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TRI ET FILTRES
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22
Accompagnement Piano
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1 Piano, 4 mains
12
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10
Piano grosses notes
6
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5
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4
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3
Clavier
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Guitare notes et tablatures
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VOIX
Chorale SATB
264
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239
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87
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75
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16
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8
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2
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1
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Chorale SSATB
1
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1
Voix basse
1
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VENTS
Quatuor de Saxophones: 4 saxophones
107
Flûte, Hautbois, Clarinette, Basson
75
Flûte traversière et Piano
54
2 Saxophones (duo)
45
Saxophone (partie séparée)
38
Saxophone Alto et Piano
37
Quatuor de Clarinettes: 4 clarinettes
31
2 Clarinettes (duo)
28
2 Flûtes traversières (duo)
28
Hautbois, Piano (duo)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette et Piano
26
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20
Clarinette
19
Saxophone Soprano et Piano
17
3 Saxophones (trio)
15
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14
Ensemble de Clarinettes
14
Flûte traversière
14
Saxophone Alto
14
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14
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12
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12
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12
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12
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11
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9
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9
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9
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8
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8
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8
Quatuor de Flûtes : 4 flûtes
8
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7
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7
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6
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5
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5
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5
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4
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4
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3
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3
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3
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3
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3
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2
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2
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2
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2
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1
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1
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Flute (partie séparée)
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1
Harmonica
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Cor Anglais
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
28
Trompette (partie séparée)
25
Trombone (partie séparée)
21
Quatuor de Cuivres
21
2 Trompettes (duo)
18
Trombone et Piano
17
Cor et Piano
15
Trompette, Saxophone (duo)
13
Trompette
13
2 Trombones (duo)
12
Trombone
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de cuivres: 4 trombones
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
6
Euphonium, Tuba (duo)
4
Tuba et Piano
4
Cor
4
3 Tubas (trio)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
2 Cors (duo)
3
Trombone, Cor (duo)
2
Trio de Cuivres
2
3 Cors (trio)
2
Ensemble de Cors
2
Tuba
2
Trompette, Cor (duo)
2
Euphonium, Piano (duo)
2
4 Tubas
2
Tuba (partie séparée)
2
Euphonium
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Ensemble de Trompettes
1
Trompette, Harpe
1
Cor et Harpe
1
Cor Anglais
1
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CORDES
Harpe
365
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon et Piano
47
Violoncelle, Piano
37
Violon
37
Alto, Piano
32
2 Harpes (duo)
28
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
22
Violon, Violoncelle (duo)
22
2 Violons (duo)
19
2 Altos (duo)
15
2 Violoncelles (duo)
13
Violoncelle (partie séparée)
13
Harpe, Violon (duo)
11
Violon (partie séparée)
9
Contrebasse (partie séparée)
8
Alto seul
8
4 Violoncelles
7
Alto, Violoncelle (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Voix
5
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
4
Violoncelle
4
Trio à Cordes: 3 violoncelles
4
Contre Basse
3
Alto et Harpe
3
Contrebasse, Piano (duo)
3
Alto (partie séparée)
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Autoharp
1
Harpe, Trombone (duo)
1
2 Contrebasses (duo)
1
Harpe, Violon, Violoncelle
1
4 Harpes
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
131
Ensemble Jazz
97
Cloches
81
Orchestre
76
Orchestre à Cordes
60
Orchestre de chambre
45
Ensemble de cuivres
28
Jazz combo
18
Ensemble de Percussions
11
Fanfare
6
Batterie (partie séparée)
5
Piano et Orchestre
2
Marimba
2
Batterie
1
Vibraphone
1
Xylophone
1
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Percussion
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Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.43 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.83 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
The Parlement / Volt
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymo…
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Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Traditional,World. Individual part. 3 pages. Soul - Musical Creations #6353761. Published by Soul - Musical Creations (A0.948978). From the Dowland manuscript, this piece seems to te based on Kemp's Jig, a popular tune of the time, associated with Will Kemp, the famous English comic actor and dancer. Suggest tempo is brisk. * On the measure 8 is important to release the third finger from the low C at this point to avoid an ugly clash with the upper C#. The change of key is somewhat sudden, but it is helped by stressing the C#. Volt: This very popular piece was untitled in the Dowland manuscript but apears elsewere under the title of Volt or La Volta. It Appears frequently in Italian lute sources and was probably originally Italian. * The only technical problem lies the first two measures, where the change from the second to fifth position should be made evenly and without hurry.
