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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
717
PIANO & CLAVIERS
Orgue
624
Piano seul
221
Piano Facile
30
Piano, Voix
29
Piano, Voix et Guitare
14
Accompagnement Piano
13
Piano (partie séparée)
8
1 Piano, 4 mains
6
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Instruments en Do
3
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
1
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
27
Guitare
21
Guitare (partie séparée)
16
4 Guitares (Quatuor)
4
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
59201
Chorale 3 parties
23698
Chorale 2 parties
14476
Chorale TTBB
11952
Chorale SSAA
6186
Chorale Unison
6057
Chorale
5103
Chorale SSATB
316
Chorale SSAATTBB
221
Chorale SSATTB
149
Chorale SSAATB
50
Chorale SSAB, Piano
33
Chorale SSAB a cappella
32
Chorale SATBB
25
Voix seule
18
Chorale SSAATB A Cappella
9
Chorale SAATB A Cappella
7
Chorale SATTBB A Cappella
6
Voix duo, Piano
6
Voix duo
1
Voix Tenor, Piano
1
Chorale, Orgue
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Saxophones: 4 saxophones
65
Clarinette (partie séparée)
59
Flûte, Hautbois, Clarinette, Basson
49
Quatuor de Clarinettes: 4 clarinettes
37
Flûte et Guitare
36
Quatuor de Flûtes : 4 flûtes
33
Flûte traversière et Piano
32
Quintette de Saxophone: 5 saxophones
24
Clarinette et Piano
24
Hautbois, Piano (duo)
21
2 Saxophones (duo)
19
Flute (partie séparée)
18
Saxophone Alto et Piano
17
Ensemble de Flûtes
14
Quatuor de Flûtes à bec
13
Clarinette
13
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
11
Ensemble de Clarinettes
11
2 Clarinettes (duo)
10
Hautbois (partie séparée)
10
Flûte à Bec
9
3 Flûtes à bec (trio)
9
Flûte, Clarinette (duo)
9
Saxophone Soprano et Piano
9
3 Clarinettes (trio)
8
3 Saxophones (trio)
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Quintette de Flûte : 5 flûtes
6
Flûte traversière
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Saxophone Alto
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette Basse, Piano
3
Clarinette, Orgue
3
2 Flûte à bec (duo)
3
Ensemble de saxophones
3
Ensemble De Flûte à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Tenor
2
Hautbois, Basson (duo)
1
Hautbois, Quatuor à cordes
1
Flûte, Clarinette, Piano (trio)
1
Saxophone
1
Clarinette, Harpe (duo)
1
Cor anglais et Harpe (duo)
1
2 Saxophones, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Harpe
1
Flûte à bec Alto
1
2 Hautbois (duo)
1
Ensemble de Hautbois
1
Cor Anglais
1
4 Hautbois
1
Ensemble à vent
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
117
Trombone (partie séparée)
63
Trompette (partie séparée)
52
Quatuor de cuivres: 4 trombones
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quatuor de Cuivres
26
Cor (partie séparée)
25
Trompette, Piano
24
Trombone et Piano
20
Tuba (partie séparée)
18
2 Euphoniums et 2 Tubas
16
Quatuor de cuivres: 4 cors
15
Trompette
13
Ensemble de Trombones
13
Cor et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
4 Tubas
7
3 Trombones (trio)
7
2 Trombones (duo)
5
Cor anglais, Piano
5
Euphonium, Tuba (duo)
4
Trombone
4
Cor
4
Tuba et Piano
4
3 Cors (trio)
4
Quatuor de cuivres: 4 trompettes
4
Cornet A Pistons
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
2 Cors (duo)
3
Ensemble de Cors
3
3 Trompettes (trio)
2
Trio de Cuivres
2
Tuba et Orgue
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Trombone, Cor (duo)
1
2 Tubas (duo)
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
3 Tubas (trio)
1
Tuba
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon et Piano
33
Alto, Piano
24
Violon (partie séparée)
21
Violoncelle, Piano
20
Violoncelle (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
16
Violon
15
Contrebasse (partie séparée)
13
Violon, Violoncelle (duo)
10
2 Violons (duo)
9
4 Violoncelles
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe
6
Violon, Alto (duo)
5
Alto (partie séparée)
5
2 Violoncelles (duo)
5
2 Altos (duo)
5
Violon, Orgue
5
Trio à cordes
4
Alto seul
4
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Harpe, Violon, Violoncelle
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
538
Orchestre à Cordes
64
Ensemble de cuivres
59
Orchestre de chambre
43
Orchestre
38
Cloches
23
Ensemble Jazz
22
Percussion (partie séparée)
18
Batterie (partie séparée)
8
Marimba
7
Fanfare
6
Ensemble de Percussions
4
Timbales (partie séparée)
3
Jazz combo
3
Vibraphone
2
Percussion
2
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Chorale
Guitare
Partitions à imprimer
21 partitions trouvées
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1
Three Chorales for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #755010. Published by JDevor Music, LLC (A0.1154736). Three Chorales for solo guitar Short, melodic pieces for the intermediate-advanced classical guitarist. A great introduction to contemporary classical music for the guitar teacher and student.
