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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Classical Highlights
Sheetmusicplus
Non classifié
98
Piano & claviers
Piano, Voix
50
Piano seul
47
1 Piano, 4 mains
20
Piano Facile
10
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Instruments en Do
2
Accordéon
1
Orgue, Trompette (duo)
1
Orgue
1
+ 7 instrumentations
Retracter
Guitares
Guitare
30
Guitare notes et tablatures
4
2 Guitares (duo)
4
Mandoline, Guitare (duo)
3
4 Guitares (Quatuor)
1
Voix
Chorale SATB
16
Chorale 3 parties
6
Voix duo, Piano
2
Chorale Unison
2
Voix duo
1
Chorale SSAA
1
Chorale TTBB
1
Chorale 2 parties
1
+ 3 instrumentations
Retracter
Vents
Saxophone (partie séparée)
30
Clarinette (partie séparée)
30
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Saxophones: 4 saxophones
18
2 Flûtes traversières (duo)
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette de Saxophone: 5 saxophones
10
Flute (partie séparée)
9
Clarinette et Piano
8
Hautbois (partie séparée)
7
Flûte traversière et Piano
7
Flûte, Clarinette (duo)
7
2 Saxophones (duo)
6
Hautbois, Basson (duo)
5
Flûte traversière
5
Hautbois, Clarinette (duo)
4
Saxophone Alto et Piano
4
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor et Piano
3
2 Hautbois (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violoncelle
3
Clarinette
3
Flûte à bec Soprano
3
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Violoncelle
2
Clarinette, Basson (duo)
2
Saxophone Alto
2
Flûte, Alto (duo)
1
Hautbois et alto (duo)
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Cor Anglais
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse, Piano
1
2 Flûte à bec (duo)
1
Flûte, Violon
1
Flûte et Guitare
1
Cor anglais, Piano
1
Clarinette et Alto
1
3 Clarinettes (trio)
1
Cor anglais et Harpe (duo)
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Piano
18
Trompette (partie séparée)
17
Trombone (partie séparée)
16
Cor et Piano
13
Cor (partie séparée)
12
Quatuor de Cuivres
8
Trompette, Trombone (duo)
6
Trompette
5
Trombone et Piano
5
Tuba (partie séparée)
5
Cor
4
Trompette, Cor (duo)
4
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba et Piano
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
Trompette, Violoncelle (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Tubas (duo)
1
Trombone
1
Cor Anglais
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Cor anglais et Harpe (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon (partie séparée)
18
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Alto (duo)
7
Alto seul
7
Violoncelle, Piano
7
Violon et Piano
7
Violon
6
Violon, Violoncelle (duo)
6
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
5
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Alto, Piano
3
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Harpe
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
70
Orchestre à Cordes
24
Percussion (partie séparée)
23
Orchestre
10
Timbales (partie séparée)
5
Orchestre de chambre
4
Cloches
4
Ensemble de cuivres
2
Percussion
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FUNK
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Classical Highlights
SheetMusicPlus
Partitions à imprimer
30 partitions trouvées
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1
26
I Still Call Australia Home
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Guitare
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INTERMÉDIAIRE
#
acquiring this unique sheet mu
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional...
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Guitar - Level 3 - SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00
Another Brick In The Wall, Part 2
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Guitare
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INTERMÉDIAIRE
#
Pink Floyd
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Rafael Milhomem
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Another Brick In The Wall, Par
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Milhomusic
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditiona...
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Guitar - Level 3 - SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Killing Me Softly With His Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Roberta Flack
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Paul Smith
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Killing Me Softly With His Son
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Conservatory Radio USA
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1354614 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Paul Smith. 20th Century,Classical,Hip-Hop,Singe...
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Solo Guitar - Level 4 - SKU: A0.1354614 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Paul Smith. 20th Century,Classical,Hip-Hop,Singer/Songwriter,Standards. Individual part. 2 pages. Conservatory Radio USA #939308. Published by Conservatory Radio USA (A0.1354614). Arranged for the Solo GuitarHighlights modern elevated fretboard techniqueVideo by Rec.Today
$9.99
Cool Coals
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Guitare
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INTERMÉDIAIRE
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Doug Smith
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Cool Coals
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1252859 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Instructional. Individual part. 6 pages...
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Solo Guitar - Level 3 - SKU: A0.1252859 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #846661. Published by Doug Smith Guitar Studio (A0.1252859). Cool Coals highlights the character of the 3rd or G' String of the guitar. The melody is played going up and down on the G string while an accompaniment weaves around the melody note.
$1.99
Canon K230
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Guitare
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K230
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Andre_Nusa
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Publi...
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Guitar - Level 1 - SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Published by Andre_Nusa (A0.1243117). Immerse yourself in the enchanting melodies of Mozart's Canon K. 230 with this mesmerizing arrangement. This sheet music captures the timeless allure and intricate interplay of the original composition, allowing you to experience Mozart's musical brilliance in a new light. Specifically tailored for acoustic guitar duo, this arrangement showcases the essence of Canon K. 230 with precision and elegance. The two instruments blend seamlessly, creating a rich and resonant sound that highlights the depth and complexity of Mozart's composition. Perfect for performances, recitals, or chamber music enthusiasts, this arrangement offers an opportunity to showcase the talents of acoustic guitar, bringing the beauty of Canon K. 230 to life for your audience. The interplay between the instruments creates a captivating musical dialogue, accentuating the unique tonal colors and expressive capabilities of the two instruments. The sheet music includes standard notation and tablature.
$4.99
Blue-Eyed Billy-Bob Brown Blues
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Guitare
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INTERMÉDIAIRE
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Brett Watchorn
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Brett Watchorn
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Blue-Eyed Billy-Bob Brown Blue
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Brave Music Australia Publishing
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.497972 By Brett Watchorn. By Brett Watchorn. Arranged by Brett Watchorn. Blues,Classical,Contemporary,Contest,Festival,Tradit...
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Guitar - Level 3 - SKU: A0.497972 By Brett Watchorn. By Brett Watchorn. Arranged by Brett Watchorn. Blues,Classical,Contemporary,Contest,Festival,Traditional. 8 pages. Brave Music Australia Publishing #111645. Published by Brave Music Australia Publishing (A0.497972). Blue-Eyed Billy-Bob Brown Blues is a fun and swanky blues shuffle for an intermediate guitar trio. The song is remeniscient of classic 12-bar blues tunes with a slight 1950's rock 'n roll edge. This piece is sure to get the audience toes tapping, and the players should have some fun too. Guitar 3 functions as a bass player, with walking bass lines and some groovy little licks. Guitar 1 features solos and melody highlights. Guitar 2 functions as the harmoniser, but also has some counter-melodies and licks too.- Key: G blues --- Tempo: Recorded at 100bpm --- Time signature: 4/4 --- Feel: Blues shuffle --- Form: In A A B A --- bravemusicaustralia.com.au --- Sunglasses essential! 😎.
$4.99
Prelude Op.9 No.1
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Guitare
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Contemporain
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A
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Rod Whittle
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Prelude Op.9 No.1
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Publ...
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Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata – ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
Beetlejuice (main Theme)
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Guitare
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INTERMÉDIAIRE
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Danny Elfman
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André Alberto Santos
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Beetlejuice
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pag...
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Guitar - Level 3 - SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pages. Soul - Musical Creations #843883. Published by Soul - Musical Creations (A0.1249449). Elevate your musical performances to new heights with the captivating sheet music arrangement of Beetlejuice (Main Theme) by Danny Elfman from the iconic movie Beetlejuice, specifically arranged for four classical guitars. Experience the enchantment of this beloved melody as it resonates through the harmonies of multiple guitars, adding depth and richness to your performance.Crafted with precision and care, this arrangement allows you and your fellow guitarists to recreate the magical atmosphere of Beetlejuice, captivating audiences with the hauntingly beautiful notes that have become synonymous with the film. With individual parts for each guitar, you'll enjoy the unique experience of playing in harmony and creating a captivating ensemble performance.Whether you're a guitar ensemble, a group of friends, or a music educator looking to inspire your students, this sheet music is an invaluable addition to your repertoire. The four-part arrangement ensures that every guitarist has an opportunity to shine and contribute to the spellbinding rendition of Beetlejuice (Main Theme).From concerts and recitals to gatherings and events, this arrangement will be the highlight of any performance. Its recognizable melody and nostalgic charm will captivate listeners and leave a lasting impression on all who hear it.Unlock the extraordinary potential of your guitar ensemble with the sheet music for Beetlejuice (Main Theme) arranged for four classical guitars. Order your copy today and embark on a musical journey that blends the world of classical guitar with the enchantment of Beetlejuice.  Don't miss out – seize this opportunity and let the haunting melodies of Beetlejuice resonate through your guitars!
$4.99
We Found Love
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Guitare
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FACILE
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Rihanna Featuring Calvin Harri
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Rodrigo Faleiros
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We Found Love
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1478763 By Rihanna Featuring Calvin Harris. By Calvin Harris (adam Wiles). Arranged by Rodrigo Faleiros. Film/TV,Pop,R &...
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Solo Guitar - Level 2 - SKU: A0.1478763 By Rihanna Featuring Calvin Harris. By Calvin Harris (adam Wiles). Arranged by Rodrigo Faleiros. Film/TV,Pop,R & B,Wedding. Individual part. 1 pages. Rodrigo Faleiros #1055467. Published by Rodrigo Faleiros (A0.1478763). WE FOUND LOVE (Rihanna feat. Calvin Haris) This solo classical guitar arrangement of We Found Love by Rihanna and Calvin Harris brings a fresh and accessible twist to the iconic pop hit. Transposed to the key of F major, this version offers a more approachable key, ensuring ease of play while maintaining the song's energetic and uplifting spirit. Perfect for both performance and personal enjoyment, this arrangement captures the essence of the original track while highlighting the expressive capabilities of the classical guitar.Key Features: We Found Love easy sheet music With chord symbols Perfect for small concerts and events such as weddings, graduations and others. And don't miss the chance to see my other arrangements ➡️ clicking here ⬅️
$4.99
We Found Love
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Guitare
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FACILE
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Rihanna Featuring Calvin Harri
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Rodrigo Faleiros
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We Found Love
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1478764 By Rihanna Featuring Calvin Harris. By Calvin Harris (adam Wiles). Arranged by Rodrigo Faleiros. Film/TV,Pop,R &...
