Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chante
Sheetmusicplus
Non classifié
254
Piano & claviers
Piano seul
139
Piano Facile
117
Piano, Voix et Guitare
51
Piano, Voix
43
Piano grosses notes
11
Instruments en Do
6
1 Piano, 4 mains
5
Orgue
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Accordéon
1
2 Pianos, 8 mains
1
Clavier
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
48
Guitare
20
Guitare notes et tablatures
19
Ukulele
9
Paroles et Accords
3
2 Guitares (duo)
2
Dulcimer
1
Ensemble de guitares
1
Mandoline
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
37
Chorale 2 parties
14
Pack Instrumental pour Chorale
13
Voix seule
12
Chorale TTBB
8
Chorale SSAA
6
Chorale Unison
4
Chorale
3
Voix basse, Piano
2
Chorale SSATTB
2
Voix haute
1
Voix, Guitare
1
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Chorale SSAATTBB
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière
29
Saxophone (partie séparée)
26
Clarinette (partie séparée)
22
Clarinette
21
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto
16
Saxophone Tenor
16
Flûte traversière et Piano
14
Quatuor de Clarinettes: 4 clarinettes
9
2 Flûtes traversières (duo)
8
Flûte à Bec
7
Flute (partie séparée)
7
Flûte et Guitare
6
Hautbois (partie séparée)
6
Hautbois
6
Clarinette, Guitare (duo)
6
Ensemble de Clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Baryton, Piano
5
Clarinette et Piano
5
2 Clarinettes (duo)
5
Quintette de Saxophone: 5 saxophones
4
Ocarina
4
Saxophone Alto et Piano
4
Hautbois, Piano (duo)
4
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
4
3 Clarinettes (trio)
4
Piccolo
3
Saxophone Soprano
3
Saxophone Baryton
2
Harmonica
2
Ensemble de Flûtes
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette (duo)
2
Flûte, Violon
2
Cornemuse
2
Clarinette, Violon (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte irlandaise
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
2 Saxophones (duo)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Violon
1
Clarinette Basse
1
Ensemble de saxophones
1
+ 54 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone
11
Trompette
11
Trombone (partie séparée)
11
Cor
11
Cor (partie séparée)
8
Tuba
6
Trombone et Piano
5
Tuba et Piano
5
Trompette, Piano
5
Tuba (partie séparée)
4
Cor et Piano
4
2 Trompettes (duo)
3
Tuba ou Euphonium ou Saxhorn
2
2 Trombones (duo)
2
Ensemble de Cors
1
Trompette, Basson (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
29
Violoncelle
21
Violon (partie séparée)
18
Alto seul
18
Harpe
17
Violon et Piano
14
Violoncelle, Piano
13
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
2 Violoncelles (duo)
9
Alto, Piano
8
2 Violons (duo)
7
Contre Basse
7
Violon, Alto (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
4
2 Altos (duo)
4
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
90
Orchestre
26
Fanfare
22
Orchestre à Cordes
17
Percussion (partie séparée)
15
Cloches
8
Percussion
7
Orchestre de chambre
4
Timbales
4
Ensemble de Percussions
3
Timbales (partie séparée)
3
Ensemble Jazz
3
Ensemble de cuivres
2
Quintette à Vent
2
Batterie
2
Jazz combo
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
14
Partitions Numériques
20
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Chante
SheetMusicPlus
Partitions à imprimer
20 partitions trouvées
<
1
La foret enchantee
#
Guitare
#
FACILE
#
Claude Gagnon
#
La foret enchantee
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By Claude Gagnon. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digital ...
(+)
By Claude Gagnon. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digital
$9.95
Les 100 de Roland Dyens - Le manege desenchante
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Roland Dyens
#
Les 100 de Roland Dyens - Le m
#
Les Productions d'OZ - Digita
#
SheetMusicPlus
Guitare seule - Intermediaire - Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1980. Published by Les Pro...