$12.99
11.96 €
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Guitare
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J
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Three Chorales for solo guitar
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JDevor Music, LLC
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.53 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Chorale
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Cl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344. Published by Doug Smith Guitar Studio (A0.1163992). Chorale is music in the first postion that uses a four part texture. The piece can be used to introduce guitar students to how to playfour notes at once with free strokes and show proper balance to the moving parts involved  with four note chords.
$1.99
1.83 €
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Guitare
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Doug Smith
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Chorale
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Doug Smith Guitar Studio
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SheetMusicPlus
Two Chorales
Guitare
Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged…
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Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged by Anton Stingl. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4986. Published by Schott Music - Digital (S9.Q4986).
$11.99
11.04 €
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Guitare
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Johann Sebastian Bach
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Anton Stingl
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Two Chorales
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Schott Music - Digital
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SheetMusicPlus
2 Chorale Preludes BWV 645, BWV 147
Guitare
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.…
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
7.32 €
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Guitare
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Johann Sebastian Bach
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David Russell
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2 Chorale Preludes BWV 645, BWV 147
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Les Editions Doberman-Yppan
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.61 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.2 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
In Dulci Jubilo BWV368 for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebas…
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Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. Full Performance. Duration 77. DML #721997. Published by DML (A0.1120782). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein and in BWV 729 as a chorale prelude. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 368 follows almost exactly the four original voices from the chorale. The score is also available.
$1.99
1.83 €
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Guitare
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Simon James
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Simon James
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In Dulci Jubilo BWV368 for guitar quartet
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DML
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SheetMusicPlus
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
5.52 €
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Guitare
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Johann Sebastian Bach
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Simon James
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In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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DML
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.68 €
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Guitare
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Jesu Joy of Man's Desiring
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew Howes #6215701. Published by Andrew Howes (A0.951422). Advanced solo version for classical guitar, including the chorale. Testing but worth it!
$6.00
5.53 €
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Guitare
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Johann Sebastian Bach
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Andrew Howes
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Jesu Joy of Man's Desiring
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Andrew Howes
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.44 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV 147
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DML
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SheetMusicPlus
A Christmas Pastorale
Guitare
(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Micha…
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(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Intermediate. E-book. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.41 €
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Guitare
#
Pastorales on 2 Guitars)
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A Christmas Pastorale
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Three Bach Chorales
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Rod Whittle . Baroque Period. 3 pages. Published by Maggie Creek Music (S0.53731). - - Baroque Period - Maggie Creek Music
$5.00
4.61 €
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Guitare
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Johann Sebastian Bach
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Rod Whittle
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Three Bach Chorales
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Maggie Creek Music
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SheetMusicPlus
Thirty Chorale Preludes of J. S. Bach
Guitare
By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publi…
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By Joseph Thompson. For Guitar (Classical). Baroque. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.41 €
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Guitare
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Joseph Thompson
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Thirty Chorale Preludes of J. S. Bach
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
"Wachet auf, ruft uns die Stimme", Sleepers Awake from chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach, - classical guitar by Andrei Krylov
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baro…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Advanced Intermediate. Score. Andrei Krylov #25. Published by Andrei Krylov
$6.00
5.53 €
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Guitare
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Johann Sebastian Bach
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Andrei Krylov
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"Wachet auf, ruft uns die Stimme", Sleepers Awake from chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach, - classical guitar by Andrei Krylov
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Andrei Krylov
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SheetMusicPlus
Searching for a Chorale
Guitare
Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (di…
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Composed by Seymour Bernstein. Part. 8 pages. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1104). - Part - - Les Editions Doberman-Yppan (digital)
$5.95
5.48 €
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Guitare
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Seymour Bernstein
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Searching for a Chorale
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Les Editions Doberman-Yppan
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SheetMusicPlus
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