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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Choral Part
Non classifié
6 990
Piano & claviers
Orgue
284
Piano, Voix
130
Piano seul
119
Accompagnement Piano
37
Piano Trio: piano, violon, violoncelle
29
Piano, Voix et Guitare
22
Piano (partie séparée)
20
Piano Facile
17
Orgue, Trompette (duo)
11
1 Piano, 4 mains
9
Orgue, Piano (duo)
9
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
Guitare (partie séparée)
31
Guitare
29
4 Guitares (Quatuor)
5
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
3
Basse électrique (partie séparée)
3
Basse electrique
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale 3 parties
25 649
Chorale 2 parties
15 330
Chorale SATB
9 809
Chorale TTBB
2 420
Chorale
2 074
Chorale Unison
1 644
Chorale SSAA
1 476
Pack Instrumental pour Chorale
158
Chorale SSAATTBB
30
Chorale SSATB
22
Voix duo, Piano
22
Voix seule
15
Chorale SSAB a cappella
15
Chorale SSAB, Piano
11
Voix duo
11
Chorale SSATTB
10
Voix Soprano, Orchestre
6
Soli, choeur mixte et accompagnement
2
Chorale SSAATB
2
Chorale SATBB
2
Chorale SAATB A Cappella
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
+ 20 instrumentations
Retracter
Vents
Flute (partie séparée)
527
Saxophone (partie séparée)
185
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
116
Clarinette et Piano
100
Clarinette (partie séparée)
92
Flûte traversière et Piano
86
Quatuor de Saxophones: 4 saxophones
77
Flûte, Hautbois, Clarinette, Basson
74
Hautbois (partie séparée)
66
Quatuor de Clarinettes: 4 clarinettes
54
Hautbois, Piano (duo)
52
Saxophone Alto et Piano
51
Flûte et Guitare
35
Quatuor de Flûtes : 4 flûtes
33
Saxophone Tenor et Piano
32
Saxophone Alto
31
Quintette de Saxophone: 5 saxophones
29
Saxophone Soprano et Piano
26
Flûte traversière
25
Ensemble de Flûtes
24
Clarinette
23
Cor anglais, Piano
22
3 Saxophones (trio)
22
2 Saxophones (duo)
19
Quatuor de Flûtes à bec
17
Saxophone Baryton, Piano
16
Ensemble de Clarinettes
14
Quintette de Clarinettes: 5 clarinettes
13
Clarinette Basse, Piano
12
Flûte à Bec
12
Flûte à bec Soprano
11
2 Clarinettes (duo)
11
2 Flûtes traversières (duo)
11
Flûte, Clarinette (duo)
10
Ensemble de saxophones
9
3 Clarinettes (trio)
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Saxophone Tenor
9
Quintette de Flûte : 5 flûtes
9
Trio de Flûtes: 3 flûtes
8
Flûte à bec Tenor
6
3 Flûtes à bec (trio)
6
2 Flûte à bec (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Hautbois
4
Flûte à bec Alto
4
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Cor Anglais
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Orgue
3
Clarinette Basse
2
4 Hautbois
2
Flûte à bec, Guitare (duo)
2
Saxophone Soprano
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Piccolo, Piano
2
Saxophone Baryton
2
Flûte, Violon, Violoncelle et Piano
2
Cor anglais et Harpe (duo)
1
Flûte et Quatuor à Cordes
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Ensemble à vent
1
Ensemble de Hautbois
1
Flûte traversière, Orchestre
1
Clarinette, Harpe (duo)
1
Hautbois, Quatuor à cordes
1
Hautbois, Basson (duo)
1
Clarinette, Orchestre
1
Hautbois, Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
Hautbois, Clarinette (duo)
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
+ 78 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
653
Trombone (partie séparée)
179
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
163
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Trompette, Piano
59
Quatuor de cuivres: 4 trombones
58
Trombone et Piano
48
Cor (partie séparée)
42
Cor et Piano
38
Trompette
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Quatuor de Cuivres
27
Ensemble de Trombones
25
Tuba (partie séparée)
23
Cor anglais, Piano
22
Quatuor de cuivres: 4 cors
18
Tuba et Piano
17
2 Euphoniums et 2 Tubas
17
Trombone
16
Cor
15
Trompette, Trombone (duo)
13
3 Trombones (trio)
10
Euphonium, Piano (duo)
8
Tuba
7
2 Trombones (duo)
7
Ensemble de Cors
7
2 Trompettes (duo)
6
Quatuor de cuivres: 4 trompettes
6
4 Tubas
6
Cor, Orchestre
5
Euphonium, Tuba (duo)
5
2 Cors (duo)
5
3 Tubas (trio)
4
Tuba et Orgue
4
Trompette, Cor (duo)
4
G Instruments
4
3 Cors (trio)
4
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cornet A Pistons
3
Cor Anglais
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Trompettes (trio)
2
Trombone basse et Piano
2
Cor anglais et Harpe (duo)
1
Euphonium (partie séparée)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Trompette, Orchestre
1
Trombone, Cor (duo)
1
Trombone, Orgue
1
Trombone basse
1
4 Euphoniums
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
284
Contrebasse (partie séparée)
90
Alto, Piano
74
Violoncelle, Piano
74
Violon et Piano
73
Violon (partie séparée)
73
Violoncelle
35
Trio à Cordes: violon, alto, violoncelle
30
Violon
21
Alto seul
18
Violoncelle (partie séparée)
17
Harpe
16
4 Violoncelles
16
Violon, Violoncelle (duo)
15
Contrebasse, Piano (duo)
15
Alto (partie séparée)
14
Violoncelle, Orchestre
11
Violon, Orgue
9
2 Violons (duo)
9
2 Violoncelles (duo)
8
Contre Basse
7
Violon, Alto (duo)
7
Trio à cordes: 3 violins
7
2 Altos (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à Cordes: 3 violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Harpe, Flûte (duo)
4
Trio à cordes: 3 altos
4
Trio à cordes
3
Harpe, Violon, Violoncelle
3
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
4 Contrebasses
1
Harpe et Piano
1
Ensemble de Violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
539
Orchestre
449
Orchestre à Cordes
127
Ensemble de cuivres
114
Orchestre de chambre
101
Batterie
76
Cloches
74
Percussion (partie séparée)
70
Piano et Orchestre
33
Batterie (partie séparée)
29
Ensemble Jazz
25
Jazz combo
25
Orchestre, Violon
18
Marimba
8
Fanfare
7
Timbales (partie séparée)
7
Instrumentation Flexible
4
Ensemble de Percussions
4
Vibraphone
3
Percussion
2
Big band
1
Caisse Claire
1
Voix et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
42
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Choral Part
Guitare
Partitions à imprimer
29 partitions trouvées
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1
26
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
#
Classique
#
Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Three Chorales for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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J
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Three Chorales for solo guitar
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JDevor Music, LLC
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #7550...