(+)
Guitare seule - Intermediaire - Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1980. Published by Les Productions d'OZ - Digita
$3.95
Les 100 de Roland Dyens - Marchante basse
#
Guitare
#
FACILE
#
Roland Dyens
#
Les 100 de Roland Dyens - Marc
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d'OZ - Digital ...
(+)
By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d'OZ - Digital
$3.95
Sept ballades enchantees
#
Guitare
#
Frederic Costantino
#
Sept ballades enchantees
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By Frederic Costantino. For solo guitar. Level 1.5. Published by Les Productions d'OZ - Digital ...
(+)
By Frederic Costantino. For solo guitar. Level 1.5. Published by Les Productions d'OZ - Digital
$5.95
FOUR SEASONS & FINALE (5. Enchanted Evening) - Solo Guitar
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
LINCOLN BRADY
#
LINCOLN BRADY
#
FOUR SEASONS & FINALE
#
LINCOLN BRADY
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1133885 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical. Full Performance. Duration 168. LINCOLN BRA...
(+)
Guitar - Level 4 - SKU: A0.1133885 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical. Full Performance. Duration 168. LINCOLN BRADY #734005. Published by LINCOLN BRADY (A0.1133885). Https://www.sheetmusicplus.com/title/22220761 In a Neo-Impressionistic style. A musical evocation of a short poem by Lincoln Brady.
$2.99
ENCHANTED EVENING - Solo Guitar
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
LINCOLN BRADY
#
ENCHANTED EVENING - Solo Guita
#
LINCOLN BRADY
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.803098 Composed by LINCOLN BRADY. 20th Century,Contemporary. Individual part. 4 pages. LINCOLN BRADY #6722453. Published...
(+)
Solo Guitar - Level 3 - SKU: A0.803098 Composed by LINCOLN BRADY. 20th Century,Contemporary. Individual part. 4 pages. LINCOLN BRADY #6722453. Published by LINCOLN BRADY (A0.803098). Composed for Solo Guitar by Lincoln Bradyin a Neo-Impressionistic style.
$4.99
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
#
Guitare
#
INTERMÉDIAIRE
#
The William Bay Collection - F
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by ...
(+)
Guitar - Intermediate - SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
Song List
: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
$24.99
"Barnsley's Garden" for solo classical fingerstyle guitar
#
Guitare
#
INTERMÉDIAIRE
#
Keith Gehle
#
"Barnsley's Garden"
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published ...
(+)
Solo Guitar - Level 3 - SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
FOUR SEASONS & FINALE - Solo Guitar
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
LINCOLN BRADY
#
FOUR SEASONS & FINALE - So
#
LINCOLN BRADY
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.803100 Composed by LINCOLN BRADY. 20th Century,Contemporary. Individual part. 12 pages. LINCOLN BRADY #6786893. Publishe...
(+)
Solo Guitar - Level 3 - SKU: A0.803100 Composed by LINCOLN BRADY. 20th Century,Contemporary. Individual part. 12 pages. LINCOLN BRADY #6786893. Published by LINCOLN BRADY (A0.803100). In a Neo-Impressionistic style. A suite of five movements inspired by five short poems by the composer - Lincoln Brady:'Shining Summer', 'Colours of Autumn', 'Winter Skies', 'Butterflies in Springtime' and 'Enchanted Evening - Finale'.
$14.99
Kapsberger
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Kapsberger
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Earl...
(+)
Solo Guitar - Level 4 - SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
Colascione
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Colascione
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Ea...
(+)
Solo Guitar - Level 3 - SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856202. Published by Joabe Guilherme Oliveira (A0.1263243). It is with great pleasure that we present the piece entitled Colascione. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Colascione showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Colascione is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Colascione provides.
$1.99
Chorus and Aria from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Prelude X
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Joabe Guilherme Oliveira
#
Prelude X
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263223 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance....