$1.99
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Guitare
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John Dowland
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Bisdré Santos
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The Parlement / Volt
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Soul - Musical Creations
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SheetMusicPlus
Common Chord Changes of Jazz Standards for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.809097 Composed by Tony Benade. In…
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Solo Guitar - Level 4 - Digital Download SKU: A0.809097 Composed by Tony Benade. Instructional,Jazz. Individual part. 56 pages. Tony Benade #3480701. Published by Tony Benade (A0.809097). The Common Chord Progressions of Jazz Standards is part two of the study, Jazz, The Language of Music. Once a student has mastered their basic mechanics of the scales, chords and chord functions, it becomes important to become familiar with the normal chord progressions that are used in many of the jazz standards. There are many chord patterns that are repeated over and over again. Being able to recognize them quickly in any key becomes a very valuable tool.
$24.95
22.99 €
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Guitare
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Tony Benade
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Common Chord Changes of Jazz Standards for Guitar
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Tony Benade
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.83 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
The Evening Bell - Granados - for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granados. Arranged by Derek Hasted. Romantic Period. Individual part. 5 pages. Derek Hasted #2881539. Published by Derek Hasted (A0.797675). THE EVENING BELL (Granados) - CLASSICAL GUITAR SOLODerek Hasted writes Enrique Granados is well-known amongst guitarists for his Danzas Españolas, but this piece is seldom heard on guitar, and it really deserves to be!This is number 4 in his Bocetos or Sketches.Originally set in F for piano this arrangement is in D with the bottom string tuned down to give a wonderful sustain over which the gentle music slowly meanders. The piece has wonderful key changes and fits the guitar well.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.76 €
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Guitare
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Enrique Granados
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Derek Hasted
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The Evening Bell - Granados - for Classical Guitar
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Derek Hasted
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SheetMusicPlus
The Rider
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.928353 Composed by Shaun Elder. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.928353 Composed by Shaun Elder. 20th Century,Contemporary. Individual part. 7 pages. Shaun Elder #5747501. Published by Shaun Elder (A0.928353). From the CD Desert Blooms featuring Jeffrey McFadden, classical guitar. A rider on horseback crosses different terrain, interior and exterior. Features a repeating lower figure and subtle changes of texture and meter. Includes the original key from the CD plus an easier to play transposition.
$4.95
4.56 €
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Guitare
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Shaun Elder
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The Rider
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Shaun Elder
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SheetMusicPlus
Love Of My Life
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. A…
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Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Hasted #889151. Published by Derek Hasted (A0.1299289). LOVE OF MY LIFE (Queen) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody fits classical guitar like a glove.There are two arrangements in this one edition - one for “solo and accompaniment†and one where the roles swap over at each verse. The versions are otherwise identical. The first of these arrangements is ideal for a duo in which the abilities are slightly unequal.My arrangement is based on Queen’s Official Video and includes all the key changes and phrases except for one little piece of quasi-improvisation I have removed (which would otherwise leave one player looking at the floor in a duet performance!)There is an amount of fingering and slurring which may help to get the smoothest performance, but there are plenty of places where the music needs to breathe, so please don’t rush... I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Guitare
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Queen
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Derek Hasted
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Love Of My Life
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Derek Hasted
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.6 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Grand Vals Franciso Tarrega for easy intermediate guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
5.53 €
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Guitare
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Francisco Tarrega
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Dennis Greensmith
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Grand Vals Franciso Tarrega for easy intermediate guitar
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Dennis Greensmith
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Study: Secondary Dominance
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Daydream
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.943114 Composed by Tim Rushworth. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.943114 Composed by Tim Rushworth. 20th Century,Contemporary,Instructional. Individual part. 4 pages. Tim Rushworth #4298149. Published by Tim Rushworth (A0.943114). This piece uses tremelo, an effect created by the repetition of notes to give the impression of a sustained melody line. The opening (in A minor) is chordal and also gives a taste of the melody to come in the main section. In the central section there is a change of key to E major with natural harmonics, giving a different texture to the music here. The tremelo melody returns, now in the new key, before moving to E minor, The dream returns to the original melody in A minor and ends with the same opening chords.
$7.50
6.91 €
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Guitare
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Tim Rushworth
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Daydream
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Tim Rushworth
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SheetMusicPlus
Lyric Piece
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1170228 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1170228 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #770593. Published by Doug Smith Guitar Studio (A0.1170228). Lyric Piece is melodeic light jazz music that uses the 1st through 5th Positions in the key of A major. There are harmonized melodic runs, connecting bass melodies, slurs with left hand fingers, pizzicato articulations and key changes.