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Solo Guitar - Level 4 - SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #755010. Published by JDevor Music, LLC (A0.1154736). Three Chorales for solo guitar Short, melodic pieces for the intermediate-advanced classical guitarist. A great introduction to contemporary classical music for the guitar teacher and student.
$12.99
Next to Normal: A Choral Medley: Guitar
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Guitare
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Methodes
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Lisa DeSpain
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Recorded Acc. Available.
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Next to Normal: A Choral Medle
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa DeSpain. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-001575...
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Guitar - SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa DeSpain. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015751_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015751_G). UPC: 038081360447.Next to Normal is a thrilling, groundbreaking, Tony Award -winning musical, and definitely one of the most talked about Broadway productions of our time. This 5-minute medley captures the inventive spirit and powerhouse music of the show.Inst. Parts Available (choral); Recorded Acc. Available.
$9.00
Chorale
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Guitare
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FACILE
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Doug Smith
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Chorale
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344...
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Solo Guitar - Level 2 - SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344. Published by Doug Smith Guitar Studio (A0.1163992). Chorale is music in the first postion that uses a four part texture. The piece can be used to introduce guitar students to how to playfour notes at once with free strokes and show proper balance to the moving parts involved  with four note chords.
$1.99
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
#
Aleksander Wilgos
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J. S. Bach - Chorale Prelude B
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander W...
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Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
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Guitare
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
Choral Variations and Fugue
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Guitare
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Dusan Bogdanovic
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Choral Variations and Fugue
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Les Editions Doberman-Yppan
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SheetMusicPlus
Composed by Dusan Bogdanovic (1955-). Part. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1022. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1...
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Composed by Dusan Bogdanovic (1955-). Part. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1022. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1022). - Part - - Les Editions Doberman-Yppan (digital)
$5.95
Searching for a Chorale
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Guitare
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Seymour Bernstein
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Searching for a Chorale
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Les Editions Doberman-Yppan
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SheetMusicPlus
Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)...
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Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)
$5.95
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Minuet in D Minor - Guitar
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Guitare
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Classique
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pag...
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Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
Jesu Joy Of Man's Desiring BWV 147
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV
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DML
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages...
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Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Klas Krantz
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Song of Praise/Hymn Song for g
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Amadeus Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 4 - SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individu...
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Acoustic Guitar,Instrumental Solo - Level 4 - SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
Evergreen (Love Theme from A Star Is Born): Guitar
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Guitare
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Methodes
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Barbra Streisand
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Mark Hayes
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Recorded Acc. Available.
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Evergreen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra Streisand. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digit...
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Guitar - SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra Streisand. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017553_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017553_G). Paul Williams.Barbra Streisand's smash hit from her 1976 film A Star Is Born is now available for your choir! Lush harmonies and long flowing melodic lines give plenty of opportunities to develop musical expression, and all voice parts get an opportunity to sing the melody.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00
Pick Up the Pieces: Guitar
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Guitare
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Methodes
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Alan Gorrie, Hamish Stuart, Ma
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Recorded Acc. Available.
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Pick Up the Pieces: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0014319_G Guitar. Composed by Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball. Instructional. ...