(+)
Solo Guitar - Level 3 - SKU: A0.1263223 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856190. Published by Joabe Guilherme Oliveira (A0.1263223). It is with great pleasure that we present the piece entitled Prelude X. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Prelude X showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Prelude X is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Prelude X provides.
$1.99
Capona
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Capona
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263247 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Ea...
(+)
Solo Guitar - Level 3 - SKU: A0.1263247 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 3 pages. Joabe Guilherme Oliveira #856206. Published by Joabe Guilherme Oliveira (A0.1263247). It is with great pleasure that we present the piece entitled Capona. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Capona showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Capona is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Capona provides.
$1.99
Suite in G
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Suite in G
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,R...
(+)
Solo Guitar - Level 3 - SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 9 pages. Joabe Guilherme Oliveira #856195. Published by Joabe Guilherme Oliveira (A0.1263227). It is with great pleasure that we publish this collection of pieces entitled Suite in G. This compilation, transcribed and fingered by Joabe Guilherme and Alexandre Ribeiro, brings together selected pieces from the renowned Kapsberger's Libro quarto d'intavolatura di chitarrone. Each piece has been carefully chosen to offer a unique and delightful musical experience. We would like to dedicate this collection to a talented and admirable musician, Henrique Carvalho. Henrique is an exquisite interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skills have captivated audiences around the world. It is an honor to pay tribute to him with this Suite, which will undoubtedly inspire him to continue enchanting everyone with his art. Our collection features five distinct pieces, each one showcasing the mastery and expressiveness of Kapsberger's genius. A special feature of this collection is the attention given to the technical resources and characteristics of the theorbo. An example of this is the use of campanelas, which are rarely employed in modern guitar playing but are a fundamental element in this transcription. In summary, Suite in G is a collection that presents a carefully chosen selection of pieces from the Libro quarto d'intavolatura di chitarrone. Compiled with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar, this collection is the result of our dedication to conveying the authenticity and beauty of the original works. We hope you enjoy this musical journey with us and are enchanted by the rich sound and technical prowess that the Suite in G provides.
$10.00
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Belle Qui Tiens Ma Vie (Standard Notation and TAB)
#
Guitare
#
INTERMÉDIAIRE
#
Thoinot Arbeau
#
Peter Miklitz
#
Belle Qui Tiens Ma Vie
#
Peter Miklitz
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.781776 Composed by Thoinot Arbeau. Arranged by Peter Miklitz. Renaissance,Standards. Individual part. 1 pages. Peter Mik...
(+)
Solo Guitar - Level 3 - SKU: A0.781776 Composed by Thoinot Arbeau. Arranged by Peter Miklitz. Renaissance,Standards. Individual part. 1 pages. Peter Miklitz #3125501. Published by Peter Miklitz (A0.781776). Thoinot Arbeau's choir piece Belle Qui Tiens Ma Vie arranged for fingerstyle guitar solo in both standard notation and TAB. This piece became popular through John Renbourn's arrangement on his album The Enchanted Garden from 1980. With a capo on the 3rd fret it can be played in its original key and the stretches in bars 5 and 7 will become much easier.
$4.00
Dragon Age: Inquisition
#
Guitare
#
Contemporain
#
Trevor Morris
#
Andrés Rivas
#
Dragon Age: Inquisition
#
Andrés Rivas
#
SheetMusicPlus
Solo Guitar, Guitar - Digital Download Composed by Trevor Morris. Arranged by Andres Rivas. Classical, Film/TV, Sacred, Traditional, Video Game. Indi...
(+)
Solo Guitar, Guitar - Digital Download Composed by Trevor Morris. Arranged by Andres Rivas. Classical, Film/TV, Sacred, Traditional, Video Game. Individual part. 2 pages. Published by Andres Rivas
This is Enchanter by Dragon Age Inquisition by Trevor Morris on Classical Guitar.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$7.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale