto et Harpe
1
Violon et Piano
1
Quatuor à cordes: 4 violons
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Fanfare
192
Batterie
32
Batterie-Fanfare
30
Ensemble de Percussions
27
Orchestre
18
Orchestre d'harmonie
12
Ensemble Jazz
10
Orchestre à Cordes
9
Cloches
8
Ensemble de cuivres
6
Caisse Claire
6
Percussion
4
Batterie (partie séparée)
3
Orchestre de chambre
2
Percussion (partie séparée)
2
Marimba
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Vous avez sélectionné:
Cadence
Guitare
Partitions à imprimer
14 partitions trouvées
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1
Cadence No. 4 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence No. 4 - from Etudes Instructives Faciles Et Agreables (Easy and A…
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Mauro Giuliani - Cadence No. 4 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 4 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1;Guitar; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Cadence No. 6 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence No. 6 - from Etudes Instructives Faciles Et Agreables (Easy and A…
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Mauro Giuliani - Cadence No. 6 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 6 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar;Guitar 1; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Cadence No. 5 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence No. 5 - from Etudes Instructives Faciles Et Agreables (Easy and A…
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Mauro Giuliani - Cadence No. 5 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 5 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1;Guitar; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Cadence No. 3 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence No. 3 - from Etudes Instructives Faciles Et Agreables (Easy and A…
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Mauro Giuliani - Cadence No. 3 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 3 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar;Guitar 1; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Cadence No. 7 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence No. 7 - from Etudes Instructives Faciles Et Agreables (Easy and A…
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Mauro Giuliani - Cadence No. 7 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 7 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1;Guitar; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Cadence, No. 9 by Mauro Giuliani - Guitar Solo
Guitare
Mauro Giuliani - Cadence, No. 9 - from Etudes Instructives Faciles Et Agreables (Easy and …
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Mauro Giuliani - Cadence, No. 9 - from Etudes Instructives Faciles Et Agreables (Easy and Agreeable Instructive Etudes for the Guitar) Op. 100 No. 9 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar;Guitar 1; 1 pages -- Classical Period~~Classical~~Methods/Studies~~Guitar Virtuoso
$5.50
5.04 €
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Guitare
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Guitar Solo
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Musicnotes
Tanguillo de Cádiz Guitar 2
Guitare
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by T…
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Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
3.66 €
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Guitare
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Estudo de Tremolo nº 2 / Tremolo Study n. 2
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1033372 Composed by Alvaro Henriqu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1033372 Composed by Alvaro Henrique. 20th Century,Instructional,Romantic Period,Spiritual. Individual part. 4 pages. Alvaro Henrique #6418227. Published by Alvaro Henrique (A0.1033372). Venho pesquisando o trêmolo, e neste estudo desenvolvo possibilidades de tocar a melodia sustentada em cada uma das três vozes, alternando o acompanhamento. É uma bela melodia, usando uma cadência de acordes tonais bela e relaxante. I've been researching tremolo, and in this study I develop possibilities to play the long sustained melody in each of the three voices, alternating the accompainment. It's a beutiful melody, based on a beautiful and relaxing tonal chord cadence.
$1.99
1.83 €
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Guitare
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Alvaro Henrique
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Estudo de Tremolo nº 2 / Tremolo Study n. 2
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Alvaro Henrique
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SheetMusicPlus
'Golaud's Letter' from Pelleas et Melisande
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
6.42 €
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Guitare
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Claude Debussy
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Rod Whittle
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for solo classical guitar
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'Golaud's Letter' from Pelleas et Melisande
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Maggie Creek Music
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SheetMusicPlus
Sonidos Negros
Guitare
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
6.41 €
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Guitare
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Tientos
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.58 €
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Guitare
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
Nuno Bettencourt: Decadence Dance for guitar
Guitare
Instantly printable sheet music by Extreme for guitar solo (chords) of EASY skill level. /…
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Instantly printable sheet music by Extreme for guitar solo (chords) of EASY skill level. / metal,pop,rock,children
$3.97
3.64 €
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Guitare
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Nuno Bettencourt
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Virtualsheetmusic
Decadence Dance
Guitare
By Extreme. For easy guitar. Metal; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leon…
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By Extreme. For easy guitar. Metal; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.74 €
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Guitare
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Extreme
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Pop
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Decadence Dance
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Fingerboard Theory for Guitar
Guitare
(A Music Theory Text for Guitarists). Composed by Mike Christiansen. For Guitar (All). All…
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(A Music Theory Text for Guitarists). Composed by Mike Christiansen. For Guitar (All). All Styles. Multiple Levels. E-book. 144 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609744533. This book contains concepts of music theory presented in such a way as to be easily understood by guitarists. All of the concepts are presented sequentially in an easy-to-follow format using the guitar fingerboard as the visual tool. Contents include: scales, key signatures, intervals, chord construction and voicing, harmonizing melodies, chord embellishment and substitution, modes, cadences, augmented sixth chords, quartal harmony, and more. Using this book, guitarists will be able to unravel the mysteries of music theory and realize that the concepts are not so mysterious after all.ISBN 9781609744533. This book contains concepts of music theory presented in such a way as to be easily understood by guitarists. All of the concepts are presented sequentially in an easy-to-follow format using the guitar fingerboard as the visual tool. Contents include: scales, key signatures, intervals, chord construction and voicing, harmonizing melodies, chord embellishment and substitution, modes, cadences, augmented sixth chords, quartal harmony, and more. Using this book, guitarists will be able to unravel the mysteries of music theory and realize that the concepts are not so mysterious after all.
$19.99
18.33 €
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Guitare
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Mike Christiansen
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Fingerboard Theory for Guitar
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
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