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Solo Guitar - Level 2 - SKU: A0.1478764 By Rihanna Featuring Calvin Harris. By Calvin Harris (adam Wiles). Arranged by Rodrigo Faleiros. Film/TV,Pop,R & B,Wedding. Individual part. 1 pages. Rodrigo Faleiros #1055469. Published by Rodrigo Faleiros (A0.1478764). WE FOUND LOVE (Rihanna feat. Calvin Haris) This solo classical guitar arrangement of We Found Love by Rihanna and Calvin Harris brings a fresh and accessible twist to the iconic pop hit. Transposed to the key of F major, this version offers a more approachable key, ensuring ease of play while maintaining the song's energetic and uplifting spirit. Perfect for both performance and personal enjoyment, this arrangement captures the essence of the original track while highlighting the expressive capabilities of the classical guitar.Key Features: We Found Love easy sheet music Perfect for small concerts and events such as weddings, graduations and others. And don't miss the chance to see my other arrangements ➡️ clicking here ⬅️
$4.99
Toy for Timothy
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Lullaby for Mirabai
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim Bosse (A0.954948). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Air for Chiara
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim Bosse (A0.954947). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Soren's Jig
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Ji...
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Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Jim Bosse (A0.954949). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in a Scottish style, highlighting his genetic heritage. As the finale for this suite, each other gandkid's theme is revisited. Performance time is 4 minutes and 09 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Autumn Song (for solo guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rick Alexander
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Rick Alexander
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Autumn Song
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Rick Alexander
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1222257 By Rick Alexander. By Rick Alexander. Arranged by Rick Alexander. Classical,Contemporary. Individual part. 3 pag...
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Solo Guitar - Level 4 - SKU: A0.1222257 By Rick Alexander. By Rick Alexander. Arranged by Rick Alexander. Classical,Contemporary. Individual part. 3 pages. Rick Alexander #818520. Published by Rick Alexander (A0.1222257). Autumn Song is a solo classical guitar piece and is the third piece in my seasons suite after my previously released Winter Song and Spring Song. I've called these pieces songs because each has a singable melody.  Autumn Song takes the listener through two moods.  It starts with a melodic A section with interesting chords. It then moves to the B section at bar 33. The B section is a highlight of the piece with a strong melody and compelling harmonies.
$4.99
We Three Kings
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Guitare
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INTERMÉDIAIRE
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Noël
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John Butler
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John Butler
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We Three Kings
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John Butler
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1149396 By John Butler. By John Henry Hopkins Jr. Arranged by John Butler. Christian,Christmas,Classical,Holiday,Sacred....
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Solo Guitar - Level 3 - SKU: A0.1149396 By John Butler. By John Henry Hopkins Jr. Arranged by John Butler. Christian,Christmas,Classical,Holiday,Sacred. Individual part. 3 pages. John Butler #749092. Published by John Butler (A0.1149396). This arrangements of We Three Kings is an arrangement for solo classical guitar for the intermediate player. The melody is highlighted with a arpeggio style accompaniment. This is a great guitar piece to play at a Christmas/ Holiday party, gig, or recital.
$4.99
Study in C No. 8 Op. 6 - Fernando Sor (Trio)
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Guitare
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Classique
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Fernando Sor
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Christopher Everest
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Study in C No. 8 Op. 6 - Ferna
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Christopher Everest
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SheetMusicPlus
Solo Guitar - SKU: A0.901378 Composed by Fernando Sor. Arranged by Christopher Everest. Classical. Individual part. 2 pages. Christopher Everest #585347...
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Solo Guitar - SKU: A0.901378 Composed by Fernando Sor. Arranged by Christopher Everest. Classical. Individual part. 2 pages. Christopher Everest #5853475. Published by Christopher Everest (A0.901378). This is a teaching/practice supplement to highlight the independent voices of Sor's No. 8 Op. 6 .
$1.99
Variations on a Theme by Tommie Wright
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ted Stanley
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Variations on a Theme by Tommi
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Ted Stanley
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley ...
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Solo Guitar - Level 4 - SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Spanish Nocturne
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Spanish Nocturne
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug S...
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Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #847092. Published by Doug Smith Guitar Studio (A0.1253431). Spanish Nocturne is a guitar solo that brings out the special character of the A or 5th string. The melody sets the mood as it begins in the bass and then gently moves to the trebles and develops into an extended arpeggio section before returning in ornamental fashion to highlight the bass strings.
$2.99
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