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Fanfare
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AUTRES
Vous avez sélectionné:
Children's Dance
Guitare
Partitions à imprimer
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Suite in modern style: I - Prelude II - By Circle III - Reflections IV - Dance
Guitare
Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary C…
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Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary Classical, Children's Music, Children's Musicals. Individual Part. 6 pages. Published by Oleg Boyko
For Kids<br> Suite in modern style:<br> I - Prelude<br> II - By Circle<br> III - Reflections<br> IV - Dance
$5.00
4.5 €
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Guitare
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Oleg Boyko
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Suite in modern style: I - Prelude II - By Circle III - Reflections IV - Dance
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Oleg Boyko
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SheetMusicPlus
Kids Suites
Guitare
Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary C…
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Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary Classical, Swing, Latin Jazz, Latin, Children's Music. Individual Part. 21 pages. Published by Oleg Boyko
Item Number: S0.570759<br> <br> Suite in modern style<br> I - Prelude<br> II - By Circle<br> III - Reflections<br> IV - Dance<br> <br> https://youtu.be/K-iDvLF3rWg<br> <br> Suite in classical style<br> I - Prelude<br> II - Minuet<br> III - Saraband<br> IV - Jig<br> <br> https://youtu.be/SrU9DFS8CQ4<br> <br> Suite in Swing style<br> I - Prelude<br> II - Walk<br> III - Dreams<br> IV - Joking<br> <br> https://youtu.be/KZluL2hHt8w<br> <br> Suite in Latin style<br> I - Prelude<br> II - Tango<br> III - Milonga<br> IV - Samba<br> <br> https://youtu.be/yl03-91dOMY<br> <br> Polish Suite<br> I - Polonaise<br> II - Mazurka<br> III - Polka<br> IV - Krakowiak<br> <br> https://youtu.be/t6PFrsOH1rk
$15.00
13.49 €
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Guitare
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Oleg Boyko
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Kids Suites
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Oleg Boyko
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SheetMusicPlus
Solo Pieces from "Kids Pages"
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Ch…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Children,Contemporary,Contest,Festival,Instructional. Individual part. 45 pages. Oleg Boyko #788657. Published by Oleg Boyko (A0.1189042). Collection of solo pieces for young guitar players from beginners till ...:01. My First Song02. I walk alone03. Little waltz04. Slow Waltz05. Beyond the Mountains06. Barcarolle07. Silent Song08. Funny Walk09. Short Walk10. Dance Invitation11. Warm Wind12. Rock'n'Roll13. Cautious Steps14. Lullaby15. Playful Polka16. Procession17. In the Garden18. Around Flowers19. Gallant Minuet20. Tarantella21. A Bit of Autumn22. Spring Waltz23. Hide and Seek24. I'm a little sad25. Doll's Song26. Rain and Wind27. Gentle Minuet28. Let's dance together29. Spring Breeze30. Under Sail31. By the Sea32. I'm Leaving Today (Swing)33. Carousel34. Solar Song35. In a Bach Style36. Light Swing37. True Tale (Swing).
$17.00
15.29 €
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Guitare
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the Sea
32
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Oleg Boyko
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Solo Pieces from "Kids Pages"
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Oleg Boyko
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SheetMusicPlus
Chicken Dance
Guitare
Composed by Traditional song. Arranged by Milan Mitic. For Guitar. Children's Music. …
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Composed by Traditional song. Arranged by Milan Mitic. For Guitar. Children's Music. Advanced Intermediate. Score. Published by Milan Mitic
$1.99
1.79 €
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Guitare
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Traditional song
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Milan Mitic
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Chicken Dance
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Milan Mitic
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.55 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
André (Guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
7.19 €
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Guitare
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitare
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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