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Ciaccona BWV 1004
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Vous avez sélectionné:
Ciaccona BWV 1004
Guitare
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Ciaccona BWV 1004
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Roberto GarcÃa
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Ciaccona BWV 1004
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apt4guitar
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.789540 Composed by Johann Sebastian Bach. Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 14 pages. A...
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Solo Guitar - Level 5 - SKU: A0.789540 Composed by Johann Sebastian Bach. Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 14 pages. Apt4guitar #4992249. Published by apt4guitar (A0.789540). BWV 1004
$12.50
Ciaccona
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Ciaccona
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Chanterelle
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SheetMusicPlus
Guitar - advanced to difficult - From the Partita No. 2. Composed by Johann Sebastian Bach (1685-1750). This edition: Sheet music. Downloadable. Dur...
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Guitar - advanced to difficult - From the Partita No. 2. Composed by Johann Sebastian Bach (1685-1750). This edition: Sheet music. Downloadable. Duration 13 minutes. Chanterelle #Q49608. Published by Chanterelle
Item Number: S9.Q49608
The transcription of the famous Ciaccona from the second violin partita BWV 1004, Pegoraro closely adheres to Bach's original musical text and at the same time makes it as practicable as possible for the guitar.
$10.99
Partita II (BWV1004) in d minor transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
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Ciaccona BWV 1004