$2.99
2.76 €
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Guitare
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Doug Smith
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Lyric Piece
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Doug Smith Guitar Studio
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SheetMusicPlus
Prelude (BWV1006) in E major transcribed for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
1.84 €
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Guitare
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Johann Sebastian Bach
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Daniel Clark
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Prelude
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Daniel Clark
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SheetMusicPlus
Solfeggietto in E minor
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp E…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #764975. Published by JaGlo Music (A0.1164642). Solfeggietto in C minor has been played by accomplished pianists worldwide and is considered one of C.P.E. Bach's most famous compositions. This study is challenging but beneficial for the left and right-hand techniques on the piano and the guitar. The key has been changed to E minor which allows the guitarist to use the full range of the guitar while maintaining the challenging aspects of this study. This is a great solo piece for advanced students.
$4.99
4.6 €
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Guitare
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Carl Philipp Emanuel Bach
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Joseph Dávila
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Solfeggietto in E minor
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JaGlo Music
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SheetMusicPlus
Lament In Tremolo Form
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1300023 By Laurindo Almeida. By La…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1300023 By Laurindo Almeida. By Laurindo Almeida. Arranged by Popnroll 1976. 20th Century,Classical,Jazz,Latin. Individual part. 4 pages. Popnroll 1976 #889791. Published by Popnroll 1976 (A0.1300023). Lament In Tremolo Form - Laurindo Almeida (for Classical Guitar)Laurindo Almeida is a jazz classical guitarist from Brazil.This is a complete transcription of his guitar performance.It is included in the album Guitar Player released in 1977, which is a collection of performances by guitarists of the time.Discog link:https://www.discogs.com/ja/master/336045-Various-Guitar-PlayerIt is a romantic piece with Am-based tremolo technique reminiscent of the famous Memories of the Alhambra by Spanish composer/guitarist Francisco Talega. From the chorus of the latter half of the song, the key changes to F major, creating a bright but melancholic atmosphere.Composed and performed by Laurindo AlmeidaPDF format, 4 pages.
$19.99
18.42 €
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Guitare
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Laurindo Almeida
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Popnroll 1976
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Lament In Tremolo Form
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Popnroll 1976
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SheetMusicPlus
Night Fragments
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1304695 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1304695 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894136. Published by Doug Smith Guitar Studio (A0.1304695). Night Fragments is compossed for performance on the fifth fret of the guitar. Phe piece is in the key of A minor and uses a slapping thumb technique acrosws two or more strings, jazz chords, and thumb, index cross string picking with changes in dynamics.
$1.99
1.83 €
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Guitare
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Doug Smith
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Night Fragments
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Doug Smith Guitar Studio
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SheetMusicPlus
Winona Music #7 Etude #3
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1153630 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1153630 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 5 pages. Doug Smith Guitar Studio #753892. Published by Doug Smith Guitar Studio (A0.1153630). Winona music: Doug Smith's first set of guitar compositions, a unique blend of classical, jazz and blues styles from 1969-1971. Etude #3 explores the key of D major with a blend of strums, arpeggios and changes in meter.
$2.99
2.76 €
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Guitare
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Doug Smith
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Winona Music #7 Etude #3
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Doug Smith Guitar Studio
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SheetMusicPlus
Bassman Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20th Century,Blues,Classical,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #767217. Published by Doug Smith Guitar Studio (A0.1166841). Bassman Blues is the first in a series of intermediate to advanced pieces. Bassman Blues follows a typical blues chord progression using notes and arpeggios in the first position. There are slurs with the left hand fingers, two tempos and a key change within and climactic strums at the end.
$1.99
1.83 €
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Guitare
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Doug Smith
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Bassman Blues
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Doug Smith Guitar Studio
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SheetMusicPlus
"We Three Kings" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1344903 Composed by John Henry Hop…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1344903 Composed by John Henry Hopkins Jr. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 3 pages. Keith Gehle #929880. Published by Keith Gehle (A0.1344903). “We Three Kings†was arranged and recorded as part of Keith’s 2006 recording entitled Songs of December. This relatively easy arrangement has an interesting key change from the opening A minor tonality to E minor. It includes detailed fingerings in standard notation. There’s also a version with TAB available on this site.
$2.99
2.76 €
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Guitare
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John Henry Hopkins Jr
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Keith W
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"We Three Kings" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
"Winter Won't Let Me Go"
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest,Festival,Wedding. Individual part. 6 pages. Dale K. Rodgers #898703. Published by Dale K. Rodgers (A0.1309543). This is a lively solo for finger-style or classical guitar. One of my best. Key of Am with well developed chords (maj7, add 9, flat 5ths, etc), harmonics, the entire fretboard is utilized.  4/4 time, Tempo 120 with some rapid time signature changes. Good piece to include in concert programs. Audiences have reacted most favorably to it. Two versions are provided: one in standard notation with extensive fingerings, and another with TAB also included.
$4.99
4.6 €
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Guitare
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Dale K
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Dale K
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"Winter Won't Let Me Go"
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Dale K. Rodgers
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SheetMusicPlus
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