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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
City Rat
Non classifié
268
Piano & claviers
Piano seul
126
Piano, Voix et Guitare
22
Piano, Voix
22
Piano Facile
19
Orgue
16
Piano grosses notes
7
2 Pianos, 4 mains
6
1 Piano, 4 mains
5
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
5
Basse electrique
2
Guitare (partie séparée)
1
2 Guitares (duo)
1
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
95
Pack Instrumental pour Chorale
34
Chorale 3 parties
28
Chorale 2 parties
17
Chorale TTBB
16
Chorale SSAA
14
Voix Baryton, Piano
6
Voix haute
4
Voix duo, Piano
4
Voix Tenor, Piano
3
Voix moyenne, Piano
3
Chorale Unison
2
Voix seule
2
Chorale
1
Chorale SSATTB
1
Voix duo
1
Voix Alto, Piano
1
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
25
Clarinette (partie séparée)
22
Saxophone (partie séparée)
19
Flûte, Hautbois, Clarinette, Basson
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière et Piano
10
Ensemble de saxophones
9
Flûte traversière
9
Flute (partie séparée)
8
Clarinette
8
Saxophone Baryton, Piano
7
Hautbois
7
Saxophone Tenor et Piano
7
Hautbois, Piano (duo)
7
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
7
Clarinette et Piano
6
Cor anglais, Piano
6
Clarinette Basse, Piano
5
2 Flûtes traversières (duo)
5
Saxophone Alto et Piano
5
Ensemble de Clarinettes
5
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Piccolo
4
2 Clarinettes (duo)
3
Clarinette, Guitare (duo)
3
Hautbois, Guitare (duo)
3
Ensemble de Flûtes
3
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte et Guitare
3
Saxophone Tenor
2
Clarinette Basse
2
3 Saxophones (trio)
1
Saxophone et Harpe
1
2 Saxophones, Piano
1
Saxophone et Guitare
1
2 Flûtes traversières, Piano
1
Hautbois, Harpe
1
Flûte traversière, Orgue (duo)
1
4 Hautbois
1
Cor Anglais
1
Clarinette, Harpe (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Saxophones (duo)
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Quintette de Flûte : 5 flûtes
1
+ 47 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette (partie séparée)
19
Trombone (partie séparée)
12
Quatuor de cuivres: 4 trombones
12
Cor (partie séparée)
10
Trombone et Piano
8
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor anglais, Piano
6
Trompette, Piano
6
Euphonium, Piano (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba (partie séparée)
4
Cor
4
Trompette
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Ensemble de Trombones
3
Tuba ou Euphonium ou Saxhorn
3
Tuba et Piano
3
2 Trompettes (duo)
3
Trombone
3
2 Tubas (duo)
2
Trompette, Cor (duo)
2
3 Tubas (trio)
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
Cor et Harpe
1
Cor Anglais
1
Trompette, Harpe
1
Ensemble de Trompettes
1
2 Cors (duo)
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
14
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
9
Violon
9
Alto, Piano
8
Violoncelle, Piano
7
Violon (partie séparée)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Alto seul
4
Contre Basse
3
2 Violons (duo)
3
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
3
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Harpe
2
Ensemble d'Altos
1
Ensemble de Violons
1
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Alto (partie séparée)
1
Harpe, Violon (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre
30
Ensemble de cuivres
28
Orchestre à Cordes
28
Percussion (partie séparée)
13
Ensemble Jazz
11
Orchestre de chambre
11
Jazz combo
7
Percussion
7
Ensemble de Percussions
6
Cloches
5
Timbales
4
Batterie
4
Batterie (partie séparée)
3
Orchestre, Violon
1
Marimba
1
+ 11 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
City Rat
Guitare
Partitions à imprimer
16 partitions trouvées
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1
BUS STOP CITY BLUES - Guitar Trio
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Guitare
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INTERMÉDIAIRE
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LINCOLN BRADY
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LINCOLN BRADY
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BUS STOP CITY BLUES - Guitar T
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LINCOLN BRADY
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1147823 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Blues,Chamber,Classical. Full Performance. Duration 17...
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Guitar - Level 3 - SKU: A0.1147823 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Blues,Chamber,Classical. Full Performance. Duration 170. LINCOLN BRADY #748019. Published by LINCOLN BRADY (A0.1147823).
$2.99
BUS STOP CITY BLUES - Solo Guitar
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Guitare
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INTERMÉDIAIRE
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LINCOLN BRADY
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LINCOLN BRADY
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BUS STOP CITY BLUES - Solo Gui
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LINCOLN BRADY
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1148834 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Blues,Classical,Pop. Full Performance. Duration 162. L...
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Guitar - Level 3 - SKU: A0.1148834 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Blues,Classical,Pop. Full Performance. Duration 162. LINCOLN BRADY #748972. Published by LINCOLN BRADY (A0.1148834).
$2.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Ricordi di Messina
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Classique
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Socrates Arvanitakis
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Ricordi di Messina
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1462949 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #104167...
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Solo Guitar - Level 3 - SKU: A0.1462949 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #1041673. Published by Socrates Arvanitakis (A0.1462949). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata refers to the port city of Messina in the narrow straits between Calabria and Sicily.
$3.00
Ricordi di Bari (sonata per chitarra sola)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Ricordi di Bari
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1453812 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #103306...
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Solo Guitar - Level 4 - SKU: A0.1453812 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #1033061. Published by Socrates Arvanitakis (A0.1453812). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata, written in chromatic minor and Lydian chromatic modes, refers to the port of Bari, a city in eastern coast of Italy.
$3.00
Ricordi di Napoli
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Ricordi di Napoli
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1431508 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #101198...
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Solo Guitar - Level 4 - SKU: A0.1431508 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #1011983. Published by Socrates Arvanitakis (A0.1431508). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata, written in A minor & major modes, refers to the port of Napoli, a city in the western coast of Italy.
$3.00
Ricordi di Dubrovnik
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Classique
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Socrates Arvanitakis
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Ricordi di Dubrovnik
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1432875 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #101330...
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Solo Guitar - Level 3 - SKU: A0.1432875 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #1013302. Published by Socrates Arvanitakis (A0.1432875). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata, written as a jig dance refers to the port of Dubrovnik, a city in the Croatian coast.
$3.00
Confidence / Danse
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Producti...
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Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
Choro da Saudade
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Guitare
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AVANCÉ
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Agustin Barrios
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Ivan Paschoito
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Choro da Saudade
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Ivan Paschoito
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1165462 By Agustin Barrios. By Agustin Barrios. Arranged by Ivan Paschoito. 20th Century,Classical,Latin. Individual par...
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Solo Guitar - Level 5 - SKU: A0.1165462 By Agustin Barrios. By Agustin Barrios. Arranged by Ivan Paschoito. 20th Century,Classical,Latin. Individual part. 5 pages. Ivan Paschoito #765823. Published by Ivan Paschoito (A0.1165462). Version based on the earliest known primary source: the manuscript of Brazilian guitarist João Avelino de Camargo (1880-1936), copied in 1935, most likely from an original by the author. In this version, the choro is dedicated to Américo Piratininga de Camargo (1903-1928), João Avelino's son, at the time recently deceased. Both father and son were Barrios' students and hosts during his visits to the city of São Paulo, Brazil.
$4.99
"Hark!", the Herald Angels Sing
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Guitare
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Classique
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald
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Robert McCormak
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SheetMusicPlus
Solo Guitar - SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Indi...
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Solo Guitar - SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
The Boy From New York City - Guitar
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Guitare
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Manhattan Transfer
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Greg Jasperse
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Jazz
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The Boy From New York City - G
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Manhattan Transfer. By John Taylor and George Davis. Arranged by Greg Jasperse. Rhythm. Concert; Jazz; Pop; Rock. EPak. 3 pages. Duration 3:10. Published by ...
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By Manhattan Transfer. By John Taylor and George Davis. Arranged by Greg Jasperse. Rhythm. Concert; Jazz; Pop; Rock. EPak. 3 pages. Duration 3:10. Published by Hal Leonard - Digital Sheet Music
$7.00
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