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Guitar - SKU: AX.00-PC-0014319_G Guitar. Composed by Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014319_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014319_G). UPC: 038081339993.Scat your way to success with this inventive vocal setting of the '70s favorite, an instrumental soul classic by the Average White Band. May be performed a cappella, with piano, or with the rhythmic SoundTrax CD. SoundPax includes rhy.Inst. Parts Available (choral); Recorded Acc. Available.
$6.00
What Wondrous Love is This - vocal trio
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Guitare
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FACILE
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Unknown
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Connie Boss
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What Wondrous Love is This - v
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Connie Boss
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SheetMusicPlus
Choral Voice,SSA chorus, guitar - Level 2 - SKU: A0.801282 Composed by Unknown. Arranged by Connie Boss. A Cappella,Sacred,Spiritual. Score. 2 pages. Co...
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Choral Voice,SSA chorus, guitar - Level 2 - SKU: A0.801282 Composed by Unknown. Arranged by Connie Boss. A Cappella,Sacred,Spiritual. Score. 2 pages. Connie Boss #5178747. Published by Connie Boss (A0.801282). A Capella for a vocal trio - one part is a moving part from the other two.
$5.50
Deep, Deep Love
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Herb Frombach and Lee Dengler
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Billy Peters
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Deep, Deep Love
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Publish by Billy Peters
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.993715 Composed by Herb Frombach and Lee Dengler. Arranged by Billy Peters. Contemporary. Individual part. 3 pages. Publ...
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Solo Guitar - Level 4 - SKU: A0.993715 Composed by Herb Frombach and Lee Dengler. Arranged by Billy Peters. Contemporary. Individual part. 3 pages. Publish by Billy Peters #4354681. Published by Publish by Billy Peters (A0.993715). Deeper than the nails driven into His handsIs the love of a Father who gives His only Son.This guitar arrangement is based on the beautiful choral work of Herb Frombach and Lee Dengler. It is intended for classical guitarists. Unique to this arrangement is the drop (G) on the 5th string, and the drop (C) on the 6th. The 6th string C will sound and give a harmonic drone when the first chord is played. Be careful to let that harmonic tone ring as it will help tie the music together during the difficult shifts in the left hand.
$4.99
Jerusalem (For Fingerstyle Guitar Tuned Drop D)
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Guitare
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INTERMÉDIAIRE
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Public Domain
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Ellsworth McMeen
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Jerusalem
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806149 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Folk. Individual part. 5 pages. Ellsworth McMe...
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Solo Guitar - Level 3 - SKU: A0.806149 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Folk. Individual part. 5 pages. Ellsworth McMeen #4349039. Published by Ellsworth McMeen (A0.806149). Evocative, majestic arrangement of choral anthem for solo fingerstyle guitar in Drop D tuning (DADGBE). El McMeen is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists
$3.99
Jesus, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
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Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Jesu, Joy of Man's Desiring - w/tremolo (Guitar Solo)
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Guitare
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Classique
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Johann Sebastian Bach
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K
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Jesu, Joy of Man's Desiring -
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Kevin Edward Love
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SheetMusicPlus
Solo Guitar - SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #34286...
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Solo Guitar - SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #3428675. Published by Kevin Edward Love (A0.753000). A piece that needs no introduction. This version uses tremolo to express the choral interludes. Enjoy!
$3.95
Jesu, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Robert E
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Jesu, Joy of Man's Desiring
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R. E. Proctor
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.809676 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque. Individual part. 3 pages. R. E. Procto...
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Solo Guitar - Level 4 - SKU: A0.809676 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque. Individual part. 3 pages. R. E. Proctor #6957. Published by R. E. Proctor (A0.809676). The arrangement is taken from the Canata #147 with the choral sections reflecting the actual SATB voicings with little variation. Some portions of the arrangement may be more suited to the advanced player.
$3.95
Gib Dich Zufrieden Und Sei Stille (BWV 511)
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Guitare
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AVANCÉ
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Musique Sacrée
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Johann Sebastian Bach
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Peter Miklitz
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Gib Dich Zufrieden Und Sei Sti
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Peter Miklitz
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.781753 Composed by Johann Sebastian Bach. Arranged by Peter Miklitz. Baroque,Christian,Praise & Worship,Sacred. Individu...
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Solo Guitar - Level 5 - SKU: A0.781753 Composed by Johann Sebastian Bach. Arranged by Peter Miklitz. Baroque,Christian,Praise & Worship,Sacred. Individual part. 1 pages. Peter Miklitz #2963783. Published by Peter Miklitz (A0.781753). Johann Sebastian Bach's beautiful Choral Gib Dich Zufrieden Und sei Stille arranged for Classical Guitar solo.
$4.00
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
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Guitare
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AVANCÉ
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Yoann FILIN
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O Lord, Hear my Prayer
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Yoann Filin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093...
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Solo Guitar - Level 5 - SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00
Hymn And Dance For The Forgotten
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Guitare
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AVANCÉ
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Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
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